Publicado por University of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: Taos Books, Santa Fe, NM, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. First Edition. Very Good Plus/Good Plus, text tight clean and unmarked, boards likewise clean and undamaged, NOT ex-library, stated first edition, dust jacket shows small closed tear on front bottom edge which has been taped on the inside, dj shows some light edge wear.
Publicado por University of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Hardcover. Condición: Good. 1. Product Description Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language-the plays, the companies that produced them, and the performances that set a standard for all future stagings.George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s-Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina-along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina.The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues.Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama. About the Author David George is Professor of Spanish and Portuguese at Lake Forest College, Lake Forest, Illinois.
Publicado por University Of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780292751293.
Publicado por University of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: dsmbooks, Liverpool, Reino Unido
Hardcover. Condición: New. New. book.