Publicado por Chicago Distribution Center, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Publicado por University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New.
Publicado por University of Chicago press
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: New. Brand New.
Publicado por The University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: Grand Eagle Retail, Wilmington, DE, Estados Unidos de America
Hardcover. Condición: new. Hardcover. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-womanshe who has it alland in so doing, they give us new ways of imagining womens lives in contemporary America. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Publicado por University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition.
Publicado por University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Condición: As New. Unread book in perfect condition.
Publicado por University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Condición: New.
Publicado por The University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: CitiRetail, Stevenage, Reino Unido
Hardcover. Condición: new. Hardcover. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-womanshe who has it alland in so doing, they give us new ways of imagining womens lives in contemporary America. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Publicado por The University of Chicago Press, 2022
ISBN 10: 0226816354 ISBN 13: 9780226816357
Librería: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condición: new. Hardcover. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-womanshe who has it alland in so doing, they give us new ways of imagining womens lives in contemporary America. The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.