yale university art gallery and yale university press new haven connecticut (22 resultados)

Softcover. Green & color ullus. wraps. 420 pp. numerous color & bw plates. An outstanding catalogue published to accompany the massive retrospective of American artist Winslow Homer. With 8 illustrated essays, superb plates, artist chronology, and excellent bibliography. Destined to be a classic! VG- (Minor wear and curling to wraps; Internally clean and bright; A few pencil markings on first page).

Hardcover. Gold cloth with white lettering; color illustrated dust jacket. 420 pp. numerous color & bw plates. An outstanding catalogue published to accompany the massive retrospective of this artist. Written by Nicolai Cikovsky, Jr. and Franklin Kelly, with contributions by Judith Walsh and Charles Brock. Terrific text, superb plates, excellent bibliography. Destined to be a classic! Published to accompany the exhibition held in Washington, DC: National Gallery or Art, Oct. 15, 1995 to Jan. 28, 1996, two other locations. VG/VG- ex-libris sticker to cover flyleaf. dj has some curling & scuffs, wear to corners; toning to interior.

Softcover. Condición: Very Good. First edition. Quarto. 259pp. Owner's name inked on front fly, spine crease, very good. Exhibition catalogue.

Paperback. grey & pictorial. wraps, 352 pp. with profuse bw and color plates. Issued in conjunction with several 1999-2000 exhibitions of artwork by German sculptor and woodcarver Tilman Riemenschneider (1460-1531). With seven thematic and illustrated essays that present a survey of his oeuvre and explores his workshop, his social milieu, reception of his work, and his sculptures. The annotated and illustrated catalogue presents 45 specific pieces. Includes bibliography. VG (light edge-wear & light rubbing to wraps and edges; small black scuff to upper textblock edge w/ minor rubbing to some opening textblock pg edges. very tightly bound).

Hardcover. Red cloth with gilt spine lettering; color illustrated dj. 319 pp. Numerous color and bw plates. An exceptional book wherein De La Tour is examined for the first time since the 1972 exhibition in France. Since that time, new scholarship has been offered, and new paintings have come to light, and this wonderful exhibition and catalogue brought it all together. Sumptuously illustrated in striking color. VG-/VG- (light scuffing and light foxing to upper text block).

Hardcover. Condición: As New. Tan cloth boards, white DJ with color illus. [xiii] 241 pp. The enigmatic and charismatic John Graham (1886-1961) was an important influence on his fellow New York artists between the 1920s and the 1940s. This title showcases about 87 works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle. -- Book jacket. Catalog of an exhibition organized by the Addison Gallery of American Art, Phillips Academy, Andover, Mass., and held at the Addison Gallery and two other institutions between Jan. 29 and Dec. 31, 2012. Includes index.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition. Some fading along the edges of the boards else fine in a near fine dustwrapper with a very lightly sunned spine.

Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 60 pp., with 49 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/2 x 9-1/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap. From the publisher: "The public outpouring of support for newly elected President John F. Kennedy in 1960 was exceeded in scope and magnitude by the manifestations of grief and mourning after his assassination in 1963. These responses had an unusually strong visual component: likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation. Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (born 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today.".

Original Boards. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. With b/w & coloured decorated endpapers, plates & illustrations. Slight wear to spine, covers, corners & dustjacket. ; This scholarly work delves into the formative years of the Royal Academy's exhibitions held at Somerset House, offering a detailed study of the institution's role in the development and promotion of the arts in late 18th and early 19th century Britain. Through meticulous research and analysis, Solkin provides readers with insights into the artistic, social, and political dynamics that shaped these exhibitions. The book includes a rich array of illustrations and examines the contributions of various artists, patrons, and critics to the Academy, making it an invaluable resource for understanding the impact of these exhibitions on the art world and British society. ; Quarto; xii, 278 pages.

Hardbound. White cloth, color illustrated DJ. 400 pp. 119 color, 215 bw plates. Extensive catalogue text by Nancy K. Anderson; 97-page chronology; essays: "Printmaker of the First Rank'" by Thomas P. Bruhn, and "Moran and the Art of Publishing" by Joni L. Kinsey. Appendices include 1) the Prang Commission, 2) Thomas Moran's "Opus List," published here for the first time, and 3) letters from the Far West. Seven pages of endnotes, a 21-page bibliography, and an index of 98 paintings in the exhibition complete this lavishly illustrated book, almost 1-1/2" thick! The exhibition was held Sept. 28, 1997 to Jan. 11, 1998, and was then then sent to two other locations. VG+/VG-, some small minor chipping to the dustjacket extremities.

Hardcover. Dark blue cloth over boards; peacock blue pictorial dj.; Color illus. endpapers; 406 pp.; Profusely illustrated in color and bw; weighs 5.5 lbs. This copy is accompanied by its original white slipcase; photo is a previous copy. A fascinating and in-depth examination of James McNeill Whistler's Peacock Room. VG+/VG (light scuffs, wear to cloth boards, edges & corners. dustjacket has light scuffs & wear; rubbing, crease to spine top; crinkling to tail.).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition. No additional date, edition or printing indicated. Fine, if not new hardback in fine, if not new unpriced, unclipped dust jacket.

Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design by Katy Homans. Duotone separations by Thomas Palmer. 214 pp., with 202 black-and-white reproductions. 9-5/8 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "American photographer Lee Friedlander (born 1934) has had an expansive career, photographing his subjects--from family and friends to political figures and celebrities--in their everyday environments, while simultaneously changing the very landscape of his chosen media. The Human Clay is a new series of six publications to be released over three years, each of which focuses on images of people and features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive. In Children, 200 photographs are presented in two sections. The first features images of children that the artist has known: being bathed or fed, laughing or crying with family members, posing with pets or mugging for the camera. The second section presents works from Friedlander's years of photographing people on the street: children in parades, sitting in cars, or reflected in storefront windows. Taken together, these images offer a picture of America's youth through the eyes of one of the most renowned photographers of his generation." Signed by Author.

Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design by Katy Homans. Duotone separations by Thomas Palmer. 224 pp., with 234 black-and-white reproductions. 9-5/8 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "American photographer Lee Friedlander (b. 1934) has had an expansive career, photographing his subjects--from family and friends to political figures and celebrities--in their everyday environments, while simultaneously changing the very landscape of his chosen media. The Human Clay is a new series of six publications to be released over three years, each of which focuses on images of people and features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive. Portraits presents over 300 photographs of the musicians, authors, artists, and more that Friedlander has met over the last four decades. Many of the images show prominent figures, including artists Maya Lin and Walker Evans, in private spaces-unguarded in living rooms and kitchens, captured in conversation or an embrace. In others, celebrities such as Fats Domino and Derek Jeter are surrounded by the trappings of fame." Signed by Author.

Hardcover. Condición: New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Designed by Katy Homans. Includes a list of captions. 60 pp., with 49 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/2 x 9-1/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "The public outpouring of support for newly elected President John F. Kennedy in 1960 was exceeded in scope and magnitude by the manifestations of grief and mourning after his assassination in 1963. These responses had an unusually strong visual component: likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation. Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (born 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." Signed by Author.

Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design by Katy Homans. Duotone separations by Thomas Palmer. 188 pp., with 172 black-and-white reproductions. 9-5/8 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "American photographer Lee Friedlander (b. 1934) has had an expansive career, photographing his subjects--from family and friends to political figures and celebrities--in their everyday environments, while simultaneously changing the very landscape of his chosen media. The Human Clay is a new series of six publications to be released over three years, each of which focuses on images of people and features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive. [Friedlander] is known for his candid portraits of people in their everyday environments. This volume in his Human Clay series of books highlights a lively collection of Friedlander's photographs of celebrations--both public and private. From intimate gatherings to boisterous street parades, costume parties to black-tie affairs, Friedlander captures the spirit of these events and the ways in which they are commemorated. He documents surprisingly intimate moments--couples stealing a kiss, friends engaged in spirited conversation or laughing over drinks, guests lost in music on the dance floor. The images also feature a number of celebrities, including actors Ingrid Bergman and Sidney Poitier, enjoying the revelry at galas and parties, such as one at the famous Sardi's restaurant in New York." Signed by Author.

Hardcover. Condición: New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Warren "Baby" Dodds. Designed by Katy Homans. 207 pp., with 202 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 9-5/8 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "Lee Friedlander (b. 1934) first visited the birthplace of jazz in 1957, and immediately set about photographing the aging pioneers of the art form. His love of the music and the people of New Orleans drew him back to the city, and the relationships he formed over time gave him intimate access to a scene that forged one of America's most original artistic traditions. A revised and expanded edition of his 1992 monograph The Jazz People of New Orleans, Playing for the Benefit of the Band features over 200 photographs taken by Friedlander between 1957 and 1982, many of which are published here for the first time. Storied figures such as Duke Ellington and Mahalia Jackson have been captured by Friedlander's disarming lens, and Sweet Emma Barrett, Sister Gertrude Morgan, Johnny St. Cyr, and other luminaries are seen in their homes and the back rooms in which they gathered to play. Also included are photographs of the city's second-line parades, whose jubilant dancing has long been a defining aspect of New Orleans jazz culture." Signed by Author.

Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed with black ink on the dedication page by Friedlander. Hardcover. Photographically illustrated, matte rubber-like paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 378 pp., with over 350 plates printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from duotone separations made by Thomas Palmer. 8-3/4 x 9-3/4 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "Designed and conceived to complement In the Picture, his 2011 volume of self-portraits, Lee Friedlander's Family in the Picture is the family album of one of the most restless and inventive figures in the history of photography. The sequence of over 350 pictures begins with images of Friedlander's wife, Maria, at the beginning of their marriage, and interweaves major life events such as births, weddings, and funerals with moments that are less outwardly momentous yet equally moving. Although some of the pictures are well known, the majority of images have only recently been unearthed from Friedlander's personal archive. This compendium of pictures, spanning over a half-century, chronicles the photographer's family with arresting frankness, poignancy, and a moral: that life goes on." Signed by Author.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First Printing. A Fine copy in jet-black cloth over thick boards, in a Fine dark brown and magenta colored dustwrapper. Exhibition monograph published in conjunction with a show at the National Gallery of Art in Washington DC, and traveling to New York and Paris. 376pp., with contributions by John Gage, Carol Mancusi-Ungaro, Barbara Novak, Brian O'Doherty, Mark Rosenthal and Jessica Stewart. With a chronology, interviews with the Artist. Q10607.

Hardcover. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design by Katy Homans. Duotone separations by Thomas Palmer. 216 pp., with 206 black-and-white reproductions. 9-5/8 x 11 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "American photographer Lee Friedlander (b. 1934) has had an expansive career, photographing his subjects--from family and friends to political figures and celebrities--in their everyday environments, while simultaneously changing the very landscape of his chosen media. The Human Clay is a new series of six publications to be released over three years, each of which focuses on images of people and features hundreds of photographs, many never before published, chosen and sequenced by the artist himself from his vast archive. This latest volume in the series compiles some of Friedlander's street photography taken over the course of more than 50 years--including images of Atlanta, Buffalo, Denver, Los Angeles, Miami, New Orleans, and San Francisco, as well as more than 100 photographs of New York City." Signed by Author. New (from Friedlander's personal archive).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Signed by Gowin. Hardcover. Fine linen cloth, with photographically illustrated dust jacket. Photographs by Emmet Gowin. Edited by Joyce Ippolito. Essays by Jock Reynolds and Terry Tempest Williams, and an interview with Emmet Gowin by Philip Brookman. Designed by Katy Homans. 164 pp., with 92 quadtone plates, beautifully printed by Meridian Printing, Rhode Island from digital separations made by Robert J. Hennessey. 13 x 11 inches. This first edition was limited to 8000 hardbound copies. Published on the occasion of the 2002 exhibition Emmet Gowin: Changing the Earth, Aerial Photographs, curated by Jock Reynolds, at the Yale University Art Gallery, New Haven, Connecticut (traveled to the Corcoran Gallery of Art, Washington, D.C. and numerous other venues). Fine in Fine dust jacket. A Near Mint copy. From the publisher: "Emmet Gowin has been taking aerial photographs of the landscape in the United States, Mexico, Czechoslovakia, Asia, and the Middle East for over twenty years. In his most compelling photographs, one witnesses how man's footprint has visually scarred and continually altered the earth's surface. This extraordinary book, published in conjunction with the first major touring exhibition of Gowin's photographs in over ten years, focuses on images created after 1986. That was the year Gowin began to extend his aerial photography explorations in America by recording images of military test sites, missile silos, ammunition storage and disposal facilities, coal mining, pivot irrigation, offroad motor traffic, and more. The book also surveys his more recent works, which focus on other regions of the world, including the battlefields of Kuwait, new golf courses in Japan, and the chemo-petrol industries of the Czech Republic. Gowin's richly toned black and white images have been characterized as "immorally gorgeous," since at a distance even his most disturbing images can appear to be beautiful. In this exquisitely produced volume, Jock Reynolds provides an overview of Gowin's aerial photography and places it in the context of his earlier work and that of such photographers as Carleton Watkins, Alfred Stieglitz, Ansel Adams, and Frederick Sommer. Philip Brookman illuminates Gowin's recent work in the Czech Republic, while Terry Tempest Williams discusses Gowin's images from the American West, especially his Nevada Test Site series." Signed by Author.