Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Anya Stonelake White Space Gallery, London, 2008
Librería: Victoria Bookshop, BERE ALSTON, DEVON, Reino Unido
Original o primera edición
Hardcover. Condición: G+. First Edition. 4to A slim volume - good copy with very minor shelf wear. Book.
Publicado por Anya Stonelake/White Space Gallery, 2011
ISBN 10: 0955739462ISBN 13: 9780955739460
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 28,44
Usado desde EUR 27,24
Encuentre también Tapa blanda Original o primera edición Ejemplar firmado
Publicado por Anya Stonelake/White Space Gallery, 2011
ISBN 10: 0955739462ISBN 13: 9780955739460
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Libro Original o primera edición
Condición: New. 2011. First Edition, First Printing. Paperback. New.
Publicado por Anya Stonelake/White Space Gallery, London, 2010
ISBN 10: 0955739462ISBN 13: 9780955739460
Librería: Daedalus Books, Portland, OR, Estados Unidos de America
Miembro de asociación: CBA
Libro Original o primera edición
Paperback. Condición: Near Fine. First Edition. A nice, bright copy. ; B&W Photographs; 11.6 X 8.1 X 0.8 inches; 80 pages.
Publicado por White Space Gallery, London. 2008., 2008
Librería: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
Small 4to, 71pp, with colour and black and white illustrations. Very good hardback copy.
Publicado por White Space Gallery, 2010
ISBN 10: 0955739454ISBN 13: 9780955739453
Librería: Greener Books, London, Reino Unido
Libro
Hardcover. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 62,40
Usado desde EUR 26,53
Encuentre también Tapa dura Original o primera edición
Publicado por White Space Gallery, 2012
Librería: Bookcase, Carlisle, Reino Unido
Staple Binding. Condición: Near Fine. Light wear. Size: 4to. Exhibition Book.
Publicado por WHITE SPACE GALLERY, 2007
Librería: Happyfish Books, Meopham, KENT, Reino Unido
Libro
Hardcover. Condición: Good. No Jacket. THE BOARDS ARE LIGHTLY RUBBED. THERE ARE PENNED MARKS TO THE TITLE PAGE. THE BINDING IS TIGHT. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.
Publicado por White Space Gallery, London, 2016
Librería: David Bunnett Books, London, Reino Unido
Original o primera edición
SOFTCOVER. Condición: New. No Jacket. 1st Edition. 8vo in stiff card covers, 55pp on stiff paper, colour plates, etc. One of only 500 copies made CONDITION: NEW unread and unmarked copy (black printed rear cover slightly shelf-rubbed) ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Publicado por Alexander Ochs Galleries Berlin / White Space Bejing / CP Foundation Jakarta, 2006
Librería: EightDeerBooks, Morrison, CO, Estados Unidos de America
Soft cover. Condición: Fine. Published in conjuction with Fang Lijun's solo exhibition at National Gallery Jakarta. Texts in English and Indonesian. 160 pages. Essays: Alexander Ochs, Dreams and Reality About Fang Lijun / Jim Supangat, China Avant-Garde and the Contemporary Art / Andreas Schalhorn, Fang's Heads / Yi Ying, An Episode of History. Works of the following work groups: Paintings, Woodcuts, Golden Heads, Ink. Copy appears unused, spine intact, edges and corners crisp, no internal markings, some rubbing to cover. heavy book, please inquire about exact shipping costs, especially abroad.
Publicado por White Space Gallery, UK, 2017
ISBN 10: 0955739489ISBN 13: 9780955739484
Librería: Marcus Campbell Art Books, London, Reino Unido
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Near fine. No dj, as issued. First Edition. 25 x 28cm 144pp near fine hardback signed by the photographer on the title page with colour reproductions throughout.
Publicado por Antwerpen: Wide White Space Gallery, 1970, 1970
Librería: °ART...on paper - 20th Century Art Books, Lugano, Suiza
Miembro de asociación: ILAB
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Sm.8° - unpag. - 10 B/w reproductions (Drawings). Exhibition Catalog: Georg Baselitz (1938) German painter who studied in the former East Germany, before moving to what was then the country of West German. Text in Flemish language. Original wrappers. In Very good condition.
Publicado por Antwerpen, Wide White Space Gallery ,, 1970
Librería: Wolfgang Rüger, Frankfurt am Main, Alemania
Original o primera edición
20 S., OKart., Einband angestaubt, sonst gut erhalten Sprache: Niederländisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.
Publicado por London: White Space Gallery, 2016, 2016
Librería: °ART...on paper - 20th Century Art Books, Lugano, Suiza
Miembro de asociación: ILAB
Libro Original o primera edición
Soft cover. Condición: Fine. 1st Edition. Sm.8° - 111pp - Color & B/w photo-reproductions. Published as exhibition Catalog: Antanas Sutkus (1939) Lithuanian photographer. Sutkus is a recipient of the Lithuanian National Prize for Culture and Arts, the Order of the Lithuanian Grand Duke Gediminas, and the Dr. Erich Salomon Award. First edition, published in 1600 copies, text in English language. Original boards. In Fine condition.
Publicado por Anya Stonelake/white Space Gallery London & the German Embassy, London / Timur Novikov Foundation, 2017
Librería: David Bunnett Books, London, Reino Unido
Original o primera edición
HARDCOVER. Condición: New. No Jacket. 1st Edition. Small 8vo. in gilt embossed black cloth, 79pp on thick art paper, colour plates, etc. No. 9 of 50 copies made. Book gives ISBN as 9780955739477 CONDITION: NEW unread copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Publicado por Antwerpen, Wide White Space Gallery 1968 0, 1968
Librería: marco gietmann - antiquariat, Berlin, Alemania
No Binding. Condición: Fine. Format: 22 x 11 cm. Beidseitig bedruckt. [Schneede, Joseph Beuys, Die Aktionen, Nr. 14]. Book.
Publicado por Wide White Space Gallery Antwerp, Belgium, 1971
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[1] pp.; 17.6 x 23 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single side announcement published in conjunction with show held December 6, 1971 - January 16, 1972. Printed on thin tissue paper. Good. Folded in two as issued. Moderate handling wear and creases to head and tail edges of announcement with additional wear including two 1 mm. tears. Clean and unmarked.
Publicado por Wide White Space Gallery Antwerpen, Belgium, 1968
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[4] pp.; 21.2 x 14 cm. (closed); duotone; edition size unknown; unsigned and unnumbered; offset-printed aFolded exhibition announcement for show held November 15 - December 15, 1968. Card opens to image of a Ruthenbeck sculpture, printed in black, over a crimson background. [Illustrated] Very Good. Very light age to exterior, otherwise clean and unmarked.
Publicado por Wide White Space Gallery, 1967
Librería: Il Leviatano, Torino, TO, Italia
Arte / Grabado / Póster Original o primera edición
senza rilegatura. Condición: molto buono. prima edizione. Il manifesto misura 31x44 cm. Ottimamente conservato, segnalo solo lievi bruniture sul retro. Non comune.
Publicado por Wide White Space Gallery, Antwerp ., 1970
Librería: Galerie Buchholz OHG (Antiquariat), Köln, Alemania
Condición: Very Good. unapg., zahl. s/w Bildtafeln, brosch., 22 x 15 cm. Außen minimal gebräunt. Darüber hinaus in guter Erhaltung.
Publicado por Wide White Space Gallery., 1971
Librería: Tim Byers Art Books, Richmond, Reino Unido
Bi-lingual invitation card for BroodthaersÕ exhibition at the Wide White Space Gallery in Antwerp, from September 27 to October 27, 1971. In the exhibition, Broodthaers exhibited his work made from 1963 to 1971. Single card, printed one side only in black and red.
Publicado por White Space Gallery, 2008
ISBN 10: 0955739411ISBN 13: 9780955739415
Librería: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, Reino Unido
Miembro de asociación: IOBA
Libro Original o primera edición
Hardcover. Condición: Collectable - Fine. First Edition. Fine Limited Edition White Space hardback - one of 3,000 copies in English only. Size: 20.9 x 1.6 x 25.7 cm. 128 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Film, Radio & Television; Art and Design; The Arts; Photography and photographs; ISBN: 0955739411. ISBN/EAN: 9780955739415. Dewey Code: 779.092. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 088858.
Publicado por (London/Florenz), white space gallery/Tarkovsky Foundation, [2010]., 2010
ISBN 10: 095573942XISBN 13: 9780955739422
Librería: Antiquariat Jürgen Fetzer, Wien, Austria
Libro Original o primera edición
Erste Ausgabe (3000 englische, 2000 russische Exemplare). * Englische Ausgabe. Andrei Arsenjewitsch Tarkowski (1932 Sawraschje, Sowjetunion - 1986 Paris) war ein sowjetischer Filmemacher. Wegen der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Polen, Rumänien, Schweden, Slowakei, Spanien. No shipping to Bulgarien, Frankreich, Griechenland, Luxemburg, Polen, Rumänien, Schweden, Slowakei, Spanien. Sprache: Englisch Gewicht in Gramm: 1001 26,5/21,5 cm. 127,1 S. OLeinen mit Goldprägung. Recht schön. Essay by A. Tarkovsky, poems by Areseniy Tarkovsky. Translated by Kitty Hunter-Blair. Introduction by Andrey A. Tarkovsky. Polaroids edited by Stephen Gill, interview with Boris Groys. Mit zahlreichen ganzseitigen, farbigen Fotoabbildungen (Polaroids).
Publicado por White Space Gallery Ltd/The Tarkovsky Foundation, 2008
ISBN 10: 0955739411ISBN 13: 9780955739415
Librería: Howard Greenberg Gallery, New York, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: As New. 1st Edition. In protective mylar jacket, in as new condition. Book is signed by artist Stephen Gill.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 492,96
Encuentre también Original o primera edición
Publicado por Wide White Space Gallery., Antwerp., 1966
Librería: Sims Reed Ltd ABA ILAB, London, Reino Unido
Libro
8vo. (200 x 138 mm). [3 bifolia including wrappers]. Title and exhibition details to front wrapper with brief artistic biography of Broodthaers' verso, blank leaf, leaf with reproduction of Broodthaers' manuscript recto and 'Ma Rhetorique (Moule)' verso, leaf with 'Poème (Oeuf)' recto and 'Théorèmes (Frites)' verso, blank leaf, inner rear wrapper with publication history and texts on Broodthaer's work and rear wrapper with advertisement for the gallery; illustrated with reproduction of Broodthaers' manuscript and three monochrome illustrations. Original publisher's white stapled printed wrappers with titles and text in black. The scarce catalogue for Broodthaers' 'Moules Oeufs Frites Pots Charbon', his first major solo exhibition. Held at Antwerp's Wide White Space Gallery from 26th May - 26th June, 1966 (with the vernissage held on 26th May), Marcel Broodthaers' exhibition 'Moules Oeufs Frites Pots Charbon' was a typically poetic artistic exercise and the catalogue presented here, for the same exhibition, is no different. Although the catalogue incorporates standard biographical texts and timelines - it includes texts by Jean Deypreau ('A Fleur de Pot') and Pierre Restany ('Quand la Vie Devient Objet') - it works also as an artist book, featuring a reproduction of Broodthaer's repetitive inscription of several of the words of the title - he omits 'charbon' but includes 'coeur' - and three of his illustrated poem works: 'Ma Rhétorique (Moule)', 'Poème (Oeuf)' and 'Théorèmes (Frites)'. Each of these poem works is typically playful and typically gnomic incorporating absurdist repetitive text, word substitution, satirical aphorism and counterintuitive illustration. 'La pipe de Magritte est le moule de la fumée.' (from Broodthaers' text). The catalogue is scarce and OCLC locates copies at the National Gallery of Art, Washington, the Bibliothèque Kandinsky, Paris, the Kunstbibliothek of the Staatliche Museen, Berlin and the Vlaamse Erfgoedbibliotheek only; COPAC locates only a copy of the 1974 reprint in the UK.
Publicado por Wide White Space Gallery / Galerie Michael Werner., Antwerp / Cologne., 1969
Librería: Sims Reed Ltd ABA ILAB, London, Reino Unido
Libro
Folio. (326 x 250 mm). [16 unnumbered leaves, blanks included]. Leaf with Broodthaers' title, leaf with 'Préface' signed by Stéphane Mallarmé (a transcription in toto of Mallarmé's original verse replacing Mallarmé's original prefatory text), blank leaf, leaf with title cancelled with black line and 10 leaves with Mallarmé's verse with each line cancelled in black, final verso with 'Imprimé en Belgique' and final leaf with justification and copyright recto. Original publisher's white printed wrappers with titles in red and black to front cover within rules of black and red, printed 'exemplaire catalogue' to rear cover, original glassine dust-jacket as issued. An excellent, crisp presentation copy of Marcel Broodthaers' important appropriation of Stéphane Mallarmé. From the edition limited to 400 copies, with this one of 300 marked 'exemplaire catalogue' on white wove paper without watermark, inscribed by Broodthaers in blue ink, signed with his initials 'M. B.' (as usual) and dated 'déc. 69.'; the copies marked 'exemplaire catalogue' were not issued with a signature or number. Broodthaers' inscription replaces his own name (he has crossed through it with a large 'X') in 'Copyright 1969 by Marcel Broodthaers Bruxelles' with an arrow from the 'by' to the new names 'Olga et Sandro', while beneath he has dated and signed it: 'déc. 69. / M.B.'. Olga Morano (1935 - 1999) was a Paris-based conceptual artist, painter and sculptor. A close friend of Broodthaers and other Belgian artists such as Marcel Mariën, she owned a number of artist books by Broodthaers that included presentations. The present book, Broodthaers' appropriation of Mallarmé, with its presentation to 'Olga et Sandro' becomes Broodthaers' gift of his appropriation of Mallarmé: i.e. the appropriation of Mallarmé by 'Olga et Sandro', a further irony in the conceptual labyrinth of mirror images the book presents and represents. 'It seemed to me that I was looking at the form and pattern of a thought, placed for the first time in finite space. Here space itself truly spoke, dreamed, and gave birth to temporal forms.' (Paul Valéry on Mallarmé's 'Un Coup de Dés Jamais N'Abolira le Hasard: Poème'). In 1914, Stéphane Mallarmé?s ambitious typographical construction, the extraordinary poem, 'Un Coup de Dés Jamais N?Abolira le Hasard: Poème', was finally published - in the form that Mallarmé had himself envisaged - by Gallimard's 'Editions de la Nouvelle Revue Française'. A version had appeared during Mallarmé's lifetime, in 1897, in 'La Revue Cosmopolis' but the title aside, Mallarmé's vision for the poem - refused by printers at the time as unfeasible and absurd - was ignored. The original edition of 1914, seen through the press by Mallarmé's son-in-law, was printed as a limited edition in Belgium in 1,000 copies, 100 large paper examples and 900 ordinary copies (the ordinary copies unmentioned on the justification). The poem itself is a typographical caprice and a visual object of linguistic power that preceded Apollinaire's calligrammes by more than a decade. In Mallarmé's own words, taken from his introductory 'Préface': 'les «blancs» en effet, assument l?importance, frappent d?abord ; la versification . occupe, au milieu, le tiers environ du feuillet ? '. In 1969, Marcel Broodthaers took Mallarmé?s assertion at face value, and presented his own version of the poem. The covers in Broodthaers' artist book replicate almost exactly those of the 1914 edition albeit with three specific modifications: the replacement of Mallarmé's name with that of Broodthaers, Mallarmé's 'Poème' has become Broodthaers' 'Image', and the location and name of the original publisher has been replaced with those of the later edition, Brussels and Cologne in place of Paris, and Wide White Space and Galerie Michael Werner in place of Gallimard's 'N R F' (Nouvelle Revue Française). Further, Broodthaers replaced the title (it reflects the changes to the cover), the 'Préface' in Broodthaers' version is the whole text of Mallarmé's original poem (Mallarmé's own 'Préface' has been removed), the justification mirrors that of the 1914 edition (including the omission of the details of the 'édition courant' of 900 copies as is usual with a French publication) and, of most importance, Broodthaers has redacted Mallarmé's poem throughout with a series of black effacements that exactly match the typographical arrangement of the original. Broodthaers? process transforms Mallarmé?s 'Poème' into 'Image', from poetry to graphic, into a pure abstraction, a book without text. 'After a two-decade 'obsession' with Stéphane Mallarmé's seminal modernist poem of the same title, to which fellow Belgian René Magritte had introduced him, Broodthaers finally decided it was time to 'redo the roll of the dice'. Using the 1914 Gallimard edition of Mallarmé's 1897 work, he covered over his fellow poet's words - so carefully arranged on the page. '. (Artist Who Make Books). [Ceuleers 33; Jamar 32; Werner 8; Artists Who Make Books pp. 50 - 51].