Publicado por Frederick R. Weisman Art Museum at the University of Minnesota, 1994
ISBN 10: 1885116004 ISBN 13: 9781885116000
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with dustjacket, 40 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Usado desde EUR 9,34
Encuentre también Tapa dura
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, 2003
Librería: RW Books, Strasburg, VA, Estados Unidos de America
Soft cover. Condición: Good Plus. Good Plus condition with vertical fold on brochure, otherwise Very Good condition. Brochure published to support a 2003 exhibition of Gehry's museum designs. Color photos. Content clean and unmarked.
Publicado por Weisman Art Museum, University of Minnesota, 2008
ISBN 10: 1933045752 ISBN 13: 9781933045757
Librería: Magers and Quinn Booksellers, Minneapolis, MN, Estados Unidos de America
hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
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Nuevo desde EUR 70,19
Usado desde EUR 9,84
Encuentre también Tapa dura Original o primera edición
Publicado por Frederich B. Weisman Art Museum / University of Minnesota, 1997
Librería: Structure, Verses, Agency Books, Spray, OR, Estados Unidos de America
Original o primera edición
Softcover. Condición: As New. First Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Glossy pictorial wraps, bright and colorful. Brightly illustrated endpapers. Director's Foreword by Lyndel King, and then three essays by Patricia McDonnell. 88 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Publicado por Weisman Art Museum / University of Minnesota, Minneapolis, MN, 2004
ISBN 10: 0816645094 ISBN 13: 9780816645091
Librería: Chequamegon Books, Washburn, WI, Estados Unidos de America
Paperback. Condición: Near Fine. Light user wear to covers and decorative band that wraps around the book, otherwise in fine condition. ; 5 1/4 x 7"; Unpaginated pages.
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, 199
Librería: Longhouse, Publishers & Booksellers, Brattleboro, VT, Estados Unidos de America
Near fine but for light wrinkle tall illustrated wraps with strong spine and with crisp bright text throughout. Profusely illustrated.
Publicado por Minneapolis, Minn. : Frederick R. Weisman Art Museum, University of Minnesota ; c1997., 1997
ISBN 10: 1885116047 ISBN 13: 9781885116048
Librería: Tacoma Book Center, Tacoma, WA, Estados Unidos de America
Paperback. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. Later Edition. ISBN 1885116047. Trade Paperback. No statement of later printing on copyright page. Book is in Very Good condition with slight water rippling; pages turn freely; slight wear to corners and edges. Otherwise a tight, sound and unmarked book. No Signature.
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Usado desde EUR 17,91
Encuentre también Tapa blanda Original o primera edición
Publicado por Frederick Weisman Art Museum, University of Minnesota, 2003
ISBN 10: 0816643822 ISBN 13: 9780816643820
Librería: Always Superior Books, Marietta, GA, Estados Unidos de America
Paperback. Condición: Fine. Assumed First Edition. Book.
Publicado por Minneapolis: University of Minnesota, Frederick R. Weisman Art Museum, 2003
ISBN 10: 0816645043 ISBN 13: 9780816645046
Librería: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Alemania
Condición: Sehr gut. 78 S. Ein gutes und sauberes Exemplar. - When the Weisman Art Museum opened on November 22, 1 993, Herbert Muschamp of the New York Times declared, "A new, stainless-steel art museum has five of the most gorgeous galleries on earth." Nearly sixty years after the museum's humble beginnings as the Little Gallery in the upper floors of a Beaux Arts-style auditorium on the University of Minnesota campus, it moved into its first permanent home - and what a home! Frank Gehry designed a house that we could make a home for our collections, programs, and people. With our rebirth in a shiny "ice castle that doesn't melt," we became the Frederick R. Weisman Art Museum, honoring a native Minnesotan who, like Frank Gehry, made good in his adopted city of Los Angeles. Ten years later, the Weisman remains the most adventuresome architecture in Minnesota - and proves that a building can be a design landmark and exceptionally functional at the same time. ISBN 9780816645046 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.
Publicado por Minneapolis: Frederick R. Weisman Art Museum, University of Minnesota, (1997)., 1997
Librería: Robert Campbell Bookseller ABAC/ILAB, Montreal, QC, Canada
Original o primera edición
First edition. Exhibition catalogue. Selections from the Ione and Hudson D. Walker Collection at the Frederick R. Weisman Art Museum. Softcover. Fine in original illustrated wrappers. A tight, clean and unmarked copy. 88pp. Illustrated mainly in col our.
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minn, 1995
ISBN 10: 1885116012 ISBN 13: 9781885116017
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Softcover. Condición: VG. Blue & black & pictorial wraps. 110 pp. Profuse bw and color plates. Issued in conjunction with 1995 exhibitions juxtaposing works by American modernist Marsden Hartley (1877-1943) and Pop Artist Robert Indiana (b. 1928). With essays by Patricia McDonnell and Michael Plante. Published to accompany the exhibition held at University of Minnesota, Minneapolis, April 14 to June 18, 1995; two additional venues.
Publicado por Frederick R. Weisman Museum of Art, University of Minnesota, Minneapolis MN, 1995
ISBN 10: 1885116012 ISBN 13: 9781885116017
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Wrappers. Condición: Near Fine. 109 pages color illustrations throughout. Published on the occasion of the exhibition from the Frederick R. Weisman Museum of Art, University of Minnesota, Minneapolis MN April 14-June 18, 1995, the Terra Museum of American Art, Chicago IL July 11-September 17, 1995 and The Art Museum at Florida International University, Miami FL October 13-November 22, 1995. Selected Bibliography. Book.
Publicado por Minneapolis, MN Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis 2002, 2002
Librería: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
First Edition. Paperbound. Oversize. An illustrated catalogue issued to accompany an exhibition of paintings, programs, lithographs, and posters designed to promote the popular entertainments of the time, especially vaudeville and early film. Included in the exhibition were important works by Charles Demuth, William J. Glackens, Edward Hopper, Walt Kuhn, Everett Shinn, John Sloan, and others. Fine bright copy in printed wrappers.
Publicado por University of Minnesota Press, Frederick R. Weisman Art Museum, Minneapolis, MN, 1997
Librería: Evolving Lens Bookseller, Kingston, NY, Estados Unidos de America
Miembro de asociación: IOBA
Original o primera edición
Softcover. First Edition, First Printing. Condition is Very Good, bound in pictorial wraps. Minimal edge wear, small scuff to rear panel near spine. No markings to text. Illustrated throughout in color. 88 pages. Small 4to, 11" x 8 1/2".
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, 1995
Librería: Bauer Rare Books, San Diego, CA, Estados Unidos de America
Original o primera edición
First edition. Tall 8vo. 109 pp. Illustrations. Softcover, pictorial wraps, very good copy. (78792). Essay by Michael Plante.
Publicado por Frederick R. Weisman Art Museum, University of Minnesota; Yale University Press, Minneapolis and New Haven, 2002
ISBN 10: 0300092407 ISBN 13: 9780300092400
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. 1st. Cloth, xii, 219 pages, illustrations (some colour); 31 cm. Published in conjunction with the exhibition, On the edge of your seat : Popular theater and film in early-twentieth century American art, organized by the Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis. Exhibition traveled to Montclair, NJ. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "An exploration of American artists' responses to film, popular theatre, and other urban amusements from 1890 to 1930. It presents over 100 paintings, drawings, watercolours and photographs that convey the highly-charged experience of attending vaudeville and other forms of popular amusements." - Publisher. OVERSIZE! No priority/air, except by special arrangement. Paintings are considered in relation to early movies, vaudeville, and popular entertainment. Artists considered include: Sloan, Shinn, Demuth, Hopper, others. Includes numerous scholarly essays, copious illustrations. *** CONTENTS: American early modern artists, vaudeville, and film, by Patricia McDonnell; It begins with the lights: electrification and the rise of public entertainment, by David Nasaw; "A decided sensation": cinema, vaudeville, and burlesque, by Robert C. Allen; Setting the stage for motion pictures, by C. Lance Brockman; In order: fragmentation in film and vaudeville, by Leo Charney; Charles Demuth's vaudeville watercolors and the rhythm and spectacle of modern life, by Laural Weintraub; Edward Hopper and the theater of the mind: vision, spectacle, and the spectator, by Robert Silberman; Everett Shinn and the intimate spectacle of vaudeville, by Sylvia Yount; City, stage, and screen: John Sloan's urban theater, by Rebecca Zurier; "A company of ghosts, playing to spectral music": Gesamtkunstkino and the future of digital cinema, by Walter Murch. Size: 4to. Collectible.
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Nuevo desde EUR 39,59
Usado desde EUR 48,16
Encuentre también Tapa dura Original o primera edición
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, [Minneapolis], 1994
Librería: Bolerium Books Inc., San Francisco, CA, Estados Unidos de America
Manuscrito
Pamphlet. [24]p., stapled wraps, 5.5x5 inches, illus., very good exhibition catalog. The site-specific installation deals with themes of loss, aging, and death.
Publicado por Frederick R Weisman Art Museum, University Of Minnesota Minneapolis 1995, 1995
Librería: THE CROSS Art + Books, Sydney, NSW, Australia
Fine Roy 4to, 110pp, Many Colour & B/w Illusts Fine Soft Cover This exhibition of Hartley's and Indiana's homoerotic works travelled to three American museums (April - November 1995).
Publicado por Weisman Art Museum and University of Minnesota Press, 2020
ISBN 10: 1517909732 ISBN 13: 9781517909734
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover without dustjacket as issued, 152 pages, very good condition; except a few small bumps to edges and corners of covers; no internal marks. Foreign shipping may be extra.
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Usado desde EUR 47,28
Encuentre también Tapa dura
Publicado por Weisman Art Museum University of Minnesota, 2008
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover without dustjacket as issued, 148 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, (Minneapolis), 2000
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Original o primera edición
Unbound. Condición: Fine. Exhibition catalogue. Biographical essay by Jane King Hession. Quarto. Trifold pamphlet measuring approximately 7½" x 11" closed, with an 11-page corner-stapled exhibition checklist. Light wear, about about fine. Clarence 'Cap' Wigington (1883-1967) was the first registered African American architect in Minnesota and the first African American municipal architect in the Unites States. He designed nearly sixty buildings in St. Paul.
Publicado por The Charles Biederman Collection Archive, Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota 1999, 1999
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. 4to. 22 pp. Soft Cover. Very Good. Small spots on Front Cover. Mostly Color Plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Publicado por Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, 2008
ISBN 10: 1933045752 ISBN 13: 9781933045757
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición
Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated cloth-covered boards; no dust jacket as issued. Photographs by Paul Shambroom. Text by Diane Mullin, Christopher Scoates, Helena Reckitt and Dick Hebdige. Interview with the artist by Stuart Horodner. 160 pp., with 47 four-color plates and 20 black-and-white illustrations. 11-1/2 x 9-1/4 inches. Published on the occasion of a traveling exhibition organized by the Weisman Art Museum at the University of Minnesota. New in publisher's shrink wrap. From the publisher: "Published to accompany documentary photographer Paul Shambroom's extensive 2008-09 American traveling exhibition, Picturing Power is the first volume to bring together selections from all five of his most important--and highly acclaimed--series to date. In the late 1980s, Shambroom visited manufacturing sites and office spaces to capture the spaces where many Americans spend the majority of their days--from the grittiest industrial factory to the cleanest biotech lab to the smallest, emptiest office cubicle. His next series, Nuclear Weapons, begun in the early 1990s, gained him access to long-restricted nuclear sites, where he produced eerie images of slumbering bombs and immaculate, empty war rooms. For Meetings (1999-2003), Shambroom traveled to municipal meetings in small communities as far flung as Bernice, Louisiana and Baltic, South Dakota, to document public officials in a formal portrait style, calling up both the seriousness and banality of these gatherings. His most recent series, Security (2004-present), documents eerie scenes of security training at special facilities across the country. Past and future, reality and fiction, blur as each figure creates a picture of threat and resistance in our post-9/11 era. While diverse in subject matter, Shambroom's series all record and demystify secret and little-seen loci of power. His images are remarkable both for their stark portrayal of such places, and as evidence of his access to the sites. Negotiating this access in an open and democratic manner is a hallmark of Shambroom's practice.".
Publicado por Frederick R. Weisman Art Museum, University of Minnesota, 1996
ISBN 10: 1885116039 ISBN 13: 9781885116031
Librería: Arundel Books, Seattle, WA, Estados Unidos de America
Miembro de asociación: CBA
Original o primera edición
Paperback. Condición: Near Fine. First Edition. Scarce. A near fine copy in original wraps. Physical Description: 24 pages : illustrations ; 28 cm.