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Publicado por LONDON THRESHOLD/HARRAP, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Hawkridge Books, Bakewell, Reino Unido
Libro Ejemplar firmado
LIMITED TO 350 COPIES, SIGNED BY PETER OLNEY, THIS BEING NUMBER 12. TEXT BY OLNEY AND INTRODUCTION BY SCOTT. WITH 60 VERY FINE TIPPED-IN FULL PAGE PLATES IN COLOUR, A BIOGRAPHICAL NOTE ON JONES, APPENDIX, GLOSSARY, INDEX. OBLONF FOLIO BOUND IN HALF BLUE LEATHER OVER BLUE CLOTH. THERE IS SOME EVIDENCE OF DAMP-STAINING HAVING AFFECTED THE FIRST AND LAST PRELIMS. THE BINDING HAS BEEN STRENGTHENED FRONT AND BACK, SMALL MARK TO CLOTH OF FRONT BOARD, OTHER WISE VERY GOOD WITH THE PLATES CLEAN. PRICED ACCORDINGLEY. THE BOOK WEIGHS 5.3 Kg, SO POSTAGE AT COST.
Publicado por Threshold/ Harrap,, London,, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Burwood Books, Wickham Market, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición Ejemplar firmado
Hardback. Condición: Very Good. First Edition. Hardback. Limited edition of 300, this being copy number 79. Signed by the author. Large oblong 4to /folio 272pp. Publisher's blue half morocco lettered gilt at the spine .Original publisher's blue cloth solander box. Text by Peter Olney with a foreword by Sir Peter Scott. The book also contains a biography of Henry Jones by Nigel Sitwell. There is an appendix listing all of the bird paintings by Henry Jones (1838 - 1921) in the possession of The Zoological Society of London and a bibliography. 60 tipped-in full page colour plates each with a description of the birds illustrated on the facing verso. This book is very heavy, and delivery costs may be a consideration especially outside Britain. ISBN: 9780901366542 BOOK FINE. Publisher's blue cloth solander box slightly marked bu otherwise sound VG. Signedes.
Publicado por Threshold/Harrap, London, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Ariadne Books, PBFA, Eynsham, Witney, OXON, Reino Unido
Miembro de asociación: PBFA
Libro Ejemplar firmado
Limited edition of 300, this being copy number 89. Signed by the author. Folio. 272pp. Publisher's blue half morocco gilt. Original blue cloth solander box. Text by Peter Olney with a foreword by Sir Peter Scott. The book also contains a biography of Henry Jones by Nigel Sitwell. There is an appendix listing all of the bird paintings by Henry Jones (1838 - 1921) in the possession of The Zoological Society of London and a bibliography. 60 tipped-in full page colour plates each with a description of the birds illustrated on the facing verso. Near fine with hardly any evidence of use. Solander box in good condition. Split to one corner of the lid and some slight discolouration to the upper surface. This is a very heavy book but no additional shipping charges to UK destinations. Book.
Publicado por LONDON THRESHOLD/HARRAP, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Hawkridge Books, Bakewell, Reino Unido
Libro Ejemplar firmado
LIMITED TO 350 COPIES, SIGNED BY PETER OLNEY, THIS BEING NUMBER 65. TEXT BY OLNEY AND INTRODUCTION BY SCOTT. WITH 60 VERY FINE TIPPED-IN FULL PAGE PLATES IN COLOUR, A BIOGRAPHICAL NOTE ON JONES, APPENDIX, GLOSSARY, INDEX. OBLONG FOLIO BOUND IN HALF BLUE LEATHER OVER BLUE CLOTH. A NEAR FINE COPY - THE GILT TITLE ON THE SPINE HAS FADED, THERE ARE A FEW FOXING SPOTS. THE BOOK WEIGHS 5.3 Kg, SO POSTAGE AT COST.
Publicado por Threshold/Harrap, London, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Bookcase, Carlisle, Reino Unido
Libro Original o primera edición Ejemplar firmado
Quarter Leather. Condición: Very Good. Limited Edition. In publisher's blue clothbound folding box with label (condition of this good plus). A very nice copy, excepting that plates 18, 24, 25 and 26 are missing. Signed by Olney. 0.0. Signed by Author.
Publicado por London, Threshold/Harrap, London, 1987
Librería: Libreria Alberto Govi di F. Govi Sas, Modena, Italia
Condición: Buono (Good). 340x435 mm. 272 pp., frontispiece and 60 color plates tipped-in. Publisher's original half blue morocco and blue cloth, gilt titling to spine. Limited edition printed in 350 copies signed by the author. This is copy no. 322. A very good copy. First edition. After a career in the army, Henry Jones (1838-1921) returned to Welling, near Woolwich, in 1881 and seems to have become a habitué of the bird room at the British Museum of Natural History in Kensington. He bequeathed his sketchbooks to the Zoological Society of London. Book.
Publicado por London: Threshold/Harrap, 1987
ISBN 10: 0901366544ISBN 13: 9780901366542
Librería: Buteo Books, Arrington, VA, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Hardcover. Condición: Fine. A fine copy of an edition limited to 350 copies of which this is Number 311. Bound in half leather over blue cloth boards and housed in a Solander box. Sixty tipped-in color plates by British army officer Major Henry Jones (1838-1921) reproduced from the original paintings bequeathed by the artist to the Zoological Society of London. Text by Peter J.S. Olney faces the plates. Oblong folio - 13½ in 17½ in.
Publicado por London: Threshold/Harrap, 1987., 1987
Librería: Arader Galleries - AraderNYC, New York, NY, Estados Unidos de America
Ejemplar firmado
JONES, Henry (1838-1921) - OLNEY, Peter J.S. - SCOTT, Sir Peter. - SITWELL, Nigel. The Wildfowl Paintings of Henry Jones. London: Threshold/Harrap, 1987. Oblong folio (13 4/8 x 17 4/8 inches). Frontispiece and 60 colour plates tipped-in. Publisher's original half blue morocco, blue cloth, gilt; preserved in original blue cloth clamshell case. AS NEW Limited edition, one of an unspecified unnumbered copies of a total edition of 350, signed by Olney and Scott. Jones was an accomplished but mostly unknown artist, who bequeathed his sketchbooks to the Zoological Society of London. After a career in the Army, mostly posted in India, Jones returned to Welling, near Woolwich in 1881 and seems to have become a habitue of the bird room at the British Museum (now of Natural History) in Kensington. "Of the many hundreds of birds which he painted, he could have seen only a limited number in the wild. Most of his likenesses were produced from skins in the Bird Room of the Natural History Museum, and it is all the more remarkable that they should have been so lifelike" (page 13).