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Publicado por Metropolitan Museum of Art / Yale University Press, New York / New Haven CT, 2004
ISBN 10: 0300103581ISBN 13: 9780300103588
Librería: Chequamegon Books, Washburn, WI, Estados Unidos de America
Libro
Paperback. Condición: As New. 52 pages; 8 1/2 x 11 ".
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Usado desde EUR 6,74
Encuentre también Original o primera edición
Publicado por Yale Univ Pr/ Metropolitan Museum of Art, New Haven and London/ New York, 2001
ISBN 10: 0300093691ISBN 13: 9780300093698
Librería: Gil's Book Loft, Binghamton, NY, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. 1st Edition thus. Larger trade paperback, pictorial red covers. Spine creases, some inked underlines. With repros of Jasper Francis Cropsey, Winslow Homer, Thomas Eakins, Thomas Sully, et al 14,634 shelf 207 p. Book.
Publicado por Metropolitan Museum of Art / Yale University Press, New York / New Haven, CT, 2006
ISBN 10: 0300117906ISBN 13: 9780300117905
Librería: Chequamegon Books, Washburn, WI, Estados Unidos de America
Libro
Paperback. Condición: Fine. 75pp. 8 1/2 x 11" Priority and international shipping will be extra, please inquire.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), n.d.
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
75pp. 106 illus. 4to. Wraps.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), n.d.
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
75pp. 106 illus. 4to. Wraps.
Publicado por Metropolitan Museum of Art/Yale University Press, New York/New Haven, 2008
ISBN 10: 0300141424ISBN 13: 9780300141429
Librería: Abstract Books, Indianapolis, IN, Estados Unidos de America
Libro
Soft cover. Condición: Fine. 64 pages, numerous color illustrations, map, notes; 4to, green wraps/pictorial front. Fine.
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Usado desde EUR 14,44
Encuentre también Original o primera edición
Publicado por Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2000
ISBN 10: 0870999583ISBN 13: 9780870999581
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Paperback. Condición: Very Good. 1st. xvi, 636 pages, illustrations (some colour), maps; 32 cm. Exhibition held September 19, 2000 through January 7, 2001 at the Metropolitan Museum of Art, New York. Near fine. Firm binding, with one slight spine crease. Clean inside copy. Another copy available. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation's major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included." - Publisher. Size: Folio.
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Usado desde EUR 13,96
Encuentre también Original o primera edición
Publicado por Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2004
ISBN 10: 1588391175ISBN 13: 9781588391179
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro
Paperback. Condición: Very Good. xiv, 257 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibit held at the Museo Civico "Ala Ponzone," Cremona, from February 14 through May 2, 2004, and at The Metropolitan Museum of Art, New York, from May 27 through August 15, 2004. Near fine. Firm binding, clean inside copy. Foreedge lightly soiled. OVERSIZE! No priority/international, except by special arrangement. "Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's 'hypernaturalism': the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario. Painters of Reality brings together a group of scholars to illuminate why Lombard artists were influential in their own time and why they still hold appeal for modern audiences." - Publisher. Size: 4to.
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Usado desde EUR 13,96
Publicado por Metropolitan Museum of Art/Yale University Press, New York, New Haven, London, 2002
ISBN 10: 1588390748ISBN 13: 9781588390745
Librería: Willis Monie-Books, ABAA, Cooperstown, NY, Estados Unidos de America
Libro
Softcover. Condición: Very Good. 128 pages.
Publicado por Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2014
ISBN 10: 0300199465ISBN 13: 9780300199468
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Paperback. Condición: Fine. 1st. 96 pages, illustrations (chiefly colour); 23 cm. Published in conjunction with an exhibition of the same name held at the Metropolitan Museum of Art, New York, January 14 to March 30, 2014. Firm binding, clean inside copy. "This book tells the story of Italian Renaissance master Piero della Francesca (1411/13-1492) by focusing on four paintings he created over the span of his career. It also provides the first study of his small-scale devotional paintings, including the exquisite 'Saint Jerome and a Donor'. One of today's most prominent scholars narrates the painting's mysterious history and uncovers new insights gleaned during its recent study and restoration. The author explores the relationship between this painting and other works made by Piero for private devotion, including one of his last and most striking paintings, the magnificent 'Madonna di Senigallia'. New research describes the complex relationships between Piero and his patrons and other contemporaries. This book brims with revelatory details about Piero's work that will intrigue both casual readers and devoted fans of the artist, and will form a gateway to a larger analysis of Piero's overall body of work." - Publisher. Size: 8vo. Collectible.
Publicado por Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2003
ISBN 10: 0300099622ISBN 13: 9780300099621
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro
Paperback. Condición: Fine. 86 pages, illustrations (some colour), maps (some colour); 28 cm. Published in conjunction with an exhibition at the Metropolitan Museum of Art June 3 to August 17, 2003. Firm binding, clean inside copy. "This fascinating book focuses on The Metropolitan Museum of Art's recent acquisition, The 'Kearsarge' at Boulogne, by Edouard Manet (1832-1883). During the American Civil War, when Union forces blocked Confederate ports, the Confederacy countered by waging guerrilla warfare on Union merchant shipping. One of the most skilled Confederate raiders was the sloop-of-war Alabama. On June 19, 1864, the U.S.S. Kearsarge and the C.S.S. Alabama fought off the coast of Cherbourg, France. The Alabama sank less than two hours after the first shot was fired. The battle captured the attention of the French people, and Manet, who as a teenager had served in the French navy, raced to Boulogne to see the victorious Kearsarge. He painted a depiction of the battle (which he did not witness), now in Philadelphia, as well as a portrait of the Kearsarge, now in the collection of The Metropolitan Museum of Art. This volume contains essays about the Metropolitan's picture and five additional seascapes painted by Manet in Boulogne during the summer of 1864. Related works by other artists, photographs, and newspaper articles are also included. / David Degener is a naval historian, and Juliet Wilson-Bareau is an independent Manet scholar." - Publisher. Size: 4to. Collectible.
Publicado por The Metropolitan Museum of Art, Yale University Press, New York, New Haven,London, 2005
ISBN 10: 1588391620ISBN 13: 9781588391629
Librería: Lucky Panther Books, Leonia, NJ, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. No Jacket. Profusely Illustrated Ilustrador. Published to accompany exhibitions at New York City's Metropolitan Museum Sept 2005-Jan 2006, and Prague Castle Feb-May 2006. Extensive text integrated with over150 illustrations, many in color. Also maps of Bohemia in 1387 and Prague after 1400; family tree of Bohemian royalty; bibliography. Book is tight and clean, appears unread. Glossy wraps have 2 1/2" closed tear along top of spine as seen in images, otherwise an overall near fine copy. 366 pages, 9" x 12" A heavy book that needs extra postage for international or expedited shipping.
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Usado desde EUR 17,32
Encuentre también Original o primera edición
Publicado por Metropolitan Museum of Art New Haven : Yale University Press, New York, 2002
ISBN 10: 1588390616ISBN 13: 9781588390615
Librería: Monroe Street Books, Middlebury, VT, Estados Unidos de America
Libro Original o primera edición
Condición: Very Good. Estado de la sobrecubierta: Very Good. 246 pages. Hardcover with dust jacket. Name plate of former owner in front end papers, otherwise clean and tight illustrated copy. Record # 2231134.
Publicado por New York: The Metropolitan Museum of Art / New Haven and London: Yale University Press, (2002). (2002)., 2002
ISBN 10: 0300096909ISBN 13: 9780300096903
Librería: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Estados Unidos de America
Libro
Condición: Very good. New York: The Metropolitan Museum of Art / New Haven and London: Yale University Press, (2002). (2002). Very good. - Quarto [12-3/8 inches high by 9-1/4 inches wide], cloth, in a dust wrapper. The covers are very slightly bowed. The binding is bumped & the rear panel of the dust wrapper is rubbed. 432 pages. There is a black stain with some tiny black marks & some light staining to the fore-edge. There is a small area of rubbing to the front endpaper. Profusely illustrated in color and black & white. Very good. Published in conjunction with an exhibition of the same title, which was shown at the Metropolitan Museum of Art and in Paris and Strasbourg.
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Usado desde EUR 19,25
Encuentre también Original o primera edición
Publicado por Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2003
ISBN 10: 1588390772ISBN 13: 9781588390776
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro
Paperback. Condición: Fine. xiv, pages, illustrations (chiefly colour); 31 cm. Published in conjunction with the exhibition "A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University," Musee des Beaux-Arts, Lyon, March 15 to May 26, 2003; The National Gallery, London, June 25 tom September 14, 2003; The Metropolitan Museum of Art, New York, October 23, 2003 to January 25, 2004. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection. / Grenville L. Winthrop (1864-1943) was a lawyer and banker by profession, but his true passion was collecting art. He had the resources, the intuition, and talented advisers to help him create a collection that is distinct not only in its depth and breadth, but also in its quality. The Winthrop Collection of French, British, and American art includes the best group of Delacroix and Ingres drawings outside of France, the most significant group of pre-Raphaelite paintings outside of Britain, and a world-renowned collection of Sargent watercolors.Some seventy paintings and twice as many drawings and watercolors by more than fifty French, British, and American artists will be featured in this selection from the legendary Winthrop Collection, bequeathed in 1943 to the Fogg Art Museum at Harvard University. Masterpieces by David, Ingres, Gericault, Chasseriau, and Moreau will be seen alongside great works by Blake, Rossetti, and Burne-Jones, as well as Homer, Sargent, and Whistler. They are discussed in the catalogue by more than sixty authors, all of whom are among the leading authorities in their various fields." - Publisher. Size: 4to.
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Usado desde EUR 18,77
Encuentre también Original o primera edición
Publicado por The Metropolitan Museum of Art, Yale University Press, New York, London, New Haven, 2001
ISBN 10: 0300090811ISBN 13: 9780300090819
Librería: Lucky Panther Books, Leonia, NJ, Estados Unidos de America
Libro
Soft cover. Condición: As New. No Jacket. Accompanies exhibition at Metropolitan Museum of Art, NYC during Dec 2001 - Aug 2002. Profusely illustrated including many color plates. Book appears unread - a crisp, clean copy tightly bound. 80 pages, 8" x 11".
Publicado por New York & New Haven: The Metropolitan Museum of Art & Yale University Press, 2003, 2003
ISBN 10: 0300101848ISBN 13: 9780300101843
Librería: Atlantic Bookshop, Brooklyn, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Oblong 4to, cloth, dust jacket, 288pp., 237 ills. (81 in color). First edition. VG+/VG+: a very clean, very sound book in a very clean and presentable jacket. Extra postage will be asked (5).
Publicado por New York New Haven : Metropolitan Museum of Art ; Yale University Press, 2010
ISBN 10: 1588393690ISBN 13: 9781588393692
Librería: MW Books, New York, NY, Estados Unidos de America
Libro Original o primera edición
First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 79 pages : illustrations (some colour), map ; 31 cm. Subjects: Embalming Egypt ; Exhibitions. Tutankhamen King of Egypt Tomb ; Exhibitions. Mummies Egypt ; Exhibitions. Genre: Art. Language: English. 1 Kg.
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Usado desde EUR 24,58
Encuentre también Original o primera edición
Publicado por Metropolitan Museum of Art/Yale University Press, New York and New Haven, CT, 2003
ISBN 10: 0300098790ISBN 13: 9780300098792
Librería: Saucony Book Shop, Kutztown, PA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Dark blue cloth, lettered in gold foil. As issued. Color illus. dust jacket shows crease to top front flap corner, slight nick on lower front panel, otherwise as issued, now in mylar. 1st ptg. vii,195 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.
Publicado por The Metropolitan Museum of Art and Yale University Press, New York and New Haven, CT, 2003
ISBN 10: 0300098804ISBN 13: 9780300098808
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición
First edition and first printing. Hardcover. 592 pages. Published in conjunction an exhibition that ran September 16, 2002 through January 12, 2003. From the dust jacket: "This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art. A fine copy in cloth boards in a fine dust jacket. This is a heavy and oversized book and will require extra shipping.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2000
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
303pp. 212 color illus., 98 figs. Lrg. 4to. Wraps. Lower corners bumped.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Publicado por New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2000
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
303pp. 212 color illus., 98 figs. Lrg. 4to. Wraps.
Publicado por Metropolitan Museum of Art / Yale University Press, New York / New Haven, CT, 2002
ISBN 10: 0300096909ISBN 13: 9780300096903
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Miembro de asociación: RMABA
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good+. 1st Edition. First edition, hardcover, has a slight lean to the binding, small bumps to spine ends and cover corners, some faint smudging to edges of the text block, and a touch of bowing to the boards, otherwise a solid, tight VG copy in a VG+ dust jacket, which has slight bumps to spine ends and corners, some rubbing, and a hint of edgewear. Jacket is wrapped in a removable Mylar cover.
Publicado por New York: The Metropolitan Museum of Art / New Haven: Yale University Press, . First Edition., 2003
Librería: Lighthouse Books, ABAA, Dade City, FL, Estados Unidos de America
Quarto, red cloth, gilt letters, xi, 328 pp. Color photographs throughout. Fine in Fine dust jacket. Native American, American Indian, Ancient Civilization, Art. zslic.
Publicado por The Metropolitan Museum of Art / Yale University Press, New York / New Haven / London, 2006
ISBN 10: 1588391965ISBN 13: 9781588391964
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Softcover. Yellow-orange, color illustrated glossy wraps. xiv; 450 pp. 260 color and 269 bw plates and illustrations. A pioneering Parisian dealer, Vollard introduced many of the era's leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard's extraordinary achievement, presents 130 important paintings, sculptures, and works on paper that he promoted, exhibited, and sold. Vollard's groundbreaking exhibition in 1895 of Cezanne's work definitively established the artist' s reputation, and Vollard subsequently organized major exhibitions of the Nabis, Gauguin, and Van Gogh; promoted the work of artists ranging from Degas to Rouault to the Fauves; and gave many young artists, including Picasso and Matisse, their first solo shows. In addition, Vollard published print albums and livres d'artiste that are among the most celebrated of the early 20th century. This important volume features twenty-two essays that examine Vollard's career and expertise in the art market, his relationships with individual artists and collectors, and a wealth of previously unpublished material from the newly available archive of Vollard's documents and from the archives of the artists he represented. VG. May have owner's name inside front cover.
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Usado desde EUR 19,25
Encuentre también Original o primera edición
Publicado por The Metropolitan Museum of Art / Yale University Press, New York / New Haven, 2002
ISBN 10: 1588390403ISBN 13: 9781588390400
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Softbound. Condición: VG. Color illustrated glossy wraps. 592 pp., profusely illustrated with 349 bw and 380 color plates. Catalogue features a whopping 226 artworks, all of them extensively annotated. Published in conjunction with an exhibition held at the Musee d'Orsay, Paris, Sept. 16, 2002-Jan. 12, 2003 and at the Metropolitan Museum of Art, New York, Mar. 4-June 8, 2003. Contents as follows: Raphael replaced: the triumph of Spanish painting in France / Gary Tinterow -- The discovery of the Spanish school in France / Geneviève Lacambre -- Seville's artistic heritage during the French occupation / Ignacio Cano Rivero -- The origins of the Museo del Prado / María de los Santos García Felguera Javier Portús Pérez -- Goya and France / Juliet Wilson-Bareau -- Goya and the French romantics / Ilse Hempel Lipschutz -- The Galerie Espagnole of Louis-Philippe / Jeannine Baticle -- From Ziegler to Courbet: painting, art criticism, and the Spanish Trope under Louis-Philippe / Stéphane Guégan -- Manet and Spain / Juliet Wilson-Bareau -- American artists' taste for Spanish printing / H. Barbara Weinberg -- A legacy of Spanish art for America: Archer M. Huntington and the Hispanic Society of America / Mitchell A. Codding -- Nineteenth-century French copies after Spanish Old Masters / Dominique Lobstein -- The Dresden remains of the Galerie Espagnole: a fresh look (at the) back / Matthias Weniger. "This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art.".
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Usado desde EUR 19,25
Encuentre también Original o primera edición
Publicado por The Metropolitan Museum of Art / Yale University Press, New York / New Haven, 2002
ISBN 10: 1588390381ISBN 13: 9781588390387
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Hardcover. Condición: VG. Red cloth with color-illustrated glossy dustjacket. 592 pp., profusely illustrated with 349 bw and 380 color plates. Catalogue features a whopping 226 artworks, all of them extensively annotated. Published in conjunction with an exhibition held at the Musee d'Orsay, Paris, Sept. 16, 2002-Jan. 12, 2003 and at the Metropolitan Museum of Art, New York, Mar. 4-June 8, 2003 "This illustrated book accompanies a groundbreaking exhibition - the first of such scale and depth to be organized around this subject - that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbaran, Velazquez, Murillo, and Goya, while French writers and artists - among them Hugo and Baudelaire, Gericault, Delacroix, Millet, Courbet, Degas, and especially Manet - came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art.".