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Publicado por Sternberg Press/Henie Onstad Kunstsenter, Berlin, Germany & Hovikodden, Norway, 2012
ISBN 10: 3943365514ISBN 13: 9783943365511
Librería: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Reino Unido
Libro
Paperback. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. Paperback with French flaps. Covers are noticeably sunned around edges. Small surface mark on front cover and one or two light marks on rear cover. Binding is sound, pages are clean and text and illustrations are clear throughout. AF. Used.
Publicado por Sternberg Press, Berlin, Germany, 2012
ISBN 10: 3943365093ISBN 13: 9783943365092
Librería: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Reino Unido
Libro
Hardcover. Condición: New. Estado de la sobrecubierta: No Dust Jacket. Hardcover. Spine and inner edge of front board are a little sunned. Item remains in original shrinkwrapping and is unopened. AF.
Publicado por Sternberg Press, Berlin, Germany, 2015
ISBN 10: 3956791533ISBN 13: 9783956791536
Librería: Russian Hill Bookstore, San Francisco, CA, Estados Unidos de America
Libro
Hardcover. Condición: Near Fine. 172 pages, 8vo. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition.
Publicado por Sternberg Press, Berlin, Germany, 2017
ISBN 10: 3956793021ISBN 13: 9783956793028
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición
First edition. Softcover. 280 pages. Text in English with an introduction by Reto Pulfer and additional contributions by Anselm Frankeand Benoit Maire. Includes numerous color illustrations, index, biography, and a selected bibliography A fine copy in wrappers.
Publicado por Sternberg Press Berlin, Germany, 2013
ISBN 10: 3956790227ISBN 13: 9783956790225
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
[unpaginated]; 35 x 25 cm.; black-and-white & color; edition size 1200; unsigned and unnumbered; offset-printed; Exhibition catalogue / artist''s book featuring seven fold-out posters housed in a printed folder published in conjunction with show "Alexandra Mir - The Space Age," held at M - Museum Leuven, Belgium, November 28, 2013 - February 16, 2014. Curated by Eva Wittocx with a text by Martin Herbert. Graphic design by Yvonne Blanco. "On Saturday 28 August, 1999, against a background of puffing industrial plumes, a pinkish-blue sky, and the sound of bongo drum beats, Aleksandra Mir, dressed in a smart white dress and with American flag in hand, scaled the side of a moonscape of sand dunes and makeshift craters to become the first woman on the moon. The performance First Woman on the Moon marked the beginning of Mir''s exploration of outer space as she staged a moon landing by transforming a Dutch beach into the moon''s surface using the help of local people and heavy machinery. Mir''s projects offer her own take on popular cultural myths and historical events, by combining religious iconography with NASA imagery or symbols of space travel. Her work reflects on these events that span half a millennium of human?mostly male-dominated?quest, transforming or deconstructing them into a make-believe world of her own. Mir resists and modifies her work creates its own authenticity and truth. The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M ? Museum Leuven which encompasses fourteen years of Mir''s career (1999?2013)." -- publisher''s statement. Fine. In publisher issued shrink wrap. Due to large size and weight of this publication additional shipping charges will be required for international orders.
Publicado por Sternberg Press, Berlin, Germany, 2012
Librería: 20th Century Art Archives, Cambridge, Reino Unido
Original o primera edición
Paperback. Condición: As New. First edition. ARTIST BOOK This catalogue is published on the occasion of the exhibition 'Videos and Picnic' by Yorgos Sapountzis in the Ursula Blickle Stiftung May 20 - July 8 2012 and The Gadfly Festival at Westfalischer Kunsteverin June 16-Sep[tember 2, 2012 Germany.256pp designed by the artist Texts in English/German by Rosalyn Deutsche, Chris Kraus, Veit Loers, Willem de Rooij (interview) and Katja Schroeder. Illustrated throughout wiith b/w and colour photographs of installations etc, VG in red linen covers. In his work, Yorgos Sapountzis appropriates public space and the statues, monuments, and memorials that inhabit it. The Athens born artist concentrates less on their historical political meanings and much more on their function as a medium of recollection. Sapountzis consciously tries to ignore historical information about the sculptures and instead allows them to "speak2 through their gestures, poses, and ornaments. This is an in-depth survey of his work from 2000 to the present. Key source.
Publicado por Sternberg Press Berlin, Germany, 2006
ISBN 10: 1933128232ISBN 13: 9781933128238
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
[84] pp.; 22.4 × 32.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published on the occasion of an exhibition held as part of the Art Positions section of Art Basel Miami Beach held December 7 - 10, 2006. "The Meaning of Flowers consists of a full color artist-designed book where each botanical print is graced by a caption suggesting new meanings: insecurity, doubt, fatigue, betrayal and reconciliation are some of the thoughts associated with the Poppies, Orchids and other Hybrid Tea Roses depicted ? at the same time, they are symptoms and elements that comprise the majority of romantic relationships." -- publisher's statement. Fine. In publisher's shrink wrap. Due to large size and weight of this publication additional shipping charges will be required for international orders.
Publicado por Thyssen-Bornemisza / Sternberg Press, Berlin, Germany, 2016
ISBN 10: 3956791851ISBN 13: 9783956791857
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Softcover. septia-toned pictorial wraps w/ white printing; swiss-bound. 206 pgs, color illustrated. "The exhibition "Aru Kuxipa" was conceived by Brazilian artist Ernesto Neto as a personal tribute to the Huni Kuin. Held at TBA21 - Augarten, the show was a vibrant demonstration of ancestral futures, a term that unpacks potentials for creating a future that is also deeply rooted in cultures of tradition. Through multiple exchanges between members of thirty-two Huni Kuin communities in Brazil, this publication brings together threads from anthropology, art, and science that are interwoven, like the movement of a serpent, with essay contributions, oral histories, drawings, and traditional song. Together, they outline the way unique kinships produced within an indigenous cosmo-vision can shape our present moment."--Amazon. VG (creasing to spine top. rubbing to corners & edges. lower textblock as small indentation w/ approx 30 pgs have crimp/crease & rubbing to lower pgs edges).
Publicado por Sternberg Press Berlin, Germany, 2011
ISBN 10: 1934105295ISBN 13: 9781934105290
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
96 pp.; 20.3 x 12.7 cm; sewn bound; slipcase; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Mario Pfeifer''''''''s solo show "New Topographics" held at Landesgalerie Linz am Oberösterreichischen Landesmuseum, November 11, 2010 - January 9, 2011. With a conversation between Baltz and Pfeifer. Texts by Chris Balaschak, Lewis Baltz, Martin Hochleitner, Julia Moritz, Vanessa Joan Müller and Lewis Baltz. "The book discusses Mario Pfeifer''s recent 16mm film installation Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974. This installation, consisting of two synchronized, looped, and parallel projected films, takes its point of departure from the first monograph of Baltz''s work, published by Castelli Graphics, New York in 1974. Over the last four decades, Lewis Baltz has continuously produced high quality photographic books. This publication functions as a critical reader, reevaluating "New Topographics" as representations of landscapes. Looking at Pfeifer''s installation, which revisits a Baltz''s photographic site, Vanessa Joan Müller negotiates the terms realism/reality and the way Pfeifer discovers the misrepresentation of a modern industrial building in Irvine''s Industrial Park in 2009. Martin Hochleitner contextualizes Pfeifer''s film installation within the context of the original "New Topographics" exhibitions (1975), which, since 2009, are being shown throughout the United States and Europe. In addition, this publication consists of film stills, production stills, and a rare interview by Mario Pfeifer with Lewis Baltz. It was published on the occasion of Mario Pfeifer''s contribution for the "New Topographics" exhibitions at Los Angeles County Museum of Art and Landesgalerie Linz in 2010." -- publisher''''''''s statement. Fine. As new, in publisher's issued shrink wrap.
Publicado por Berlin, Germany: Sternberg Press, 2011, 2011
ISBN 10: 1933128879ISBN 13: 9781933128870
Librería: ModernRare, CHICAGO, IL, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: As New. 1st Edition. 1st Printing. Signed. 90 pages. Published in 2011. The author's fictional account. One of Brian Dillon's finest achievements. The first and only edition. Published in a small and limited print run as a hardcover original only. It is neither a British nor American Edition as it was published in Berlin, Germany. As such, it is a German Edition even though it is in English. An austerely elegant production by Sternberg Press: Very small-size volume format. Blue cloth boards with red titles embossed on the cover and spine, as issued. Text by Brian Dillon. Matching red page edges. Printed on archival stock paper in Berlin to the highest standards. Without DJ, as issued. Presents Brian Dillon's "Sanctuary". Dissolves the arbitrary line between essayistic speculation and pure fiction: The narrative as philosophical essay, Irish Roman Catholicism vis-a-vis European cosmopolitanism. "Set in the ruins of a Modernist building on the outskirts of a city in Northern Europe. The structure, a Catholic seminary built in the 1960's and abandoned twenty years later, embodies the failure of certain ambitions: Architectural, civic, and spiritual. But it is the site, too, of a more recent disappearance. A young artist, intent on exploring the complex and its history, has gone missing among the wreckage. Months later, his lover visits the place, unsure what she is looking for, and finds herself drawn into the strange nexus of energies and memories that persist there. A story about what survives of bodies, ideas, objects, and the artistic or literary forms that might describe them in the wake of catastrophe. Invokes key works of the last century: The fiction of Samuel Beckett and Alain Robbe-Grillet, the art of Robert Smithson, the films of Alfred Hitchcock, Chris Marker, and Andrei Tarkovsky" (Publisher's blurb). An absolute "must-have" title for Brian Dillon collectors. This copy is very prominently, beautifully, and elaborately signed in blue ink-pen on the title page by Brian Dillon. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. One of the most brilliant essayist/writers of our time. A fine copy. (SEE ALSO OTHER BRIAN DILLON TITLE IN OUR CATALOG) ISBN 1933128879. Signed by Author.
Publicado por Berlin, Germany Sternberg Press Edinburgh, United Kingdom Talbot Rice Gallery, 2017
ISBN 10: 3956794044ISBN 13: 9783956794049
Librería: Joseph Burridge Books, Chadwell Heath, Reino Unido
Libro Original o primera edición
Soft cover. Condición: New. 1st Edition. "Published . on the occasion of Stephen Sutcliffe Sex Symbols in Sandwich Signs, at Talbot Rice Gallery from 28 July-30 September 2017."--Colophon. Description: 128 unnumbered pages : illustrations (chiefly color) ; 30 cm Contents: Preface / James Clegg -- Overlaid, not removed / Ilsa Colsell -- Be in my broadcast when this is over / Dan Fox -- Stephen Sutcliffe in conversation with Michelle Cotton.
Publicado por Center for Curatorial Studies, Bard College / Sternberg Press Annandale-on-Hudson / Berlin, NY / Germany, 2015
ISBN 10: 3956791266ISBN 13: 9783956791260
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
403 pp.; 26.6 x 18.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Compendium of essays, interviews, and discussions examining recent developments in philosophy and their influence within the arts. Edited by Christopher Cox, Jenny Jaskey, and Suhail Malik. Contributors include Armen Avanessian, Elie Ayache, Amanda Beech, Ray Brassier, Mikko Canini, Diana Coole, Christoph Cox, Manuel DeLanda, Diedrich Diederichsen, Tristan Garcia, Elizabeth Grosz, Boris Groys, Iain Hamilton Grant, Graham Harman, Terry Horgan, Jenny Jaskey, Katerina Kolozova, James Ladyman, François Laruelle, Nathan Lee, Suhail Malik, Quentin Meillassoux, Reza Negarestani, John Ó Maoilearca, Trevor Paglen, Luciana Parisi, Matthew Poole, Matjaz Potrc, João Ribas, Matthew Ritchie, Alicia Ritson, Susan Shaviro, Nick Srnicek, Achim Szepanski, Eugene Thacker, McKenzie Wark, and Andy Weir. Includes contributor biographies. Very Good / Fine. Bumping of cover corners with 4.5 cm. light crease to bottom left corner of recto. 5.5 cm. indentation to recto. Dusting of text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.