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Publicado por Aberystwyth Art Center & Oriel Mostyn Gallery, Wales, 1996
Librería: 20th Century Art Archives, Cambridge, Reino Unido
No binding. Condición: As New. 8pp fold out card with 6 colour images and 2 texts by the artist, (in Welsh and English), mint.
Publicado por Oriel Mostyn Art Gallery, 1999
ISBN 10: 0906860415ISBN 13: 9780906860410
Librería: April House Books, Chipping Norton, Reino Unido
Libro
Soft cover. Condición: Good. Slight grubbiness to cover; contents pristine.
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Usado desde EUR 13,88
Encuentre también Original o primera edición
Publicado por Oriel Mostyn Gallery Llandudno, Llandudno, Wales, 1994
Librería: 20th Century Art Archives, Cambridge, Reino Unido
Paperback. Condición: As New. Artists include: Christine Borland, Roderick Buchanan, Nathan Coley, Jim Hamlyn, Annette Heyer, Craig Richardson and Julie Roberts - an exhibition of site specific public art-works. Text "Things we think we know" by Andrew Wilson. 56pp, with several colour illus plus artist's biographies (all texts also in Welsh). VG, blue paper covers.
Publicado por Oriel Mostyn Gallery, 2004
ISBN 10: 0906860563ISBN 13: 9780906860564
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Libro
Condición: VeryGood. Most items will be dispatched the same or the next working day.
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Usado desde EUR 28,53
Publicado por Oriel Mostyn Gallery, 2006
ISBN 10: 0906860601ISBN 13: 9780906860601
Librería: *bibliosophy*, Exeter, Reino Unido
Libro
Soft cover. Condición: Good. 2006, 48 pages, art exhibition catalogue, illus. colour | gently read copy - clean and bright, uncreased spine, and free of name, notes etc; it is rated 'good' because of a ding on the back cover, and corresponding dent in pages 30 - 48 ( please see image ) | careful packaging and swift dispatch - with tracking for international orders.
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Usado desde EUR 18,09
Encuentre también Original o primera edición
Publicado por Oriel Mostyn Gallery, 2002, 2002
Librería: Sutton Books, Norwich, VT, Estados Unidos de America
Miembro de asociación: IOBA
Condición: near fine. Pbk stapled oblong 8vo 46pp issued to accompany Oriel Mostyn touring exhibition 14 September - 19 October 2002 illustr throughout color plates slight blemish to lower front cover otherwise appears unused and an excellent clean tight unmarked copy.
Publicado por Oriel Mostyn Gallery, Llandudno, 2002
ISBN 10: 0906860482ISBN 13: 9780906860489
Librería: William Glynn, Reydon, Reino Unido
Libro Original o primera edición
Card Covers. Condición: Very Good. First Edition. 48 pages, colour illustrations, catalogue of 26 works, biography, bibliography. Catalogue of the exhibition. Minor wear. [778] Size: 270mm. x 210mm. Book.
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Nuevo desde EUR 38,59
Usado desde EUR 15,08
Encuentre también Tapa blanda Original o primera edición
Publicado por Oriel Mostyn Gallery,ireland, 1997
Librería: S.Carter, NEWPORT, Reino Unido
Libro Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. first printing/near fine hardback in near fine dustwrapper.stunning plates throughout.massicve book requiring extra postage for non uk address.
Publicado por Oriel Mostyn Gallery,uk, 2003
ISBN 10: 0906860520ISBN 13: 9780906860526
Librería: S.Carter, NEWPORT, Reino Unido
Libro Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. ukst.edition.1st.printing/near fine card cover original.
Publicado por Oriel Mostyn Gallery, in association with Spencer Brownstone Gallery, Llandudno, Wales and New York, 2000
ISBN 10: 0906860458ISBN 13: 9780906860458
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición
First edition. Softcover. 47 pages. Essay by Emma Anderson. Includes numerous color illustrations, lists of previous exhibitions, awards and public collections. A fine copy in wrappers.
Publicado por Published by Oriel Mostyn Gallery, Wales, 2005
ISBN 10: 0906860601ISBN 13: 9780906860601
Libro Original o primera edición
, 48 pages, colour illustrations throughout, artists include Peter Finnemore, Bethan Huws, Helen Jones, Marc Rees, Anthony Shapland, Bedwyr Williams, and Emrys Williams First Edition , book in very good condition , pictorial card covers 25 x 23 cm Paperback ISBN: 906860601.
Publicado por Oriel Mostyn Gallery, Whales, 2000
ISBN 10: 0906860458ISBN 13: 9780906860458
Librería: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, Estados Unidos de America
Libro Original o primera edición
10.75 x 8.5 inches. 47 pages. Profusely illustrated in color. Original blue wrappers. Some light markings to wrappers; generally a fine copy.
Publicado por Oriel Mostyn Gallery,, Llandudno,, 2000
ISBN 10: 0906860458ISBN 13: 9780906860458
Librería: Burwood Books, Wickham Market, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Paperback. Condición: Fine. First Paperback Edition. 4to. pp 47. Large format paperback. Copiously illustrated in colour and black and white throughout. Published on the occasion of an exhibition at Oriel Mostyn Gallery, Llandudno, Wales, 2000. ISBN: 0906860458 Fine.
Publicado por Oriel Mostyn Gallery, LLandudno, 2003
ISBN 10: 0906860539ISBN 13: 9780906860533
Librería: George Longden, Macclesfield, Reino Unido
Libro
Paperback. Condición: Very Good. 275 x 210 mm. [48 pp.] An introduction to the work of Cardiff-based Japanese photographer and installation artist Reiko Aoyagi. Essay by Christina Crossingham. Well illustrated. Book.
Publicado por The Imperial War Museum / Oriel Mostyn Gallery / Ffotogallery / Irish Museum of Modern Art, London, England, 2003
ISBN 10: 1901623750ISBN 13: 9781901623758
Librería: Russian Hill Bookstore, San Francisco, CA, Estados Unidos de America
Libro
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Unpagenated, oblong 4to. Out of Print. Minor shelfwear to DJ: light rubbing along edges. DJ in mylar. Tightly bound, no marks. Volume is in Near Fine condition.
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Nuevo desde EUR 265,56
Usado desde EUR 82,08
Encuentre también Tapa dura Original o primera edición
Publicado por Oriel Mostyn Gallery, Wales, 2003
Librería: Antiquariaat Coriovallum, Heerlen, Holanda
Condición: as new. as new - vrijwel NIEUWSTAAT.
Publicado por Oriel Mostyn/Photographers' Gallery, Llandudno/London, 1989
ISBN 10: 0907879233ISBN 13: 9780907879237
Librería: Karen Jakobsen (Member of the PBFA), Sturminster Newton, Reino Unido
Miembro de asociación: PBFA
Libro
Soft cover. Condición: Fine. No Jacket. Sotcover. Condition: Fine, with just the very faintest hint of shelfwear to covers. Effectively appears new. No inscriptions. 45pp. Several colour plates and many other b/w illustrations. This catalogue was published to accompany the exhibition of photography by the British conceptual artist, Keith Arnatt (1930-2008) held at Oriel Mostyn, Llandudno from 21 April to 20 May, 1989 and The Photographers' Gallery, London from 2 June to 15 July, 1989 and thereafter on tour for two years.
Publicado por Imperial War Museum, in association with Oriel Mostyn Gallery (LLanduno), Ffotogallery (Cardiff), and the Irish Museum of Modern Art (London), Llanduno, Cardiff and London, 2003
ISBN 10: 1901623750ISBN 13: 9781901623758
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Hardcover. Brown cloth-covered boards with title debossed on spine; with photographically illustrated dust jacket. Photographs by Paul Seawright. Text by Mark Durden and John Stathatos. Includes a list of works. Unpaginated (64 pp.), with 27 four-color plates and additional illustrations, beautifully printed in Italy by EBS, Verona. 9-3/4 x 12-1/8 inches. Published on the occasion of an exhibition at the Imperial War Museum, London. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New. A Mint copy. From the publisher: "The Imperial War Museum commissioned two contemporary artists to respond to the terrorist attacks of September 11th and the war in Afghanistan. Paul Seawright was the first to go to Afghanistan, in June 2002. He has responded to the painful and extraordinary challenge of the situation in the country with profound imagination and sensitivity. Avoiding the trappings of an exoticising vision, typified by the media's portrayal of Afghanistan as a spectacle of ruins, Seawright's photographs are spare and understated. His response to these heavily mined desert landscapes, extends and reworks the distinctive aesthetic established by his earlier photographs of contested, politically contaminated landscapes in his home city of Belfast and more recently on the fringes of various European cities.".