or label (12 resultados)

Hardcover. Condición: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations.

Softcover. Condición: Comme neuf. Edition 1992. Tome 1. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 1992. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: Bon. Bande dessinée 1992, Label d'or, in-4 cartonné, Les survivants de l'Atlantique n°1, Le secret de Kermadec, édition originale | Etat : bon état (Ref.: Gaman778). Bande dessinée.

Hardcover. Condición: Very Good. 1st Edition. Printed for the Society of Antiquaries of Newcastle upon Tyne by Northumberland Press ltd, Newcastle, 1940, 1st edition. Fourth series volume seventeen. Brown cloth boards, gilt lettering on black leather patch to spine. Teg. 9ins x 6ins, xv, (i), 144pp plus 18 plates (3 folding). Also line drawn illustrations within the text. Contents include The Merchants' Court, Newcastle upon Tyne, Shields of arms of the incorporated companies in Gildhall, Newcastle upon Tyne, Dunstan Hall or Proctors Stead, Belsay castle and the Scottish tower-houses and excavations at Corbridge, 1938-39. Spine label rubbed. Previous owners signature to title page else VG.

Hardcover. Condición: Good. Published by John Long, London, nd. Red cloth boards, gilt lettering to spine, no dustwrapper. 8.75ins x 5.75ins, 288pp plus frontis and 14 (of 15 plates). Lacks plate of Charles Bertram. Also line drawn illustrations within the text. Remnants of label to rear pastedown - possibly ex-library. Front hinge cracked. A working or reference copy. G only.

. Ilustrador. CONDITION: Very Good; 19th c name stamp on back, light soil in corner margins on some pages, shadowing caused by smaller object placed on top of it on front "cover"; staples nice. Toploader small softcover advertizing. Hilarious drawings by an uncredited artist. The bad boy licks all the labels off his sister's O. N. T. Clark's Spool Cotton and applies them in imaginative places! In "Big Brother gets his Girl's Picture" the brother is holding an envelope with the signature of the famous celebrity photographer Napoleon Sarony, 1821 - 1896, but opens it to find his beloved's face covered by a label. The Bad Boy's tricks are such a hit that at the end of the pamphlet, we see him writing away for more. The relationship, if any, between Clark and Sarony is puzzling. Clark died in 1873; Sarony started his photography studio around 1866, but was already well known as a lithographer, thus our [ca 1870] dating. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. .

Hardcover. Condición: Very Good. Printed for the Booksellers, London, 1792. Full leather binding, four horizontal gilt lines to spine, no lettering or label to spine. 5.5ins x 3.5ins, viii, 184pp. Continuous pagination of the two works -The Polite Philosopher commences on page 121. Previous owners signature and date (1824) to front free endpaper. Toning and some browning to the text pages. Overall a VG well preserved copy.

Soft cover. Condición: Fair. No Jacket. 6 1/8" x 9 3/4", consists of 16 double pages of an old thin paper (first two pages have been split along fore-edge), & 2 single sheets of similar paper (the first leaf, which is blank & the last, which bears a thick-lettered calligraphic inscription, signature or title on the reverse side. Appears to be entirely hand written, with various sized characters in black ink (some have been crossed out & replaced with others, or show blotting, smudges) and smaller red characters at the sides of text. See scan, which shows the first page of writing after the front cover. Bound & sewn in dark brown/tan, speckled paper covers with printed & inked catalogue slip pasted in lower left corner of front paper cover; lower left corner of back inner cover shows a few later inked characters. Margins of most text pages show some older dampstaining, not really damaging text or paper; some age-related wear & signs of use, rubbing, to book edges & covers, back cover is partly detached, & some of the sewing thread has been removed, a few bookworm holes to lower right corner of back cover. Cannot guarantee age, completeness or that the contents of this item have been correctly identified by an earlier 20th century cataloguer, but it does appear hand written, rather than block printed, though it could have been produced at a later date. A good example oriental calligraphy.

Soft cover. Condición: Fair. No Jacket. Two parts of a Japanese manuscript; cannot be dated other than 17th-19th century. (Early printed catalogue or lot number label on front cover of vol 1: 13, early pasted identification label has been removed Two separate parts with early Japanese characters for 1 & 2, and with hand- written titles on front paper covers & in title lines of text. Approximate sizes: 6 1/8" x 9 3/4"; number 1 consists of 19 double pages of an old thin paper, written in large, clear characters; & 2 single sheets of a thinner, similar paper at the beginning & end; both of these are blank. The second part is on 26 double pages & 2 others of thinner paper, the front being blank & the last leaf, which bears a thick-lettered calligraphic inscription or signature on the reverse side. These both appear to be entirely hand written, with various sized characters in black ink and smaller red & black characters at the sides of text. See scan, which shows the first page of writing after the front cover in part 1 & the inscription on the final leaf of part 2. Bound & sewn in dark brown/tan, speckled paper covers; the back inner cover of part 1 shows some large characters which might be ownership inscriptions. Margins & pages show some damp-staining, not really damaging text; fore-edge of part 2 shows some (insect?) damage or chewing, especially along the lower & mid-fore-edge, generally not affecting text characters. Both parts show considerable age-related edge wear, rubbing & evidence of actual use with some damage to front & back covers on second part (front cover is nearly detached, with tears, chipping, some sewing removed); both show some bookworm holes to corners, text edges/margins. The items appear to be hand written, not block printed. Contents may be Buddhist scripture or commentary. Items appear to have been catalogued, and perhaps sold at auction early in the 20th century with a similar manuscript identified as: "Ryumo Bosatsu, Kongochoyuka (Buddhist ms. 17th cent.)". Cannot guarantee completeness or contents. Sold together as examples of Oriental calligraphy.

One large double elephant folio chromolithograph colour plat map. Approx. 3 x 6 feet, printed on clay-sized paper stock, mounted on linen, colours still vibrant, creasing & edgewear, crinkling from the linen having been rolled & unrolled over the decades, linen reinforcements at fore-edges, renewed later wooden dowels & moulding removed at upper & lower fore-edges, some faint minor dampstain & tide mark, couple very minor losses to original image, now repaired), still an extraordinary copy, shrunk wrap on archival foam core. First edition of this exceedingly scarce original chromolithograph plat map of Roseburg, Oregon for the Title Guarantee & Loan Co., at the time owned and operated by the notable Portlander, land developer, and banker, William Ladd, and managed by J.T. Ross. The same year Huber & Maxwell also produced a large four section map of Oregon which measured 6 x 7 feet, just 2 years before the Lewis & Clark Centennial Exposition, and four years after they had created a giant map for Ladd in 1901. In 1903, Roseburg was a fast growing city in Southern Oregon, serving as a major trans-shipment point for farm and agriculture with flourishing crops of turkeys, prunes, and hops -- the Roseburg brewery had been closed down in 1898 by the owner's widow who was a firm temperance supporter. In addition, there were large nearby hydraulic mining operations, as well as growing sawmill and logging industry cutting and milling the stands of Douglas Fir trees. This large plat map reflects the large and fast growing suburbs and city additions at the time, including the Riverside Addition, the Behrke's and Thomas' suburbs, nearby Fruitvale & Cloverdale, along with the Kinneys Improved addition, the Terrace Park Addition, Chadwick's Addition, as well as West Roseburg. Individual large land owners are shown on the plat map, along with cemeteries, the Court House Square, the trestle bridge connecting West Roseburg and Fullerton's property to Lane Street in Roseburg, and faint pencil marks indicating later bridge on Oak connected to the Coos Bay Wagon Road. Huber (1859-1924) was a prominent civil engineer, paving contractor, and director of works for the Lewis & Clark Exposition. After working as surveyor for the U.S. Government in Arizona and New Mexico Territory in the 1880's, he then worked as engineer in Los Angeles, and then city engineer for Spokane, WA before the 1893 crash until 1900 when he began working for H.W. Goode of the Portland, Railway, Light & Power Co. in Portland, OR. Maxwell (1857-1911) was the son of a prosperous Pennsylvania bookseller who first moved to Tacoma, Washington Territory as engineer in 1880, and later worked in Spokane from 1882-1894, by 1893 had having formed partnership with Huber. Huber & Maxwell were also the successful engineering firm which oversaw the new South Jetty at the mouth of the Columbia River, and later were the key engineering firm which oversaw the feasibility of the Guild Lake site in Portland, OR for the Lewis & Clark Exposition in 1902, but unfortunately he was committed to the Oregon State Insane Asylum in 1906, where he remained until his death. All of their maps, including the famed Routledge Birds-eye of the Exposition were lithographed by The Mutual Label & Lithographic Co. in Portland, OR. No copies in Worldcat; See: Jerry Olson, Government Land Office Surveyor Personal Notes (March 30, 2014), pp. 549-551.