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Publicado por National Gallery Company Ltd, United Kingdom, London, 2004
ISBN 10: 1857093151ISBN 13: 9781857093155
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 0,92
Encuentre también Tapa blanda Original o primera edición
Publicado por National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857095235ISBN 13: 9781857095234
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. "Forests, Rocks, and Torrents" brings together an array of Norway and Switzerland's most talented 19th-century artists, who shared an interest in capturing their native dramatic alpine landscapes. This richly illustrated book also examines the differences that climate, character, and political regimes have imposed on artistic practices. Distinct social and political situations in Norway and Switzerland yielded fundamental differences in the two countries' painting traditions. As Norway endured a long struggle for freedom, Switzerland remained proudly independent. While Norway was poor, isolated, and dependent for survival on its natural resources, the Swiss enjoyed prosperity, a cosmopolitan society, and prestige as an early center of industry. The authors examine how this was manifested in the landscape paintings of such prominent artists as Johan Christian Dahl, Thomas Fearnley, Peder Balke, and Alexandra Calame. This book also supplies a helpful chronology and brief artist biographies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 1991
ISBN 10: 094764587XISBN 13: 9780947645878
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The completion of the Sainsbury Wing by the American architects Venturi, Rauch and Scott Brown, marks the end of a lengthy architectural debate that has excited interest from both the Prince of Wales and the public. This book, by architectural historian and critic Colin Amery, is the authorized account of the story of this building, which has been designed to house the Early Renaissance Collection of the National Gallery. In it Amery describes the evolution of the design, placing it in the context of the architectural history of the National Gallery. He includes a full visual account of the new buildings, an updated set of plans and architects' drawings, a list of consultants and a technical appendix. He covers new ideas about the lighting and display of pictures and the technical qualities of the controlled environment suitable for the preservation of delicate works of art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 1,76
Encuentre también Tapa blanda
Publicado por London: National Gallery Company, 2011., 2011
ISBN 10: 1857094905ISBN 13: 9781857094909
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 32,73
Usado desde EUR 2,23
Encuentre también Tapa blanda
Publicado por National Gallery Co., London, 2000
ISBN 10: 0300079222ISBN 13: 9780300079227
Librería: Valley Books, AMHERST, MA, Estados Unidos de America
Libro
Paperback. Condición: Fine. 80pp. Numerous color plates. Photos on request. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por National Gallery Company Ltd, United Kingdom, London, 2012
ISBN 10: 1857095340ISBN 13: 9781857095340
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. How do artists create different effects when painting?The medium they choosesuch as oil, watercolor, or egg temperaplays an important part. So too does the material they paint on, the pigments used, and even the type of brush. Using examples from the National Gallery Collection, Jo Kirby shows how a painting is made, and reveals the processes behind an array of fascinating techniques. With clear explanations and close-up photography, this book will help you see paintings with a fresh eye. Published by National Gallery Company / Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 17,51
Usado desde EUR 3,63
Encuentre también Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 2000
ISBN 10: 1857092953ISBN 13: 9781857092950
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery, London. Published annually, and beautifully produced and illustrated, it covers all aspects of the conservation, technical study and care of the paintings in the collection. Drawing on the combined expertise of curators, conservators and scientists, it brings together a wealth of information about artists' materials, working practices and techniques. The Technical Bulletin is an invaluable resource for art historians, collectors, museum curators, and all those with an interest in old master paintings, as well as essential reading for conservators. Contents: A Virgin and Child in the Style of Albrecht Durer. The authors readdress the question of attribution of this picture in the light of new information on the underdrawing, painting technique, and materials, obtained during recent conservation treatment. The technique and materials of the Virgin and Child Enthroned with Saints by Michael Pacher, a fifteenth-century painter and sculptor from the Tyrol. A note on occurrences of the purple pigment fluorite. The discovery and identification of an original varnish on a panel by Carlo Crivelli. Lorenzo Monaco's Coronation of the Virgin: its restoration and presentation. The restoration of two panels by Cima from the Wallace Collection, London. Pollutant monitoring at the National Gallery: a review of past and present monitoring of the main pollutants that affect paintings, and the implications for works displayed at the National Gallery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 1986
ISBN 10: 0947645071ISBN 13: 9780947645076
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 2015
ISBN 10: 1857094174ISBN 13: 9781857094176
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Profusely Illustrated Ilustrador. View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793, followed by Napoleon's invasion and the fall of the Venetian Republic in 1797. In between, a constellation of remarkable painters captured the city in dazzling pictures which are among the greatest achievements in eighteenth-century art. Canaletto may be the artist popularly associated with Venice, but he had many rivals who competed for commissions, often from foreigners whose patronage was to determine the later course of Venetian view-painting. All the major figures are represented here - Bellotto, Carlevarijs, Guardi, Joli, Marieschi and Vanvitelli - together with fascinating contemporaries such as Cimaroli and Tironi. Charles Beddington sets the scene with an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them. Succinct, lively biographies for each artist are followed by short introductions to the works, grouped chronologically by artist. Each painter saw the same topography with his own unique vision; this beautiful book demonstrates the varied responses to the cityscape, with its ever-changing light, as well as to its spectacles and ceremonies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 4,93
Encuentre también Tapa blanda Original o primera edición
Publicado por National Gallery Company Ltd, United Kingdom, London, 1996
ISBN 10: 185709154XISBN 13: 9781857091540
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Focuses on the landscapes of Rubens, in particular Landscape with Het Steen, a view by Rubens of his own country house and the surrounding countryside. After an introduction to Rubens as a landscapist, this book also places the works in the tradition of Flemish landscape painting. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0947645497ISBN 13: 9780947645496
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857092007ISBN 13: 9781857092004
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 5,13
Encuentre también Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 2004
ISBN 10: 1857099036ISBN 13: 9781857099034
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 5,15
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por National Gallery Company Ltd, United Kingdom, London, 1990
ISBN 10: 0300050364ISBN 13: 9780300050363
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 5,15
Encuentre también Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857094514ISBN 13: 9781857094510
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cà zanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his "quotations" were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, "something else entirely." Published by the National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 5,29
Encuentre también Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0300061358ISBN 13: 9780300061352
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857091698ISBN 13: 9781857091694
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 6,02
Encuentre también Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0947645675ISBN 13: 9780947645670
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
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Usado desde EUR 6,21
Encuentre también Tapa blanda
Publicado por National Gallery Company, London, 2001
ISBN 10: 1857099567ISBN 13: 9781857099560
Librería: Alphaville Books, Inc., Hyattsville, MD, Estados Unidos de America
Libro
Softcover. Condición: Very Good+. A clean and sound copy. Careful packing and fast, efficient shipping including delivery confirmation. International Priority Air Mail shipping available for this item.
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Usado desde EUR 7,59
Encuentre también Tapa blanda Original o primera edición
Publicado por National Gallery Company Ltd, United Kingdom, London, 2012
ISBN 10: 1857095480ISBN 13: 9781857095487
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. For decades the most continually provocative of British artists, Richard Hamilton (19222011, right) was long concerned with the great themes of Western painting. At the time of his death, he was completing plans for an exhibition at the National Gallery, London, to include the first public showing of what turned out to be his final work. Based on Balzac's short story, The Unknown Masterpiece, it depicts three masters of paintingPoussin, Courbet, and Titiancontemplating a reclining female nude and reflecting on the meaning of art. As with much of Hamilton's late work, the image was generated by computer but over-painted by hand. Knowing he would not complete it, Hamilton decided to show three preparatory versions simultaneously. In addition, he selected thirty paintings tracing the development of his art, featuring single-point perspective and the depiction of interior spaces, the sacred imagery of the Italian Renaissance, and allusions to the art of Marcel Duchamp. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London(10/10/1201/13/13). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 6,73
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por National Gallery Company Ltd, United Kingdom, London, 2006
ISBN 10: 1857093038ISBN 13: 9781857093032
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Renowned for his physical and psychological naturalism, Diego Rodriguez de Silva y Velazquez (15991660) is considered one of the greatest painters to have ever lived. Official court painter to King Philip IV (16051665), he created astounding effects of illusion in his minimalist and elegantly composed workswhich range from genre and history scenes to portraits. His paintings had an enormous impact on 19th- and early-20th-century artists such as Degas, Renoir, and Picasso, and Manet famously first described him as the painters painter. With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velazquezs entire career and explores his universal popularity. Fascinating essays by world-class Velazquez scholars address the artists life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV. They also place his works in the context of 17th-century European painting and discuss how and why his works have resonated so strongly with the generations of Post-Impressionist and modernist artists. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (October 18, 2006 January 21, 2007). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 6,73
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por National Gallery Company Limited, London, 1997
ISBN 10: 185709218XISBN 13: 9781857092189
Librería: Bookplate, Chestertown, MD, Estados Unidos de America
Libro
Soft cover. Condición: Near Fine. 2nd Edition. Clean, unmarked copy with crease-free spine, negligible wear to corners. Tight, solid copy. KRM/Museums.
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Usado desde EUR 7,59
Encuentre también Tapa blanda Original o primera edición
Publicado por National Gallery Company, London, 1991
Librería: Collectors Cabinet, Teaneck, NJ, Estados Unidos de America
Libro
Soft cover. Condición: Good. Softcover, 11 1/2 by by 9 3/4 inches, 144 pages, illustrated. The covers ahve only slight wear. Pages 72&3 have a paragraph bracketed, page 78 a word underlined and page 99 three words underlined and a paragraph bracketed in pen. Apart from these annoyances, the pages are clean. Due to size and weight, this book can not be shipped overseas.
Publicado por National Gallery Company Ltd, United Kingdom, London, 2018
ISBN 10: 1857096177ISBN 13: 9781857096170
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The first book to focus on Monets work through his representation of architecture In an innovative approach, Richard Thomson considers Claude Monets paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes, and gardens. Buildings fulfilled various roles in Monets canvases; some are chiefly compositional devices while others throw into sharp contrast the forms of man-made construction against the irregularity of nature, or suggest the absent presence of humans. The theme was both central and consistent over five decades of his 60-year career. Written by a renowned expert on Impressionism, this book covers Monets representations of historical buildings, inner cities, beach resorts, railway bridges and stations, suburban housing, and busy harborssubjects spanning northern France, the Mediterranean, and the cities of Rouen, London, and Venice. In addition to 75 great paintings by Monet, this thematic, picture-led book includes a wealth of comparative material, such as postcards, posters, original travel photography, and rarely seen aerial photography that sets Monets work firmly in its historical, cultural, and social framework. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (04/09/1807/29/18). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 6,96
Encuentre también Tapa dura Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857095251ISBN 13: 9781857095258
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. Yet this beautiful catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own. Focusing on Italian altarpieces from the second half of the 13th century to the very end of the 15th, the book investigates the original functions and locations of altarpieces as well as the circumstances of their dislocations, dismantlings, and reconstructions. Regional variations are also analyzed, and the author examines altarpieces' formal and typological development, taking into account the wealth of related scholarship undertaken in the past thirty years. Published by National Gallery Company / Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (07/6/11-10/02/11). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 68,30
Usado desde EUR 7,23
Encuentre también Tapa dura Tapa blanda
Publicado por National Gallery Company Ltd, United Kingdom, London, 2002
ISBN 10: 1857092066ISBN 13: 9781857092066
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por National Gallery Company, London, 2002
Librería: Loyal Oak Books, Norton, OH, Estados Unidos de America
Soft. Condición: Acceptable. Has 48 pages and all photos are in color with paintings from 1260 through 1900.
Publicado por London: National Gallery Company, 2009., 2009
ISBN 10: 1857094484ISBN 13: 9781857094480
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Libro
Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
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Nuevo desde EUR 79,12
Usado desde EUR 15,23
Encuentre también Tapa blanda
Publicado por National Gallery Company, London, 2006
Librería: Anthology Booksellers, Portland, OR, Estados Unidos de America
wraps. Condición: fine. 48pp. wraps illus.
Publicado por National Gallery Company Ltd, United Kingdom, London, 2009
ISBN 10: 1857094506ISBN 13: 9781857094503
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. By the late 18th century, the practice of painting outdoors (en plein air) was widespread, especially in Italy, where picturesque views of Tivoli and the Campagna were irresistible to French and British artists. Fifty years later in France, the Barbizon group----including Jean-Baptiste-Camille Corot, Theodore Rousseau, and Charles-Francois Daubigny----eagerly escaped the studio to paint landscapes, rivers, and beach scenes of their native land. These painters were a crucial influence on a new generation of artists who would eventually become known as the Impressionists. In this delightful and accessible exploration of the National Gallery's collection of 18th- and 19th-century landscape paintings, Sarah Herring introduces and explains the enduring appeal of these charming small works of art, both to their original collectors and to the present-day viewer. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.