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Publicado por Martin Lewis, 2014
ISBN 10: 1503293181ISBN 13: 9781503293182
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Libro
Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Usado desde EUR 4,70
Publicado por Martin Lewis, 2014
ISBN 10: 1503262146ISBN 13: 9781503262140
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Libro
Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Usado desde EUR 6,28
Publicado por Martin Lewis, 2020
ISBN 10: 1505281954ISBN 13: 9781505281958
Librería: HPB Inc., Dallas, TX, Estados Unidos de America
Libro
Paperback. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuevo desde EUR 42,90
Usado desde EUR 2,89
Encuentre también Tapa blanda
Publicado por Martin Lewis, 2020
ISBN 10: 1505297400ISBN 13: 9781505297409
Librería: HPB-Emerald, Dallas, TX, Estados Unidos de America
Libro
Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuevo desde EUR 106,49
Usado desde EUR 3,35
Encuentre también Tapa blanda
Publicado por Martin Lewis, 2020
ISBN 10: 150329028XISBN 13: 9781503290280
Librería: Textbooks_Source, Columbia, MO, Estados Unidos de America
Libro
Paperback. Condición: Good. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code or dust jacket.
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Nuevo desde EUR 75,37
Usado desde EUR 6,24
Encuentre también Tapa blanda
Publicado por Lewis Publications, Martin, SD, 1996
Librería: Antiques & Art, Piedmont, SD, Estados Unidos de America
sc. Condición: very good. 44 Story of one family who came to the prairies of Western South Dakota to file on a homestead and have been here ever since.
Publicado por Martin Lewis, (Los Angeles, CA), 1973
Librería: Aladdin Books, Fullerton, CA, Estados Unidos de America
Libro
Soft cover. Condición: Good. K Taylor Ilustrador. Date is an estimate. Good condition with no markings. 13 page lecture notes covering: Dice Finale, Bill in the Card, The Rising Cards and Hank,The Stampede Second, The Color Changing Pencil, Telephone Number Prediction, Card Stab (Carl Sten), Big Coin Production, Spontaneous Combustion & Impossible Miniature Card Rise. Uncommon early notes.
Publicado por Henry Lewis Martin Co., 1950
Librería: G.J. Askins Bookseller, New Lebanon, NY, Estados Unidos de America
Miembro de asociación: SNEAB
Libro
Hardcover. Condición: Very Good. No Jacket. 498 page hardcover with many persons highlighted for contributions in their fields. The review cover the period 1492 to 1950 and in all areas of pursuit. Many names and brief descriptions of the contribution. Index and Bibliographic Sources at rear. Unmarked, tight and clean.
Publicado por Martin Lewis, 2020
ISBN 10: 1503294056ISBN 13: 9781503294059
Librería: Save With Sam, North Miami, FL, Estados Unidos de America
Libro
Paperback. Condición: New. Brand New!.
Publicado por Martin Lewis Publishing, Mammoth Lakes, CA, 1998
Librería: Les Livres des Limbes, Chisseaux, Francia
Staplebound. Condición: Good. Rubbed edges and spine; POS on FFEP; full length vertical crease on front cover; back cover extensively soiled; every page has a map or diagram; only one page tip creased, clean unmarked throughout except for index "Routes by Rating"; corner bends. Still a solid copy. 8th revised edition. 99 pages. Book.
Publicado por Martin Lewis Crook, Ipswich,, 2007
ISBN 10: 0951656368ISBN 13: 9780951656365
Librería: Burwood Books, Wickham Market, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Paperback. Condición: Very Good. First Paperback Edition. 8vo. pp x, 132. Large format paperback. Limited edition of 400 copies. ISBN: 0951656368 Very good indeed.
Publicado por Henry Lewis Martin, Charlotte, NC, 1950
Librería: KULTURAs books, Los Angeles, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Fine+. Estado de la sobrecubierta: No Dust Jacket. First Edition. Black leather boards, some fraying to bottom part of spine, otherwise sharp and square, Fine +. Book is firm in binding, previous owner's name on front end page, 498 pages include Index. Free of any markings, not ex-library. ; 8vo 8" - 9" tall; 498 pages.
Publicado por ST. MARTIN'S PRESS (OF THE MACMILLAN GROUP) FOR THE LEWIS CARROLL FOUNDATION: NEW YORK, 1977
Librería: BRIER ROSE BOOKS, TEANECK, NJ, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Near Fine. 1st Edition. FIRST EDITION THUS. SIGNED BOOKPLATE WITH LIMITATION INFORMATION. ON THE FRONT BLANK END PAGE. THE BOOK IS DESCRIBED AS FIRST EDITION THUS . THE BOOK IS ACTUALLY A LATER PRINTING, BUT IS A FIRST THUS DUE TO THE BOOKPLATE AND LIMITATION.
Publicado por Hand Set & Printed by Michael Martin & David Lewis, apprentices at Uranian Press N.Y.C., New York, 1960
Librería: W. C. Baker Rare Books & Ephemera, ABAA, Brooklyn, NY, Estados Unidos de America
Original o primera edición
Softcover. Condición: Near fine. First Edition. Bifolium, [4] pp., with 2 inserted leaves (printed rectos only), all 12 x 9 inches, printed in red and black on brown paper. Light wear at edges, 1 3/4- inch crease in outer edge of first leaf, else near fine. The existential manifesto of the Uranian Press, presenting the original basis of Tyler's integrative vision of art, life, creativity, and journeys through forms of consciousness. Its main text, printed in three pages on a bifolium, is supplemented with two broadside inserts, one of which introduces the manifesto: In this this paper Creativity is to be understood in the sense of a Self Documented life work toward a more fully integrated individual, able to bridge consciousness between these states, & impart the result in a symbol system seeking to evolve self transcendence to the point of holding in consciousness the knowledge of unity with the universe. From his decision to leave Chicago in 1958 to his final years conducting underground tattoo and burial ceremonies under the aegises of the Uranian Phalanstery and the First New York Gnostic Lyceum Temple, Tyler was committed to the vision outlined in this document. He also increasingly came to know the "very real dangers" with which "exploration of this dark & terrible, spaceless primordial realm is fraught." He warns in both CREATIVITY's main text and a second broadside insert about these risks: demon possession, "the nihilistic necromancer becom[ing] the False Magician," the "Yang & Yin balance of Violent, vandalistic, nihilistic, Murderous destruction." Stefan Brecht, who dedicates a chapter of his history of the Bread and Puppet Theater to Tyler, suggests that Tyler ultimately succumbed to those dangers, casting him as both an influence on and a kind of antithesis to Bread and Puppet s founder, Peter Schumann. In their early acquaintance, the two had both seen "the threat of nuclear war as crucial, contemporary fact, saw it as a symptom of the preponderant form of madness, rational madness, and saw as only salvation a mass transformation of consciousness from the intellectual to the intuitive" (Brecht, p. 68). Whereas Schumann s "sacrifice of consciousness," however, called on radical love traditions and archetypes from Christian sources, leading him to become a major, transformative player in the peace movement, Brecht contends that Tyler's art was stuck in the sacrifice alone the "mission is reported on, not any achievement of it" (p. 66). Peter Schumann's son, Max Schumann, himself remembers Tyler as "part genius, part madman" and has long been engaged with his art and philosophy, recently curating the first major retrospective of Tyler s work, The Schizophrenic Bomb, at Printed Matter. He contrasts Tyler's work not with Bread and Puppet's but with the commercial gallery culture surrounding Tyler on one hand and insipid New Age movements that emerged around him, using similar symbolic systems, on the other. Tyler defied them all to the end, "not only not being engaged or aspiring to high art or the institutions of arts just completely not recognizing the values" and remaining fully committed to an integrated "art-life practice" that never yielded its "dark, death current" to facile spiritual formulas (Lynch, 2017). A rare and significant document in postwar psychic exploration and American antiestablishment art. OCLC records two copies, at Northwestern and the Harry Ransom Center.Sources: Dennis Lynch, "Rolling Out a Slice of Village Art Psychedelia," in THE VILLAGER, April 6, 2017.
Publicado por Glocester: printed for the author; and sold by Mr. Caslon in London; Mr. Parker in Oxford; Mr Martin in Birmingham; Mr. Gamidge and Mr. Lewis in Worcester Mr. Pugh in Hereford; Mr. Bond in Stroud; and the author in Glocester. ?, 1769
Librería: Christopher Edwards ABA ILAB, Henley-on-Thames, OXON, Reino Unido
4to, pp. [iv], [9]-52; title with upper outer corner missing, sympathetically replaced with similar paper; two leaves (D2 and F2) torn at foot, but with no loss; title page and last page of text a bit dust-soiled; else a good copy, recased in contemporary marbled boards, new calf spine. A scarce collection of poems by a Gloucester bookseller. Richard Bond was in business in Gloucester from the early 1750s, when he is recorded as selling the Daily Register, until about 1770. He was very likely the son of William Bond, bookseller and bookbinder in Stroud and Gloucester, and thus the brother of the composer Capel Bond (1730-90) and the painter Daniel Bond (1725-1803): in 1769 Richard seems to have published Capel Bond's music, and this book is usually catalogued has having been issued in this year. The 'Mr Bond' in Stroud who also sold this book could well be Richard Bond's father, or perhaps a brother succeeding to the father's business. The first part of the book, to p. 34, is taken up with mostly pious and divine poems - a version of the Te Deum, paraphrases of the psalms, and a poem 'The Happy Man' which is surely based on Horace's famous Ode. The latter section is entirely devoted to a single long poem titled 'Friendship, a familiar Epistle', which sings the usual praises of virtue, friendship and modesty of ambition. It ends rather charmingly: Thus writes, and thus would correspond, SIR, Your's, in Friendship, RICHARD BOND. Rare: ESTC locates just six copies, at the British Library, Bodleian and Senate House (London) in the UK; and Library of Congress, Chicago and Illinois in the USA.