mandel vilar press ct (34 resultados)

Paperback. Condición: Very Good. Advance Review Copy. 192 pages; minor creasing to the top corner of a few pages. Very Good condition otherwise. No other noteworthy defects. No markings. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Wraps. Condición: Near Fine. Textblock very clean and tight; Covers minimally edge and corner rubbed; 224p. Size: 8vo - Over 7 3/4" - 9 3/4 " Tall. Paperback.

Paperback. Condición: Good+. First Edition; Third Printing. 195 pages; minor stains to the exterior edges of textblock. Good condition otherwise. No other noteworthy defects. No markings. Covers in VG condition with minor rubbing. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Paperback. Condición: Very Good-. Katz, Avi Ilustrador. First Edition; First Printing. 311 pages; B&W illustrations. Light curl to book's body. Very Good condition otherwise. No other noteworthy defects. No markings. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Paperback. Condición: new. Paperback. Twenty years since its first publication, this new anniversary edition of the Holocaust memoir of George Salton (then Lucjan Salzman), gives readers a personal and powerful account of his survival through one of the darkest periods in human history. With heartbreaking and honest reflection, the author shares a gripping first-person narrative of his transformation from a Jewish eleven-year-old boy living happily in Tyczyn, Poland with his brother and parents, to his experiences as a teenage victim of growing persecution, brutality and imprisonment as the Nazis pursued the Final Solution. The author takes the reader back in time as he reveals in vivid and engrossing details the painful memories of life in his childhood town during Nazi occupation, the forced march before his jeering and cold-eyed former friends and neighbors as they are driven from their homes into the crowded and terrible conditions in the Rzeszow ghetto, and the heart-wrenching memory of his final farewell as he is separated from his parents who would be sent in boxcars to the Belzec extermination camp.Alone at age 14, George begins a three-year horror filled odyssey as part of a Daimler-Benz slave labor group that will take him through ten concentration camps in Poland, Germany, and France. In Paszw he digs up graves with his bare hands, in Flossenbrg he labors in a stone quarry and in France he works as a prisoner in a secret tunnel the Nazis have converted into an armaments factory. In every concentration camp including Sachsenhausen, Braunschweig, Ravensbrck and others, George recounts the agonizing and excruciating details of what it was like to barely survive the rollcalls, selections, beatings, hunger, and despair he both endured and witnessed.Of the 465 Jewish prisoners with him in the labor group in the Rzeszw ghetto in 1942, less than fifty were alive three years later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. George recalls not only the painful details of his survival, but also the tales of his fellow prisoners, a small group who became more than friends as they shared their meager rations, their fragile strength, and their waning hope. The memoir moves us as we behold the life sustaining powers of friendship among this band of young prisoners. With gratitude for his courageous liberators, Salton expresses his powerful emotions as he acknowledges his miraculous freedom: "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Fine.

Paperback. Condición: new. Paperback. By turns somber and funny but above all provocative, Elizabeth Benedict'sRewriting Illness: A View of My Ownis a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in "natural remedies," among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. Shetracks the progression of her illness from muddled diagnosis to debilitating treatment as she gathers sustenance from her family and an assortment of urbane, ironic friends, including her fearless "cancer guru."In brief, explosive chapters with startling titles "Was it the Krazy Glue?" and "Not Everything Scares the Shit out of Me" Benedict investigates existential questions: Is there a cancer personality? Can trauma be passed on generationally? Can cancer be stripped of its warlike metaphors? How do doctors' own fears influence their comments to patients? Is there a gendered response to illness? Why isn't illness one of literature's great subjects? And delving into her own history, she wonders if having had children would have changed her life as a writer and hypochondriac. Post diagnosis, Benedict asks, "Which fear is worse: the fear of knowing or the reality of knowing? (164)"Throughout, Benedict's humor, wisdom, and warmth jacket her fears, which are personal, political, and ultimately global, when the world is pitched into a pandemic. Amid weighty concerns and her all-consuming obsession with illness, her story is filled with suspense, secrets, and even the unexpected solace of silence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Novelist, critic, essayist, screenwriter, teacher, traveler, and art aficionado, Nicholas Delbanco has here compiled a mosaic of his life as he glances backwards and forwards from the vantage point of his eightieth year. Each home relocation with its inevitable remodeling becomes a metaphor for the reconstruction of the self over his lifetime. In episodic riffs, Still Life at Eighty revisits seven houses where Delbanco welcomed a panoply of literati, such as Mary Ruefle, Mary Lee Settle, Mary Robison, John Ashbery, John Cheever, John Irving, and John Updike. Each abode becomes a receptacle of memory, as he recalls his friendships with the likes of James Baldwin, Grace Paley, Frederick Busch, Donald Barthelme, and Russell Banks.Still Life at Eighty is saturated with artistic appreciation, which colors Delbanco's life from early childhood to his eightieth year. The grandson of collectors (whose paintings were plundered by the Nazis), nephew of a London gallerist, son of an accomplished painter, and a collector himself, Delbanco summons his reminiscences of art, artifacts, and artists as he pivots from a youthful artistic apprenticeship to become a prolific professional writer, sustained, and inspired by his wife of fifty-three years, Elena; his daughters, Francesca and Andrea; and five granddaughters.Delbanco finds solace in the things of this world: a Biedermeier desk, an Ekoi mask, and an instrument case that held the fabled Countess of Stanlein ex-Paganini Stradivarius Violoncello of 1707-all reminders of a treasured past. Together with these cherished artifacts, former homes, and the myriad writers and artists who slip in and out of this erudite memoir, Still Life at Eighty makes readers privy not only to Delbanco's rich experiences, but also to the vast aesthetic wealth of his long life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Beautifully translated by Shelley Frisch,The Number on Your Forearm Is Blue Like Your Eyes isapoignant and riveting memoir that sets a family story in historical context and brings psychological insight to bear on accounts of emotional trauma.Having achieved prominence as a pediatrician, child therapist, and international speaker, Eva finally decided to tell her story. In 2016, at the age of seventy-four, with the assistance of journalist Stefanie Oswalt, Eva Umlauf publishedDie Nummer auf deinem Unterarm ist blau wie deine Augen: Erinnerungen(Hoffmann und Campe Verlag).As someone who has endured the effects of the Holocaust from infancy, she writes, I wish for all that has happened to be understood and processed from diverse perspectives so that personal suffering, societal ruptures, and brutal transgenerational traumas can be prevented from being passed on to future generations." This book draws on years of interviews, copious correspondence, archival research in Europe and Israel, trips to labor and concentration camps, and the author's personal recollections.On November 3, 1944, a toddler named Eva, one month shy of her second birthday, was branded prisoner A-26959 in Auschwitz. She fainted in her mother's arms but survived the tattooing and countless other shocks. Eva Hecht was born on December 19, 1942, in Novaky, Slovakia, a labor camp for Jews. Eva and her parents, Imrich and Agnes, were imprisoned in this camp until their deportation to Auschwitz. A month prior to their arrival there, several thousand mothers and their children had been gassed. Now that the Red Army was rapidly advancing in Poland, the murders stopped. Agnes, then pregnant with her second daughter, and Eva were still alive when the camp was liberated on January 27, 1945. Her father was transferred to Melk, a subcamp of the Mauthausen concentration camp, and died there in March 1945.In late April, Nora, Eva's sister, was born. Agnes Hecht remained in the camp infirmary until her two little girls were well enough to travel, then brought them back to her home in Trenn in western Slovakia. Eva grew up with a mother who had to "survive her survival"-the little family lived with the loss in the Holocaust of the husband/father, the mother's three siblings, and the grandparents and great-grandparents. Having also lost her family's fortune, Agnes worked hard to create a normal home life for her daughters.Like many survivors in the post-Holocaust era, Eva's mother never talked about her experiences. Eva suffered frequent flare-ups of the illnesses she had suffered in Auschwitz. She did well at school and went on to study medicine in Bratislava. In 1966 she married Jakob Sultanik, a fellow Holocaust survivor who had resettled in Munich, Germany. Eva left the communist regime in Czechoslovakia in 1967 to join him in West Germany. There she began her practice as a pediatrician and later as a psychotherapist-and for the first time she had the opportunity to live out her Jewish identity. Unfortunately, Eva's husband, Jakob, died in a tragic accident when their son, Erik, was a small boy. Eva later married a fellow physician, Bernd Umlauf, and they had two sons, Oliver and Julian.Every so often, the horrors of Eva's early years would resurface in nightmares involving dead babies and Auschwitz gas chambers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. This is a memoiristic book and a dual portrait, built around intense friendships with two leading public intellectuals who achieved celebrity status-Susan Sontag on a global scale, George Steiner principally in Europe, though also for a time in the US. For audiences at Woody Allen movies Sontag was the prime embodiment of the term "intellectual," whose famous 1965 essay "Notes on Camp" won her an enormous following. For viewers of French, German and British television over decades Steiner was the primary interview show talking head, igniting controversy on many fronts, while also commanding a loyal audience for thirty years as a book critic at The New Yorker. To know Sontag and Steiner, as this memoir suggests, was often to feel overmatched and yet also bemused and awe-struck. Both of them gave off an air of omniscience and self-confidence, as if they had taken to heart the words of the Nobel laureate Elias Canetti, who wrote, "I cannot become modest; too many things burn in me."Maestros & Monsters is the work of a well-known public intellectual who was close to Sontag and Steiner over a half century, and who managed to bring them together on several occasions-the only times they ever met. Those encounters are among the most bizarre episodes in this narrative, which also features extended encounters with such literary figures as Arthur Koestler, Edward Said, Phillip Rieff, James Wood and others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. A portal into the perseverance of Jewish culture in the face of attempts to destroy it.-the epitome of Chassidic ideals and devotion.Zaltzman's father kept him out of the Soviet schools, where atheism was promoted and Sabbath observance was impossible, teaching him furtively at home, until a neighbor discovered his existence at the age of 9. Zaltzman had no choice but to attend a public school then, but he still observed the demands of his faith and stayed home from school when necessary. Hillel studied with esteemed Chabad Chassidic rebbes who taught at great personal risk. If discovered, they could be sentenced to harsh labor in Siberia.-his Jewish education-was beyond any compromise, and it was an exemplary expression of their Chabad brand of Chassidic Judaism: "The Chabad community was infused with a rich inner world of Chassidic vitality," Zaltzman writes.Meanwhile, the Soviet regime remained obsessed with eliminating a Jewish religious identity; a special division of the NKVD (Soviet secret police) was assigned the task of destroying Jewish schools and yeshivas, and surveilling individuals through synagogue informers. Zaltzman records his experiences and adventures and those of other memorable people he has known and the sacrifices they made to share their love of Torah and Jewish learning in the secret underground yeshivas. He describes their attempts to celebrate Jewish holidays, make matzah, and obtain prayer books, as well as their other colorful escapades. He also tells of their exasperating experiences trying to obtain exit visas to leave the Soviet Union. The largely untold story of Chabad activism and heroism comes through with great immediacy in this first-person account of spiritual resistance to a Communist regime at war with the Jewish devotion to God and Torah. From the age 16, along with several other idealistic young men, Hillel Zaltzman was involved in Chamah, an international organization which is devoted to serving Jews from the Former Soviet Union in Israel, Russia, and the US. Rabbi Zaltzman was honored for his humanitarian and Jewish outreach in the U.S. Senate in May 2016, as part of Jewish American Heritage Month. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Trade paperback. Condición: Very good. Estado de la sobrecubierta: No DJ present. xiv, [2], 208, [2] pages. Illustrations. Notes. Dr. Alla Shapiro, M.D., Ph.D. trained as pediatric hematologist in Kiev. She was one of the first physician responders to the 1986 Chernobyl nuclear disaster and headed the field team surveying the medical effects on children in the Chernobyl vicinity. After arriving in the United States, Dr. Shapiro relicensed in pediatric hematology-oncology and worked in the federal government. She served as a Medical Officer as a member of the Counter-Terrorism and Emergency Coordination Staff, Center for Drug Evaluation and Research (CDER), US Food and Drug Administration before retiring in 2019. The medical first responder was immediately called into action and as a young pediatrician and hematologist. Up to 30 percent of Chernobyl?s 190 metric tons of uranium was released into the atmosphere. Ukraine and neighboring Belarus were the most affected, but radiation contamination was also detected in other parts of the Soviet Union and throughout northern Europe. The Soviet government eventually evacuated 335,000 people, establishing a 30 kilometer (19 mile) ?exclusion zone? around the reactor. Shapiro was eventually dispatched to clinics in other locations in Ukraine affected by the disaster. She did all this without any training on how to treat radiation exposure, or any protective clothing to wear. Authorities prohibited Shapiro and her colleagues from seeking guidance from medical books and journals. All materials containing the word ?radiation? were pulled from Kiev?s medical library. The government maintained that less knowledge would lead to less panic. Dr. Alla Shapiro was a first physician-responder to the worst nuclear disaster in history: the explosion at the Chernobyl Nuclear Power Station in Ukraine on April 26, 1986. Information about the explosion was withheld from first responders, who were not given basic supplies, detailed instructions, or protective clothing. Amid an eerie and pervasive silence, Dr. Shapiro treated traumatized children as she tried to protect her family. No protocols were in place because no one had anticipated the consequences of a nuclear accident. From the outset of the disaster, the Soviet government worsened matters by spreading misinformation; and first responders, including Alla, were ordered to partake in the deception of the public. After years of persistent professional hostility and personal discrimination that she and her family experienced as Jewish citizens of the USSR, four generations of the Shapiro family fled the Soviet Union in the late 1980s. As émigrés, they were each allowed to take no more than 40 pounds of possessions and $90 in cash. Their escape route took them first to Vienna and then to Italy, where they were stranded as stateless persons for six months. Eventually the family received permission to enter the United States. Motivated by her Chernobyl experiences, Alla Shapiro ultimately became one of the world?s leading experts in the development of medical countermeasures against radiation exposure. From 2003 to 2019, she worked for the FDA on disaster readiness and preparation. Dr. Shapiro issues stern warnings regarding the preparedness or lack thereof of America for the current Covid-19 pandemic. Doctor on Call exposes the horrifying truths of Chernobyl and alerts us to the deceptions that undermine our ability to respond to global disasters. Advance Readers' Copy, Uncorrected Proof, Verso states 1st printing.

Paperback. Condición: new. Palomino, Juan Ilustrador. Paperback. Each year, in the Mexican town of Contepec, migrating Monarch butterflies spend the winter in the temperate forests of Mexico. This childrens book (ages 8-12) is an adventure story about two courageous cousins Erendira and Corina. With the help of their community as well as Maria the Monarch butterfly, who speaks to them in their dreams, they save the lives of millions of Monarch butterflies threatened by illegal logging and traffickers of wild animals. Together they help preserve the natural and cultural wealth of their homeland.In an afterword The Monarch: A Tireless Traveler Betty Ferber describes the life and evolution of the Monarch butterfly, its migration from North to South America, and the establishment of the sanctuaries in Mexico and the laws that protect them. Informs young readers about the Life of monarch butterflies, their habitat and the efforts to save them from extinction Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. It is 1968, the Cold War is raging, and the United States is bogged down fighting the Communists in Vietnam. The Berlin Wall is the symbol of a world cut in half, a punitive wall, isolating the Soviet republics that then formed the USSR. In the spring of 1968, the Czechoslovakian Communist Party experimented with "socialism with a human face"known then as the Prague Spring. Suddenly there was freedom of the Press; an end to arbitrary wiretaps; and citizens regained the right to travel without prior authorizations and visas. The borders opened to the West, consumer goods appeared in the stores---and the winds of freedom blew over the country. That summer, Alexander and Anna boarded their Skoda Felicia, a brand-new convertible, to join their daughter Petra in Bratislava, where she had just completed her brilliant medical studies. Tereza, the daughter of a railway worker who survived the concentration camps and a Pravda editor who had long taken in Hungarian refugees from 1956, stayed in a kibbutz in Israel to reconnect with her Jewish culture. Jozef, a pastor defrocked for refusing to denounce parishioners to the Party, delivered his first uncensored sermons on the radio. Then, suddenly, on the nights of August 20-21, Soviet tanks invaded Prague to put an end to this brief liberalization experiment. For a few hours, the border with Austria would remain open. Vienna was an hour's train away. Everyone now must make a choice: leave or stay? Fleeing violence or resisting the oppressor? Faced with the invasion of our country by an overmatched foreign power, what would we do? Viliam Klimaceks historical novel looks back at these major events in Czechoslovakian history. Celebrating the identity of a people, its folklore, its beauty, and its vitality, he makes this novel personal and real by focusing on the story of ten people enmeshed in this difficult moment in history. By telling the human stories of the Czech diaspora, Klimacek reveals the impact of these rapidly moving events on his characters and the lives of their families (based on real people whose names have been changed). Through Tereza, Petra, Jozef, Sena (Alexander), Anna and Erika, he tells us about the lives of these (extra)ordinary peopletheir lives in Czechoslovakia, Their decisions to leave, their flight, their families torn apart and separated, the abandonment of all that they possessed for unknown elsewhere, their perilous journeys, their arrival in a new country, their reception and integration in a new country. The novel describes the vicissitudes and hopes of newcomers, mainly in Canada, the United States, Austria, England, and Israel, who face obstacleslearning a new language, encountering red tape with registration, validating their diplomas and finding a job and housing. They quickly realizedepending on their own situation that many will never see or visit the families they left behind in Czechoslovakia. The experiences that Klimaceks characters face, endure and overcome we all know will be repeated for untold millions again and again as people around the world flee intolerance, war, calamities in weather and other disaster in our contemporary age. Constructing his stories on very real testimonies, Klimaceks novel is simultaneously a hymn to tolerance, to acceptance of others, and to the need to support and help the weakest or the poorest. It leads us all to ask ourselves questions, to reflect and perhaps, with a little goodwill, to see certain things differently. While the story is at time dark, it is also full of hope. You may know someone in your own community whose experiences are mirrored in this novel and through your reading you may now appreciate their unbending spirit and desire for freedom and well being for themselves and their families. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. 1941, Hitler's army crosses into Soviet-ruled Ukraine in a secret mission titled "Operation Barbarossa. A young Jewish girl, Hanna Slivka is fourteen when German soldiers arrive in her small village of Kwasova. Until their arrival, Hanna has split her time between playing with her younger siblings, sharing drawings with the sweet shy Leon Stadnick, and assisting her neighbor, Mrs. Petrovich, with her annual dyeing and selling of psyanky, decorative eggs. But now, she, Leon and their families are forced into hiding, first in the woods outside of their town and then into caverns beneath it. They battle sickness and starvation, and the local peasants who join the Nazis in hunting Jews through the ravaged countryside, but at no time are they more tested than when Hanna's father briefly above ground to scavenge for food goes missing, and suddenly, it's on Hanna to find him, and to find a way to keep her mother, brother and sister alive. This novel is inspired by the true story of Esther Stermer and her family, who survived underground for 511 days. Less than 5% of the Jewish population in Ukraine survived these Holocaust "Actions." Inspired by the story of Esther Stermer and her family who escaped the Nazi's and survived underground for 511 days. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. This powerful and moving historical novel is inspired by the written recollections and the memories that haunted the author's father, Nicias Aridjis,-a captain in the Greek army, who returned from the fields of battle to Smyrna, 50 miles northwest of his hometown of Tire, in 1922 just as Turkish forces captured this cosmopolitan port city. Smyrna in Flames , by the internationally acclaimed Mexican writer and poet Homero Aridjis, lays bare the unimaginable events and horrors that took place for nine days between September 13 and 22-known as the Smyrna Catastrophe. After capturing Smyrna, Turkish forces went on a rampage, torturing and massacring tens of thousands of Greeks and Armenians and devastating the city-in particular, the Greek and Armenian quarters-by deliberately setting disastrous fires.After years of fighting in World War I and the Greco-Turkish War, Nicias enters a Smyrna under siege. He desperately moves through the city in search of Eurydice, the love of his life whom he left behind. Wandering the streets, the sounds of hopelessness commingle in his mind with echoes of the ancient Greek poets who sang of the city's past glories. Images and voices, suggestive of Homeric ghosts adrift in a catastrophic scenario, conjure up a mythological, historical, geographical quest that, in the manner of classical epic, hovers between the heroic and the horrible, illustrating the depths and depravity of the human soul.Making his way from district to district, evading capture, Nicias observes the last vestiges of normal life and witnesses unspeakable horrors committed by roaming Turkish forces and irregulars who are randomly abusing and raping Greek and Armenian women and torturing and murdering their men. What he experiences is literally a living hell unfolding before his eyes. As Nicias passes familiar buildings, cafes, and churches, his mind and soul fill with nostalgia for his earlier life and the promise of love.Fortunately for the reader, the brutal and bloodthirsty scenes of the Smyrna Catastrophe are leavened by the voice of this "visionary poet of lyrical bliss, crystalline concentrations and infinite spaces," as Kenneth Rexroth has described Aridjis. His portrayal of a genocide-in-progress floods our senses, turning these chaotic scenes into a poignant drama.At the very end, aboard one of the last ships to take refugees out of Smyrna before its final fall, Nicias scours the throng of thousands of desperate Greeks and Armenians pressing forward to escape on already overcrowded ships. Suddenly Turkish forces move in to shoot and stab, and, overwhelmed by the all-pervasive tragedy, Nicias abandons Smyrna and Asia Minor forever. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Indie Awards Silver Medal Winner (Nonfiction Adult Humor)Bob Mankoff grew up Jewish in Queens, NY in the 1950s and 1960s. As a kid, he visited the Borscht Belt and reveled in the hilarious performances of some of the best Jewish comedians such as Jerry Lewis, Buddy Hackett, and Rodney Dangerfield, among others. These early experiences helped shape Mankoff's view of life and led him to become a creative master practitioner of humor and cartoons. He started his career unexpectedly by quitting a Ph.D. program in experimental psychology at The City University of New York in 1974 and submitting his cartoons to the New Yorker. Three years and over 2,000 cartoons later, he finally made the magazine and has since published over 950 cartoons. He has devoted his life to discovering just what makes us laugh and seeks every outlet to do so, from developing The New Yorker's web presence to founding The Cartoon Bank, a business devoted to licensing cartoons for use in newsletters, textbooks, magazines and other media.In this new book, Have I Got a Cartoon for You! this successful cartoonist, speaker and author, presents his favorite Jewish cartoons. In his foreword to this entertaining collection, Mankoff shows how his Jewish heritage helped him to become a successful cartoonist, examines the place of cartoons in the vibrant history of Jewish humor, and plumbs Jewish thought, wisdom and shtik for humorous insights.Mankoff has written: "I always think that it's strange that the Jews, The People of the Book, eventually became much better known as The People of the Joke. Strange because laughter in the Old Testament is not a good thing: When God laughs, you're toast. If you say, 'Stop me if you've heard this one, ' he does for good." A major influence on his cartoons about religion derives from Jewish culture's disputatiousness, the questioning everything just for the hell of it and then the questioning of the questioning to be even more annoying.He recalls: "When, I was first dating my wife, who is not Jewish, we once were having what I thought was an ordinary conversation and she said, 'Why are you arguing with me?' I replied, 'I'm not arguing, I'm Jewish.' I thought that was clever. She didn't. Some humor scholars claim this stems from the practice in the Talmud of pilpul, which Leo Rosten has described as 'unproductive hair-splitting that is employed not so much to radiate clarity . as to display one's own cleverness.' I go along with that except I like to think that some clarity and cleverness are not mutually exclusive. Anyway, that's my aim in cartoons like these. Now, am I worried that these jokes will bring His wrath down upon me down with a bolt from the blue. Not really, but every time there's a thunderstorm, I hide in the cellar." In this new book, successful cartoonist, speaker, and author Mankoff presents his favorite Jewish cartoons. In his Foreword, Mankoff shows how his Jewish heritage helped him to become a successful cartoonist, examines the place of cartoons in the vibrant history of Jewish humor, and plumbs Jewish thought, wisdom and shtik for humorous insights. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: new. Phillips, Noah Ilustrador. Hardcover. In 2014, at the age of 90, at the request of Nadine Epstein, Moment Magazine editor-in-chief, Theodore Bikel reexamined his own roots pinpointing the crucial events of his early life that shaped him as the man he would later become. He always believed that: "You must explore your roots in the past in order to pinpoint your place in the present or to be entitled to a future. It doesn't work any other way." The events that remained locked in his memory were the growing acts of Anti-Semitism culminating with Kristallnacht (the Night of Broken Glass) in Austria in November 1938. Born in in Vienna in 1924, Bikel was about thirteen when the pogroms broke out in Austria. Shocked and fearing for their lives, like the 117,000 other Austrian Jews who left their homeland between 1938 and 1940, Theo and his parents left their beloved city of Vienna and emigrated to Palestine. Bikel captures these memories in a poignant story, The City of Light about growing up in Vienna and more specifically the events of 1937-1938. In this story, young Jewish boy strolls through Vienna, the city of his youth, witnessing various acts of Anti-Semitism during the Jewish holiday of Hanukkah. He sees elderly Jews being spat upon and beaten and aged Jewish women being forced to clean the sidewalks with their coats. These scenes and other brutal and violent acts were seared into his memory and remained so all his life.In December 2014, Bikel's story, The City of Light, appeared in Moment Magazine and was read aloud by hosts Susan Stamberg and Murray Horwitz on NPR's Hanukkah Lights Program.This story now appears for the first time as an illustrated book publication in time for Hanukkah 2019. The City of Light can now be read and appreciated by all readers, ages 9 and up in a new and expanded version. Includes a Foreword, a Postscript, an appendix with a three-page Yiddish word glossary, a Recipe for Honey Cake from Bikel's Grandmother, and sheet music of one of Theo's favorite Hanukkah songs, "Little Candle Fires" with a e-link to websites where you can hear Theodore Bikel singing this song. A new Hanukkah classic and introduction for kids to the Holocaust. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. How much do we really know about the lives of our parents and the secrets lodged in their past? Judy Bolton-Fasmans fascinating saga, "Asylum: A Memoir of Family Secrets," recounts the search for answers to the mysteries embedded in the lives of her Cuban-born mother, Matilde Alboukrek Bolton and her elusive, Yale-educated father, K. Harold Bolton. In the prefatory chapter, Burn This, Judy receives a thick letter from her father and conjectures that the contents will reveal the long hidden explanations, confessions, and secrets that will unlock her fathers cryptic past. Just as she is about to open the portal to her fathers transtiendas, his dark hidden secrets, Harold Bolton phones Judy and instructs her to burn the still unopened letter. With the flick of a match, Judy ignites her fathers unread documents, effectively destroying the answers to long held questions that surround her parents improbable marriage and their even more secretive lives. Judy Bolton, girl detective, embarks on the life-long exploration of her bifurcated ancestry; Judy inherits a Sephardic, Spanish/Ladino-speaking culture from her mother and an Ashkenazi, English-only, old-fashioned American patriotism from her father. Amid the Bolton households cultural, political, and psychological confusion, Judy is mystified by her fathers impenetrable silence; and, similarly confounded by her mothers fabrications, not the least of which involve rumors of a dowry pay-off and multiple wedding ceremonies for the oddly mismatched 40-year-old groom and the 24-year-old bride. Contacting former associates, relatives, and friends; accessing records through the Freedom of Information Act; traveling to Cuba to search for clues, and even reciting the Mourners Kaddish for a year to gain spiritual insight into her father; these decades-long endeavors do not always yield the answers Judy wanted and sometimes the answers themselves lead her to ask new questions. Among Asylums most astonishing, unsolved mysteries is Ana Hernandezs appearance at the family home on Asylum Avenue in West Hartford, Connecticut. Ana is an exchange student from Guatemala whom Judy comes to presume to be her paternal half-sister. In seeking information about Ana, Judys investigations prove to be much like her entire enterprise--both enticing and frustrating. Was Ana just a misconstrued memory, or is she a still living piece of the puzzle that Judy has spent her adult life trying to solve? Readers will relish every step and stage of Judys investigations and will begin toshare in her obsession to obtain answers to the mysteries that have haunted her life.The suspense, the clairvoyant prophecies, the discoveries, the new leads, the dead-ends, the paths not takenall capture our attention in this absorbing and fascinating memoir. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. For most of her adult life, Dara Kurtz kept a Ziploc bag of letters written by her mother who passed away from cancer when she was twenty-eight years old. The bag also included other letters written by her long-departed grandmothers. These letters gave Dara a glimpse into their lives and personalities at the time the letters were written. They offered her so much wisdom and relevance and taught her so many beautiful, life lessons that Dara decided to share their story, the incredible love between Jewish mothers and daughters, and the wisdom passed on from one generation to the next. As a mother, Dara has passed down these family traditions and wisdom to her two daughters, who now carry on the legacy contained in the Ziploc bag bridging the generations of women in their family. She unexpected discovered that this is best done through the lens of love and through the hand-written word. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: new. Palomino, Juan Ilustrador. Hardcover. Each year, in the Mexican town of Contepec, migrating Monarch butterflies spend the winter in the temperate forests of Mexico. This childrens book (ages 8-12) is an adventure story about two courageous cousins Erendira and Corina. With the help of their community as well as Maria the Monarch butterfly, who speaks to them in their dreams, they save the lives of millions of Monarch butterflies threatened by illegal logging and traffickers of wild animals. Together they help preserve the natural and cultural wealth of their homeland.In an afterword The Monarch: A Tireless Traveler Betty Ferber describes the life and evolution of the Monarch butterfly, its migration from North to South America, and the establishment of the sanctuaries in Mexico and the laws that protect them. Informs young readers about the Life of monarch butterflies, their habitat and the efforts to save them from extinction Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Paul Gruhler opened his first studio in 1962 at the age of 21 a year later he had a solo show at the DeMena Gallery in lower Manhattan. From the beginning, Gruhler, a self-taught artist, was compelled by what came to be known as geometric abstraction, in which the deliberative arrangement of colour, line, texture, and scale, in paintings and collage, evoke from these disparate elements a sense of meditative harmony. For sixty years, he has continued to explore the subtle differences that can be made from colour and line.Gruhler was fortunate in the early years to have met and become good friends with three older artists who were also important teachers and mentors first Michael Lekakis, then Harold Weston and Herb Aach.Lekakis, a celebrated sculptor, who already had had exhibitions at the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Modern Arts exhibition Americans 1963, took Gruhler under his wing, navigating him through New Yorks thriving avant-garde art scene. As Carolyn Bauer writes, 'Michael Lekakis was instrumental in encouraging Gruhler to attend art events, while taking him to invite-only museum openings.' He also introduced him to renowned artists among them, Alexander Calder, Isamu Noguchi, Louise Nevelson, and Barnett Newman whose works influenced the young Gruhler, as did such artists as Mark Rothko, Clyfford Still, and Ad Reinhardt. Lekakis was also instrumental in Gruhlers first show, giving titles to his paintings and writing catalog copy that drew upon his own abstract poetics. These canvases, he wrote, are 'multi coloured fire densely cascades to suspension hanging a counterpoint of rhythmic patterns in space covering it like a shroud united by a golden fragmentation.'Over these years Gruhler has had numerous solo and group shows in the U.S. in New York and Vermont, in Mexico, and abroad in Finland, Germany, Sweden, and The Netherlands.HARMONICS is both a retrospective and a current view of Paul Gruhlers intensive art. My work, he says, has been a meditative exploration of vertical and horizontal relationships in space, in order to achieve both harmony and tension within color, line and form. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.