Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1996
ISBN 10: 0853316961ISBN 13: 9780853316961
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1999
ISBN 10: 0853317488ISBN 13: 9780853317487
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Published to accompany a major touring exhib ition from January 1999 to September 1999, this book focuses on the collection of Victorian art built up by Merton Russe ll-Cotes and now held in the Russell-Cotes Art Gallery and M useum, Bournemouth. '. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2009
ISBN 10: 1848220243ISBN 13: 9781848220249
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Graham Crowley (b. 1950) became a painter in the early 1970s out of conviction for the validity of painting, at a time when artists of the '1968 generation' were seeking to break the link with painting and its traditions. This book is the first to review the achievement of a highly regarded contemporary artist. In a deliberate reaction to British dependence on American models, Crowley looked initially to 'European Modernism', and the clamorous, bright, exciting, 'non-figurative' images he was making by the late 1970s were directly inspired by Leger. Quite quickly his visual language moved to the figurative, with the need to draw content into his images: with his conscious adoption of 'genre' painting, his subject became increasingly his own life and work experience. Following landscape paintings of housing estates focussed on urban decay, Crowley directed his attention to the genres of rural landscape and flower painting, the landscape of West Cork inspiring his most recent paintings since Crowley moved there in the mid-1990s. Martin Holman's engaging text surveys the artist's entire career to date and is accompanied by colour reproductions of key works. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1995
ISBN 10: 0853316775ISBN 13: 9780853316770
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 6,76
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2004
ISBN 10: 0853319138ISBN 13: 9780853319139
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Light and shadow, reflection, colour and motion - these are the primary elements of visual art. Shadow play, tricks of perspective, anamorphoses and magic lanterns have fascinated artists and craftsmen throughout the centuries and continue to inspire and stimulate the imagination to this day. The Art of Illusion explores this world of perceptual paradox through the astonishing collection of the German experimental filmmaker Werner Nekes, and the work of contemporary artists including Christian Boltanski, Carsten Holler, Tony Oursler and Markus Raetz. The Art of Illusion illustrates a vast range of intriguing optical media and artworks from the sixteenth to the twenty-first centuries - manuscripts, prints and books, optical devices and experiments, early cameras, games and toys. This handsome volume incorporates optical tricks, puzzles and illusions, which are sure to make it a collector's item. It will appeal to everyone interested in the history of art, cinema, science and ideas and visual culture from the Renaissance to the present day. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por United Kingdom: Lund Humphries Pub Ltd, 1997
ISBN 10: 085331716XISBN 13: 9780853317166
Libro Original o primera edición
Soft cover. Condición: Very Good. No Jacket. 1st Edition. (FRM rack D)This essay takes a fresh look at Warhol's work in its totality and context. Crow looks beyond the public image to the power of the work in its concentration on the fundamental themes: the beauty of youth, material culture, time and death. Reproductions include early works from the 1950's and iconic work from the 1960s and 1970s (Publisher).
Publicado por Lund Humphries Pub Ltd, United Kingdom, 1995
ISBN 10: 0853316538ISBN 13: 9780853316534
Librería: Jay W. Nelson, Bookseller, IOBA, Austin, MN, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 14,27
Encuentre también Original o primera edición
Publicado por Lund Humphries Pub Ltd, United Kingdom, 1993
ISBN 10: 090456309XISBN 13: 9780904563092
Librería: The Calico Cat Bookshop, Ventura, CA, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Soft cover. Condición: Very Good Ex-Library. Fast shipping with free delivery confirmation. Library stamp on the first page. Otherwise unmarked.
Publicado por United Kingdom: Lund Humphries Pub Ltd, United Kingdom, 1990
ISBN 10: 0853315892ISBN 13: 9780853315896
Librería: Rivelli's Books, Minneapolis, MN, Estados Unidos de America
Libro
Hardcover. Condición: Fine. Crisp first printing in a very good jacket. Jacket has a 1 inch closed tear at lower front flap (creased here), one half inch closed tear at upper spine fold, edgewear at top of spine.136 pages. Dedicated page per plate.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1992
ISBN 10: 0853316112ISBN 13: 9780853316114
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 24,82
Publicado por Lund Humphries Pub Ltd, United Kingdom, 1993
ISBN 10: 0853316422ISBN 13: 9780853316428
Librería: B-Line Books, Amherst, NS, Canada
Libro
Soft Cover. Condición: Near Fine. About new book, unmarked, in bright card cover with slight crease to rear corner; 132 pp illustrated throughout.
Publicado por Lund Humphries Pub Ltd, United Kingdom, 1991
ISBN 10: 0853315868ISBN 13: 9780853315865
Librería: Edmonton Book Store, Edmonton, AB, Canada
Libro
Condición: Very Good. Estado de la sobrecubierta: No Dj. 4to Pp. 128, b/w and color illustrations. book.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2019
ISBN 10: 1848223757ISBN 13: 9781848223752
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Encountering the work of Alan Davie (1920-2014) at Wakefield Art Gallery in 1958, a young David Hockney (b.1937) was struck by Davie's landmark Abstract Expressionist paintings, which mirrored and stimulated his own fledgling experimentation with colourful abstraction. Juxtaposing the remarkable early work of two greats of post-war painting, this book provides an original perspective on an important aspect of two significant artistic careers. A richly illustrated text demonstrates points of convergence such as the painterly surface, passion and poetry, and an exploration of text within the pictorial frame while also presenting divergence, moving the discussion beyond comparison to reveal a moment when each artist expanded the expressive potential of the painted canvas. Seeking to suggest new relationships and continuities between two generations previously segregated, this beautifully produced publication is ambitious in its intention, pushing the boundaries of traditional interpretations of British art history. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2018
ISBN 10: 184822236XISBN 13: 9781848222366
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. For fifty years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where street art and graffiti are situated today. Introducing the concept of 'Intermural Art' - art in between the walls - Rafael Schacter presents a genre at a key moment of transition. While many street and graffiti artists are still challenging the orthodoxies of the public sphere, an increasingly large group are reshaping the field by no longer furtively entering the institution, no longer slavishly reproducing exterior works inside, but instead attempting to merge out and in to create a form that articulates graffiti, street and contemporary-art influences. Through forty profiles of the leading proponents of this new approach from around the globe, Rafael Schacter presents a compelling analysis for 'Intermural Art' while also showcasing some of the boldest work being made currently. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2003
ISBN 10: 0853318905ISBN 13: 9780853318903
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. Jim Partridge (b.1953) is a craftsman who specialises in our place in the landscape. His work, often made in partnership with Liz Walmsley, has included sheltering seats for a windswept Northumberland headland, tempting footbridges over highland burns, and an altar and cross cut from a single block of oak for Christ Church Cathedral in Oxford. These objects assert a strong but quiet presence within their surroundings. This book celebrates Jim Partridge's achievements as one of the UK's finest woodworkers. His smaller studio work has been exhibited widely and features in prestigious museum collections in Britain, America and Japan. He also works with architects on urban public art projects and domestic furniture commissions, and in 1999 was shortlisted for the prestigious Jerwood Applied Arts Prize (furniture), winning the public vote. Partridge's highly distinctive style, maximising the sensual qualities of his materials, is reflected by the pieces illustrated in this book, from delicate carved and turned vessels to monumental site-specific commissions. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers, Limited 1999, London, United Kingdom, 1999
ISBN 10: 0853316503ISBN 13: 9780853316503
Librería: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Reino Unido
Libro
Softcover. Condición: New. Reprint. 168 pp., illustrated throughout, unread, but with a crease to one corner of the front cover. This publication is the first to document the exceptional collection of Arts and Crafts furniture held in Cheltenham: from William Morris and his circle right up to the present day. Each item is fully catalogued and illustrated alongside its entry. 0853316503 Small 4to.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2015
ISBN 10: 1848221681ISBN 13: 9781848221680
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. While many publications have engaged with the events, artists and poets associated with war fought on land, the cultural history of the war at sea has been neglected. This original book redresses this imbalance by being the first study to focus on the art of war in the first half of the 20th century from a distinctly naval and maritime perspective. Drawing on the first-class collections of paintings, works on paper (including drawings, photography and posters) and archival material, such as private papers, journals and memoirs, held at the National Maritime Museum, London, the artistic response to the war at sea is analysed in the context of specific focus points such as the major arenas of naval conflict; life on board ships, aircraft carriers and submarines; the experiences of prisoners of war and the response of artists to the commemoration and legacy of key maritime events. Featuring the work of established and lesser known artists, this publication will make an invaluable contribution to war art scholarship while also presenting a little known aspect of a major museum collection. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd United Kingdom,, 2022
ISBN 10: 1848225369ISBN 13: 9781848225367
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Lund Humphries Publishers Ltd United Kingdom,, 2022
ISBN 10: 1848223846ISBN 13: 9781848223844
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Lund Humphries Publishers Ltd United Kingdom,, 2022
ISBN 10: 1848224834ISBN 13: 9781848224834
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2001
ISBN 10: 0853318263ISBN 13: 9780853318262
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. British sculptor Sophie Ryder is a versatile artist who makes wire and bronze sculptures, installations, wire drawings, collages and prints. Her lively, often humorous insights into human and animal behaviour have brought her international acclaim. Larger than life, her minotaurs, lady-hares and dogmen are the stuff of daydreams, yet retain a sense of humanity expressed through movement, gesture and physical contact. Jonathan Benington examines the inspiration behind the work, its unusual techniques and its public reception. First-hand insights into studio practice, interspersed with interview material and personal observations make for a straightforward account of the artist and her art. A similar insider's perspective informs the extensive series of photographs of the artist and her work in progress, taken by Harry Scott, the artist's husband. The result is a behind-the-scenes look at the creative processes of this successful artist. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 40,42
Publicado por Lund Humphries Pub Ltd, London, England, United Kingdom, 1998
ISBN 10: 0853317283ISBN 13: 9780853317289
Librería: Companion Books, Burnaby, BC, Canada
Libro
Soft cover. Condición: Very Good. The book is in very good condition, little shelf rubbing apparent. Apart from a sticker on the back of the front cover and a small area of writing on the top of the first page the text and images inside appear clean and clear throughout. 'Accompanying the first retrospective exhibit ion of Japanese master potter, Shoji Hamada''s craft, this co llection of illustrations and essays examines the work he di d at Mashiko and St. Ives and his visits to Ditchling.' 80 pages. 8.5 x 10.45 inches. May require additional postage. This listing was made by a small independent book shop. We carefully inspect every single book we list and give accurate descriptions. If you require we will promptly send pictures of listed books upon request. Size: 4to - over 9¾ - 12" tall. Book.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1998
ISBN 10: 085331781XISBN 13: 9780853317814
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. A book dealing exclusively with Moore's tapestries which he based on his drawings. Garrould discusses them in the context of his work and the way in which they reflect his obsessions: the mother and child, the reclining human figure and the larger form enclosing the smaller. Power describes their production from wool dying to weaving. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Pub Ltd, United Kingdom, 1992
ISBN 10: 0853315965ISBN 13: 9780853315964
Librería: Tornbooks, Austin, TX, Estados Unidos de America
Libro
Soft cover. Condición: Near Fine. First Edition. Japanese and English text. Softcover, stiff wraps, 145 pp, color and b&w illustrations, slight edgewear to covers with previous owners name stamp to ffep, else a clean and near fine copy. Extra shipping may apply.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1993
ISBN 10: 0853316384ISBN 13: 9780853316381
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, London, United Kingdom, 1993
ISBN 10: 0853316481ISBN 13: 9780853316480
Librería: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, Reino Unido
Miembro de asociación: IOBA
Libro Original o primera edición
Hardback. Condición: Good. Estado de la sobrecubierta: Good. First Edition. VG/Good 1st ed 1993 Lund Humphries hardback, unclipped DJ, many photos throughout. 2cm tear/loss to lower left front edge of DJ, bright and unmarked. Size: 313\nx 276mm. 128 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Gardening; Art Books; ISBN: 0853316481. ISBN/EAN: 9780853316480. Dewey Code: 730.92. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 083523.
Publicado por Lund Humphries Publishers Ltd, Aldershot, Hants, United Kingdom, 1999
Librería: Ziern-Hanon Galleries, Frontenac, MO, Estados Unidos de America
Cloth. Condición: Near Fine. Estado de la sobrecubierta: Fine. A fascinating book on the folding screen - the text supported by super color photographs, a glossary and an index. Size: 4to - over 9¾" - 12" tall.
Publicado por Lund Humphries Publishers Ltd United Kingdom,, 2022
ISBN 10: 1848224656ISBN 13: 9781848224650
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 2020
ISBN 10: 1848224346ISBN 13: 9781848224346
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The transformation of museums from the 'dreary, dusty places' they used to be to places that people want to be in, alongside objects they want to be near and ideas they want to understand and then share has been extraordinary. During the last twenty-five years, millions of pounds have been poured into our national museums in the UK: as a result, they are certainly brighter and fuller. It is against this background that Dinah Casson has opened the service entrance of the museum a little. This book is not an explanation of what an exhibition designer does or how to do it. Instead, by means of a series of essays punctuated with comments from collaborators and visitors, it explores exhibition design and alerts the visitor's eye to this invisible craft. It explores questions such as: why are most paintings in carved, gilded frames, regardless of artist, period or subject matter? Why do so few contemporary art galleries have windows? If a label text irritates us, what should it say instead? Why do facsimiles make some people so uncomfortable? Why do we keep all this stuff? What is it that visitors want from our museums? In doing so, it offers enjoyable insights, which will add depth to our future visits through the front door (which is usually closed on Mondays) and will make us question what is shown, why it's shown where (and how) it is, what's written about it and how the interaction between museums and their designers has encouraged each to change. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Lund Humphries Publishers Ltd, United Kingdom, London, 1990
ISBN 10: 0853310688ISBN 13: 9780853310686
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. This book is the valuable Key to A New Arabic Grammar, the bestselling introduction to the Arabic language for over thirty years. Although A New Arabic Grammar is intended primarily as a teaching grammar not as a 'teach yourself' work, it has become clear that it is being used as a means of learning Arabic by many who have no teacher, and it is principally for their benefit that this key has been prepared. The Key contains translations of the English and Arabic exercises, and of the supplementary reading pieces in Arabic. Several generations of students have found the Key a most useful tool for their studies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.