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Publicado por Institute of Contempory Arts, London, 1983
ISBN 10: 0905263316ISBN 13: 9780905263311
Librería: Literary Cat Books, Machynlleth, Powys, WALES, Reino Unido
Miembro de asociación: IOBA
Libro Original o primera edición
Original decorated wrappers. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition; Second Impression. With plates & illustrations. Slight wear to spine, covers & corners. ; This publication, stemming from an exhibition organized by the Institute of Contemporary Arts in London in 1983, showcases a pivotal period in Mapplethorpe's career. With contributions from Sandy Nairne, Stuart Morgan, and Alan Hollinghurst, the book not only highlights Mapplethorpe's mastery of photography but also delves into the thematic and aesthetic developments of his work during these years. The collection is a testament to Mapplethorpe's significant impact on the art of photography, capturing the beauty and complexity of his subjects with unparalleled precision and sensitivity. ; Folio; 64 pages.
Publicado por London: Jay Jopling in asscociation with ICA, Institute of Contempory Arts., 1991
Librería: LUCIUS BOOKS (ABA, ILAB, PBFA), York, Reino Unido
Ejemplar firmado
First edition, signed limited edition of the first monographic publication of the work of the enfant terrible of the New British Art. Publisher's original blue faux leather boards with titles in yellow to the upper board and spine. Illustrated with 24 colour photographs and further images in black and white throughout. Two facsimile letters from Sophie Calle loosely laid in (as issued). A fine copy. Limited to 250 copies of which this is numbered 241 and signed by Damien Hirst at the rear. The catalogue was issued on the occasion of the artist's first solo exhibition at a public gallery, held in London at the Institute of Contemporary Arts. The show included four important new works, among them the first piece from the 'Mental Escapology' series, 'I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now' (1991). In addition there were two vitrine pieces, 'Sometimes I Avoid People' (1991) and 'The Acquired Inability to Escape' (1991), as well as Hirst's first exhibited work incorporating formaldehyde solution, 'Anaesthetics (and the Way They Affect the Mind and Body)' (1991). The catalogue includes a foreword by Iwona Blazwick, an introduction by Charles Hall and the transcript of a fictional conversation between Hirst and French artist Sophie Calle. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.