Publicado por Getty Research Institute, Los Angeles, CA, 1999
ISBN 10: 0892365056 ISBN 13: 9780892365050
Librería: G.J. Askins Bookseller, New Lebanon, NY, Estados Unidos de America
Miembro de asociación: SNEAB
Soft cover. Condición: Very Good. 1st. 422 page softcover with illustrations. Title in the Issues & Debates series. Many contributors - 18 articles on aspects of the subject. Front cover is bright and clean - but has a light crease at lower front corner. Interior is unmarked, tight and clean.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 19,17
Encuentre también Tapa blanda
Publicado por Getty Research Institute, Los Angeles, CA, 2007
ISBN 10: 0892368225 ISBN 13: 9780892368228
Librería: BookEnds Bookstore & Curiosities, Ojai, CA, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. Softcover with printed front wrapper. Includes Introduction by Jean-Louis Cohen, b/w illustrations, Notes, Bibliography and Index, 341 pages.
Publicado por Getty Research Institute, Los Angeles, CA, 2003
ISBN 10: 0892366761 ISBN 13: 9780892366767
Librería: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Soft cover. Condición: Fine. Slight handling wear and a few pencil markings throughout text. Otherwise a clean, tight, and unmarked book. Very neat -- almost as new. Size: 4to - over 9¾ - 12" tall. Book.
Publicado por Getty Research Institute for the History of Art and the Humanities, Los Angeles, CA, 1999
ISBN 10: 0892365005 ISBN 13: 9780892365005
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Paperback. Condición: Fine. 1st. 187 pages, illustrations; 26 cm. Bibliographies and Dossiers Series, volume 4. Firm binding, clean inside copy. "In the seventeenth and eighteenth centuries, potters from the Italian village of Castelli, Abruzzo created wares that constitute a final, supremely pictorial phase of the tin-glazed earthenware art know as maiolica. Here, Catharine Hess documents the Gentili/Barabei archive--a recently acquired collection of 276 documents relating to these celebrated ceramics--to show how it illuminates the production of maiolica." - Publisher. Size: 4to. Collectible.
Publicado por Getty Research Institute, Los Angeles, CA, 2016
ISBN 10: 1606064789 ISBN 13: 9781606064788
Librería: Erika Wallington , Pawtucket, RI, Estados Unidos de America
Miembro de asociación: SNEAB
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. With black & white photographs and plans, a bibliography and index. vii, 248 pages. 4to. Hardcover, in a dust jacket. Near Fine/Near Fine.
Publicado por The Getty Research Institute, Los Angeles, CA, 2015
ISBN 10: 1606064541 ISBN 13: 9781606064542
Librería: Newbury Books, Atlanta, GA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Fine. 1st. pictorial boards. 189pp 2.49lb 10.3x9.3x0.8in.
Publicado por Getty Research Institute, Los Angeles, CA, 2002
ISBN 10: 0892366362 ISBN 13: 9780892366361
Librería: Back of Beyond Books WH, Moab, UT, Estados Unidos de America
Miembro de asociación: RMABA
Original o primera edición
Soft cover. Condición: Very Good. No Jacket. 1st Edition. Printed matte wrapper with text on cover and spine. No dust jacket. Book shows some signs of light wear on front upper corner. Otherwise, text block and spine in near-fine condition. The book is the first edition of Piranesi's art-historical text published in English. Includes numerous illustrative black-and-white reproductions and plates.
Publicado por Getty Research Institute, Los Angeles CA 2017., 2017
ISBN 10: 1606065289 ISBN 13: 9781606065280
Librería: Hay Cinema Bookshop Limited, Hay on Wye, Reino Unido
Original o primera edición
1st edition. Small 4to. viii + [166pp.] B/w. illustrations. Paperback in original pictorial black wrapps. lettered in beige and orange, minor wear to tail corners, otherwise very good. ISBN 9781606065280 US$11.
Publicado por Getty Research Institute, Los Angeles, CA, 2014
ISBN 10: 1606064312 ISBN 13: 9781606064313
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 198 pages, illustrations (some colour), colour map; 27 cm. This book accompanies an exhibition "World War I: War of Images, Images of War." Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. "Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carra, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Ka the Kollwitz, Fernand Le ger, Wyndham Lewis, Andre Masson, Laszlo Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute's special collections - including letters, popular journals, posters, sketches, propaganda, books, and photographs - situate the works of the artists within the historical context, both personal and cultural, in which they were created." - Publisher. CONTENTS: Forces unbound: art, bodies, and machines after 1914, by Philipp Blom; "In dead men breath": the afterlife of World War I, by Gordon Hughes; Andre Masson: into the "humus humaine", by Charles Palermo; Fernand Le ger: objects, abstraction, and the aesthetics of mud, by Daniel Marcus; Georges Braque: artilleryman, by Karen K. Butler; Wyndham Lewis: "art-war-art", by Leo Costello; "In the midst of this strange country": Paul Nash's war landscapes, by Anja Foerschner; Carlo Carra`'s conscience, by David Mather; Otto Dix: war and representation, by Matthew Biro; Ernst Ludwig Kirchner: an inner war, by Thomas W. Gaehtgens; Killing "Max Ernst", by Todd Cronan; George Grosz and World War I, by Timothy O. Benson; Ka the Kollwitz, the First World War, and sacrifice, by Joan Weinstein; Laszlo Moholy-Nagy: reconfiguring the eye, by Joyce Tsai; Oskar Kokoschka: the Great War and love lost, by Beatrice von Bormann; Oskar Schlemmer's Triadic ballet and the trauma of war, by Paul Monty Paret; Appendix: Selected cultural figures who served in World War I, by Hannah Fullgraf with Betsy Stepina Zinn. Size: 4to. Collectible.
Publicado por Getty Research Institute, Los Angeles, CA, 2005
ISBN 10: 0892367342 ISBN 13: 9780892367344
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Miembro de asociación: RMABA
Original o primera edición
Softcover. Condición: Very Good. First Edition. First edition, trade paperback, has a shallow skew to the binding, bumps with slight creasing to the spine ends and cover corners, a short split to the lamination at the tail of the spine, and rubbing with some edge wear to the covers. Otherwise, this is a solid, tight and clean, Very Good copy.
Publicado por (Los Angeles, CA): Getty Research Institute, (2000). (2000)., 2000
Librería: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Estados Unidos de America
Original o primera edición
Condición: Fine. - Small quarto [10 inches high by 7 inches wide], softcover bound in decorative green & black wrappers. [x], 367 & [4] pages. Numerous black-and-white illustrations. Near fine. First edition.A title in the series "Texts and Documents". Introduction by Jean-Louis Cohen. Translations by Irena Zantovska Murray and David Britt.
Publicado por The Getty Research Institute, Los Angeles CA, 2016
ISBN 10: 1606064584 ISBN 13: 9781606064580
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 456 pages 85 illustrations 56 in color. Edited and Introduction by Jennifer Mundy. Biographical Notes. Index. Book.
Publicado por Getty Research Institute, Los Angeles CA, 2007
Librería: Monroe Street Books, Middlebury, VT, Estados Unidos de America
Original o primera edición
Condición: Very Good. Estado de la sobrecubierta: Very Good. 163 pages, hardcover. The intersection of art and biography. Mild rubbing to boards. Slight bumping to corners. Unmarked. A clean copy. Record # 952069.
Publicado por Getty Research Institute, Los Angeles, CA, 2013
ISBN 10: 1606061518 ISBN 13: 9781606061510
Librería: Edmonton Book Store, Edmonton, AB, Canada
Condición: Good. Estado de la sobrecubierta: No dustjacket. Larger 8vo pp. 215, covers a little faded. "The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europeâs distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able?. book.
Publicado por THE GETTY RESEARCH INSTITUTE, LOS ANGELES, CA., 2012
Librería: Happyfish Books, Meopham, KENT, Reino Unido
Soft cover. Condición: Good. No Jacket. * PUBLISHER : THE GETTY RESEARCH INSTITUTE * YEAR : 2012 * ISBN : N/A * No OF PAGES : 223 * CONDITION : USED - GOOD * OTHER: THE COVER IS LIGHTLY RUBBED AND CREASED WITH BUMPING ALONG THE EDGES AND CORNERS WITH A STICKER PULL TO THE REAR. THE SPINE IS SLIGHTLY RUBBED WITH MILD BUMPING AT BOTH ENDS. THE BINDING IS FIRM. THE PAGE EDGES ARE LIGHTLY TANNED, HOWEVER PAGES AND PICTURES REMAIN CLEAR AND CRISP. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.
Publicado por Getty Research Institute, Los Angeles, CA, 2016
Librería: Bauer Rare Books, San Diego, CA, Estados Unidos de America
Original o primera edición
First edition. 8vo. 232 pp. Illustrations. Cloth binding in unclipped dustwrapper, fine condition. (95965). Translated by Fiona Elliott.
Publicado por Getty Research Institute, Los Angeles, CA, 2010
ISBN 10: 0892367350 ISBN 13: 9780892367351
Librería: Test Centre Books, Norwich, Reino Unido
Original o primera edición
Soft cover. Condición: Good. 1st Edition. 1st printing. 4to. Wrappers. viii, 288pp. Profusely illustrated. 'The essays in this volume reach across Smith's artistic oeuvre, constituting a first attempt to locate Smith and his eclectic endeavors within the history of avant-garde art production in twentieth-century America.' Greil Marcus and P. Adams Sitney are among the contributors. Slightly rubbed, and with creasing to the upper wrapper, the spine text a little faded (not affecting legibility), though Very Good internally.
Publicado por The Getty Research Institute, Los Angeles, CA, 2007
ISBN 10: 089236873X ISBN 13: 9780892368730
Librería: G.M. Isaac Books, Winston-Salem, NC, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. (DJ Light edgewear and rubbing; Text is clean, neat and tight). Book.
Publicado por Los Angeles, CA: Getty Research Institute, 1998
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. 4to. Soft cover, Very good, some spots on cover, 21pp. Color plates.
Publicado por The Getty Research Institute, Los Angeles, CA, 2019
ISBN 10: 1606066242 ISBN 13: 9781606066249
Librería: Springhead Books, Rochester, Reino Unido
Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. This volume translates Joseph Friedrich von Racknitz's rare and little-known treatise that traces an early global history of design and ornament. ix, 349 pages : illustrations (black and white, and colour) ; 25 x 28 cm. Review copy with press release loosely inserted. First edition, first printing. Black cloth boards, unclipped dust jacket. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
Publicado por The Getty Research Institute, Los Angeles CA, 2016
ISBN 10: 1606064703 ISBN 13: 9781606064702
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Cloth. Condición: Good. 240 pages 408 illustrations 274 in color. Some fading to the boards along the spine and edge. Small minor bumps to several of the corners. Illustrated boards. Foreword by Michael Ward Stout. Book.
Publicado por Getty Research Institute, Los Angeles, CA, 2008
ISBN 10: 0892368918 ISBN 13: 9780892368914
Librería: Ground Zero Books, Ltd., Silver Spring, MD, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very good. Estado de la sobrecubierta: No dust jacket present. First Printing [Stated]. xiii, [1], 431, [3] pages. Foreword by Serge Guilbaut. Illustrations (some in color). Notes. Plates. Appendix. Chronology, Sources and Bibliographic Overview. Index. Originally published in France as L'art de la defaite, 1940-1944, Editions du Seuil, 1993. Decorative cover. Laurence Bertrand Dorléac (born January 14, 1957) is a French art historian specializing in contemporary art, a professor and an author. She was elected president of the Fondation nationale des sciences politiques in May 2021. Laurence Bertrand-Dorléac has a doctorate in art history and archeology from University of Paris 1 Pantheon-Sorbonne, and a doctorate in history from the Instituts d'études politiques in Paris, and has been advising doctoral students since 1995. She taught at the University of Lille from 1993 to 1995. That year, she obtained tenure as professor at the University of Picardy, where she founded the art history department. She now leads the Art et Sociétés and La Lettre Seminaire. She is a researcher at the Centres d'Études de Sciences Po, and was appointed to the Institut Universitaire de France in 1990. Bertrand-Dorléac also founded the art history department and directed the Faculty of Arts at Amiens from 1995-2000. She co-founded with Xavier Douroux, the book series Å'uvres en sociétés with the publishing house du réel, 2007. Currently she is co-director with Thomas Kirchner, of the Centre allemand d'histoire de l'art, specifically the program of art in the world, and art in Paris after 1945, 2014. Art of the Defeat provides an unflinching look at the art scene in France during the German occupation. Beginning with Adolf Hitler's staging of the armistice at Rethondes, the book offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. Examined in the text are the demonization of foreigners and modernists, the looting of state museums and Jewish collections, the glorification of Philippe Pétain and French national identity, and the official junket by French artists to Germany. The narrative is grounded by archival research and discussion of works by Gérard Ambroselli, Jean Bazaine, Arno Breker, François Cogné, Aristide Maillol, Henri Matisse, Pablo Picasso, and dozens of other artists and artisans. The sum is a pioneering exposé of the deployment of art to hold darkness at bay.