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Publicado por Deutsche Guggenheim Berlin / Guggenheim Museum Publications Berlin / New York, Germany / NY, 1999
ISBN 10: 0892072164ISBN 13: 9780892072163
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
67 pp.; 23 x 17.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Deutsche Guggenheim Berlin, February 20 - May 9, 1999. Organized by Nancy Spector. Essays by Nancy Spector and Collier Schorr. Extended captions to the works in the exhibition by Jens Hoffmann. Includes "Postcards from the Edge," as told to Nancy Spector by Hans-Ulrich Obrist Very Good / Fine. Light dust soiling along spine on verso. Otherwise Fine, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.
Publicado por Deutsche Guggenheim Berlin / Guggenheim Museum Publications Berlin / New York, Germany / NY, 1999
ISBN 10: 0892072164ISBN 13: 9780892072163
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
67 pp.; 23 x 17.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Deutsche Guggenheim Berlin, February 20 - May 9, 1999. Organized by Nancy Spector. Essays by Nancy Spector and Collier Schorr. Extended captions to the works in the exhibition by Jens Hoffmann. Includes "Postcards from the Edge," as told to Nancy Spector by Hans-Ulrich Obrist Fine. In publisher issued shrink wrap, clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.
Publicado por Deutsche Guggenheim / Hatje Cantz, Berlin / Ostfildern, Germany, 2002
ISBN 10: 3775712755ISBN 13: 9783775712750
Librería: The land of Nod - art & books, Oostende, Belgica
Libro Original o primera edición
Hard Cover. Condición: New. Exhibition Catalogue. Text: English. 127 p.; ill.; 25,5 x 29 cm. "Consisting of eight enameled glass panels, Eight Gray addresses themes the artist has been investigating since the mid-1960s in his monochromes and works in glass. Mounted on steel supports and hanging 50 centimeters from the wall, the enormous panels of Eight Gray (measuring 500 x 270 cm each) exist somewhere between painting, sculpture, and architecture. Installed in relation to the gallery windows which were uncovered for the installation and replaced with clear glass panels the opposing rows of colored mirrors produce an endless sequence of reflections of interior and street views, confusing pictorial and actual space. For Berlin Richter has expanded the size of the panels to more truly resemble architectural elements. His choice of gray, the "non-color" that he equates with nothingness, further denies the possibilities for association, differentiation, or interpretation. Yet, as Richter has noted, "I know no painting that is not illusionistic .the [Gray Pictures] are the most rigorously illusionistic of all." Eight Gray amplifies this apparent dichotomy. At once opaque and reflective, the work is simultaneously abstract and figurative, presenting a monochromatic field as well as a likeness of the viewer and his or her surroundings." Dustjacket. New.
Publicado por Deutsche Guggenheim / Hatje Cantz, Berlin / Ostfildern, Germany, 2002
ISBN 10: 3775712755ISBN 13: 9783775712750
Librería: The land of Nod - art & books, Oostende, Belgica
Libro Original o primera edición
Hard Cover. Condición: New. Exhibition Catalogue. Text: English. 127 p.; ill.; 25,5 x 29 cm. "Consisting of eight enameled glass panels, Eight Gray addresses themes the artist has been investigating since the mid-1960s in his monochromes and works in glass. Mounted on steel supports and hanging 50 centimeters from the wall, the enormous panels of Eight Gray (measuring 500 x 270 cm each) exist somewhere between painting, sculpture, and architecture. Installed in relation to the gallery windows which were uncovered for the installation and replaced with clear glass panels the opposing rows of colored mirrors produce an endless sequence of reflections of interior and street views, confusing pictorial and actual space. For Berlin Richter has expanded the size of the panels to more truly resemble architectural elements. His choice of gray, the "non-color" that he equates with nothingness, further denies the possibilities for association, differentiation, or interpretation. Yet, as Richter has noted, "I know no painting that is not illusionistic .the [Gray Pictures] are the most rigorously illusionistic of all." Eight Gray amplifies this apparent dichotomy. At once opaque and reflective, the work is simultaneously abstract and figurative, presenting a monochromatic field as well as a likeness of the viewer and his or her surroundings." Dustjacket. New.
Publicado por Deutsche Guggenheim / Hatje Cantz, Berlin / Ostfildern, Germany, 2002
ISBN 10: 3775712755ISBN 13: 9783775712750
Librería: The land of Nod - art & books, Oostende, Belgica
Libro Original o primera edición
Hard Cover. Condición: New. Exhibition Catalogue. Text: English. 127 p.; ill.; 25,5 x 29 cm. "Consisting of eight enameled glass panels, Eight Gray addresses themes the artist has been investigating since the mid-1960s in his monochromes and works in glass. Mounted on steel supports and hanging 50 centimeters from the wall, the enormous panels of Eight Gray (measuring 500 x 270 cm each) exist somewhere between painting, sculpture, and architecture. Installed in relation to the gallery windows which were uncovered for the installation and replaced with clear glass panels the opposing rows of colored mirrors produce an endless sequence of reflections of interior and street views, confusing pictorial and actual space. For Berlin Richter has expanded the size of the panels to more truly resemble architectural elements. His choice of gray, the "non-color" that he equates with nothingness, further denies the possibilities for association, differentiation, or interpretation. Yet, as Richter has noted, "I know no painting that is not illusionistic .the [Gray Pictures] are the most rigorously illusionistic of all." Eight Gray amplifies this apparent dichotomy. At once opaque and reflective, the work is simultaneously abstract and figurative, presenting a monochromatic field as well as a likeness of the viewer and his or her surroundings." Dustjacket. New.
Publicado por Deutsche Guggenheim and Hatje Cantz Verlag, Berlin and Ostfildern, Germany, 2000
ISBN 10: 3775709290ISBN 13: 9783775709293
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. First edition (German), first printing. Soft cover. Illustrated stiff wrappers; no dust jacket as issued. Photographs by Hiroshi Sugimoto. Foreword by Dr. Rolf-E. Breuer and texts (in German) by Carol Armstrong, Norman Bryson, Thomas Kellein and Nancy Spector. Interview with Sugimoto by Tracey Bashkoff. Includes an exhibition history and bibliography. 170 pp. with numerous illustrations, including 75 plates reproduced in tritone (with two 2-page gatefolds), by Robert J. Hennessey. 12 x 11 inches. Near Fine (slight bump to lower front corner, else Fine). Published on the occasion of an exhibition of commissioned work at the Deutsche Guggenheim Berlin (traveled to the Guggenheim Museum Bilbao, The San Francisco Museum of Modern Art and the Guggenheim Museum in New York).