Publicado por Center for Art and Visual Culture, University of Maryland Baltimore County; Georgia O'Keeffe Museum Research Center, Baltimore, MD, and Santa Fe, NM, 2003
ISBN 10: 1890761052 ISBN 13: 9781890761059
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Paperback. Condición: Very Good. 1st. 193 pages; 23 cm. Issues in Cultural Theory Series, no. 5. Near fine. Tight, clean copy. Light edgewear to wraps. Transcript of an online symposium on the Georgia O'Keeffe Museum website, Oct. 1 to 14, 2001: The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000. Intended to be a follow-up to the symposium, Defining American Modernism (1890-present), held in Santa Fe at the opening of the Georgia O'Keeffe Museum Research Center, July 12-14, 2001). Contributions by Robert Rosenblum, Michelle Wallace, Maxwell Anderson, Catherine Lord, Jonathan Weinberg, Olu Oguibe, Michael Leja, Dan Cameron, Yvonne Rainer, Donna deSalvo, Simon Leung, Chrissie Iles, Jennifer Gonzalez, Wendy Ewald, Kellie Jones, David Ross, and Jerry Saltz. "What is postmodernism and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did modernism wane as a viable force in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes innately postmodern? These issues and more were debated during the two week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion features the edited proceedings, with contribution from an international group of scholars, artists, and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer, and Robert Rosenblum." - Publisher. Art and globalization -- Congresses. Size: 8vo.
Publicado por Center for Art and Visual Culture, University of Maryland Baltimore County Baltimore, MD, 2003
ISBN 10: 1890761052 ISBN 13: 9781890761059
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked.
Publicado por Center for Art and Visual Culture, University of Maryland, 2020
ISBN 10: 0960088504 ISBN 13: 9780960088508
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Condición: new.
Publicado por Center for Art and Visual Culture, University of Maryland, 2021
ISBN 10: 0960088520 ISBN 13: 9780960088522
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
Publicado por Center for Art and Visual Culture, University of Maryland, 2020
ISBN 10: 0960088504 ISBN 13: 9780960088508
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
Publicado por The Center for Art and Visual Culture - University of Maryland, Baltimore, 2003
Librería: Encore Books, Montreal, QC, Canada
Soft cover. Condición: Near Fine. Issues in Cultural Theory 6. Soft cover book in near fine condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.
Publicado por Center for Art and Visual Culture, University of Maryland Baltimore County Fine Arts Gallery, Baltimore, MD, 2001
ISBN 10: 1890761044 ISBN 13: 9781890761042
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Miembro de asociación: ESA
Original o primera edición Ejemplar firmado
Pictorial Self-Wrappers. Condición: Fine. First Edition. 176pp, profusely illustrated in color and b&w. With an exhibition checklist, biography, and bibliography. This is the beautifully designed and illustrated catalogue published in conjunction with the 2001 traveling Museum retrospective of works by the noted African-American contemporary artist Fred Wilson. For nearly two decades, the artist has worked with Cultural Institutions and their collections to create installations & exhibitions that critique and/or bring to light the relationship between race and American Museum practices. A pristine copy BOLDLY SIGNED AND DATED by Fred Wilson in black felt-tip pen on the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight - we will inform you of the applicable amount at time of purchase. Signed and Dated by the Artist. Artist Monograph.