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Publicado por Tate Publishing, London, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Miembro de asociación: RMABA
Libro Original o primera edición
Softcover. Condición: Very Good+. First Edition. First edition, trade paperback, has a shallow skew to the binding, light bumps to the spine ends and corners, slight creasing to the corners, and mild wear to the edges. Otherwise, this is a solid, tight, Very Good+ copy.
Publicado por Tate Gallery, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover, 192 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por Tate Publishing(UK) March 2006, 2006
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Libro
Trade Paperback. Condición: Used - Very Good. 'To make a sculpture in the Turbine Hall at Tate Modern is an enormous challenge. The space is like no other-gargantuan and enveloping. I hope to challenge the space by developing a degree of intimacy, which somehow relates to all our lives.' -Rachel Whiteread The internationally renowned sculptor Rachel Whiteread is the latest artist to take on the challenge of Tate Modern's vast Turbine Hall. Whiteread is an appropriate choice, as some of her best-known works have seen her engaged in a dialogue with architecture and public space. Her first large-scale public project, House (1992) was a concrete cast of a 19th-century row house in the East End of London that during the relatively short period of its existence became an international icon. This unique book follows the creative process of Whiteread's installation in the Turbine Hall from inception through completion, and is illustrated throughout.
Publicado por Tate Publishing, London, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Goldring Books, Eastbourne, Reino Unido
Libro Original o primera edición
Soft Cover. Condición: Fine. No Jacket. First Edition. A Fine unmarked copy. 192 pages. Published to accompany the fifth Unilever installation exhibition held in the Tate Modern's Turbine Hall, 11 October 2005 - 24 March 2006. Sculptor Rachel Whiteread is internationally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an intriguing insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at Tate Modern, from conception through to completion. As wellas providing stunning photography of the final towering construction of Embankment, this fascinating publication reveals Whiteread's rich sources of reference, alongside an essay by Catherine Wood and a new interview with the artist Gordon Burn. PLEASE NOTE: A LARGE HEAVY VOLUME OF 1.12 KILO UNPACKED WEIGHT WHICH MAY REQUIRE ADDITIONAL SHIPPING COST 1 Size: 4to - over 9¾" - 12" tall.
Publicado por Tate, London, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Byre Books, Newton Stewart, Reino Unido
Libro
Soft cover. Condición: Very Good. The Turbine Hall at Tate Modern: cardboard boxes. VG, no inscriptions: a heavy book.
Publicado por -Tate Publishing -, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Paul Brown, Ramsgate, Reino Unido
Libro
Exhibition catalogue. First edition first impression 2005. 176 pages. Illustrated in colour and black and white as required. Paperback. Spine uncreased. Near fine. Rachel Whiteread is famed for her use of casting to physically represent memory and absence. The progress of creating her vast sculpture for Tate Modern's Turbine Hall is followed here, featuring dramatic installation photography. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with 40 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link.
Publicado por Tate Gallery Pubn, 2006
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. new title edition. 176 pages. 11.00x9.00x0.75 inches. In Stock.
Publicado por Tate Publishing, London, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: David Bunnett Books, London, Reino Unido
Libro Original o primera edición
SOFTCOVER. Condición: New. No Jacket. 1st Edition. 1st printing. Thick, heavy Quarto size (4to). in colour printed card covers, 188pp, illustrated in colour throughout CONDITION: NEW unread and unmarked copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Publicado por Tate Publishing, London, 2005
ISBN 10: 1854375717ISBN 13: 9781854375711
Librería: David Bunnett Books, London, Reino Unido
Libro Original o primera edición
SOFTCOVER. Condición: New. No Jacket. 1st Edition. 1st printing. Thick, heavy Quarto size (4to). in colour printed card covers, 188pp, illustrated in colour throughout CONDITION: NEW unread and unmarked copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Publicado por Tate Gallery Publishing, 2006
Librería: Collectors' Bookstore, Deurne, Belgica
Libro Original o primera edición
Paperback. Condición: Fine. First Edition. First Edition thus, very fine condition. Rachel Whiteread Embankment Special Collection by Rachel Whiteread; Catherine Wood; Gordon Burn. Published by Tate Gallery Publishing in 2006. Paperback. The internationally renowned sculptor, Rachel Whiteread is to be the latest artist to take on the challenge of Tate Modern's vast Turbine Hall in autrumn 2005, following in the footsteps of Bruce Nauman's haunting sound installation Raw Materials. Whiteread is an appropriate choice for the commission as some of her best-known works have seen her engaged in a dialogue with architecture and public space. Her first large-scale public project, House, in 1993 was a concrete cast of a nineteenth-century t. Collectible item in excellent condition.