vout caroline (204 resultados)

hardcover. Condición: Fine. Publisher overstock. May have remainder mark / minimal shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

hardcover. Condición: Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A few small stains.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them? Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. This is not simply a book about sexual practice or social history. It is a visual history - about what it meant and still means to stare sex in the face.

Hardcover. Condición: new. Hardcover. The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them?Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. This is not simply a book about sexual practice or social history. It is a visual history - about what it meant and still means to stare sex in the face. The Greeks and Romans were not shy about sex. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? This title answers these questions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Paperback. Condición: Fine. In excellent condition. Like new. ; 6.69 X 0.68 X 9.61 inches; 300 pages; Reduced price by 10% on June 19, 2025.

Condición: New.

Paperback. Caroline Vout, Profile Books Ltd. WINNER OF THE LONDON HELLENIC PRIZESHORTLISTED FOR THE ANGLO-HELLENIC RUNICMAN AWARD A SUNDAY TIMES AND SPECTATOR BOOK OF THE YEAR'A gloriously intimate tour of the body in antiquity' Gavin Francis'A triumph . an extraordinary book that stopped me in my tracks' Peter FrankopanThe Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie.Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die?You've seen the paintings, read the philosophers and heard the myths - now here's the classical body in all its flesh and blood glory.Caroline (Carrie) Vout is Professor of Classics at the University of Cambridge. She is also Director of Cambridge's Museum of Classical Archaeology and has curated exhibitions at the Fitzwilliam Museum, and at the Henry Moore Institute in Leeds. Carrie has appeared on Woman's Hour and In Our Time, and has written for Apollo, Minerva, the Times Literary Supplement and the Observer. In 2012 and 2013, she chaired the judging panel of the John D. Criticos Prize, and from 2019 to 2024 holds the Byvanck Chair at Leiden University. Paperback.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Very Good. First Edition. A firm and square hardback with sharp corners and strong joints, complete with original dustjacket, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight. Also, no pen-marks and not from a library so no such stamps or labels. Now offered for sale at a very sensible price.

Condición: New.

Hardback. , . Author: Caroline VoutFormat: HardbackNumber of Pages: 432The Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie. Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die? Vout also reveals the surprising actions people often took to transform their bodies - from sophisticated surgery and contraception to body oils, cosmetics and early gym memberships. You've seen the paintings, read the philosophers and heard the myths - now here's the classical body in all its flesh and blood glory. 'An extraordinary book that stopped me in my tracks again and again. Filled with insights, surprises and asides that draw on a breath-taking array of sources from the distant past to the present day. A triumph from start to finish' - Peter Frankopan, bestselling author of The Silk Roads 'A gloriously intimate tour of the body in antiquity, filled with unexpected digressions and surprising new perspectives. From Ovid to the Olympics, Sophocles to spiritual Viagra, Caroline Vout is a wonderful guide, wearing her erudition lightly and with a great sense of fun.' - Gavin Francis, bestselling author of Recovery and Adventures in Human Being. Hardback.

Condición: New. 2013. Hardcover. The Greeks and Romans were not shy about sex. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? This title answers these questions. Num Pages: 256 pages, 200 colour illustrations. BIC Classification: 1QDAG; 1QDAR; 3D; HBJD; HBLA; HBTB; JHBK5. Category: (G) General (US: Trade). Dimension: 238 x 173 x 29. Weight in Grams: 952. . . . . .

Paperback. Condición: Very Good. WINNER OF THE LONDON HELLENIC PRIZE SHORTLISTED FOR THE ANGLO-HELLENIC RUNICMAN AWARD A SUNDAY TIMES AND SPECTATOR BOOK OF THE YEAR 'A gloriously intimate tour of the body in antiquity' Gavin Francis 'A triumph . an extraordinary book that stopped me in my tracks' Peter Frankopan The Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie. Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die? You've seen the paintings, read the philosophers and heard the myths - now here's the classical body in all its flesh and blood glory. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Brand New. 256 pages. 9.88x6.50x1.14 inches. In Stock.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Very Good. First Edition. A firm and square hardback with sharp corners and strong joints, complete with original dustjacket, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight. Also, no pen-marks and not from a library so no such stamps or labels. Now offered for sale at a very sensible price.

Condición: Very Good.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. Estado de la sobrecubierta: New. New oversized hardcover in new dust jacket. Text is clean and free of marks or underlining. (8.25 x 1.5 x 10.5 inches) Includes photos, notes, bibliography, and index. 376 pp. Fast shipping in a secure book box mailer with tracking. How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.

Condición: New.