Publicado por LRB, 2005
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: USED_VERYGOOD. 44 pages. Alan bennett "What I Did in 2004" / Michael byers "Impacts of a Warming Arctic: Arctic Climate Impact Assessment" / Tim Flannery "Coal: A Human History" / Neal Ascherson "Report from Kiev" / Uri Avnery "The Boss Has Gone Crazy" / Frank Kermode "The Merchant of Venice" / Michael Wood "In Search of Lost Time - The Proust project" / Theo Tait "I Am Charlotte Simmons by Tom Wolfe" / Jorie Graham - 2 poems / Peter Campbell "At the Whitechapel".
Publicado por London, Douglas Hyde Gallery., 2002
Librería: Bucks County Bookshop IOBA, Doylestown, PA, Estados Unidos de America
Miembro de asociación: IOBA
Exhibition in 2002. There are 35 color reproductions of the paintings. -- Hardcover, 5.5x8.5 inches. Condition: near fine, no jacket issued.
Publicado por Other Criteria, 2006
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover, 150 pages; very good condition, light rubbing to covers; ; no internal marks. Foreign shipping may be extra.
Publicado por Other Criteria London 2006, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: THE CROSS Art + Books, Sydney, NSW, Australia
28.0 x 21.5cms, 148pp, colour illusts, fine paperback & cover Tait explores form, composition and pictorial syntax to convert the relationship between appearance and reality into 'something closer to the relationship between appearance and unreality'.
Publicado por Other Criteria London 2006, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: THE CROSS Art + Books, Sydney, NSW, Australia
28.0 x 21.5cms, 148pp, colour illusts, fine paperback & cover Tait explores form, composition and pictorial syntax to convert the relationship between appearance and reality into 'something closer to the relationship between appearance and unreality'.
Publicado por Jay Jopling / White Cube, London, 2004
ISBN 10: 0954650131 ISBN 13: 9780954650131
Librería: David Bunnett Books, London, Reino Unido
Original o primera edición
HARDCOVER. Condición: New. Estado de la sobrecubierta: New. 1st Edition. 4to in thick white boards with cd dust jacket, 56pp on thick art paper, colour plates, etc CONDITION: NEW unread and unmarked copy in NEW complete Dust Jacket ] ._ ._We Ship in PROTECTIVE CARD PARCELS.
Publicado por The Douglas Hyde Gallery & Jay Jopling/White Cube, Dublin, 2002
ISBN 10: 0907660800 ISBN 13: 9780907660804
Librería: Any Amount of Books, London, Reino Unido
Original o primera edición
8vo. Unpaginated. Original publisher's green cloth boards with black debossed lettering at front. Illustrated in full colour throughout. Published on the occasion of an exhibition at The Douglas Hyde Gallery, 2 August 18 September 2002. ISBN: 0907660800 About fine.
Publicado por Other Criteria Books, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: As New. Unread copy in mint condition.
Publicado por Other Criteria Books, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: INDOO, Avenel, NJ, Estados Unidos de America
Condición: New. Brand New.
Publicado por Other Criteria Books, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition.
Publicado por Other Criteria, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: NEW. Num Pages: 176 pages, 181 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 460 x 615 x 15. Weight in Grams: 960. . 2008. 0th Edition. Paperback. . . . .
Publicado por Other Criteria, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: NEW. Num Pages: 176 pages, 181 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 460 x 615 x 15. Weight in Grams: 960. . 2008. 0th Edition. Paperback. . . . . Books ship from the US and Ireland.
Publicado por Other Criteria, London, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condición: new. Paperback. This is the first significant publication on the work of British painter Neal Tait. This visually fascinating book takes 'a studio approach' to illustrate the range and focus of Tait's paintings. Photographs of Tait's archive collection of found imagery (including newspaper cuttings), sketchbook drawings, preparatory drawings and finished drawings are woven within the body of full colour reproductions of his paintings, allowing for lateral readings of the genesis and development of ideas alongside finished works. Initially, Tait's output reflects a rather idiosyncratic narrative, harnessed to what might be broadly described as a 'contemporary European sensibility', but this publication reveals that Tait is in fact wrestling with a strong sense of painting's tradition, something in-keeping with a painter's painter.This book includes the paintings which perhaps brought Tait's work to wider appeal the ghost-like heads, appearing as if x-rayed by generally tonal colours, emphasizing the relationship between the weight of the surface of a painting in relation to the presence of a sitter. And this cornerstone of negative presence is something that can be seen to recur or resurrect itself throughout the more recent open-ended picture making. Fragments of the body are often merged with their surroundings, abstracting them from their 'home' context in order that they might act as a signifier in the space of the 'painting' and, by so doing creating a tension between what we know the thing to be and what Tait's emotional and psychological connection could be. Birds, a birdhouse, a television or a playground swing take on a more significant charge in a world that seems, oddly, in tension between a calm innocence and an anxious foreboding. And this is further emphasized by Tait's exquisite colour sense and draughtsmanship - a child-like palette of warm and cold tones and bright energetic high-key colour (reminiscent of the Paris School), contained within a firm but delicate stylized line. Along with two intelligent and empathetic essays by Michael Bracewell and Jeremy Millar, this publication is more a catalogue of a practice -a practice which is about itself and the subject the medium eventually finds and commits to saying. This is the first significant publication on the work of British painter Neal Tait. This visually fascinating book takes ??a studio approach?? to illustrate the range and focus of Tait?'s paintings. Photographs of Tait?'s archive collection of found imagery (including newspaper cuttings), sketchbook drawings, preparatory drawings and finished drawings are woven within the body of full colour reproductions of his paintings, allowing for lateral readings of the genesis and development of ideas alongside finished works. Initially, Tait?'s output reflects a rather idiosyncratic narrative, harnessed to what might be broadly described as a ??contemporary European sensibility??, but this publication reveals that Tait is in fact wrestling with a strong sense of painting?'s tradition, something in-keeping with a painter?'s painter. This book includes the paintings which perhaps brought Tait?'s work to wider appeal ?? the ghost-like heads, appearing as if x-rayed by generally tonal colours, emphasizing the relationship between the weight of the surface of a painting in relation to the presence of a sitter. And this cornerstone of negative presence is something that can be seen to recur or resurrect itself throughout the more recent open-ended picture making. Fragments of the body are often merged with their surroundings, abstracting them from their ??home?? context in order that they might act as a signifier in the space of the ??painting?? and, by so doing creating a tension between what we know the thing to be and what Tait?'s emotional and psychological connection cou Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Publicado por Other Criteria Books, 2008
ISBN 10: 1904212085 ISBN 13: 9781904212089
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New.
Publicado por Lunchtime Press., 2009
Librería: Biblion Antiquariat, Zürich, ZH, Suiza
23x18 cm. 12 transpartente Hüllen mit 22 Tafeln (11 Faltbl.) und 8seitigem Textheft + 2 Hüllen mt je einer Tafel als Umschlag. Sichtbuch. Nr. 419/450 numerierten Exemplaren. - Mit einem Text von Simon Baker "The Outskirts of Abstraction: Collage, Altération, Entropy". Sprache: englisch.
Publicado por London: Lunchtime Press,, 2009
ISBN 10: 0956387403 ISBN 13: 9780956387400
Librería: Thomas Heneage Art Books, London, Reino Unido
Edition limited to 450 copies, this number 222. 22 colour illustrations in plastic pockets, with additional 8 page booklet of text. Paperback 18 x 22.5cms. ISBN: 9780956387400.
Publicado por Other Criteria, 2008
ISBN 10: 1904212433 ISBN 13: 9781904212430
Librería: Book Alley, Pasadena, CA, Estados Unidos de America
Ejemplar firmado
Paperback. Condición: Very Good. Signed. SIGNED; signed by artist Neal Tait on first page in orange ink, "I love only you. Neal Tait 2008." Very minor shelf wear to edge; overall a very clean and tight copy. Pasadena's finest independent new and used bookstore.
Publicado por Other Criteria, 2008
ISBN 10: 1904212433 ISBN 13: 9781904212430
Librería: dsmbooks, Liverpool, Reino Unido
paperback. Condición: Very Good. Very Good. book.