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Publicado por Museum of Fine Arts, Boston & Abrams, New York, Boston & New York, 1992
Librería: Charles Lewis Best Booksellers, San Diego, CA, Estados Unidos de America
Original o primera edición
Paperbound. Condición: New. First Impression. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 470, indexed. Fully illustrated with 319 plates. 113 of which are in color. Please feel free to inquire as to particulars and/or additional photographs. . Google notes: "American Artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I. The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James. This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.Further insights into this new area in the study and appreciation of American art are offered in four essays by such leading art historians as William H. Gerdts, City University of New York; Erica E. Hirshler, Museum of Fine Arts, Boston; Fred S. Licht, Peggy Guggenheim Museum, Venice, and Boston University; and William L. Vance, Boston University. Individual commentaries on each of the paintings, sculpture, and watercolors have been written by the curatorial staff of the Museum of Fine Arts, Boston. The Lure of Italy accompanies a major exhibition of the same name, organized by Theodore E. Stebbins, Jr., and Erica E. Hirshler that opens at the Museum of Fine Arts, Boston, and travels to the Cleveland Museum of Art and the Museum of Fine Arts, Houston.
Publicado por Museum of Fine Arts/Harry N. Abrams, Inc., Publishers, Boston/NY, 1992
ISBN 10: 0810935619ISBN 13: 9780810935617
Librería: North Country Books, Milton, VT, Estados Unidos de America
Libro
Paperback. Condición: VG+. Heavy oversize wraps with light cover wear, tightly bound; an unmarked copy with clean pages. 470 pages, illustrated in color and b/w.
Publicado por Museum of Fine Arts (Boston)/Harry N. Abrams, Boston, 1992
ISBN 10: 0810935619ISBN 13: 9780810935617
Librería: Saucony Book Shop, Kutztown, PA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Light brown cloth, lettered in gold foil. As issued. Color illus. dust jacket shows a few slight surface marks to rear panel, essentially as issued, now in mylar. 470 pp., 319 illus. including 113 color plates. Size: 4to - over 9¾" - 12" tall. Book.