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Publicado por Tatistcheff & Company, Inc., 1995
Librería: Zubal-Books, Since 1961, Cleveland, OH, Estados Unidos de America
Condición: Very Good. Approximately 8 pp., Paperback, covers lightly worn, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Publicado por Tatistcheff Gallery, Inc, 1989
Librería: Arundel Books, Seattle, WA, Estados Unidos de America
Miembro de asociación: CBA
Original o primera edición
Trade Paperback. Condición: Very Good. No Jacket. First Edition. 12mo - over 6¾" - 7¾" tall. A very good+ copy with minor creasing to rear wrapper; light bumping to corners.[4] pages (including wrappers:unpaginated). Gallery brochure issued in conjunction with the exhibition held November 9 to December 9, 1989 at the Tatistcheff Gallery in Santa Monica. Uncommon.1 Color Illustration.
Publicado por Storey Publishing, LLC, 2022
ISBN 10: 1635864070ISBN 13: 9781635864076
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: New.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 11,47
Usado desde EUR 12,15
Encuentre también Tapa dura
Publicado por Roger Ramsay Gallery, 1992
ISBN 10: 096134492XISBN 13: 9780961344924
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover, staple-bound, 20 pages, very good condition, clean and crisp; no internal marks.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 9,66
Publicado por John Szoke, 2002
ISBN 10: 0936598093ISBN 13: 9780936598093
Librería: Strand Book Store, ABAA, New York, NY, Estados Unidos de America
Libro
Oversized Hardcover. Condición: Good.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 66,87
Usado desde EUR 7,68
Encuentre también Tapa dura Original o primera edición
Publicado por Ramsay Gallery, New York, 1992
Librería: Ann Becker, Houston, TX, Estados Unidos de America
Revista / Publicación
Magazine. Condición: Good. Estado de la sobrecubierta: No Dust Jacket.
Publicado por John Szoke Editions, 2002
ISBN 10: 0936598093ISBN 13: 9780936598093
Librería: Martin Nevers- used & rare books, Oxford, FL, Estados Unidos de America
Miembro de asociación: FABA
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Black binding with silver lettering on spine. Color plates throughout the book. Dust Jacket has some wear at corner tips and spine end. Photos of book on request.
Publicado por Hudson Hills Pr, Manchester, Vermont, 2000
ISBN 10: 1555951899ISBN 13: 9781555951894
Librería: A Good Read, Toronto, ON, Canada
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Rubbing on d/j. Heavy/oversize item - additional shipping charges may be required depending on speed/destination requested. ; Folio.
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Usado desde EUR 17,37
Encuentre también Original o primera edición Ejemplar firmado
Publicado por Landfall Press, Chicago, IL, 1986
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Original o primera edición
First edition. Softcover. 24 pages. Features an introduction by Esther Sparks. Includes 18 color and black and white illustrations, a black and white photograph of the artist, a text by her, biographical information, list of previous exhibitions, and a bibliography. A fine copy in stapled wrappers. Uncommon.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Cloth. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After.
Publicado por New York. Hudson Hills Press., 2000
Librería: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Alemania
Erste Auflage. 31 x 24 cm. 136 S. OLeinen mit illustriertem OUmschlag. Umschlag mit minimalen Beeibungen. Sonst sehr gutes Exemplar. Durchgehend mit meist ganzseitigen farbigen Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hard Cover. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. Harwich Port: Clock & Rose Press, 2004. 8vo. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsing in 2003, the magazine was revived in 2004 and continues as one of the most respected poetry journals on the Internet. Clements now lives in Lewisburg, Pennsylvania with his wife, Deane Ellen. They have a daughter and a grandson living in Urbana, Illinois. Yesterday, or Long Ago is Wiley Clements' first published book of poetry. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hard Cover. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. Harwich Port: Clock & Rose Press, 2004. 8vo. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsing in 2003, the magazine was revived in 2004 and continues as one of the most respected poetry journals on the Internet. Clements now lives in Lewisburg, Pennsylvania with his wife, Deane Ellen. They have a daughter and a grandson living in Urbana, Illinois. Yesterday, or Long Ago is Wiley Clements' first published book of poetry. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hard Cover. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. Harwich Port: Clock & Rose Press, 2004. 8vo. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsing in 2003, the magazine was revived in 2004 and continues as one of the most respected poetry journals on the Internet. Clements now lives in Lewisburg, Pennsylvania with his wife, Deane Ellen. They have a daughter and a grandson living in Urbana, Illinois. Yesterday, or Long Ago is Wiley Clements' first published book of poetry. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860242ISBN 13: 9781593860240
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hard Cover. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. Harwich Port: Clock & Rose Press, 2004. 8vo. First trade edition, preceded by a limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsing in 2003, the magazine was revived in 2004 and continues as one of the most respected poetry journals on the Internet. Clements now lives in Lewisburg, Pennsylvania with his wife, Deane Ellen. They have a daughter and a grandson living in Urbana, Illinois. Yesterday, or Long Ago is Wiley Clements' first published book of poetry. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por New York. John Szoke Editions., 2002
Librería: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Alemania
Erste Auflage. 31 x 23,5 cm. 93 S. OLeinen mit illustriertem Oumschlag. Umschlagkanten mit minimalsten Bereibungen. Sonst sehr gutes Exemplar. Werkverzeichnis der Druckgrafik in 47 Nummern, alle abgebildet, sowie ausführliche Bibliographie. Text in englischer Sprache.
Publicado por Hudson Hills Press, New York, 2000
ISBN 10: 1555951899ISBN 13: 9781555951894
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
First edition. Hardcover. 136 pages. Text by Gerrit Henry. Includes 71 color plates along with 18 black and white illustrations. A very near fine copy in a very near fine dust jacket. Signed and inscribed by Sloan and uncommon thus.
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860250ISBN 13: 9781593860257
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición Ejemplar firmado
Cloth. Condición: As New. Estado de la sobrecubierta: As New. Campbell, Jeanette Sloan Ilustrador. First Edition. First edition. Limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. In slipcase. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsin. Signed by Author(s).
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860250ISBN 13: 9781593860257
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición Ejemplar firmado
Cloth. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. First edition. Limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. In slipcase. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsin. Signed by Author(s).
Publicado por Clock & Rose Press, Harwich Port, 2004
ISBN 10: 1593860250ISBN 13: 9781593860257
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición Ejemplar firmado
Cloth. Condición: New. Estado de la sobrecubierta: New. Campbell, Jeanette Sloan Ilustrador. First Edition. First edition. Limited, numbered & signed edition of 125 copies. Cloth binding, 93 pp. In slipcase. James Wiley Clements, although he would deny it, stands as a remnant of a transitory time in the evolution of our consciousness as a people. This is a man who stood with Douglas MacArthur on the bridge of his flagship at Inchon, Korea, when to be an American was to stand for bravery, strength, and compassion- virtues we seem to have lost sight of now. Born in 1928 and raised by his grandmother on a one-mule farm in rural Alabama, the product of a fundamentalist Christian upbringing, he made the transition into a world larger than any he could have envisioned as a child. It is his (and our) gift that he observed the details of this passage so well and for so long. These poems, his first published book, preserve a perspective both wry and gentle that is almost extinct in American letters. These are immensely appealing poems: sometimes caustic, sometimes pensive, always alive with a vivid undercurrent of humor and compassion. He speaks to the Confederate dead, whose dying world shaped his early days. He speaks to the grace and humility that lives in all of us, urging, in his understated manner, a return to the roots of our national humanity before it withers away entirely. Wiley would say these are the simple poems of a simple man near the end of his days. He'd say he's publishing them because he wants to please a few friends and leave something behind for his grandson to remember him by. Yet, in "Yesterday, or Long Ago" there is a palpable sense of a man bearing witness to his times, appealing to the common denominator that makes us, collectively, the American people. And in this sense, we are all his grandchildren, and we may well be moved by this simple testament of a not-so-simple man. We hear him arguing with us already; "You can't say that. I make no such claims!" And this, of course, is true; Wiley makes no such claims. His poems speak for themselves. About the Author: Born in 1928, James Wiley Clements was raised by his widowed grandmother on a one-mule farm in central Alabama. With only a fourth grade education herself, his grandmother filled many lined tablets with her own poems and taught the little boy to write rhyming verse even before he entered elementary school. He attended a semi-rural high school at the village of Maplesville, Alabama, where his English teacher encouraged him to send poems to Senior Scholastic Magazine, which became his first publishing "credit." When his grandmother died in 1945, Clements was taken in by his uncle Alonzo, a farmer and Nazarene preacher who taught him, among other precepts, "You can't quarrel with a man about what he likes, as long as it's decent." Graduating from high school virtually penniless, he took a competitive examination and won a four-year scholarship to Birmingham-Southern College. He left college before the end of his first year to join the Navy, which sent him to journalism school, and he spent the next 7 years as a journalist and as political affairs assistant in the Pacific. At the outbreak of the Korean war Clements was called to Tokyo, and from thence to Douglas MacArthur's flagship, where he witnessed the first landing in Korea. He mustered out of the Navy in 1952, took his degree from Birmingham Southern in 1954, and eventually entered the nascent HMO business, where he spent his working career. Retiring from his consulting business in 1992, he undertook a study of Japanese language and literature, translating several important Japanese novels little known in the West, two of which had never before been put into English. He also resumed writing poetry in a serious way. In 1999, unhappy with the state of formal verse, Clements recruited two poets, Robert Mezey of Pomona College in Claremont Calif., and Bill Morgan of Illinois State University, to help him create and edit The Susquehanna Quarterly, an online magazine for new traditional poetry. After lapsin. Signed by Author(s).