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Publicado por Doubleday Religious Publishing Group, The, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
Publicado por Doubleday Religious Publishing Group, The, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por Doubleday, New York, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Weller Book Works, A.B.A.A., Salt Lake City, UT, Estados Unidos de America
Libro
1/4 Cloth. Estado de la sobrecubierta: Very good. Very good. Light rubbing to extremities. 8vo.
Publicado por Doubleday 1992, 1992
Librería: Tacoma Book Center, Tacoma, WA, Estados Unidos de America
Original o primera edición
ISBN 0-385-41686-5. Hardback. First Printing. Very good condition book, with slight dustsoiling and waterspotting to top edge of book, in a Very good condition dustjacket, with slight spine fade. Tight, sound, unmarked copy. $25.00 original price is present and unclipped on front flap of dustjacket.
Publicado por Doubleday, New York, New York, U.S.A., 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Joe Staats, Bookseller, Los Angeles, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: As New. Estado de la sobrecubierta: Near Fine. 1st Edition. An account of the lawsuit filed by columnist Art Buchwald when he failed to receive credit for the original story of the movie "Coming to America" and the duplicitous accounting methodology employed by the studio to expense out all the net profits of this enormously successful movie. As new, first edition, first printing, in near-fine (price-clipped, else as new) mylar-protected dust jacket 576 pp, with Index.{Not remainder-marked} BUND.
Publicado por Doubleday, N Y, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Thomas Savage, Bookseller, Krotz Springs, LA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Not Ex-Library Copy. Hardcover Edition With Dustjacket.Good Copy.Binding Is Solid.Text Unmarked.Not Ex-Library Copy.Corners Slightly Bumped.Stated First Edition, First Printing With Complete Number Line Starting With Number 1. Inscribed By Author (O'donnell) On Fep.D.J. Clipped. Inscribed by Author(s).
Publicado por Doubleday, New York, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Ejemplar firmado
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. xxvii, 576 pages, [8] pages of plates, illustrations; 25 cm. SIGNED by the authors Pierce O'Donnell and Dennis McDougal on the front free endpaper. A near-fine copy. Dust jacket, with light shelfwear, protected in a mylar cover. "In the tradition of Indecent Exposure and Final Cut, Fatal Subtraction is a reads-like-a-novel account of the most sensational, precedent-setting lawsuit in Hollywood history, told in the voice of the flamboyant lawyer who took on a major studio and won. In 1988, Art Buchwald, America's most popular humorist, and his partner, producer Alain Bernheim, sued Paramount Pictures, claiming that the studio failed to give them credit for the original story of Eddie Murphy's hit, Coming to America. To represent them, Buchwald and Bernheim hired Pierce O'Donnell, the brash, charismatic Los Angeles trial lawyer whom Forbes has called 'the new Perry Mason.' In Fatal Subtraction, O'Donnell and Dennis McDougal chronicle the enthralling narrative of the history-making four-year-long clash between a writer/producer team and the corporate monolith that pulls the strings of a modern motion picture studio. After O'Donnell proved that Paramount used Buchwald's story, the studio asserted that the $350-million-grossing movie never earned 'net profits' for his clients. The Buchwald-Bernheim challenge to the very legitimacy of creative accounting in the motion picture industry ultimately invalidated the boilerplate contract language that shackles Hollywood's creative talent. Buchwald v. Paramount has changed forever the way business is done in the 'Industry.' Fatal Subtraction goes behind the scenes and headlines, exposing from the inside how stars are made, ideas are stolen, deals are struck, and profits are hidden in a labyrinth of power, money, and ambition known around the world as Hollywood. Relying on dozens of interviews, hundreds of heretofore secret studio documents, and thousands of pages of sworn testimony, Pierce O'Donnell and Dennis McDougal unravel the mystery of Buchwald v. Paramount: why it happened, what it means, and how it altered the balance of power in Hollywood." - Publisher. Size: 8vo. SIGNED. Collectible.
Publicado por Doubleday, New York, 1992
ISBN 10: 0385416865ISBN 13: 9780385416863
Librería: Ground Zero Books, Ltd., Silver Spring, MD, Estados Unidos de America
Libro Original o primera edición
Condición: very good, very good. First Edition. First Printing. 25 cm, 576, illus., index, several pages at rear slightly creased. Introduction by Art Buchwald.
Publicado por Newstar Pr, U.S.A., 1996
ISBN 10: 0787104949ISBN 13: 9780787104948
Librería: Mad Hatter Bookstore, Westbank, BC, Canada
Libro
Soft cover. Condición: New. 2nd Edition. 1.8 x 6.2 x 9 inches-Hailed as a landmark victory for writers, Art Buchwald's 1988 lawsuit against Paramount Pictures is the subject of this lengthy, compulsively readable brief written by O'Donnell, the Los Angeles lawyer who represented Buchwald, and Los Angeles Times reporter McDougal. Buchwald and his partner, producer Alan Bernheim, claimed that Paramount had failed to give them credit for the original story of Eddie Murphy's 1988 hit movie Coming to America . Though O'Donnell and McDougal focus on procedural aspects and the courtroom drama, they blow the lid off the major Hollywood studios's sleazy accounting practices, which have enabled them to deprive creative talent of millions of dollars in royalties by claiming that top-grossing films earned zero net profits. Murphy, given credit for the story line in the film, is portrayed here as "a talented human being . . . reduced to a commodity." The authors also unreel withering profiles of director John Landis, Paramount executive Martin Davis, Arsenio Hall and others. Photos.
Publicado por Newstar Pr, 1996
ISBN 10: 0787104949ISBN 13: 9780787104948
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.05.
Publicado por Newstar Pr, 1996
ISBN 10: 0787104949ISBN 13: 9780787104948
Librería: Save With Sam, North Miami, FL, Estados Unidos de America
Libro
Paperback. Condición: New. Brand New!.