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Publicado por Harenberg, 1979
ISBN 10: 3883791210ISBN 13: 9783883791210
Librería: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Alemania
Libro
perfect. Condición: Gut. Seiten; Eintrag/Stempel vorne im Buch, Artikel stammt aus Nichtraucherhaushalt! H16053 Sprache: Deutsch Gewicht in Gramm: 1.
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Usado desde EUR 4,58
Publicado por Forgotten Books, 2018
ISBN 10: 0656967609ISBN 13: 9780656967605
Librería: Forgotten Books, London, Reino Unido
Libro Impresión bajo demanda
Paperback. Condición: New. Print on Demand. Excerpt from Theuerdank. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1836 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 558 Language: German.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: NEW. LeatherBound edition. Condition: New. Reprinted from 1846 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 1108.
Publicado por [Johann Schoensperger?] [1517]., [Augsburg?], 1517
Librería: Dark Parks Books & Collectibles, Fallon, NV, Estados Unidos de America
Original o primera edición
First Edition. Pagination: Single leaf on paper. Some paper toning and light foxing. Some leaves have an anchor-in-circle watermark and some others a crowned double-eagle.As described in Fairfax-Muray p530. The folios are unnumbered, minor wear at edges (see pic), overall excellent. Suitable for framing. Illustrations: This famously beautiful font was designed by the court calligrapher and personal secretary to Maximillian -- Vinzenz Rockner and cut by Jost Dienecker of Antwerp. The Theuerdank fraktur is almost "modern" and was the model for many subsequent designs. It is embellished with ornamental flourishes . Theuerdank, literally meaning "The Knight of Adventurous Thoughts", is an allegory in the form of epic verse that retells the adventures of Maximilian as he traveled to woo his future wife, Mary of Burgundy. Although she died after only five years of marriage, Maximilian regarded the years of his courtship as the ideal romantic interlude and the epitome of a knightly adventure. Mary was indeed the daughter of his own knightly hero, Charles the Bold of Burgundy. The book is largely fictitious, characterizing Maximilian as a chivalric knight in the Arthurian sense. The text is supposedly written by Melchior Pfintzing, a friend of Maximilian, but Maximilian himself probably composed the majority of the work. Citations: VD 16 B1649-51. Fairfax/Murray 330.
Publicado por Quedlinburg-Leipzig, Gottfried Basse, 1836., 1836
Librería: Versandantiquariat Wolfgang Friebes, Graz, Austria
Original o primera edición
Condición: 0. Erstausgabe. - Ohne den Reihentitel (Bibliothek der gesammten deutschen Nationalliteratur von der ältesten bis auf die neuere Zeit. Abt. 1, Bd. 2). - Der dekorative Einband leicht berieben. Exlibris a. Innendeckel. Schwach gebräunt. ge Gewicht in Gramm: 500 8°. Mit 6 gefalt. lithogr. Tafeln. XII S., 1 Bl., 140, 196 S., HLdr. d. Zt. m. Rückenverg., goldgepr. Rückentitel u. dreiseitig gespränkeltem Farbschnitt.
Publicado por Johann Schonsperger, Augsburg, Germany, 1519
Librería: Kurt A. Sanftleben, LLC, Virginia Beach, VA, Estados Unidos de America
Disbound. Condición: Very good. Die geuerlicheiten, often referred to as simply Theuerdank, was written by Emperor Maximilian I, polished by his secretary, Melchior Pfintzing, and first printed in Augsburg in 1517 by Johann Schonsperger. Trimmed along the top edge to facilitate its original binding. The book's type was designed by Vinzenz Rockner, the emperor's court secretary, and the woodcuts approved by Maximilian himself, are the work of the great woodcut artists of the time. This literary epic was conceived by Emperor Maximilian (represented in the poem by the hero, Theuerdank,) to celebrate his heroic feats in overcoming the difficulties on his journey to win his bride, Mary of Burgundy (die Kunigin Ernreich in the poem). Maximilian was largely responsible for writing the poem and had made the first drafts in 1505-08. This leaf (8" x 13"), printed in 1519 by Johann Schonsperger, was from the second edition, which was a line-by-line reprint of the first. It features a woodcut by Leonhard Beck of Theuerdank striking the evil Burgundian Captain Fürwittig, who would be beheaded by the end of the tale. .
Publicado por Pfintzing Melchior, 1481-1535, 1535
Librería: Hammelburger Antiquariat, Hammelburg, Alemania
Hardcover. Condición: very good. "Wie der kühne Edel Held Theurdanck an einem Streiff viel der Feind umbbracht." 1 Holzschnitt bei Melchior Pfinzing, ca. 1600 Blattgröße: ca. 32 x 19,5 cm Ansicht: ca. 16 x 14,5 cm Holzschnitt Nr. 93 aus dem berühmten, Kaiser Maximilian I. gewidmeten Ritterroman des Theuerdanck, der seit 1517 in mehreren Auflagen erschienen ist. Vorliegend eine Blatt aus einer nicht näher bestimmten späteren Ausgabe, bei der ab 1563 bis zur letzten Ausgabe von 1693 die früheren Holzschnitte ersetzt wurden. - papierbedingt gebräunt, etwas fleckig, mit Randläsuren, Knickspuren, Randeinrisse -.
Librería: Antiquariat Johannes Müller, Salzburg, Austria
VD 16, M 1656 (unter Maximilian) - Goedeke II, 452, 13d - STC 690 - Richter, Egenolffs Erben 623.- Erste "Taschenausgabe" des Theuerdanck, siebte insgesamt und vierte in der Bearbeitung von B.Waldis. Die Holzschnitte sind eine Auswahl stark verkleinerter Nachschnitte aus den von Schäufelein u.a. illustrierten Folio-Ausgaben.- Ebd. berieben, gebräunt, tls. wasserrandig.
Publicado por Ulm, Matthäus Wagner für Matthäus Schultes, 1679., 1679
Librería: Versandantiquariat Wolfgang Friebes, Graz, Austria
Original o primera edición
Condición: 0. Erste der im 17. Jahrhundert gedruckten Neuausgabe von den Orig.-Holzstöcken aus dem Beginn des 16. Jahrhunderts (insgesamt die achte Ausgabe) und erste Ausgabe in der durch Schultes modernisierten Sprache. Vorliegendes Exemplar mit dem Kupfertitel und den erst im 17. Jahrhundert wieder aufgefundenen zusätzlichen sechs Holzschnitten, die nicht allen Exemplaren beigegeben wurden. - Der von Maximilian I. selbst angeregte und auf sein Geheiß ausgearbeitete ,Roman de chevalerie schildert in allegorischer Ausschmückung die Geschichte von der Brautwerbung Maximilians ("Teuerdank") um Maria von Burgund ("Ehrenreich"), die Tochter Karls des Kühnen ("Romreich"). Mitbeteiligt an dem Werk waren u.a. die Humanisten Marcus Treitzsauerwein, Sigmund von Dietrichstein, Konrad Peutinger; von Pfintzing stammen Anfang und Schluss. Der Anhang mit der Biographie Maximilians. - Einband beschabt u. bestoßen (Kanten u. oberes Kapital m. Bezugsabsplitterungen, dadurch etw. Textverlust beim handschriftlichen Rückentitel). Innendeckel m. altem Eintrag u. gest. Wappenexlibris. Vorsatzbl. m. altem Besitzvermerk ("Ex Bibliotheca N. A. Heideni"). Frontispiz bis an den Plattenrand mit dem Vorsatzblatt verklebt u. mit wenigen kl. (Rand-)Einrissen. Buchblock nach dem Titel angebrochen. Etw. gebräunt. Hinterer Innendeckel m. gest. Exlibris. - Insgesamt gutes u. vollständiges Exemplar mit erstaunlich kräftigen Abzügen der Holzschnitte. - VD17, 23:2931529G; Oldenbourg, Schäufelein, L 127; Muther 852; Bircher B 888; Ebert 22876; Graesse VII, 107; vgl. Fairfax Murray 329. ge Gewicht in Gramm: 2000 Fol. Mit gest. Frontispiz. Titel in Rot u. Schwarz. Mit 123 ca. halbseitigen Textholzschnitten von u.a. 128 nn. Bll., 1 Zwischentitel, 58 S., HPgmt. d. Zt. m. handschriftl. Rückentitel u. Farbschnitt.
Publicado por Mattaeo Schultes, Augsburg, 1679
Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de America
hardcover. Condición: very good. Densely worded Gothic type title page printed in red & black. Illustrated with an engraved frontispiece, and 117 finely printed large woodcuts (1 is hand-colored) by Leonhard Beck, Hans Burgkmair, Hans Schaufelein, et al., followed by 58 pages of text. Decorative initials and head/tailpieces throughout. Short folio, older vellum-backed boards (outer joint repaired, otherwise only lightly worn but with stain on rear cover). Augsburg: Mattaeo Schultes, [1679]. A very good clean copy of this scarce book. Originally printed in 1517, this work is an epic allegorical poem commissioned to celebrate the exploits and heroic feats of the Emperor Maximilian I (represented by Theuerdank) who overcomes the difficulties attending him on his journey for and with his bride Mary of Burgundy. It is assumed that Maximillian himself had a considerable share in the composition, and may have made the first drafts in 1508-08. The finishing and general editing was then undertaken by Maximilian's private secretary M. Pfuntzing.
Publicado por Augsburg: Johannes Schonsperger, 1519., 1519
Librería: Arader Galleries - AraderNYC, New York, NY, Estados Unidos de America
Original o primera edición
Full Vellum. Condición: Very Good. 2nd Edition. Folio (13 x 8 4/8 inches). 116 fine woodcuts (of 118, lacking numbers 4 and 111) by Jost de Negker and Heinrich Kupferworm after Leonhard Beck (77), Hans Burgkmair (13), Hans Schdufelein (20), and others (title-page and a2 supplied in an early manuscript facsimile, a8, b1, N5 and blank P5 lacking, lower portion of r5 repaired affecting some letters on verso, D8 with small hole to last two lines affecting a few letters supplied in facsimile, P4 loose with light fraying to lower margin). Late 19th- century vellum binding of an antiphonal leaf (inner hinges strengthened, lightly soiled). Provenance: with the 19th-century engraved bookplate of Daniel Henry Holmes (1816 - 1898), "the King of New Orleans retailers"; the early 20th-century bookplate of John Wesley Warrington (1844-1921), circuit judge. Second edition, mixed issue with b2 and b3 corresponding with Panzer A and the rest of the book corresponding with Panzer B, first published in 1517 by Schonsperger. A line-by-line reprint of the first edition, and printed with the same distinctive type, which was created specifically for the work. The type was designed by Vinzenz Rockner, the emperor's court secretary, and the woodcuts, based on preliminary drawings approved by Maximilian himself, are the work of the great woodcut artists, Beck, Schaufelein, Burgkmair, and others. A literary epic, sponsored by Emperor Maximilian (represented in the poem by the hero Tewrdannck) to celebrate his heroic feats in overcoming the difficulties of his journey to win his bride, Mary of Burgundy (die Kunigin Ernreich in the poem). Maximilian was largely responsible for writing the poem and had made the first drafts in 1505-08. Pfintzing, the emperor's private secretary, oversaw completion of the poem and served as general editor. Brunet V, 787-8; Fairfax Murray German 330 (listing differences between Schonsperger's first three editions). Book.
Publicado por Hans Sch?nsperger, the Elder, 1517
Librería: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., Japon
Miembro de asociación: ILAB
Libro
Hardcover. Condición: Fine. 289 ff (lacking a leaf, P5=blank leaf), xylographic title, 118 woodcut numbered 1-118 by Hans Burgkmair, Leopold Schaufelein, Leonhard Beck and others. Nineteenth century full vellum with yapp edges. Light staining on leaves of later part of the book, a few small wormholes in last few leaves.
Publicado por [Colophon on A8v:] Nuremberg: Johann Schönsperger, [1517]., 1517
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Original o primera edición
Hardcover. Condición: Very Good. 1st Edition. folio. 353 x 248 mm. [ff. 290, incl. blank P5]. xylographic title. 118 large woodcuts in the text. A very nice tall copy bound in 19th century antique-style blind-stamped morocco by Clarke & Bedford, all edges gilt (some wear to edges & joints but binding solid, p6, t1 & the 8 leaves of the last gathering remargined & possibly supplied from a smaller copy, occasional light spotting, scattered tears & paper defects skilfully repaired - these are mainly marginal but in a few instances the text is slightly affected, on t4 with some letters supplied in pen facsimile, & on m8 & x5 with parts of some letters supplied in pen facsimile). mezzotint portrait (foxed) of Pfintzing inserted. the Huth-Boies Penrose copy, with leather ex-libris & bookplates. First Edition of one of the most celebrated German woodcut books of the sixteenth century. This allegorical poem of knight-errantry celebrates the heroic exploits of the Emperor Maximilian I [1459-1519] on his journey to marry Mary, duchess of Burgundy. A key to the names of the characters and an index are given on the last eight leaves; these are often wanting. After the Emperor had written several initial drafts with the assistance of Marx Treitzsauerwein, the completion and final editing of the text were entrusted to his private secretary Melchior Pfintzing, and the typographical execution to Augsburg printer Johann Schönsperger, who apparently was brought to Nuremberg for this specific purpose as it is the only one of his books with a Nuremberg imprint. Five years were spent preparing the work for printing, which was done at the Emperor's expense. Special types were designed for the book by Vincenz Röckner, court calligrapher, and cut by Hieronymus Andrae. They depart from the usual severe gothic type-faces, and are ornamented with large flourishes in imitation of the best current calligraphic styles. The one hundred and eighteen large woodcuts, among the finest in early German book illustration, were designed by some of the most notable contemporary artists: Leonhard Beck (77), Hans Schäufelein (20), Hans Burgkmair (13), Erhard Schön (3), Wolfgang Traut (2), the Master NH (1), Hans Weiditz (1: doubtful), and Jörg Breu I (1). The same cuts were used in later editions but the finest and darkest impressions are found in the first. Among them are depictions of battles and tournaments, and scenes of hunting (bears, boers, chamois, &c.). Fairfax-Murray notes that this edition is to be considered as a privately printed book, not intended for sale, with no copies passing out of the possession of Maximilian before his death in 1519. ".the whole stock of copies lay in six chests at Augsburg until March 1526, when the Archduke Ferdinand decided to distribute, through Marx Treitzsauerwein, the contents of five of the chests to different subjects as memorials of the late Emperor. The other chestful the archduke kept for himself." Adams P962. BM STC German p. 690. Brunet V 767. Fairfax Murray, German, 329. Graesse VII 106. Proctor 11180. Rosenwald 634. Updike, Printing Types, I 140.
Publicado por Nuremberg: Hans Schönsperger the Elder, [1517], 1517
Librería: Peter Harrington. ABA/ ILAB., London, Reino Unido
A deluxe copy, printed on vellum for presentation by Emperor Maximilian, of the first edition of this privately printed chivalric poem celebrating the heroic deeds of Emperor Maximilian, one of the finest illustrated books of the German Renaissance. Theuerdanck was conceived as a deluxe production and Maximilian himself was closely involved in all aspects of its creation, from its composition to its distribution after printing. Maximilian had composed first drafts in 1505-8, portraying himself as Theuerdanck overcoming the difficulties of his journey to win his bride, Mary of Burgundy (Kunigin Ernreich in the poem). He turned over the completion and general editing of the work to Melchior Pfintzing, his private secretary. Maximilian called Schönsperger from Augsburg to the imperial city of Nuremberg; it was the only work Schönsperger printed there. A remarkable series of woodcut illustrations - among the finest of the German Renaissance - were cut, commissioned from some of the greatest woodcut artists of the day, Schäufelein, Beck, and Burgkmair, and a calligraphic type was specially cast. The design of the type is traditionally attributed to Vinzenz Rockner, Maximilian's court secretary, though it seems to derive from the writing books of Leonhard Wagner of Augsburg. It is one of the earliest Fraktur types, which was quickly adopted as a national typographic style which lasted for centuries. No copies of the first edition were available for sale; the edition was intended uniquely for presentation by the emperor. Maximilian had time to distribute only a few copies before his death in 1519. "The whole stock of copies lay in six chests at Augsburg until March 1526, when the Archduke Ferdinand decided to distribute, through Max Treitzsauerwein, the contents of five of the chests to different German subjects as memorials of the late Emperor. The other chestful the archduke kept for himself" (Fairfax Murray, German). About 40 copies of the first edition were printed on vellum; Van Praet records 31 copies, including some without the final quire, as here. It contained a key (clavis), identifying the characters by their true names. Provenance: Paul Harth (booklabel; sale Paris, 1985); A. W. Flühmann (monogram booklabel); J. R. Ritman (sold Sotheby's, 6 December 2000, lot 68). Adams P-962; Brunet V, 787; Fairfax Murray, German 329; USTC 633810; VD16 M1649. Royal folio (362 x 243 mm). Nineteenth-century purple cross-grain morocco gilt, spine gilt and lettered, wide gilt turn-ins, vellum doublures and endleaves, gilt edges; modern black morocco folding case. Printed on vellum, 281 leaves (of 290, without blank P5 and postliminary quire A8). Gothic (fraktur) type, flourished, xylographic title and 118 large woodcuts in the text by Jost de Negker and Heinrich Kupferworm after Leonhard Beck (77), Hans Burgkmair (13), Hans Schäufelein (20), and others. Printed correction slips on g6v, m1v, r3v, r5r, and v5r. Flourishes shaved on only three leaves (a2, v5 and y4,5), light discolouration on v1-2, a superb copy.