Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Authentic Media, 2004
ISBN 10: 186024470XISBN 13: 9781860244704
Librería: MusicMagpie, Stockport, Reino Unido
Libro
Condición: Very Good. Birch, Alan Ilustrador. 1710282787. 3/12/2024 10:33:07 PM.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 2,64
Publicado por Authentic Media, 2004
ISBN 10: 1860244696ISBN 13: 9781860244698
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
PAP. Condición: New. Birch, Alan Ilustrador. New Book. Shipped from UK. Established seller since 2000.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 9,38
Usado desde EUR 2,55
Encuentre también Tapa blanda
Publicado por Affirm Press, 2017
ISBN 10: 1925475352ISBN 13: 9781925475357
Librería: Reuseabook, Gloucester, GLOS, Reino Unido
Libro
Paperback. Condición: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
Publicado por London, Macdonald Educational Ltd., 1979, 1979
ISBN 10: 0356065448ISBN 13: 9780356065441
Librería: The Warm Springs Book Company, Fremont, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. First Edition. ISBN: 0356065448, Hardback, 1st edition, Very Good/no DJ (as isssued); some wear and rubbing to glossy pictorial boards, some fading to back board cover and spine, book presents an unique collection of drama games as well as the exploration of stage craft and play production for young children to read and use by themselves, 4to., contents are clean and tight with no internal markings, illustrated with color and B&W photos, 96 pages., 0.0 0.0 0.0.
Publicado por Lulu.com, 2016
ISBN 10: 1326553658ISBN 13: 9781326553654
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro Impresión bajo demanda
PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 30,20
Publicado por Grin Verlag 3/6/2014, 2014
ISBN 10: 3656608792ISBN 13: 9783656608790
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
Libro
Paperback or Softback. Condición: New. Celebrity crisis management strategies: Dealing with the spotlight when you are already in it 0.1. Book.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 34,36
Publicado por Editorial Comanegra S.L., 2022
ISBN 10: 8418857900ISBN 13: 9788418857904
Librería: AG Library, Malaga, España
Libro
Condición: New. Idioma/Language: Catalán. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608830ISBN 13: 9783656608837
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2010 in the subject Sociology - Individual, Groups, Society, grade: 1.1, Central Queensland University, course: Creative Arts Administration, language: English, abstract: Group decision-making is a process where an assembly of people convene to analyse problems or situations, evaluate alternative actions and reach solutions. Decisions may concern the judgement of a particular course of action, how best to solve a problem or the determination of the direction or magnitude of work ahead performed by teams or individuals. Deciding the best course of action can range in perplexity, depending on the effectiveness of how that group functions, the quality of alternatives that are generated, the amount of access to correct and adequate information and their understanding of the problem.Where time is of the essence and also befits the personification of money, it is customary for a business or organisation to engage in Group Decision-Making processes in the attempt to effectively and efficiently solve problems. Though some methods are more time-consuming some others. The group leader usually reserves judgement on which method is used in the Group Decision-Making process, because if one assembled a group to make a decision on what method should be used, what method would one use to decide And so on one would ramble in an infinite loop. And if the group ever assembled without a leader, who's idea was it for the group to assemble in the first instance So the first advantage or disadvantage of a group decision would be how effective its leader is in managing the process, which can either be a solution in itself or it can be a problem. Though the greatest problem of all seems to be time. 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608849ISBN 13: 9783656608844
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 24 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608881ISBN 13: 9783656608882
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper from the year 2011 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1.6, Central Queensland University, course: Advertising Design Communication, language: English, comment: Grade has been converted from Australian (32/40) to German (1.6) , abstract: As far as movie advertising goes, official web sites have become a crucial tool for advertising upcoming and existing films. Mabry & Porter (2010) reports a relatively important and statistically significant relationship between web site traffic and box office revenue . Movie trailers have been a vital part of the advertising process, appearing very early on - around 1912 - although they did not become standard for several years (Film Reference, N/A). Of some 10-billion videos watched on line annually, movie trailers rank 3, after news and user-created video. With such easy and instant access to them, these increasingly popular cinematic morsels are being devoured by moviegoers and served up with serious consideration by the industry that sometimes spends sums equivalent to a third world country s annual budget to concoct them (Merin, 2008). According to a study by Microsoft Advertising and 20th Century Fox, [o]nline film advertising should play a growing role in the marketing of movie releases. Online film advertising [is] particularly effective at presenting film trailers in a positive environment and broadening [the advertiser s] reach beyond the cinema environment. Trailers were confirmed as the single most influential element in consumers decision to view a film (Microsoft Advertising, 2009). Snell (2009) believes that movies are a large part of the entertainment industry and that in recent years their websites have become increasingly critical to their overall success . 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608784ISBN 13: 9783656608783
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2009 in the subject Communications - Miscellaneous, grade: 1.3, Central Queensland University, course: Creative Industries, language: English, abstract: Censorship can be a grey area and that is usually because what is under contention of being censored is far from black and white. The ramifications of this contention is of most interest to the Creative Industries as it may have a direct effect on the kind of content that governing bodies allow to be distributed, which in turn affects commercial viability and therefore production. There are the artists who may produce art for art's sake, though there remains an indeterminate amount seeking remuneration from their efforts through sales and exhibitions. When their work or part of their work is suddenly deemed inappropriate by the law, the resulting controversy often results in publicity, a concept Art Photographer Bill Henson is no stranger to.It is somewhat difficult to comprehend who or what is controlling the definition of art and its place in the cultural life of Australia. The manifestation of governmental and public opinion surrounding specific case studies can distinguish publicity from the constant reconstruction of culture, apropos the importance of the re-educating of governing bodies upholding the opinion of the public by the public themselves. Representing a fair spectrum, we have the publicly denounced work of Bill Henson and arguably one of the most controversial films of the decade, Ken Park, with its positive appraisal fiercely contesting only recently updated censorship laws. The battleground for these fights for cultural integrity is the media, the most public and least bias of course being the internet, though the internet in Australia is currently in the process of becoming censored itself! As though product from the creative industries were not being censored enough, the almost alarming concern the government is so compassionately exhibiting for all of our welfare may just be impacting industries in more ways than just what is appropriate to expose to a morally deteriorating or protection-dependant public. 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608121ISBN 13: 9783656608127
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2011 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1.2, Central Queensland University, course: Creative Arts Administration, language: English, abstract: The American Marketing Association (AMA) defines a brand as a 'name, term, sign, symbol or design' intended to identify and differentiate them from competitors (Lake, N/A). Walter Landor, one of the greats of the advertising industry, said 'simply put, a brand is a promise. By identifying and authenticating a product or service it delivers a pledge of satisfaction and quality' (Nelson, 2008). Bates (N/A) believes that the best definition is that a 'brand is a collection of perceptions in the mind of the consumer'. This definition clearly distinguishes that a brand is very different from a product or service.A brand is intangible and exists in the mind of the consumer (Bates, N/A).Social media has turned the ways in which the brand interacts with the customer on its head. With close to 2 billion internet users worldwide, 126 million blogs, 12 billion videos viewed per month in the US alone, (Thomas, 2009), 2 billion tweets on Twitter per month and 500 million people on Facebook (Van Grove, 2010), the face of the consumer may remain essentially the same but the way in which they interact with brands has changed dramatically.It seems brands are now impacted by the creative arts, the ones more specifically known as social media sites, blogging and user-content creation leading to direct consumer participation in the modification of brand identity. The creative arts and technology have allowed the consumer to have their say heard by an audience, to rapidly share information and empowered brand-users to gain control over how a brand is perceived, their reputation, product quality control and even direction. Amidst the impact of these creative arts, brands now ignore their customers at their peril. 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608857ISBN 13: 9783656608851
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2011 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1.1, Central Queensland University, course: Advertising Design Communication, language: English, abstract: It is of no contention that the air-brushing of models in advertisements has been a central issue amongst body image advocates. Re-touching images of people has created problems for body-conscience individuals as well as advertisers although it is questionable whether the significance of the problems has yet outweighed the advantages of the practice. Part of the ethical responsibility of designers is to be aware of the effects their designs have on people, but there may be times when designers do not have a choice. Advertisers respond to the market in a supply-and-demand manner and will continue to deliver images that are successful, or more aptly recognised: as profitable.Design critic Alice Rawsthorn categorises 'most graphic design . as 'quietly good design', (that is, we never) really stop and look at it in the way that we might stop and look at a painting or a work of art. We absorb the messages, but only rarely take time to look at how the message has been constructed. In other words, we gulp the wine, but never look at the glass' (Shaughnessy, 2008). It is interesting that the glass that delivers images of people in particular gains so much attention. 16 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 13,99
Publicado por Grin Verlag 1/28/2015, 2015
ISBN 10: 3656882290ISBN 13: 9783656882299
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
Libro
Paperback or Softback. Condición: New. Surviving as a Software as a Service (SaaS) Startup 0.13. Book.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 38,11
Usado desde EUR 50,91
Encuentre también Tapa blanda
Publicado por GRIN Verlag, 2014
ISBN 10: 3656662541ISBN 13: 9783656662549
Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Alemania
Libro
Paperback. Condición: Gebraucht. Gebraucht - Sehr gut Leichte Lagerspuren -Essay from the year 2014 in the subject Design (Industry, Graphics, Fashion), grade: 1.1, Central Queensland University, course: Brand Image Design, language: English, abstract: Aesthetics are an integral part of marketing communications, influencing the design of logos, advertising, atmospherics and package design. The strategic management of brand image design is essential to developing and implementing a corporate or brand identity. According to Simonson & Schmitt (1997), aesthetics can create tangible value for an organization because:-aesthetics creates consumer loyalty-aesthetics allows for premium pricing-aesthetics cuts through information clutter, increasing the memorability of the visual marks of the company, which in turn increases its chance of selection at the point of purchase-aesthetics affords protection from competitive attacks-aesthetics can save costs and increase productivity, as employees and outside suppliers need to spend less time in creating new layouts and messagesDavid Garvin's (1987) book, the Eight Dimensions of Product Quality, consists of performance, features, reliability, conformance, durability, serviceability, aesthetics and perceived quality. The concept defines aesthetics as 'the subjective dimension indicating the kind of response a user has to a product. It represents the individual's personal preference' (Karch, 2008).Aesthetics management should begin with a thorough status quo analysis of every aspect of a company or brand's visual and sensory identity. The objective of this analysis is to get a clear understanding of the identity that the organisation wants to project for itself and its brands in its aesthetic output (its corporate expressions) and how customers perceive the organisation's current aesthetic output (customer impressions).(Simonson & Schmitt, 1997, p.45.)Brand Identity focuses on the following attributes of aesthetics, outlined by Friedlander (2012):-Colours-Fonts-Logos-Images-Layout 24 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 17,95
Usado desde EUR 15,29
Encuentre también Tapa blanda
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608113ISBN 13: 9783656608110
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (postgraduate) from the year 2011 in the subject Communications - Miscellaneous, grade: 1.5, Central Queensland University, course: Creative Arts Administration, language: English, abstract: Digitization has impacted the creative arts since its inception and has even driven most sectors to where they stand today. Digitization is the conversion of information to a digital or binary format so that it may be processed by a computing device, making it easier to access, share and preserve (Whatis, N/A). The digitization of information enriches its quality, has made it possible to store in compact forms and enables it to be shared instantly. Advertising can more easily reach the masses and digital selves borderline immortality. Advancements in technology have seen the entertainment industry thrive in spite of also causing damage to sales. Computer Generated Imagery (CGI) has ushered in a new era of deception, warping reality and even creating new ones. In filmmaking, the line between imagination and reality has all but disappeared. Advertising can at times create controversy over what is an acceptable level of illusion. Even when informed, however, our vulnerability to accepting distorted realities seems to endure. 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 15,95
Publicado por GRIN Verlag Jan 2015, 2015
ISBN 10: 3656884099ISBN 13: 9783656884095
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (postgraduate) from the year 2015 in the subject Tourism - Miscellaneous, grade: 1.1, Central Queensland University, course: Cultural Entrepreneurship, language: English, abstract: Globalisation has meant that the offerings of many destinations are increasingly homogenous.Branding provides a way of creating a unique identity through relationship building and emotional appeal, rather than differentiation on the basis of functional qualities.While destination branding draws on principals from product marketing there are some important differences.This is a more obvious requirement in some sectors, such as tourism, where countries develop hospitality industries and infrastructure such as convenient airport facilities. However, such marketing concepts increasingly apply to countries as a whole.Nearly all successful communities can quickly identify their 'brand.' They draw on their comparative advantages to find ways of encouraging growth by attracting the people, businesses, education service and investment they need.(Hulsbosch, 2011)Hulsbosch (2011) suggests acting and thinking globally as one of his destination branding tips, advising that brand identity and all related promotional activities must appeal across cultural groups.Cultural tourism gives visitors the opportunity to understand and appreciate the essential character of a place and its culture as a whole, including:-History-People and their lifestyle -Cultural diversity-Arts and architecture-Food, wine and other local produce(Foo & Rossetto, 1998, p.63) 20 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 15,95
Publicado por GRIN Verlag, 2014
ISBN 10: 3656607788ISBN 13: 9783656607786
Librería: Smartbuy, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2009 in the subject Design (Industry, Graphics, Fashion), grade: 1.9, Central Queensland University, course: Creative Industries, language: English, abstract: Technology is evolving faster than we can shake an iPod at, and like a frenetic silhouette on a primary-coloured backdrop it is difficult to see the entire picture - you are only left with a gist of what on earth is actually going on, a feeling that you want to jump up and be a part of it. Even though it helps to analyse the progress of technology in the creative fields historically, it still remains implausible to predict exactly where it will take us even in the near future. The film, television and music industries are an interesting source to start with where we may begin to understand some of the ways technology is not only enhancing the ability to create more, but also the way it affects the way business is performed. 12 pp. Englisch.
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 3656608814ISBN 13: 9783656608813
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 32 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 15,99
Publicado por GRIN Verlag Jun 2014, 2014
ISBN 10: 3656674531ISBN 13: 9783656674535
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (postgraduate) from the year 2014 in the subject Design (Industry, Graphics, Fashion), grade: 1.15, Central Queensland University, course: Brand Image Design, language: English, abstract: There are nearly 4,000 colleges and universities in the United States and almost all of these institutions have continued to attract enough students to remain operational year after year, according to Author and Marketing guru Roger Dooley (2013).That's about to change, and one of the key differences in who survives won't be the academic output of the faculty or the amenities available to students. It will be a factor seemingly unrelated to the schools' mission: branding.(Dooley, 2013)Nurko (2010) says that 'branding is a vital tool for Universities to consider as they not only seek to attract the brightest students, but they also seek to attract and retain top academic faculty talent, become centres for research grants as well as attract investment funding and endowments to subsidize future growth'.The days when Universities were simply hallowed halls of academia around the world are gone. Today, Universities are not only academic institutes but they are commercial organisations and engines of economic growth for their communities and shareholders. Universities compete for talent at both the student level, but also for faculty personnel and investment funding. Both private and public Universities are more accountable for their balance sheets, as well as for their level of academic rigour and reputation. In a world in which academia, commerce and government overlap, the role higher education plays has never been more critical - yet, at the same time more controversial. For this reason, Universities are deploying marketing and branding strategies and tactical executions which seek to help them differentiate while also compete for potential student attention, financial investment and ultimately reputation accolades.(Nurko, 2010)The current Harvard coat of arms certainly retains some complexity, but the question becomes - is the complexity meaningful Well, yes and no - but the fundamental design flaws do need to be addressed so that Harvard can retain some consistency across the board. Harvard University could definitely simplify its branding without compromising connections to its roots, but it is important to focus on the purposes for doing so. 40 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 17,95
Publicado por GRIN Verlag Jun 2014, 2014
ISBN 10: 3656662533ISBN 13: 9783656662532
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2014 in the subject Design (Industry, Graphics, Fashion), grade: 1.1, Central Queensland University, course: Brand Image Design, language: English, abstract: All aspects of a brand image should resonate with its target audience in order to create a meaningful relationship. Before a brand can improve the lives of those who use it, the identity of both needs to be clearly understood by the other. Once this is established, a relationship can be forged and nurtured much like a relationship between two people. Like a relationship, the parties need to bond, to listen, to grow, to be authentic and to stay that way.When Interbrand (2014), the world's largest brand consultancy, released their 2007 Brand Marketers Report, the following five top aspects of successful branding were revealed (Airey, 2007):1.Consistency2.Understanding of Customer/Target3.Message/Communication4.Creative/Design/Brand ID5.RelevanceMany other aspects were of course discovered in the survey, but the best practises may be found under these top five - the first beating the second by twice the percentage (Airey, 2007). When implemented successfully, valuable brand equity can be attained, attracting a responsive audience and relevant target customers. 28 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 17,95
Publicado por GRIN Verlag Aug 2014, 2014
ISBN 10: 3656730741ISBN 13: 9783656730743
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2014 in the subject Business economics - Company formation, Business Plans, grade: 1.6, Central Queensland University, course: Cultural Entrepreneurship, language: English, abstract: For generations, Zen philosophy has taught the importance of finding tranquillity inside yourself instead of foolishly seeking it in the world around you. One of the most profound teachings from this philosophy, and probably one that is most relevant to the entrepreneur, is that of ignoring doctrine and listening to your gut instinct. (Butt, 2014a)Google (N/A) defines entrepreneur as 'a person who organizes and operates a business or businesses, taking on greater than normal financial risks in order to do so', from the French 'entreprendre', meaning to 'undertake' and 'go between'. Branagan (2003) outlines several critical success factors:-being able to make connections and spot opportunity-taking a creative approach to problem solving-being able to cultivate networks of appropriate contacts-being able to persuade, inspire and motivate others through enhanced vision-the ability to take calculated risks and having the nerve to work outside convention-the ability to overcome rejection and failure-keeping pace with technology and innovation-an understanding of business strategies and tacticsIt is the spirit of undertaking something novel and innovative; in some sense either pushing forward with avant-garde activities, or combining elements from previous concepts for new markets or audiences. There are many entrepreneurs within the arts world who do just this, acting as go-betweens for artists and clients, or audiences. Furthermore, the common preoccupation with originality, implementing ideas and making progress, held by many artists and arts consultants, is itself an entrepreneurial trait; translating vision into a creative act. From a contemporary and historical perspective, an entrepreneurial outlook has either inadvertently or intentionally ensured the successful progression of many very influential figures within both the commercial and non-commercial arts sectors.(Branagan, 2003) 12 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 17,95
Publicado por GRIN Verlag Mrz 2014, 2014
ISBN 10: 365660889XISBN 13: 9783656608899
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (postgraduate) from the year 2014 in the subject Communications - Media and Politics, Politic Communications, grade: 1.4, Central Queensland University, course: Applied Communication Arts, language: English, abstract: Mass Communication is a primary contributor to the construction and maintenance of culture. The precise relation of culture to mass communication and its function in our lives has long been debated (Baran, 2010).Because of the power mass communication has in shaping culture, it presents us with both opportunities and responsibilities. Media industries must operate ethically or risk negatively influencing the culture in which they exist. Consumers likewise have the responsibility to critically examine media messages (Baran, 2010).Both technology and money shape the mass communication process. Innovations in technology bring about new forms of media, or make older forms more accessible. As profit-making entities, the media must respond to the wishes of both advertisers and audience. Ultimately, though, the consumers choose which forms of media they support and how they react to the messages that face them. Technological and economic factors such as convergence and globalization will influence the evolution of mass communication (Baran, 2010).[N]ewspapers are downsizing, consolidating to survive, or closing all together; radio is struggling to stay alive in the digital age; and magazine circulation is decreasing and becoming increasingly more focused on microaudiences. The information function of the news has been criticized and called 'infotainment,' and rather than bringing people together, the media has been cited as causing polarization and a decline in civility.(Charles et al. 2009) 24 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 17,95
Publicado por GRIN Verlag Feb 2015, 2015
ISBN 10: 3656893586ISBN 13: 9783656893585
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (undergraduate) from the year 2015 in the subject Business economics - General, grade: 1.2, Central Queensland University, course: Cultural Entrepreneurship, language: English, abstract: The cultural tourism of a country cannot prosper without a strong sense of national identity. What sets a nation apart is what draws visitors, which contributes to a flourishing culture where art is at the very centre. The Australian Bureau of Statistics confirms that the culture sector in Australia is big business, perpetuated in art galleries, museums, theatres, film studios, opera companies, writers' weeks, rock concerts and arts festivals (Grybowski, 2014). Many different factors impact the motivation of cultural visitors, such as demographics, the dollar and what kind of experience is being sought.There are highly innovative businesses and individuals operating in the creative industries. Encompassing music, performing arts, software development, design and visual arts, the creative economy is recognised as a major contributor to a city's lifestyle and attractiveness to skilled workers. To gain a better impression of ways that an industry impacts an economy, it may be pragmatic to analyse one Australian city in particular. 'Cities and regions actively nurture their creative industries to capture the economic benefits they bring and grow local competitive industries' (Quirk, 2014, p.2).Sustaining cultural tourism through the arts requires support from local and federal government. In a message from Mr Rupert Myer AM, Chair of the Australia Council for the Arts, he shares that 'Australia has every reason to be culturally ambitious and this is a very significant juncture in our cultural life. The development and delivery of the National Cultural policy, Creative Australia, symbolises the importance of the arts to a vibrant, innovative and healthy Australia' (Myer, 2013).'Today, we have more high quality artists applying for support than ever before, some of them working in ways not imagined 10 years ago. On behalf of these artists we welcome the commitment of an additional $75.3 million over four years to boost our nation's creativity' (Myer, 2013). 24 pp. Englisch.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 18,95
Publicado por GRIN Verlag, 2014
ISBN 10: 3656608806ISBN 13: 9783656608806
Librería: Smartbuy, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2011 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1.1, , course: Advertising Design Communication, language: English, abstract: Advertising is all about getting attention. One of the best ways of getting attention through advertising is adding humour. When employed correctly, the power of humour is undeniable.Professional Advertising (N/A) believes that '[t]he best ways to get attention with advertising are with strong visuals, sex, powerful headlines, and humour.'From all the types of advertising appeals, such as Emotional, Rational, Sex, Scarcity and Humour, '[h]umour can be an excellent tool to catch the viewer's attention and help in achieving instant recall which can work well for the sale of the product. Humour can be used effectively when it is related to some benefit that the customer can derive without which the joke might overpower the message' (Ashwini, 2009). Humour is most effective when it is used to reinforce an existing message, rather than simply adding to it.Catanescu & Tom (2001) maintain that '[a]s previous research has revealed. [their] study shows that humour is used more frequently in television commercials than print advertisements' and so it is with this acumen that generates the focus on television commercials. What humour achieves exactly can differ from one advertiser to the next, but its primary function seems to be about getting attention, regardless if it is good or bad attention.According to a 1993 Journal of Marketing study that examined multinational effects of humour on advertising, 'humour is more likely to enhance recall, evaluation, and purchase intention when the humorous message coincides with ad objectives, is well-integrated with those objectives, and is viewed as appropriate for the product category. Under such circumstances, humorous advertising is more likely to secure audience attention, increase memorability, overcome sales resistance, and enhance message persuasiveness' (Dubois, 2010). 16 pp. Englisch.
Publicado por Simon & Schuster Publishing, 1990
ISBN 10: 0750000031ISBN 13: 9780750000031
Librería: Sapphire Books, Peterborough, CAMBS, Reino Unido
Libro Original o primera edición
Hardcover. Condición: New. No Jacket. 1st Edition. Published In 1990 : 1st. Edition : Simon & Schuster Publishing : A4 Format : No D / J Supplied With This Edition : Glazed Photographic Boards : Overall , A Very Nice Book :
Publicado por Future Finalists Publishing, 2017
ISBN 10: 0692990526ISBN 13: 9780692990520
Librería: ALLBOOKS1, Salisbury Plain, SA, Australia
Libro
Publicado por GRIN Verlag, 2014
ISBN 10: 3656608822ISBN 13: 9783656608820
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Project Report from the year 2010 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1.5, Central Queensland University, course: Media Relations in Arts Administration, language: English, abstract: TELEVISION COMMERCIAL SYNOPSISAs part of the Australian Government's new national reform package, The Organ and Tissue Authority was established on the 1st of January 2009 as a nationally coordinated approach to organ and tissue donation for transplantation (DonateLife, 2009). The Australian Organ and Tissue Authority's chief executive Karen Murphy has said that 'families need to know each other's wishes about organ and tissue donation, because even if you are registered as a donor, your next of kin is still asked to give consent for donation to take place' (The Border Watch, 2009). 'DonateLife is the new brand and name for the national network of organ donor agencies that will deliver the message that every Australian has the potential to save lives' (The Border Watch, 2009). Funded by The Organ and Tissue Authority, DonateLife offers educational services, donor family support, donor/recipient correspondence and also run Australian Organ Donor Awareness Week, the largest public awareness campaign in Australia associated with organ and tissue donation for transplantation (DonateLife, 2009). The Australian Organ Donor Awareness Week's aims are to 'raise donation rates in Australia by focusing on the pressing need for organ and tissue donation, encourage families to discuss their wishes, [highlight] the success of organ transplantation in Australia; and, finally, promote the registration of consent on the Australian Organ Donor Register' (Parry, 2007, p.137).You can watch the television commercial project here: youtu.be/uaH6sIIb6jQ.
Publicado por GRIN Verlag, 2014
ISBN 10: 3656608911ISBN 13: 9783656608912
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering.
Publicado por GRIN Verlag, 2014
ISBN 10: 365669611XISBN 13: 9783656696117
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2013 in the subject Communications - Theories, Models, Terms and Definitions, grade: 1.3, Central Queensland University, course: Applied Communication Arts, language: English, abstract: The Knowledge Gap Theory of Communication is primarily concerned with the unequal distribution of information throughout society and the correlating access to knowledge pertaining to socioeconomic status. The Knowledge Gap Hypothesis was first proposed in 1970 by three University of Minnesota researchers: Phillip J. Tichenor, then Associate Professor of Journalism and Mass Communication, George A. Donohue, Professor of Sociology, and Clarice N. Olien, Instructor in Sociology (Yoo Ri & Southwell, N/A). The hypothesis explains that there is a resulting divide between people of lower and higher socioeconomic status 'as the infusion of mass media information into a social system increases, higher socioeconomic-status segments tend to acquire this information faster than lower socioeconomic-status population segments so that the gap in knowledge between the two tends to increase rather than decrease' (Tichenor, Donohue, and Olien, 1970, p159-160). The resulting speed at which people are able to access tradition mass-media compared to modern systems may be surprisingly congruent when underlying education is taken into consideration.