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Publicado por Fondation Maeght, Saint Paul, 1968
Librería: David Bunnett Books, London, Reino Unido
Original o primera edición
SOFTCOVER. 1st Edition. 4to in colour printed stiff card covers (an original lithograph by Miro which folds out to 4 leaves including the 1/3rd width inner flaps which carry a small part of the design), unpaginated, approx. 220pp on various types of paper, plates in colour and b/w, including 3 other original lithographs (1 monochrome, 1 colour single leaf and one double leaf colour lithograph) all on thin card CONDITION: An extremely well preserved FINE very clean and tight unmarked copy still close to new (faint shelf rub to cover bottom edges) ] __NOTE. Depending on destination, this item may require an extra payment for shipping insurance. If so, orders made by card will be completed only after you have approved the extra cost._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Publicado por [Paris]: Louis Broder, [1959]., 1959
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Ejemplar firmado
Soft cover. Condición: Very Good. oblong 12mo. pp. 26, [ff. 7]incl 2 blanks. 5 etchings with aquatint by Miró, printed in colours (including wrapper illus.). tissue guards. uncut. gatherings loose as issued. original wrs. silk clamshell box with woodcut by Miró. on upper cover (light wear to box). Limited to 150 copies on d'Ambert Rag Wove signed by Miró and Char this one of 110 regular issue copies. This is the second preferred edition, the first to contain the five exquisite small-scale colour etchings with aquatint and one woodcut by Miró. Nous Avons was first published the previous year by Pierre André Benoît with only one etching by Miró. Cramer 53. Dupin 247-52. The Artist & The Book 210. Signed by Author(s).
Publicado por Paris GLM, 1954
Librería: Shapero Rare Books, London, Reino Unido
Libro
Limited edition, one of 30 copies hand coloured by Miro, signed by the author and the artist on the verso, from a total edition of 100; one leaf, unfolded, small oblong 4to (11 x 27 cm), lithograph heightened with watercolour, pastel and india ink on wove paper, lower right corner slightly creased, otherwise in excellent condition. One of 30 copies with original hand colouring by Miro. This example has extensive additions, with a blue background to the text, the artist's fingerprints in red and black, ink line drawings to the lithograph, as well as brightly coloured dots to the justification. The artist decorated the thirty examples with different illustrations, making them each unique but retained some similar elements such as the red dots and line drawings. René Char and Joan Miro had met during the Surrealist period, but their friendship dated from the post-war years when Miro returned to France. L'Alouette is their third collaborative work. A notably scarce work even for unsigned examples both on the market and institutionally. There are only two copies in libraries, at Yale University and the Bibliothèque nationale de France. Cramer books 30.