Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Macdonald, London, 1986
ISBN 10: 0356108503ISBN 13: 9780356108506
Librería: Aladdin Books, Fullerton, CA, Estados Unidos de America
Libro
Trade Paperback. Condición: Very Good+. Some mild cover wear and slight dust soiling. No markings. Tight copy with flat spine that has no cracks or creasing.
Publicado por Macdonald, London, 1986
ISBN 10: 0356108503ISBN 13: 9780356108506
Librería: Aladdin Books, Fullerton, CA, Estados Unidos de America
Libro
Trade Paperback. Condición: New. New copy. Factory sealed in shrinkwrap.
Publicado por London: MacDonald & Co, 1985
ISBN 10: 0356108503ISBN 13: 9780356108506
Librería: Lorrin Wong, Bookseller, Los Angeles, CA, Estados Unidos de America
Libro
1st printing of 1st edition. Unpaginated; illustrated; Masters of Photography series. Fine paperback book in decorative wrappers (soft cover book).
Publicado por Quartet Books Ltd, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Southern Maryland Books, Waldorf, MD, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. Hardcover. Minor wear to the covered dust jacket. No cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.
Publicado por Quartet Books, London, 1982
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Miembro de asociación: RMABA
Original o primera edición
Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. First edition, hardcover, small sticker shadow to base of front endpaper, very light bumps to spine ends, otherwise a Near Fine copy in a dustjacket which is tanned on the spine.
Publicado por London MacDonald & Co. Ltd., 1985
ISBN 10: 0356108503ISBN 13: 9780356108506
Librería: Ira Joel Haber - Cinemage Books, Brooklyn, NY, Estados Unidos de America
Libro
Oversize Paper. Coll. of 25 large fantasy like b&w portraits by Angus McBean of British theatre stars incld. Leigh,Olivier,Burton etc. Very soft corner bump to the bottom of cover. Vg+. Book.
Publicado por Quartet Books Ltd, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Best and Fastest Books, Wantage, NJ, Estados Unidos de America
Libro
Condición: Good. With jacket, tight and unmarked, mild jacket edge wear. Fast Shipping - Safe and Secure Bubble Mailer!.
Publicado por Quartet Books (UK), 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Libro
Condición: Used - Very Good. illustrated edition. 1983. Hardcover. Very Good.
Publicado por Quartet, London, 1982
ISBN 10: 0704300400ISBN 13: 9780704300408
Librería: Raymond Tait, Beccles, SUFFO, Reino Unido
Libro Original o primera edición
Original Wraps. Condición: Very Good. McBean, Angus Ilustrador. First Edition. Previous owner's name on first page. Creasing to bottom corner of front cover and to corners of first 10 pages. Crease to bottom corner of rear cover. Light wear to covers. First printing. Paperback original. Large format.
Publicado por Quartet Books, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Norbert Kretschmann, Bad Aibling, Alemania
Libro
Gebundene Ausgabe. Condición: Gut. 127 Seiten Tadellos erhalten, der hübsche Schutzumschlag mit minimalen Gebrauchsspuren, aber keine Einrisse, - sauber und ordentlich ! 2282 Sprache: Englisch.
Publicado por Quartet Books Ltd, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Book Deals, Tucson, AZ, Estados Unidos de America
Libro
Condición: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 2.65.
Publicado por Quartet Books Ltd, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Holt Art Books, Birmingham, Reino Unido
Libro
Hardcover. Condición: Very Good. Book is in very good condition. 127pp with b/w photographs.
Publicado por London (Quartet Books), 1982
ISBN 10: 0704300400ISBN 13: 9780704300408
Librería: Frans Melk Antiquariaat, HILVERSUM, Holanda
Libro
Quartet Books, 1982. First published. 305 x 23 cm. Paperback / Softcover. Illustrated in b/w throughout. [119 pictures]. AS NEW [ Photography / International ].
Publicado por Quartet Books Ltd, London, 1982
Librería: Frances Wetherell, Cambridge, Reino Unido
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Angus McBean Ilustrador. 1st Edition. A firm, clean copy in complete dustwrapper.
Publicado por Phaidon, Oxford, 1989
ISBN 10: 0714825808ISBN 13: 9780714825809
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Hardcover. White cloth, pictorial DJ.112 pp : illustrations, portraits. Includes bibliographical references (page 112) and index. VG/G, dust jack has rub marks. Text and bind clean/tight.
Publicado por Quartet Books, London, 1983
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Lectioz Books, Gloucester, NSW, Australia
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Jacket has light general wear and no tears. Protected in untaped Mylar cover. Internally clean. Binding tight. 17pp plus plates Size: 230mm x 310mm. Book.
Publicado por London/ Melbourne/ New York. Quartet Books., 1982
ISBN 10: 0704323524ISBN 13: 9780704323520
Librería: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Alemania
Libro
Erste Auflage. 31 x 23 cm. 17 S. Text/ 61 Blatt Abbildungen / 3 Blatt. OLeinen mit illustriertem OUmschlag. Umschlagkanten stark nachgedunkelt und mit kleinen Bereibungen, kleiner privater Stempel auf dem Vorsatzblatt. Gutes Exemplar. Durchgehend mit ganzseizigen fotografischen Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.
Publicado por London/Sydney, Macdonald., 1985
ISBN 10: 0356108503ISBN 13: 9780356108506
Librería: West Coast Rare Books, Westport, MAYO, Irlanda
Libro Original o primera edición
First Edition. 30cm x 26cm. 64 unnumbered pages. Original softcover. Very good condition with some minor signs of external wear. [Masters of Photography] Angus McBean (8 June 1904 - 9 June 1990), was a Welsh photographer, associated with surrealism. Angus McBean was born in South Wales in June 1904. Despite the surname and the family's claim to be head of the sub-clan McBean, they had been Welsh for generations. Clem McBean was a surveyor in the mines and the family moved frequently around Wales with his job. Fascinated by the apparently magical properties of photography, Angus wanted to be able to take pictures of people and sold a gold watch left to him by his grandfather to raise the five pounds necessary for the equipment. In 1925, after his father's early death, McBean moved with his mother and younger sister to Glasgow. He worked for Liberty's department store in the antiques department learning restoration, while his personal life was spent in photography, mask-making and watching plays in the West End theatre. In 1932 he left Liberty and grew his distinctive beard to symbolize the fact that he would never be a wage-slave again. He then worked as a maker of theatrical props, including a commission of medieval scenery for John Gielgud's 1933 production of Richard of Bordeaux. McBean's masks became a talking point in social columns, and were much admired by the leading Bond Street photographer Hugh Cecil. Cecil offered McBean an assistant's post at his Edinburgh studio, and having learnt the secrets of Cecil's softer style and after using the studio at night, McBean set up his own studio 18months later in a basement in Belgrave Road, Victoria, London. The artist McBean as he was still known as a mask maker, gained a commission in 1936 from Ivor Novello for masks for his play "The Happy Hypocrite." Novello was so impressed with McBean's romantic photographs that he commissioned him to take a set of production photographs as well, including young actress Vivien Leigh. The results, taken on stage with McBean's idiosyncratic lighting, instantly replaced the set already made by the long-established but stolid Stage Photo Company. McBean had a new career and a photographic leading lady: he was to photograph Vivien Leigh on stage and in the studio for almost every performance she gave until her death thirty years later. McBean resultantly became one of the most significant portrait photographers of the 20th century, and was known as a photographer of celebrities. In the Spring of 1942 his career was temporarily ruined when he was arrested in Bath for criminal acts of homosexuality. He was sentenced to four years in prison and was released in the autumn of 1944. After the Second World War, McBean was able to successfully resume his career. There were in effect two periods to McBean's career, his pre- and post-war phases. Pre-war he was a lot more confident in himself and experimented successfully with surrealism, indeed his work with the likes of Vivien Leigh are some of the most accessible surrealist photographic images known. Post war he reverted to a more regular style of portraiture photography, nearly always working with the entertainment and theatre profession. In 1945, not sure whether he would find work again, McBean set up a new studio in a bomb-damaged building in Endell Street, Covent Garden. He sold his Soho camera for £35, and bought a new half-plate Kodak View monorail camera to which he attached his trusted Zeiss lenses. McBean was commissioned first by the Stratford Memorial Theatre to photograph a production of Anthony and Cleopatra, and all his former clients quickly returned. Through the late 1940s and 50s he was the official photographer at Stratford, the Royal Opera House, Sadler's Wells, Glyndebourne, the Old Vic and at all the productions of H. M. Tennent, servicing the theatrical, musical and ballet star system. (An example of his work in this genre from 1951 can be seen on the page about Anne Sharp, whom he photographed in a role in one of Benjamin Britten's operas.) Magazines such as the Daily Sketch and Tatler vied to commission McBean's new series of surreal portraits. In 1952 he photographed Pamela Green as Botticelli's Venus, with David Ball his boyfriend as Zephyrus. McBean's later works included being the photographer for the cover of The Beatles' first album (Please Please Me - 1963), as well as covers art for other performers, surrealist work as well as portrait photographs of individuals such as Agatha Christie, Audrey Hepburn, Laurence Olivier and Noël Coward. Both periods or his work (pre and post war) are now eagerly sought by collectors and his work sits in many major collections around the world. Two figures have prevented McBean from gaining more fame: Cecil Beaton (thanks to his lavish lifestyle and work for Vogue and the British royal family); and David Bailey, who much later (1960s) was close to Cecil Beaton both personally and in terms of style. McBean did not enjoy this level of fame either in his life or after death, even though he was arguably the better technically and artistically. Additionally McBean's focus on the world of theatre (particularly London's West End) did not give him international recognition. In 2007 seven original colour transparencies by McBean were accidentally thrown in the bin at the HQ of EMI. (Wikipedia) Sprache: english.
Publicado por Phaidon, Oxford, 1989, Oxford,, 1989
ISBN 10: 0714825808ISBN 13: 9780714825809
Librería: Burwood Books, Wickham Market, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Hardback. Condición: Fine. First Edition. Hardback. Dust Jacket 4to. Copiously illustrated in black and white throughout. ISBN: 0714825808Pages: 112 Fine in fine dust wrapper. Very good indeed very good indeed dust jacket.
Publicado por Phaidon, Oxford, 1989
Librería: Neil Pearson Rare Books, London, Reino Unido
4to, pp. 112. Original cream boards, lettered in black to spine. Black endpapers. Photographic dustwrapper. Boards a trifle marked, otherwise a near fine copy in a fine dustwrapper. B&w photographic illustrations throughout by Angus McBean. First edition, INSCRIBED TO FFEP. BY McBEAN: 'Angus McBean, London '89'. A lovely copy.