Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por The Viking Press New York, NY, 1980
ISBN 10: 0670142352ISBN 13: 9780670142354
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
472 pp.; 24.1 x 19.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of surrealist texts, selected and edited by Marcel Jean. General editor for The Documents of 20th-Century Art series: Robert Rauschenberg. Includes texts by Giorgio de Chirico, Arthur Rimbaud, Guillaume Apollinaire, Alfred Jarry, Jacques Vaché, Pierre Reverdy, Lautréamont, Marcel Duchamp, André Breton, Francis Picabia, Max Ernst, and many others. Includes a selected bibliography by Bernard Karpel and an index. Good / Very Good. Yellow discoloration and dusting of covers with dusting of text block edges. 3.2 cm. staining to recto. Rubbing of dust-jacket edges. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Publicado por Paragraphic Books/Grossman Pub., 1967
ISBN 10: 2850251976ISBN 13: 9782850251979
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.55.
Publicado por Paragraphic Books / Grossman, 1959
Librería: The Book Bin, Salem, OR, Estados Unidos de America
Libro Original o primera edición
Paperback. Condición: Very Good. First Edition. First American edition; preceded in that same year by the true first, in French. This edition translated into English by George Heard Hamilton. Wraps very good with moderate scuffing and light edgewear. Spine uncreased, tilted forward slightly. Binding sound. Pages lightly toned, text unmarked.
Publicado por Paragraphic Books, 1959
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Original o primera edición
Softcover. Condición: Good. No jacket. First American edition. Covers are worn and corners are creased. Spine is foxed, but legible. End papers have mild foxing. Title page has a sticker and name of previous owner in ink, not covering text. The first couple pages have mild creasing, but pages are otherwise clean and unmarked.
Soft cover. Condición: Good. 1959, 8.5 x 11 inches approx, 201 pages, illus. b&w; text is in English | tired copy is intact and useable but not very lovely due to rubbed covers and foxing which is present on reverse of covers and of text block edges, but not on main text | carefully packaged and dispatched from UK within two working days.
Librería: Librairie Victor Sevilla, Paris, Francia
Original o primera edición
Editions Jean-Jacques Pauvert / Revue Trimestrielle n° 3 de l'automne 1957. In-8 broché carré de 96 pages au format 19,5 x 19,5 cm. Superbe couverture illustrée par un détail du tableau de Gabriel Max ( reproduit en page 71 ). Dos avec petites plissures et brunissures. Plats et intérieur frais. Tirage sur couché du troisième numéro de cette revue dirigée par André Breton qui ne compta que 5. Textes inédits de : André Breton, Gérard Legrand, Joyce Mansour, Flora Tristan, Octavio Paz, E.L.T Mesens, Robert Lebel, Jean Schuster, etc. Avec des illustrations de Bona, Marcel Duchamp, Yves Elléouët, Jean-Jacques Lebel, Maréchal, Gabriel Max, ainsi que des photographies. Très bel état général. Edition originale, peu courante.
Publicado por Paragraphic Books, 1959
Librería: Kazoo Books LLC, Kalamazoo, MI, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. No Jacket. Large paperback with black and white photographic covers. Light edge and corner wear. Tight binding.Art stamp on title page and inside back cover. Robert Lebel's name is printed on white spine. Several sections of photographs. 11x8.25 with 201 pp plus ind.
Paperback. Condición: Good. Softcover; 201 pages, plus index. Black & white illustrations. No marks or writing to book. Covers are rubbed, with some where to edges and corners. Text pages are only faintly age-toned.
Publicado por Paragraphic Books, 1959
Librería: Glands of Destiny First Edition Books, Sedro Woolley, WA, Estados Unidos de America
Condición: Very Good. First Paperback Edition. Publisher: Paragraphic Books/Grossman, New York, 1959. NEAR FINEsoftcover in pictorial wraps, as issued. Book was first published in French in that same year. This edition was translated into English by George Heard Hamilton. Previous owner' signature and artistic embossed stamp on FFEP. First US Softcover Edition, First Printing.
Publicado por Hauser & Wirth Publishers, 2021
ISBN 10: 3906915514ISBN 13: 9783906915517
Librería: Riverby Books (DC Inventory), Fredericksburg, VA, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Oversized hardcover with dust jacket and a supplement in a slip case. Very good condition. Corners square, binding is tight. The slipcase is orange with black lettering, very good condition. No date on the title page. Copyright page dated 2021. 191 pages in the main book, 56 pages in the supplement. This listing was written by an actual person, with the book in front of me for inspection. Since this is an oversized book, extra shipping may be necessary. Please email with questions or to see any photos.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 128,42
Usado desde EUR 96,13
Encuentre también Tapa dura
Publicado por Éditions Gallimard Paris, France, 1965
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
427 pp.; 27.8 x 21.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Revised 1965 edition of an anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. William Hayter, Heraclite, Herold, Morris Hirshfield, Victor Hugo, Sidney Janis, Alfred Jarry, Frido Kahlo, Søren Kierkegaard, Paul Klee, Heinrich von Kleist, Kraepelin, Wifredo Lam, Henri Laurens, Eliphas Levi, Georg-Christoph Lichtenberg, Jacques Lipschitz, Raymond Lulle, Mabuse, Maurice Maeterlinck, René Magritte, Majakowsky, Stéphane Mallarmé, André Masson, Pierre de Massot, Henri Matisse, Matta, Meissonnier, Joan Miró, Henry Moore, Nadja, Gérard de Nerval, Friedrich Nietszche, Novalis, Richard Oelze, Gordon Onslow-Ford, Wolfgang Paalen, Blaise Pascal, Benjamin Peret, Francis Picabia, Pablo Picasso, Edgar Poe, Jacques Prévert, Jean Racine, Man Ray, Marcel Raymond, Charles Renouvier, Retz, Arthur Rimbaud, Diego de Rivera, Simon Rosenkreuz, Henri Rousseau, Jean-Jacques Rousseau, Sabato, Marquis de Sade, Kay Sage, Nicolas Saunderson, Caroline Schlegel, Kurt Schwitters, Kurt Seligmann, Georges Seurat, Wirt Sikes, Hélène Smith, Philippe Soupault, HIppolyte Taine, Yves Tanguy, Leo Trotsky, Tristan Tzara, Raoul Ubac, Uccello, Jacques Vache, Paul Valery, Vincent Van Gogh, Jacques Vaucanson, Leonardo da Vinci, and Edward Young. Includes index of names and list of illustrations. Printed in color and black-and-white. Text in French. Fair / Good. 5 cm. tear to the book cloth along spine and 1 cm. of soiling. 2 cm. stain on inside front endpapers and flyleaf which carries through lightly to the title page. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.
Publicado por Musee D'Art Moderne Geneve, 2016
ISBN 10: 2940159696ISBN 13: 9782940159697
Librería: Okmhistoire, St Rémy-des-Monts, SARTH, Francia
Libro
Couverture souple. Condición: Neuf. Paris 2015. 1 Volume/1. -- Reliure éditeur cartonnée pleine toile ocre sous jaquette avec calque et étui. Format 32 x 24,5 cm ( 1520 gr ).------ 192 pages. Illustrations. ****************** Présentation éditeur : "" Fac-similé de la première monographie consacrée à Marcel Duchamp, parue en 1959. Une initiation à l' uvre et à la personnalité d'un artiste doublée d'une reconsidération de la situation du peintre dans la société contemporaine et d'une analyse approfondie des mobiles de l'activité créatrice. Mise en page par Duchamp lui-même, avec ses propres textes, des textes d'André Breton et Henri-Pierre Roché et de très nombreuses illustrations, cette édition comprend une bibliographie et un catalogue raisonné de l'ensemble de son uvre. Comment le Nu descendant un Escalier, banni des Indépendants de 1912 devient l'année suivante, à l'Armory Show de New York, le tableau le plus célèbre de l'époque ? Comment Marcel Duchamp, recherché et fêté en Amérique, vit indifférent à tout succès commercial ? Comment ayant travaillé huit ans à son uvre monumentale le Grand Verre, il cessa de peindre sans renoncer pour autant à exercer son influence décisive ? Autant de problèmes brûlants sans l'élucidation desquels l'Art Moderne ne saurait être vraiment compris et qui étaient, jusqu'ici, demeurés sans réponse."" *********************** réf fav-02-06 réf 234 (1/2)srm réf 492.
Publicado por New York: Paragraphics Books, 1959, 1959
Librería: °ART...on paper - 20th Century Art Books, Lugano, Suiza
Miembro de asociación: ILAB
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Sm.4° - 201pp - B/w reproductions. Marcel Duchamp (1887-1967) French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Text by Robert Lebel (1901-1986) art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector. He wrote the first fundamental essay on Marcel Duchamp. First edition, text in English. Original boards. In Very good condition.
Publicado por View, Inc. New York, NY, 1945
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
54 pp.; 30.5 x 23 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. Kiesler; "The New Jazz," by Barry Ulanov; "Bilingual Bography," by Man Ray; "O Marcel-otherwise: I Also Have Been to Louise's," monologue transcribed by Mina Loy; "Duchampiana," by Julien Lecy; "A Portrait," by Henrie Waste; "America Discovers Marcel," by Robert Allerton Parker and "The Limit of the Probable in Modern Painting," by Leon Kochnitzky. Reproductions of artwork by Marcel Duchamp, Man Ray, Florine Stettheimer, Joseph Cornell, Max Ernst, Maya Deren, Yves Tanguy, and Matta. Front and back cover designed by Marcel Duchamp. Text in English and French. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 308. Fine./ Very Good. A nearly pristine copy with very light rubbing of cover edges and spine edge. 3 mm. dog-ear with bumping to top right corner of recto carrying through to contents. Contents otherwise clean and unmarked. Due to size and fragility additional shipping charges may be required for international orders.
Publicado por VVV, New York, 1944
Librería: W. C. Baker Rare Books & Ephemera, ABAA, Brooklyn, NY, Estados Unidos de America
Original o primera edición
Softcover. Condición: Very good. First Edition. 11 inches. 86,[12] pp. including numerous in-text images, plus 7 tinted half-page plates and double-leaf work comprising 2 tinted plates, the first die-cut to reveal the second, which is also embossed. In English and French. Light soiling in covers, light foxing in outer leaves, some offsetting in and from plates. Very good to near fine. The substantial fourth and final issue of the important U.S.-based Surrealist magazine, with contributions by more than two dozen artists, poets, and scholars in the realms of myth, dream, and theory. Among the visual pieces in this issue is Duchamp's ALLEGORIE DE GENRE, in which an embossed plate showing strips of fabric containing slivered stars and red bloody stripes is framed by a blue-tinted plate die-cut in the profile of George Washington. The final twelve pages, printed on green paper, contain an index of contributors to all four issues of the magazine. The cover features an image of a vagina dentata by Roberto Matta.
Librería: Penka Rare Books and Archives, ILAB, Berlin, Alemania
[Paris]: Jean Aubier (issues II and III), [1947?1949]. Issue I: quarto (31.5 × 24.0 cm) and issues II?III: octavos (23.5 × 18.7 cm). Original wrappers (Issue I designed by Duchamp?); pp. 207?238; 1?16; 1?16. With numerous illustrations. Wrappers somewhat toned, else very good unopened copy. Complete set of the post-surrealist pseudo-encyclopedia, edited by Isabelle Waldberg and Robert Lebel. It is believed that the first issue appeared on the occasion of the exhibition "La Surrealisme en 1947" organized at the Maeght Gallery, in which over eighty international artists participated. In order to confuse the readers from the very beginning, the first volume was not only started with a wrong numbering (instead of fascicle I, volume I with fascicle VII, volume II), but in the middle of a word separation in a sentence. Promptly, some readers wrote to the publisher asking for the preceding instalments. In response, they were told that the previous issues, which had never existed, had been sold and were therefore no longer available. The authors of the entries in the first issue remained anonymous. The fact that Duchamp, among others, had already contributed texts to the first issue only became known when the editor's letters became accessible (See Brotchie, Alastair, ed., Encyclopedia Acephalica [.], London, ca. 1995, p. 16ff)."Da Costa" has its origins in the anti-fascist surrealist group "Contre-Attaque", which Bataille and Breton had founded in September 1935. Members included Paul Eluard, Benjamin Péret, and Henri Dubief. After the group dissolved, not least because of differences between Bataille and Breton, both of whom later contributed to "Da Costa", Bataille founded the association "Acéphale", which was also formative for "Da Costa". With the occupation of France, most of the Surrealists emigrated to the United States, including Breton, Duchamp, and the later editors of "Da Costa". After the end of the war, numerous literary figures and artists, some of whom remained at odds with each other in the U.S., returned to Paris, including Isabelle Waldberg. She quickly developed the idea of a journal in the style of a pseudo-encyclopedia, for which she acquired contributions from the returnees. An important point of reference was Eluard and Breton's "Dictionnaire abrégé du Surréalisme" from 1938. (See Ronald Voullié, Nachwort in: Georges Bataille, André Breton, Marcel Duchamp, Le Da Costa Encyclopédique, Berlin 2008, pp. 131-156.)It is assumed in the literature that Duchamp, a trained typesetter, was responsible for the design of the first issue. The illustrations came from the vignette catalog of a foundry. The project was marked by conflicts between the authors over the contributions, in which ironic, aggressive, and obscene allusions revived the internal struggles of the Surrealists. A fourth issue was planned, to which Marcel Duchamp again contributed, but it was never printed. The fact that "Da Costa" played no role in research on Surrealism for a long time is interpreted today as a result of these conflicts. Many contributors later kept silent about their participation in the project. The different contributions of the three issues were above all experimental fields of new writing techniques, which can be found in the following decades, for example, in Concrete Poetry and in the publications of the Situationists. (Ibid.).
Publicado por Transition / Shakespeare and Company, Paris, 1938
Librería: Type Punch Matrix, Silver Spring, MD, Estados Unidos de America
Original o primera edición
First edition. Complete run of Eugene and Maria Jolas's landmark literary journal, which - along with Margaret Anderson's THE LITTLE REVIEW - was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman). Beginning with the very first issue, they published several portions of James Joyce's Work in Progress (Finnegans Wake), and notably, Jolas's English translation of Kafka's METAMORPHOSIS, which appeared in issues 24-26. Contributors across other issues include Kay Boyle, Samuel Beckett, Ernest Hemingway, Hilda Doolittle, Paul Bowles, Hart Crane, Gertrude Stein, Bob Brown, Malcolm Cowley, Robert Graves, Dylan Thomas, André Breton, André Gide, Marcel Duchamp, and others. A notoriously fragile publication, with complete sets in original condition seldom encountered in commerce, TRANSITION is a difficult run to assemble - especially in original wrappers and in collectible condition. A rare monument to Modernism and the early avant garde. Twenty-seven issues bound in twenty-five volumes, early issues 7.5'' x 5.5'', later 8.6'' x 6''. Original typographic and pictorial wrappers all. Various paginations (circa 150-325 pages most). Most issues have light wear to extremities, gentle sunning to spines and wrappers, some of the usual tanning to text edges, with occasional small edge tears, and some dust-soil to wrappers; small loss to front wrapper on No.3, with some small nicks, tears, and attendant creases to the taller issues; a few issues with previous owners names, another half-dozen with occasional foxing or minor soil to spines or wrappers; No.18 with shallow loss to lower margin of one plate; in many volumes, pages are still unopened. Very good to near fine overall.