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Publicado por Stedlijk van Abbemuseum, 1999
Librería: Buli-Antiquariat, Gumtow, Alemania
Klappbroschur. 126 S.; pp. SEHR GUTER ZUSTAND. fine. zahlreiche Abb. Ill. Size: 23 x 17 Cm. 600 Gr.
Publicado por JRP / Ringier, 2008
ISBN 10: 3905829258ISBN 13: 9783905829259
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Hardcover without dustjacket as issued, 144 pages; poor condition, spine slanted; pages have heavy wave / bend to them; no internal marks. As is; reference copy. Foreign shipping may be extra.
Publicado por JRP|Ringier, 2008
ISBN 10: 3905829258ISBN 13: 9783905829259
Librería: Antiquariat UEBUE, Zürich, Suiza
Libro Original o primera edición
Hardcover. Condición: Sehr gut. 1. Auflage. 28 x 27 cm (hardcover) 144 pages (111 color & 75 color ill.) - This book offers a chronology of Oursler's two-dimensional work over the past ten years, showcasing his early paintings, painting on sculpture, painting with collage, and the combination of video with the painted panel.
Publicado por Jrp Ringier Kunstverlag Ag, 2008
ISBN 10: 3905829258ISBN 13: 9783905829259
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 1st edition. 143 pages. 10.75x11.25x0.75 inches. In Stock.
Publicado por JRP / Ringier, 2008
ISBN 10: 3905829258ISBN 13: 9783905829259
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Hardcover without dustjacket as issued, 144 pages; tiny crimps to edges of covers; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por Jrp Ringier December 2008, 2008
ISBN 10: 3905829258ISBN 13: 9783905829259
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Libro
Hardcover. Condición: Used - Very Good. New York-based artist Tony Oursler says of his drawings, 'Each object I touch has a text. Like it or not, I hear it, I see it. Each touch throws me hopelessly out of my time, out of my mind. In this fractured psychological state, I'm amazed that this fragile scribbling on paper survived.' While his position as a forerunner in video art is well established, Oursler's two-dimensional works have always been an essential part of his creative process as well. He describes these works on paper as a series of perceptions, scenes, delusions and diagrams--a free association of ideas that inform his video work. Oursler uses drawing, painting and collage as a diary--a means of remembering, associating or layering thoughts. The studies, sketches and paintings explore the supernatural, methods of mass communication, the history and development of media technology and their effect on the human psyche. This publication offers a chronology of Oursler's two-dimensional work over the past 10 years, showcasing his early works on canvas, painting on sculpture, painting with collage and his videos that are projected onto painted panels. It is published in conjunction with Lehmann Maupin Gallery, New York. Slight scratching/scuffing on cover. Book has minor shelf wear along edges.