Publicado por Bloomsbury Activity Books, 2016
ISBN 10: 1408869039 ISBN 13: 9781408869031
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Publicado por Independently published, 2021
ISBN 13: 9798482876176
Librería: Brit Books, Milton Keynes, Reino Unido
Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.
Publicado por Independently published, 2019
ISBN 10: 1693908034 ISBN 13: 9781693908033
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 108 pages. 8.25x6.00x0.25 inches. In Stock.
Publicado por Independently published, 2020
ISBN 10: 1660691605 ISBN 13: 9781660691609
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 100 pages. 9.00x6.00x0.23 inches. In Stock.
Publicado por CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1979864489 ISBN 13: 9781979864480
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 118 pages. 11.00x8.50x0.27 inches. In Stock. This item is printed on demand.
Publicado por CreateSpace Independent Publishing Platform, 2018
ISBN 10: 1984211013 ISBN 13: 9781984211019
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 118 pages. 11.00x8.50x0.27 inches. In Stock. This item is printed on demand.
Publicado por CreateSpace Independent Publishing Platform, 2018
ISBN 10: 1984181890 ISBN 13: 9781984181893
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 118 pages. 11.00x8.50x0.27 inches. In Stock. This item is printed on demand.
Publicado por CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1979840172 ISBN 13: 9781979840170
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 118 pages. 11.00x8.50x0.27 inches. In Stock. This item is printed on demand.
Publicado por David McKay n.d., Philadelphia
Librería: Frogtown Books, Inc. ABAA, Toledo, OH, Estados Unidos de America
Charming little pen and ink drawings by Gladys M. Rees grace the pages of this lovely little book. Ilustrador. Thirteen stories listed in the Table of Contents. 11 pp Introduction to the Craft of Storytelling begins . . . This little book of stories is in part an attempt to furnish some fresh material for telling to children of about six to ten years of age. None of the stories claims to be what is known as original. All are founded on legends and scraps of folklore or history. I have re-told them because I enjoyed them - one of the very best of good reasons for telling a story - in the hope that others will enjoy them also. Spine slightly faded. A few spots on front cover close to bottom corner. Former owner's name on free front endpaper. Overall a clean, tight very good plus copy. 12 mo. Purple cloth covered boards stamped in gold. 160 pp.
Publicado por OXFORD UNIVERSITY PRESS, 1953
Librería: Bluff Park Rare Books, LONG BEACH, CA, Estados Unidos de America
Miembro de asociación: IOBA
Original o primera edición Ejemplar firmado
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. HBDJ, 1953, 1ST EDITION, NF-/VG-, Copyright and title page are dated 1953; it meets all the 1st edition points as listed in Baumgarten Bibliography of Children's & Illustrated Books.Light foxing inside covers; white of DJ Foxed tiny stzins ; light DJ soiling; otherwise solid and clean with DJ in a protective cover, 1st edition measuring 6 3/4" x 6 1/4", Dark blue textured cloth boards with Illustrated color Label & black Titles on front, UNPAGINATED , Each text page faced w illustrated page Square 8vo, ,But sometimes this got him into a great Deal of Trouble, Oxford Books for Boys and Girls, one the most elusive Tudor books, Signed by Author.
Publicado por Peter Drach, Speyer, 1487
Librería: James Gray Booksellers LLC, Princeton, MA, Estados Unidos de America
The title page has a beautiful floral frame in gold and all the capitals have been stroked in red. Along with the early green vellum this book is quite lovely. Ilustrador. Pseudo- Prosper. The author is probably Julianus Pomerius, cf Lexikon für Theologie und Kirche, VIII (Freiburg i.B., 1936) pp.362, 504-505 (Aquilon)"Pomerius. [He] claims for Pomerius the further distinction of having bequeathed to us the oldest pastoral instruction that survives in the West. Mostly certainly, [Julianus Pomerius] is to be credited with a place of honor in the survival and justification of Augustine's name and teaching; and the thoughtful reader of his one remaining treatise will not deny him his place in the early history of pastoral theology. But who other than patrologists and a few theologians even know the name Pomerius" (Suelzer, Mary Josephine (1947). Julianus Pomerius, A Contemplative Life)De vita contemplative(orDe contemptu mundi)in three books treats of the value of the contemplative life, the second of the active life of the Christian, and the third of The entire works are full of the spirit of Augustine. The similarity of the latter treatise to the eschatological meditations of St. Julian, bishop of Toledo, early led to Julian's identification with Pomerius, who flourished fully two centuries before him.Julian, a convert from Judaism, was archbishop from Jan. 29, 680, to Mar. 8, 690, and was zealous in defending and extending the faith and reformation of the clergy, at the same time maintaining a firm attitude toward Benedict II. when the pope criticized his creed. His apology addressed to Benedict, together with some of his other works, has been lost; but hisPrognosticorum futuri seculi libre tres(Leipsic, 1535);De demonstratione sextette's(Heidelberg, 1532); He probably took part in the final redaction of the old Spanish liturgy and of the Visigothic canon law." (Christian Classics Ethereal Libraryat Calvin College Last modified on 06/03/04.Contact the CCEL. Quarto 18 x 13.5 cmSignatures: a-c8 d-f6 g8 (g8 blank and present) Goff P-1023; Walsh 857; GW M35776; BMC II 496; USTC 748339; ISTC ip01023000. This copy has some light wear, glue residue at front with free endpaper glued to front paste-down at inner margin; mild cracking at front hinge; several leaves with small corner losses or tears, or small corner repairs; pages toned with occasional light grime, foxing, and light damp staining; upper margin closely trimmed; agood copy. Bound in early green sturdy vellum slight cracking at joint; paste-downs with bookplates First and second editions , Copies are known mixed with sheets from the 1486 printing (Goff P1022); cf. J. Dane, Abstractions of evidence in the study of manuscripts and early printed books (Farnham, 2009) pp.96-100.
Publicado por ca. 1470, Italy [Florence], 1470
Librería: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, Estados Unidos de America
125 x 85 mm. (5 x 3 1/4"). 246 unnumbered leaves, COMPLETE; single column, 11 lines, in an elegant gothic rotunda script. Contents: Calendar (f. 1r); Hours of the Virgin, "secundum consuetudinem Romane curie," with Matins (f. 13r), Lauds (f. 27v), Prime (f. 46r), Terce (f. 52v), Sext (f. 59v), None (f. 65v), Vespers (f. 71v), and Compline (f. 83v); Office of the Dead (f. 113r); Seven Penitential Psalms (f. 189r); Litany (f. 208r); Hours of the Cross (f. 223r); 15 Gradual Psalms (f. 229r). Very pretty 18th century red morocco, elegantly gilt, covers bordered by plain and decorative rules enclosing a panel with large central floral spray, two birds perched on its leaves, this surrounded by tiny gilt circles and two more birds in flight and framed by gracefully twining foliage; smooth spine divided into panels by triple gilt fillets, the panels with floral sprig centerpiece and volute cornerpieces, gilt titling, turn-ins densely gilt, marbled endpapers, all edges gilt. Rubrics in red, numerous one-line initials in red or blue, frequent two-line initials in blue with delicate red penwork or burnished gold with blue penwork, six three- or four-line illuminated initials in blue, green, pink, magenta, and burnished gold, one large (35 x 45 mm.) illuminated initial in colors and gold from which emanates a full floral border with many gold bezants, hairline vines, and a putto, FOUR LARGE HISTORIATED INITIALS beginning the Hours of the Virgin (depicting the Madonna and Child), Office of the Dead (a scythe-wielding skeleton), Office of the Holy Cross (the Man of Sorrows), and the Seven Penitential Psalms (David with his harp), ALL WITH EXCEPTIONALLY ELABORATE FLORAL BORDERS FEATURING MEDALLION PORTRAITS, PUTTI, AND MUCH BURNISHED GOLD. Front pastedown with engraved bookplate of Marie-Louise-Élisabeth d'Orléans, Duchesse de Berry (1695-1719); first page with ink stamp of "Monseigr. le Prince de Condé, Gouv. de Bourgogne et Bresse"; last page with ink stamp of École Royale Militaire de Soreze; second page and last page with unidentified armorial stamp of a bishop; two other unidentified ink stamps. âOne-inch crack at head of rear joint, general minor rubbing to spine and edges, but the binding entirely sound, still quite lustrous, and generally well preserved; trimmed close, with very slight loss at fore edge of full borders (and trivial loss at top and bottom), script somewhat faded on half a dozen pages, occasional minor thumbing, otherwise A BEAUTIFUL WORK INTERNALLY, the vellum fresh and bright, the colors vivid, and the paint and glistening gold intact. The production of a highly desirable artist favored by European royalty, this work boasts an abundance of noble associations, with a small but dazzling decorative program to match. The delicate pink-tinged molding of the figures, the presence of decorative putti and birds, and the exuberant borders make this the unmistakable work of Francesco di Antonio del Chierico (1433-84), a precociously talented illuminator and goldsmith working in Florence during the height of its golden age. Chierico received major commissions from the time he was in his early twenties, counting among his patrons Cosimo, Piero, and Lorenzo de' Medici, as well as Federico da Montefeltro, Duke of Urbino, who constructed one of the greatest libraries of the Italian Renaissance (complete with its own scriptorium). With the help and connections of the bookseller Vespasian Bisticci, Chierico's fame spread quickly throughout Italy and into neighboring countries. Other known patrons included the King of Naples (Alfonso of Aragon), King Mattias Corvinus of Hungary, and King Louis XI of France, among others. Thus, it is hardly surprising that while the script, decorative patterns, and illustrations all indicate that this Book of Hours was executed in Florence, the rest of its known provenance is French. Although this work contains no obvious clues that might indicate the identity of the original patron, other markings r.