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Publicado por CreateSpace Independent Publishing Platform, 2016
ISBN 10: 1523741759ISBN 13: 9781523741755
Librería: Goodwill, Brooklyn Park, MN, Estados Unidos de America
Libro
Condición: VeryGood. Sekowsky, Mike; Celardo, John; Thompson, Ray; Osrin, Ray; Marcus, Morris; Mastroserio, Rocco; Shapiro, Irwin Ilustrador.
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Usado desde EUR 2,38
Condición: Good. Most items will be dispatched the same or the next working day.
Publicado por Class Publishing, 2004
ISBN 10: 185959106XISBN 13: 9781859591062
Librería: Reuseabook, Gloucester, GLOS, Reino Unido
Libro
Hardcover. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Grubby book may have mild dirt or some staining, mostly on the edges of pages.
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Usado desde EUR 2,34
Encuentre también Tapa dura Tapa blanda
Publicado por Rebis, 2004
ISBN 10: 8373016082ISBN 13: 9788373016088
Librería: medimops, Berlin, Alemania
Libro
Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.
Publicado por Key Porter Books, 1996
ISBN 10: 1550137824ISBN 13: 9781550137828
Librería: medimops, Berlin, Alemania
Libro
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Publicado por Key Porter Books 0, 2002
ISBN 10: 1550136623ISBN 13: 9781550136623
Librería: A Good Read, Toronto, ON, Canada
Libro
Paperback. Condición: Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery.; 8.4 X 5.9 X 0.7 inches.
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Nuevo desde EUR 23,44
Usado desde EUR 8,59
Encuentre también Tapa blanda
Publicado por Naxos (Naxos Deutschland Musik & Video Vertriebs-)
Librería: Antiquariat Bookfarm, Löbnitz, Alemania
1 CD CD original-verschweißt. Wie neu! Sprache: Englisch Gewicht in Gramm: 100.
Publicado por Key Porter Books, 2000
ISBN 10: 1552631583ISBN 13: 9781552631584
Librería: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Reino Unido
Libro
Condición: Very Good.
Publicado por Zebra Press, 1998
ISBN 10: 1868722384ISBN 13: 9781868722389
Librería: Chapter 1, Johannesburg, GAU, Sur Africa
Libro
Paperback. Condición: Very Good. the wraps are shelf rubbed, a little creased. some usage markings. all pages are intact and clearly legible. [SK]. Our orders are shipped using tracked courier delivery services.
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Usado desde EUR 19,11
Encuentre también Original o primera edición
Publicado por Zebra, 1998
ISBN 10: 1868722384ISBN 13: 9781868722389
Librería: Chapter 1, Johannesburg, GAU, Sur Africa
Libro Original o primera edición
Soft cover. Condición: Fair. 1st Edition. The wraps are slightly rubbed. the bottom of the pages are damp marked. some stains. tightly bound. Our orders are shipped using tracked courier delivery services.
Publicado por Thames and Hudson, 1970
Librería: Chavenage Green, Tetbury, GLOS, Reino Unido
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Thames and Hudson, London, 1970. Hardcover. First edition, first impression. Navy blue cloth. Gilt lettering to spine. Illustrated in sections with colour and with black and white plates. 4 fold-out colour plates. 668 illustrations. 211 in colour. 457 photographs, engravings, drawings, and maps. 359 pages. The book measures 36 cm (H) x 27 cm (W) 4cm (D). Dustjacket. 2 cm closed tear to head of spine of dustjacket. Adjacent area of dustjacket creased. A very good copy in a good dustjacket. This is a heavy item weighing approximately 2.7 kg (6 lbs) therefore its shipment overseas will incur an additional shipping charge.
Publicado por Pelagic Publishing, 2014
ISBN 10: 1784270156ISBN 13: 9781784270155
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Libro
Condición: New.
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Nuevo desde EUR 61,17
Librería: PORCHEROT Gilles -SP.Rance, BREST, FR, Francia
Libro
GENEVE, Edito-Service - 1974 - 2 Volumes grand In-4 - Reliure Editeur pleine toile, titre doré - avec jaquette illustrée - Nombreuses cartes, illustrations NB ou couleurs en texte, certaines PP - 412 pages + Bibliographie, liste et sources des illustrations + Index - Neuf Livres.
Publicado por Artforum, 1994
Librería: castlebooksbcn, Barcelona, España
Revista / Publicación
Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "All Around Esthetes: Jeffrey Slonim Canvases Fear," by Jeffrey Slonim; "American Myths: J. Hoberman on 'Jaws(n),'" by J. Hoberman; "Gadget Love: Vincent Leo on 'Full Disclosure,'" by Vincent Leo; "Books: Robert Farris Thompson on 'Thornton Dial: Image of the Tiger,'" by Robert Farris Thompson; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Sean Sucks. Not: The Très Boring Hours," by Andrew Hultkrans; "Sean Sucks. Not: SWM," by Lorraine O'Grady; "Sean Sucks. Not: Portrait of the Young Artist as a Young Artist," by Jan Avgikos; "Act Out, Turn Off," by Donald Kuspit; "Act Out, Turn On," by Laurence A. Rickels; "Man Trouble: Introduction," by Maurice Berger; "Man Trouble: Aphrodite of the Future," by Simon Watney; ""Man Trouble: His Infinite Variety," by Herbert Sussman; "'My' Masculinity," by Wayne Koestenbaum; "Man Trouble: Lines of Flight," by Todd Haynes; "Man Trouble: Fear of a Black Penis," by Kobena Mercer; "Man Trouble: A Clown's Coat," by Maurice Berger; "James Rosenquist: F-111," by Douglas Coupland; "Golden Memories," W.J.T. Mitchell talks with Robert Morris; "Openings: Keith Mayerson," by Lane Relyea. Reviews by Donald Kuspit, Jan Avgikos, Andrew Perchuk, Joshua Decter, Thomas McEvilley, Thad Ziolkowski, Barry Schwabsky, Keith Seward, Justin Spring, Patricia C. Phillips, Linda Yablonsky, RoseLee Goldberg, Laura U. Marks, Eileen Neff, James Yood, Maria Porges, Rosetta Brooks, Amelia Jones, John K. Grande, Carlos Basualdo, José Luis Brea, Anaxtu Zabalbeascoa, Mario Codognato, Francesca Pasini, Miriam Rosen, Anne Dagbert, Claudia Jolles, Christian Kravagna, Justin Hoffmann, Noemi Smolik, and Michael Archer. Cover: Sean Landers.
Publicado por J. W. Thompson and Co. Fruit and Flower Plates; D. M. Dewey, Rochester, New York, 1870
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Oblong 8vo. (5 1/4 x 8 1/4 inches). 94 pomological and horticultural plates with captions on card. 92 plates by Thompson, 1 by Dewey, 1 without imprint. 50 of fruit, 35 of flowers, 9 of trees and shrubbery. 85 of the plates are made with the pochoir or "theorum" method of using stencils without line and then hand-detailing with watercolor and tint. 9 of the plates are chromolithographs. The vast majority of the plates have letterpress captions, but some are seen with lithographed captions. A few have shaved imprints and one is bound in reverse. Original dark brown full morocco, paneled in gilt with a roll-tool on front board and in blind on back, expertly rebacked, declasped, with brown and red stone-pattern marbled endpapers "An innovation in American popular art," this album of hand-colored plates of fruits, flowers, and trees was used by a 19th-century nurseryman to sell his wares. A gorgeous, unique seed catalog in its original binding. [Ravenswaay] "The patter should start 'I do not wish to intrude upon your valuable time, but I have with me a work of art in form of a book.'" - D. M. Dewey, Tree Agents' Private Guide (1875) This album, made for the use of a traveling nurseryman in selling his stock, is an evocative piece of American vernacular art from the 1870s. Itinerant "seed merchants" or "tree peddlers" sold plants from nurseries they represented to farmers and gardeners in the territories they visited, enticing customers with tantalizing paintings of their produce. Their sample-books, like the present example, were made to order, each binding-in different individual plates, and often these plates were swapped out and changed as the seasons changed too. "Virtually every album is unique in its makeup." [Reese] The 94 plates in this seed salesman's catalog comprise 50 fruit plates including 16 of apples, 8 of pears, and numerous peaches, grapes, plums, currants, and berries; 35 beautiful flower plates including roses, wisteria, althea, hydrangea, lilies, and honeysuckle; and 9 verdant tree and shrub plates, showing Judas's tree, weeping willow, weeping linden, and spruce. Every plate is captioned with the plant's common name, and nearly all state properties specific to each plant, ranging from its durability to its ideal season to its taste. These "painted nurseryman's plates were more akin to folk painting than to commercial art of their time," and are fascinating American folk-art objects, of equal interest to the historian of the development of color-printing as to the historian of American pomology. [Ravenswaay] J. W. Thompson and Co., which produced 92 of the 94 plates in the present album, was a printing company active in Rochester, New York, from 1876 to 1891. Thompson himself was one of the most successful of the nineteenth-century nurserymen printers from Rochester, New York, the so-called "Flower City." In the mid-to-late 1800s, a great number of nursery firms were located in Rochester, and in service of that thriving industry, the Flower City also became the center of horticultural publishing. An 1876 advertisement for Thompson's business differentiated him from the crowd: "We are prepared to manufacture first class plates for nurserymen, twenty percent less than any other establishments in town, and fully equal, if not superior in quality." Thompson used "the technique of theorem paintings colored with the help of stencils used to multiply the number of copies as quickly and as cheaply as possible." [Oak Spring Pomona] Thompson was especially known for his skill: "hand-colored plates, with or without printed outlines, were a speciality of the Thompson Company in the 1870s." This album's first 85 plates on card were painted using this "theorem" process, more commonly referred to as pochoir, which uses stencils and renders bright, light, and soft images redolent of watercolor. Once stenciled, these 85 plates were then detailed by hand in watercolor and heightened with white tint. The last 9 plates in the album are early chromolithographs, 1 of which was printed by Dewey, who took credit for pioneering the use of painted produce in traveling salesman's seed catalogs, and who collected the plates from various producers. Rochester's horticultural printing industry in this period was bustling. An 1888 guide to industries in Rochester noted the Stecher printing firm alone employed one hundred people. [Kabelac] Operating in Rochester at the same time as Thompson, and also making plates for seed catalogs, were Adolph Nolte and Co. Chromo Lithographers; Louis Ennecker Jr.'s Rochester Lithographing and Printing Co.; Charles F. Nicholson's Nicholson Co.; Charles W. Vredenburg's Vrendenburg and Company, later United Litho and Printing; Mina Brunswick's M. Brunswick and Co.; Frank A. Stecher's Stecher Lithographic Company (the first to use chromolithography in Rochester); Process Color Ptg. Co.; Webster and Albee; and others. Biodiversity Heritage Library, "Revolutionizing the Garden Industry with Art: Part One." Dewey, The Tree Agents' Private Guide, pp. 12-18. Kabelac, "Nineteenth-Century Rochester Fruit and Flower Plates," University of Rochester Library Bulletin, Vol. 35, pp. 93-114. Lepore, "What We Learn from Leafing Through Seed Catalogues," The New Yorker, 3.13.23. Raphael, Oak Spring Pomona 64, 65. Ravenswaay, "Drawn and Colored from Nature," Antiques, March 1983, pp. 594-599; A Nineteenth-Century Garden, p. 20. Reese, Stamped with a National Character 72.