Publicado por Starlog Group, New York, 1999
Librería: W. Fraser Sandercombe, Burlington, ON, Canada
Original o primera edición
Soft cover. Condición: Very Good. First Edition. 82 pp. Light wear. This issue contains: Elegy - Artisan House Horrors; Postal Zone; Monster Invasion - Schwarzeneggger vs Satan; Bit Players - Piranha; Review: Stir of Echoes; Dr Cyclops; This New House - House on Haunted Hill; Saving Lost Souls - Winona Ryder and Satan; DVD and Laser Spotlight; Kolobos Cuts Up; How Sixth Sense Became Number 1 - M. Night Shyamlan; Spells Trouble - Warlock: The End of Innocence; Death After Graduation - Buffy and Angel; The Other Argento; Jack of All 'Fraids - Jack Sholder; CRoss-Country Terror; and Nightmare Library. Size: 4to. Book.
Publicado por Nabu Press, 2010
ISBN 10: 1149942215 ISBN 13: 9781149942215
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Soft Cover. Condición: new.
Publicado por Trentham Books, 2007
ISBN 10: 1858563909 ISBN 13: 9781858563909
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Paperback. Condición: Very Good. Cover lightly soiled.
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Nuevo desde EUR 34,03
Usado desde EUR 23,34
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Año de publicación: 2023
Librería: True World of Books, Delhi, India
LeatherBound. Condición: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1877 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 28 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.
Condición: Very Good. Estado de la sobrecubierta: very good. 185x245mm. c. 28pp. Printed black on white stock, staple-bound in white printed wrappers.No editor given (Paul Buck) A collection of poems by Andrew Crozier, David Coxhead, Brian Patten, Jeff Nuttall, Rick Sanders, Bob Cobbing, Stephen Vincent, Penelope Shuttle, John Brown, Harold Norse, Christine Bowler, Pete Brown, Richard Sylvester. Condition: minor foxing and rubbing to covers, otherwise VG.
Publicado por LAP Lambert Academic Publishing, 2009
ISBN 10: 3838309618 ISBN 13: 9783838309613
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Condición: New.
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Nuevo desde EUR 81,79
Usado desde EUR 174,81
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Publicado por LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3838313410 ISBN 13: 9783838313412
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Condición: New.
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Nuevo desde EUR 81,79
Usado desde EUR 163,67
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Publicado por The Western Press, Westward Ho!, 1954
Librería: Robert Wright, trading as 'The Bookman', Norwich, Reino Unido
Original o primera edición
Cloth. Condición: Very Good. Estado de la sobrecubierta: Fair. Illus. by JOHN DYKE Ilustrador. First Edition. The author re-tells legends of North Devon/Dartmoor/South Devon/East Devon/witchcraft and sorcery/buried treasure. First Edn., 1954; full blue cloth; titling blocked in black to spine; 185pp.; illus. bw. drawings. IOntro. by Christina Hole. Spine very lightly crushed at top/tail, but robust and very clean/bright; boards crisp/robust and very clean/bright; top edge lightly foxed; page edges slightly tanned, but pages very clean/crisp/bright; dj. slightly sunned/lightly scuffed on spine and holed (due to grazing by silverfish) along front flap-fold and at front bottom corner, with small loss (approx. 10mm x 10mm) to top of spine - and loss (approx. 45mm x 15mm) to rear at bottom edge (silverfish again!) - but substantially complete/quite bright. Neat ink inscription to front free-endpaper. Lightweight item, hence overseas customers will have SHIPPING CHARGES REDUCED subsequent to ordering. VG in Fair dj. PRICE INCLUDES UK POSTAGE & PACKING. Hardback.
Publicado por London and New Paltz, NY, 1974
Librería: Test Centre Books, Norwich, Reino Unido
Revista / Publicación Original o primera edición Ejemplar firmado
Soft cover. Condición: Very Good. 1st Edition. Issue 1 one of 150 copies (of 200), issue 2 one of 50 numbered copies signed by the contributors (Eden, Bernas, Hiller, Shepherd (his sticker detached but present), and Bonvin) (of 260), issues 3-4 each one of 210 copies (of 260), issues 5/6 and 7 without statements of limitation. 4to. Stab-stapled into wrappers. Unpaginated (42pp.-114pp.). A complete set of this magazine of art and writing (1974-1977), which was published co-operatively by the contributing editors. Each editor was allocated an equal space every other issue; issues 1-4 contained their work by rota, so that each contributor appeared twice. For double issue 5/6, each editor invited either one or two guests to share his/her space equally, and for the final issue (as it turned out) the editors agreed that any of them may invite a guest to fill his/her space. Issue 1 was edited anonymously, but (according to these details) involved the original eleven contributing editors. Each issue uses a different pattern of actual wallpaper for its wrappers, with no two copies likely to be identical. Each copy of issue 2 is also made unique by Hiller's piece 'Transformation', 'a distribution and relocation of the material elements' used in her artwork 'Transformer'. Consisting of 260 A4 tissue paper segments bound into the magazine, i.e. five cut from each of the fifty-two sections of 'Transformer', the work 'should be understood to be located in from one to 260 sites simultaneously'. Toren's work 'Print Off Print' in issue 1 also plays with the material format, combining printed sheets with sticky tape apparently for an offsetting effect; it is not obvious how the piece would have looked originally, which perhaps is a sign of its success. Other contributors include Carolee Schneemann, David Medalla, Allen Fisher, Paul Buck, Lynne Tillman, Fiona Templeton, Annabel Nicolson, and Anthony Barnett. Extremely rare as a complete set; the first and final issues are notably scarce, but accounts vary as to why this is. It has been suggested that issue 7 was organised by Howell (who was the magazine's main figure) without the knowledge of people usually involved, or alternatively that the co-operative had merely become stretched geographically. Given that two of the usual contributing editors are in it, the latter theory seems more likely, although one could combine the theories by saying simply that the project was disbanding. With regard to issue 1, it has been suggested that Howell distributed the issue very quickly, although it should be noted in the first place that there were fewer copies than of subsequent issues. There was also an elusive 'Wallpaper' cassette available separately, not present here. A slip has been affixed to the contents page of issue 5/6 to include Howell's contribution, and a slip has been affixed to the contribution itself to adjust the poem's title (from 'Depressed Poem' to 'Depression Poem'). A Very Good set, with the usual rubbing and light wear to the wrappers, those of the double issue inevitably slightly tired, having taken a few attempts to staple, the staples rusty on a couple of issues, and with some spotting and soiling to the page edges (not hampering the contents, although staining comes close to 'Transformation'). The strips of tape in 'Print Off Print' have adhered the facing pages to each other, which is not unique to this copy and, as above, the outcome might be a fair one. Signed by Editors.
Publicado por 1974-1977, London and New York, 1974
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very Good+. (ed.) Richard Bernas, Susan Bonvin, David Coxhead, Andrew Eden, Susan Hiller, Anthony Howell, Anthony McCall, Richard Quarrell, Bill Shepherd, Amikan Toren and John Welch. Wallpaper no. 1-7: complete set in six volumes (No.2 signed), London and New York, 1974-1977. Complete set of Wallpaper, a magazine of art and writing. As the title suggests, each issue is assembled in wraps made of different coloured and patterned wallpaper: no two copies of any issue are likely to be identical. Issue 1 printed in an edition of 200 copies, of which 150 are estimated to have been made. Issues 2-4 printed in an edition of 260 copies, of which 210 are estimated to have been made. No edition information available for issues 5/6 and 7. Wallpaper's eleven contributing editors comprised a mix of artists, poets and musicians. Other contributors included Anthony Barnett, Paul Buck, Allen Fisher, David Medalla, Annabel Nicolson, Carolee Schneemann (in issue 5/6), Fiona Templeton and Lynne Tillman. Every two issues from 1-4, each editor was allocated an equal space (as such, work by each editor featured twice between issues 1-4). For issue 5/6 (a double issue), each editor invited one or two guests to share his or her space equally. For issue 7, each editor invited a guest to fill his or her space. Susan Hiller's contribution to issue 2, 'Transformation', makes each copy of this particular issue unique. 'Transformation' used material from Hiller's artwork 'Transformer', one of the last exhibitions at Gallery House in June 1973. 'Transformer' is described by the scholar Lucy Reynolds as 'a wall work constructed of sheets of tissue paper that, with its craft materials, haptic quality and glittering ephemeral surface, anticipated an emerging feminist-influenced art' in Britain [London Art Worlds, 2018: 148]. 260 A4 fragments were cut from the 52 sections of 'Transformer': one segment for each example of Wallpaper no. 2. In Hiller's own words, ''Transformation' should be understood to be located in from one to 260 sites simultaneously.' Issue 2 is hand numbered 47/50 and signed by all 5 authors on stickers on the penultimate page. Condition: Issue 5/6 has some bruising and soiling to the spine of the wrapper with closed tears and paper loss in two places. Internally Very good+. Other issues are mostly near fine or Fine, otherwise some rubbing to spines. Overall Very Good+.
Librería: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, Estados Unidos de America
Ejemplar firmado
Wonderful photograph album of Victoria, New South Wales, and Tasmania, with large photographs and manuscript titles. A total of 47 photos, with 33 of Victoria, 6 of New South Wales, 5 of Tasmania, 1 of New Zealand, and 2 others. Each photograph is lightly tipped on to the album paper, with blank verso. Most of the photographs are by an unknown photographer; there are also some signed by J.W. Beattie, Thomas Foster Chuck, Frank Arnold Coxhead, C. Rudd, and J.P., possibly John Paine. One of the most striking & largest photograph is of "Aboriginals of Lake Tyers". It is an outdoor view of a family group of aborigines, from children to grand parents, dressed in western clothing, with spear, boomerangs and lean-to behind them. Others include some rather poetic views of woodcutters at Black Spur & Fernshaw; a couple of gold mining at Bendigo including Garden Gully United Gold Mining Company, with houses in fore and background. There is a series of some very striking studies of Melbourne buildings including the Empire Building, Collins St. West; Prell's Building, corner of Queen St. and Flinders Lane; Austral Chambers, Queen St., with Austral Chambers sign and "Offices to Let", by Selby & Co., 97 Queen St.; Grand Hotel, Spring St., with carriages at the front; Federal Coffee Palace, Collins St., #102, showing electrical workers, 3 of whom have climbed electrical poles; "Tuck's Buildings" (or Luck's?), Elizabeth & Flinders St, with the caption "Rent of Shop L 22.10 per week"; Government Public Offices (Melbourne), #48, with a dirt road in the foreground; Melbourne Hospital with a train moving past in the foreground; Centennial Exhibition Procession, August 1st, 1888, with Victorian Confectioner's Society banner in front; St. Kilda Jetty, busy with people fishing; another showing neighboring jetty, Hegerty's Railway Baths for Gentlemen, and fishermen with the town behind them; The New Prince's Bridge, with scattered construction debris; The Melbourne Hotel, #10, with the #220 Carlton and Abbotsford tram in the foreground; Collins St. from Elizabeth St., looking east, #73, with a busy street scene and a George & George flag flying; Modern Permanent Building Society offices, with Kilpatrick & Co. Watchmakers & Jewelers, a police box, and Auchalps Sales Rooms; Bourke St., Melbourne, full length looking west with trams, a horse and cart, Mayger's Imperial Hotel at the right and Old Whitehart Hotel at the left; Town Hall, Melbourne, a view looking down, with 2 trams & Martin & Leasances Pharmacy sign visible; Elizabeth St., Melbourne, a great snap shot view of people, traffic, a wagon and cart, electric lights, and a large Cullis Hill & Co. sign; Elizabeth St., Melbourne, a snap shot view with street traffic, a tram, the Sunbeam Tea and Luncheon Rooms in the foreground, and Lincoln Stuart & Co. in the distance; Bourke St., Melbourne, a snap shot view toward E. A. Petherick Booksellers & Publishers, with trams and traffic. There are three views of ships - H. M. S. Calliope in Port Philip (Hobson's Bay), with 3 yachts, a tender and row boat; The Liverpool, largest sailing ship afloat; Steamship Cavo Romano New Orleans Feb 26th 94, docked with several crew sitting on barrels (with a tear). The NSW photographs are taken in and around Sydney, mostly signed "J.P.", possibly John Paine, 1834 - 1915, including Manly Cove; Harbour from Neutral Bay, with a building under construction in the foreground, and harbour and ships in the distance; Harbour from McMahon's Hill, with flags, ferries, row boats and sailing ships; Farm Cove, with ships and Government House in the distance; Coogee (?), with a hut in the foreground; trams in a turning circle, a beach and vacant land in the distance and an unidentified grand public building, with a horse and carriage visible. The Tasmanian photographs are unsigned. "Port Arthur, Tasmania" is a small panoramic view with the Penitentiary, ruins of Church and Model Prison, noted in the margins. Hobart from the lower sl.