Tipo de artículo
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Publicado por THE FALCON PRESS LTD.
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.15.
Publicado por Haskell House Pub Ltd, 1974
ISBN 10: 0838318371ISBN 13: 9780838318379
Librería: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Estados Unidos de America
Libro
Hardcover. 108pp. Inked name on front pastedown, else very good plus condition with text clean & binding sound.
Publicado por The Falcon Press, 1948
Librería: Riverby Books, Fredericksburg, VA, Estados Unidos de America
Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Hardcover. Maroon cloth over boards with gold lettering. Brown paper dust jacket with tan lettering. Dated 1948 on copyright page. No date on title page. 108 pages. Good condition. Binding is tight and corners are square. Spine is bumped and sunned. Pages are toned, but clean and free of marks. Dust jacket toned and discolored. Heavily chipped, with some portions of the jacket missing at the spine. Tape hold the spine closed from the interior of the jacket. Dust jacket has been wrapped in a protective mylar cover. Overall good condition. Please email with questions or to see any photos.
Publicado por New Directions, NY, 1945
Librería: Gaabooks, West New York, NJ, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Boud in full grey cloth with a little sunning to the extremities and a previous owners inscription. The jacket is chipped with losses and with the price of $2.50 intact.
Publicado por J. Laughlin, New York, NY, 1945
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Gray cloth boards with blue spine lettering 100 pp. "'Why abstract?' That is the question constantly put to modern painters by laymen astonished by the trends of modern art. Hilaire Hiler, himself an abstract painter and a color theorist, answers that question in plain, non-technical language which anyone can understand. Hiler than takes up a number of other important problems which confront the modern painter: the role of the creative artist in our social economy; the influence of scientific discoveries on the technique of painting; the relation of painting and politics; and others. Henry Miller and William Saroyan join Hiler in the discussion. Saroyan is particularly interested in the nature of what we call 'genius' in a painter. Miller's narrative recounts his experience as a student artist in Hiler's Paris atelier. Why Abstract? is a book which will stimulate much controversial but constructive thinking about modern art among laymen and artists alike." - dust jacket description. G+ (book shows wear at corners, particularly at bottom of spine and some spots of fading, all pages clear and intact - dust jacket (if present) shows significant age toning and discoloration and also chipping and a few tears.
Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. 1st Edition. Artist Hiler and writers Saroyan and Miller, weigh in on abstract art in didactic and entertaining form. Stock toned to edges, moreso to endpapers, but otherwise all in good internal order. Plum cloth, lightly bumped, with gilt titling to spine. Clipped d/j heavily worn with some loss to edges. This is a charity sale for Friends Of Morston Church (reg.1099831). 8vo. 108pp.
Publicado por New Directions Book, 1945
Librería: Chester Creek Books, Duluth, MN, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. No Jacket.
Publicado por The Falcon Press, 1948
Librería: Trumpington Fine Books Limited, Gilmilnscroft, Ayrshire, Scotland, Reino Unido
Original o primera edición
Burgundy Boards. Condición: Very Good Minus. Estado de la sobrecubierta: Good Plus. 1st Edition. 108pp. A first ediiton with wrapper. Light bumps to the head and tail of the spine and another bump to the top edge of the rear board,near the spine with a slight split to the cloth for 0.5 cm. A slight bump to the front edge of the rear board, The book has slight normal age toning to the pages but remains clean and tight. Dust wrapper not price clipped. Light chipping to the wrapper at the head and tail of the spine with a little loss of 0.3 cm . A tear of 4.5 cm to the wrapper from the rear top edge and one of 1 cm from the front top edge, both now repaired with acid free archival tape to the reverse of the wrapper. Light toning to the rear of the wrpaper and light shelf wear to the wrapper edges. A clean and tight copy - in very good condition.
Publicado por New York, New Directions Book published by J. Laughlin, ., 1945
Librería: Bibliographica Christian Höflich, Hamburg, HH, Alemania
Original o primera edición
100 S. Gr.-8vo. (24,2 : 16 cm). OLwd. * Erste Ausgabe. - Enthält: "Why abtract", by H. Hiler; "A note on Hilaire Hiler", by W. Saroayen; "A Letter", by H. Miller; "Postscript", by H. Hilaire. - Papierbedingt leicht gebräunt.
Publicado por James Laughlin, New Directions, 1945
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with dustjacket and protective plastic overwrap, 100 pages; browned dj is only good with multiple chips at edges and large piece missing at spine, but front cover image still presentable; pages toned; owner's name; no other internal marks. Foreign shipping may be extra.
Publicado por The Falcon Press,, London,, 1948
Librería: Book Stage, Stratford, ON, Canada
Original o primera edición
HC. First Edition 108 pp., Contains also: William Saroyan: A NOTE ON HILAIRE HILER, Henry Miller: A LETTER, Hilaire Hiler: POSTSCRIPT. Brown cloth over board, no dj. Name on fly, small bookseller label inside front cover, o/w very good, clean, unmarked copy.
Publicado por The Falcon Press Limited, 1948
Librería: The Groaning Board, Kensington, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Fine first edition hardcover, no writing, no foxing. Offsetting to end-papers, slight toning. Maroon boards, gold lettering. Jacket very good, some edge wear, not price-clipped, protected in mylar. This is a discussion on modern painting by the artist Hilaire Hiler and Miller and Saroyan. Miller admits that he did learn a lot about abstract art, but not how to draw. Saroyan's contribution is written in a witty and individual style. 108 pages. M03058.
Publicado por New Directions, New York, 1945
Librería: Counterpoint Records & Books, Los Angeles, CA, Estados Unidos de America
Original o primera edición
Cloth. Condición: Good -. Estado de la sobrecubierta: Fair +. First Edition. Gray cloth covered boards, blue stamped titles at spine, moderate shelf wear and age discoloration to edges, corners straight. Some light marking in pencil by previous owner, else clean, pages age toned. Illustrated dust jacket shows moderate to heavy shelf wear to edges and corners, some cracking, price intact, archival Brodart protected.
Publicado por New Directions, New York, 1945
Librería: Gaabooks, West New York, NJ, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. A clean tight copy bound in full gray cloth. This copy signed upside down on the rear endpaper by Hilaire Hiler. Jacket is a little edgeworn and soiled but complete with the price of $2.50 present. Signed by Author(s).
Publicado por George Wittenborn Inc, New York, 1962
Librería: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Ejemplar firmado
Soft cover. Condición: Very Good. Wraps edition. Collectors Copy (limited 500 copies). Revised edition, signed by Hiler. Signed by Hiler on the front cover on a gold sticker. Very light wear to spine at foot otherwise very good.
Publicado por New Directions, New York, 1945
Librería: Dale Steffey Books, ABAA, ILAB, Bloomington, IN, Estados Unidos de America
Original o primera edición
Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Very Good, period bookseller's small label, hidden by front flap, slight rippling at bottom edge of page block, in a Very Good dust wrapper, light soiling, chips at spine ends and flap folds. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por G. Wittenborn, New York, 1962
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Softcover. Revised. Cream iwraps with gold label on front cover. 66 pages : illustrations. Gold label printed in black on front cover, reading: Revised edition. Collectors copy (500 ltd.)--Feb. 1962. [signed] Hilaire Hiler. VG, gold label ois peeling at top. This label is signed by Hilaire Hiler.
Publicado por New Directions, New York, 1945
Librería: Main Street Fine Books & Mss, ABAA, Galena, IL, Estados Unidos de America
Original o primera edición
Hardcover. Small 4to. Grey cloth, pictorial dust jacket. 100pp. Good/good minus. Some jacket wear and tear, chipping. First edition. Uncommon in dust jacket.
Publicado por New Directions, New York, 1945
Librería: Hirschfeld Galleries, Saint Louis, MO, Estados Unidos de America
Libro
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very good Plus. Gray Cloth. Illustrated dust jacket; now mylar protected. 8vo. 100 pp. Near Fine. Small previous owner inscription penned on pastedown. Very Good Plus. Slight edgewear. Not price clipped. Hilaire Harzberg Hiler (1898 - 1966) was an American artist, psychologist, and color theoretician who worked in Europe and United States during the mid-20th century. At home and abroad, Hiler worked as a muralist, jazz musician, costume and set designer, teacher, and author. He was best known for combining his artistic and psychoanalytical training to formulate an original perspective on color.
Publicado por New Directions, New York, 1945
Librería: Fireproof Books, MINNETONKA, MN, Estados Unidos de America
Miembro de asociación: MWABA
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First Edition. A discussion of modern art, consisting of a long letter from Hilaire Hiler, a figurative painter who switched to abstractions, followed by essays by Miller and William Saroyan. Very good plus, with sunning to edges and spine, a bit of fraying at spine crown, and neat gift inscription on flyleaf, in very good lightly soiled dustjacket with minor wear and chipping at edges and tanning to spine panel. Nice copy of uncommon Miller title.
Condición: 3. in-8, toile éditeur éditeur prune, jaquette, 108 pp. Edition originale de cette réflexion sur l'art abstrait avec les principales théories de l'artiste Hilaire Hiler développées et commentées par Henry Miller et William Sarroyan. Déchirure sans manque au dos de la jaquette. Bon état.
Publicado por London.the falcon press LTD.1948.first GB edition, 1948
Librería: The Compulsive Collector, New York NY, NY, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. No Jacket. 1st Edition. brown cloth hard cover.small 4to.108 pages.Light discolring and foxing on endpapers,.A good,Strong copy.No Jacket. Hand Written Inscription from Hilaire Hiler to Poet Sandra Hochman with Signiture , on St patricks Day 1958.Scarce item.
Publicado por Falcon Press, London, 1948
Librería: Bruce Davidson Books, Arlington, MA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Briefly inscribed (For Pierre --- lucky man!), SIGNED and dated (4/18/73) by Henry Miller on the flyleaf. Offsetting to the endpapers and pages age toned otherwise very good in a very good, corner clipped dustjacket with light edgewear. (box 17). Signed by Author(s).
Publicado por New Directions, 1945
ISBN 10: 1121852211ISBN 13: 9781121852211
Librería: Trilby & Co. Books, San Jose, CA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Good. No jacket. First Edition. Inscribed (to friend and collector Pierre Sicari) and SIGNED by Henry Miller on the front endpaper. Grey cloth, blue spine lettering. The corners are bumped and the spine ends rubbed with some fraying. The interior is in very good condition with just a touch of page toning. Signed.
Publicado por New York, New Directions, 1945., 1945
Librería: Rosenbad Antique Books, Stockholm, Suecia
Dust jacket.
Publicado por THE FALCON PRESS LTD., LONDON, 1948
Librería: WAVERLEY BOOKS ABAA, Santa Monica, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. First British Edition. INSCRIBED by Henry Miller to longtime friend Kenny Du Main on half-title page. A very good+ copy in price clipped good only dust jacket. (Offsetting to end papers. Text age toned. Several edge chips in jacket. ).
Publicado por GEORGE WITTENBORN INC., NY, 1962
Librería: WAVERLEY BOOKS ABAA, Santa Monica, CA, Estados Unidos de America
Original o primera edición Ejemplar firmado
Condición: Fine. First Edition. The is the Revised Edition. Collector Copy SIGNED by Hilaire Hiler on a specially designed gold label which states the limitation at 500 copies. Though not called for, this copy is INSCRIBED by Henry Miller to longtime friend Kenny Du Main on the cover & signed in 1976. Fine in stapled wrappers. Most uncommon signed by Miller.