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MATISSE, Henri (1869-1954) MALLARMÉ, Stéphane (1842-1898)

Editorial: Lausanne, Albert Skira & Cie., 1932 (1932)

Usado Brossura editoriale Primera edición Ejemplar firmado

Cantidad: 1

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Descripción: Lausanne, Albert Skira & Cie., 1932, 1932. Brossura editoriale. Estado de conservación: Ottime. prima edizione. Loose as issued in original printed wrappers with glassine; calf-backed board chemise and calf-edged slipcase. Custom quarter morocco clamshell case. 153 numbered pages, 29 original etchings in black, 23 of which in full page on Arches paper. Book is signed by Henry Matisse, numbered and stunningly enriched by an original black ink drawing by Matisse himself on the half title double sheet, signed and dedicated on lower left corner "à Max Pellequer. 13/342 Henri Matisse" (usually the drawing accompanies only the first 5 numbered specimens in this edition). First artist book by Matisse, this is one of the 90 copies printed on Arches paper on a total circulation of 145, including 20 "Hors-Commerce". "Matisse's etchings for the Mallarme's Poésies (1932) with no doubt are the culprit in the luxurious tradition of illustrated books. Inspired by Mallarmé's idea that the empty page is a primary space, the artist showed exceptional balance and harmony by putting in contrast the levity of the trait and the weight of the printed text" (Andel p. 346). This work is the best possible summary for the interpretative female nude study the artist started in the early years of the 1900. Matisse focused his entire artistic research on the human figure analysis and disrupted the traditional approach in arts. His style evolved towards an emphasis on the contour lines and the shape of feminine bodies alone, marking a crucial turning point in contemporary art. This specimen is further enriched by the original black ink drawing representing a torso of a woman with her head resting on her right forearm. The dedication is to Max Pellenquer, nephew of the businessman André Level and Picasso's backer. The book is in perfect conditions. 0. autografato dall'illustratore. Nº de ref. de la librería 1533

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Poesies de Stéphane Mallarmé: MATISSE, Pierre; MALLARME,

MATISSE, Pierre; MALLARME, Stephane; HENRI MATISSE

Editorial: 1932 (1932)

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

Remitente: William Wyer Rare Books (Jackson, WY, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1932, 1932. MATISSE, Henri. Poésies de Stéphane Mallarmé. [2], 153, [8] pp. Illustrated by Henri Matisse with 29 etchings printed in black. Small folio, 340 x 250 mm, bound in original printed wrappers, and housed in the original calf-backed chemise and slipcase. Lausanne: Albert Skira & Cie., 1932. Henri Matisse's etchings for Stéphane Mallarmé's Poésies are renowned for their delicate and pure design. "At the beginning of the decade, the etchings he made to illustrate an edition of Mallarmé's poems had an almost neoclassical quality to their elegant, filament-like lines -- a quality fully appropriate to the mythological themes of antiquity that they introduced into Matisse's art of this period" (Elderfield, Henri Matisse: A Retrospective, p. 357). "When Skira decided to publish fine books decorated by artists his first choice was Picasso, who seemed to never want to finish his interpretation of Ovid's Metamorphoses. However, Matisse was full of visions of his trip to the South Seas, always able to spin out his seductive linear drawings, and fully prepared to endow Mallarmé's poetry with perfect harmony" (Castleman). The artist worked on drawings for this book for a concentrated period of two years. This is considered "Skira's most beautiful book" (Castleman); it represents one of the snowy peaks of the twentieth-century livre d'artiste. This copy is one of 95 copies on velin paper, signed by Matisse, from a total edition of 145. In perfect condition. Duthuit 5. The Artist and the Book 196. From Manet to Hockney 95. A Century of Artists Books 92. Elderfield, Henri Matisse: A Retrospective 295-300. Nº de ref. de la librería 148235

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Ulysses: Joyce, James; Matisse,

Joyce, James; Matisse, Henri

Editorial: The Limited Editions Club, New York (1935)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Manhattan Rare Book Company, ABAA, ILAB (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: The Limited Editions Club, New York, 1935. Hardcover. Estado de conservación: Fine. 1st Edition. FIRST ILLUSTRATED EDITION OF ULYSSES, ONE OF ONLY 250 COPIES SIGNED BY BOTH JAMES JOYCE AND HENRI MATISSE; one of the most celebrated books of the twentieth century. The Limited Editions Club's Ulysses is the first illustrated Ulysses and "one of the very few American livres de peintres issued before World War II. According to George Macy, who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit, if less spontaneous, compositions" (The Artist and the Book, 197). Illustrated by Matisse with twenty-six plates, consisting of six soft-ground etchings, printed by hand, and twenty lithographic drawings, made as studies for the etchings, printed on thin colored papers. One of only 250 copies signed by both Joyce and Matisse (the remaining 1250 copies of the edition were signed only by Matisse). New York: The Limited Editions Club, 1935. Quarto, original brown buckram embossed in gold on front cover and spine from a design by LeRoy H. Appleton; top edge sprinkled brown, others uncut; original slipcase. Minor wear to slipcase. A FINE COPY. Nº de ref. de la librería 374

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Ulysses. With an introduction by Stuart Gilbert.: MATISSE, Henri) JOYCE,

MATISSE, Henri) JOYCE, James.

Editorial: New York: The Limited Editions Club, 1935 (1935)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: New York: The Limited Editions Club, 1935, 1935. Folio. Original brown cloth decorated in gilt from a design by Le Roy Anderson in glassine jacket and publisher's tan card slipcase titled on spine. Housed in a terracotta quarter morocco solander box by the Chelsea Bindery. Glassine chipped at edges; case slightly rubbed at joints with some intermittent loss to paper along open edges of case and small abrasion to rear panel, but a fine copy. Illustrated by Henri Matisse. Limited edition signed by both Joyce and Matisse this being number 724 of 1,500 copies, though Joyce only signed 250 of the edition. Includes etchings depicting the Calypso, Aeolus, Cyclops, Nausicaa, Circe and Ithaca episodes. With an introduction by Stuart Gilbert who at Joyce's request edited the Odyssey Press edition of this novel, generally considered the most authoritative text of the book. Nº de ref. de la librería 41415

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MATISSE Henri

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1920. First Edition. "MATISSE, Henri. Cinquante Dessins. Paris: Les Soins de l'Artiste, 1920. Quarto, period-style full dark red morocco, elaborately gilt decorated spine and boards, raised bands, marbled endpapers, each leaf mounted onto linen hinge, original printed paper wrappers bound in. $13,500.First edition, number 236 of only 1000 copies with a lovely original etching by Matisse of a woman’s face, entitled "Mlle. M. M," signed by him. Presentation copy from Matisse's youngest son, Pierre, and his first wife Alexina "Teeny" Sattler, inscribed on a front flyleaf, "For Dr. Bartlett from Pierre and Teeny Matisse." Beautifully bound.Matisse himself edited and printed this lovely suite of 50 photo-lithographic reproductions of his drawings of women to accompany a 1920 exhibition of his work. "Daily painting sessions alternated with hours on end devoted to drawing, a corrective Matisse would use from now on whenever he felt his work was in danger of losing its balance between color and feeling on the one hand, and line and form on the other He returned over and over again to a lace collar, drawing it first in minute detail until he had got it by heart and could translated it at will with two swift lines 'into an ornament, an arabesque, without losing the character of lace, and of that particular lace' Matisse was evolving methods he would use for the rest of his life. He published fifty of these drawings in a portfolio called Cinquante Dessins to coincide with his exhibition at Bernheim-Jeune in 1920. A surge of renewed energy pulses between the lines of the letters he wrote home as he drew them" (Spurling, Matisse the Master, 225-26). Matisse's youngest son Pierre, who has inscribed and presented this copy, was born in 1900. He exhibited an early interest in the art market, and as a young man took a job at the Galerie Barbazanges-Hodebert in Paris. In 1924, he came to New York, where he began a distinguished career of 65 years as an art dealer. He married Alexina "Teeny" Sattler in 1929; they separated in 1949. Preface by Charles Vildrac. Text in French. Duthuit 68. Ink gift inscription.A fine signed copy, scarce and desirable.". Signed. Nº de ref. de la librería 105403

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CARTIER-BRESSON Henri MATISSE Henri

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1952. First Edition. (BALENCIAGA, Cristobal) CARTIER-BRESSON, Henri. Images à la Sauvette. Paris: Éditions Verve, (1952). Folio, original pictorial boards. Housed in a custom clamshell box. $12,500.First edition in French of "one of the greatest of all photobooks" (Parr & Badger), a rare presentation/association copy that unites two giants of 20th-century photography and fashion, inscribed in French by Cartier-Bresson on the half title: "à Balanciaga [sic], bien cordialement avec toute notre admiration [signed] Eli Cartier-Bresson [signed] Henri Cartier-Bresson" (very cordially with all our admiration), featuring 126 photogravures (many double-page) that define the idea of ‘the decisive moment,’ with cover designs by Matisse, housed in a custom clamshell box.This first edition of Cartier-Bresson’s magnum opus, Images à la Sauvette (The Decisive Moment), is an exceptional presentation/association copy that unites two giants of 20th-century art, photography and fashion. Cartier-Bresson, "the Raphael of 20th-century photographers" (Icons of Photography, 58), inscribed this copy to legendary fashion designer, Cristobal Balenciaga, who brilliantly created clothes that "had their counterparts in the art of Picasso and Duchamp." Hailed as "our master" by Christian Dior, the Basque-born Balenciaga—"the most influential fashion designer of the post-WWII years"—was famous for rarely allowing "a photographer to take his picture." Cartier-Bresson was one of the very few granted that privilege when, in 1968, he photographed the designer as he prepared his final collection in Paris.Just as Balenciaga brought a unique vision to fashion, with "clothes that have been described as having a timeless quality, a universality" (New York Times), Cartier-Bresson revolutionized photography. His "Images à la Sauvette is one of the greatest of all photobooks." Containing 126 finely screened photogravures, it brings together many of his finest images and also possesses distinctive "unifying factors that elevate it into a great photobook. The first is the concept of the ‘decisive moment’ itself, which defines the elegance of Cartier-Bresson’s imagery No one achieved it more often or better, but allied with it was Cartier-Bresson’s thoroughly clear-eyed view of the world— astute, non-sentimental, beautiful, profound" (Parr & Badger I:208). "One of the most important and influential photographers of this century" (Blodgett, 96), his vision "of ‘the decisive moment’ is one of the most enduring in photographic literature, and no one has articulated it better than its coiner, Henri Cartier-Bresson" (Roth, 134). Near the time Cartier-Bresson photographed Balenciaga in 1968, the photographer had recently divorced from Ratna Mohini (known as Eli), and, like Belenciaga, was beginning to withdraw from the profession that so powerfully expressed his genius. Cartier-Bresson’s inscription is signed by him, with that of Eli Cartier-Bresson in a different pen possibly signed at a different time. Cartier-Bresson had photographed artist Henri Matisse, who contributed the cover designs for this book, in his studio in 1944. Published simultaneously with the first English edition. Text in French. Issued without dust jacket and without separate caption pamphlet (prepared for the English edition only). With later wrappers. See Open Book, 154. Text and images fresh and crisp, signatures loosening but sound, slight bit of edge-wear and dampstaining some toning to spine of extremely good book. Signed. Nº de ref. de la librería 89732

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Ulysses (Signed by Joyce & Matisse): Joyce, James (Illustrated

Joyce, James (Illustrated by Henri Matisse)

Editorial: The Limited Editions Club, New York (1935)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Whitmore Rare Books, Inc. -- ABAA, ILAB (Pasadena, CA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: The Limited Editions Club, New York, 1935. Estado de conservación: Very Good +. Estado de la sobrecubierta: Good. First edition thus. A Very Good+ (approaching Near Fine) copy of the book with bright gilt on the front cover. Spine gilt dulled and very slight dark marginal staining at the upper and lower edge to a handful of pages near the end (see images). In a Good only slipcase with several joints splitting, but still holding (a few joints reinforced with archival tape). Complete with the six soft-ground etchings and the 20 tipped in preliminary sketches on blue and yellow sheets. One of 1500 copies, although it is estimated that Joyce only signed a couple hundred copies.Joyce's masterwork of modernism, one of the great books of the 20th century. Though it follows a single day in the life of Dubliner Leopold Bloom - June 16th, a day which has since become a worldwide holiday - Ulysses's complex structure is actually inspired by Homer's Odyssey. The book's stream of consciousness prose and its experimental nature were groundbreaking, and many of the techniques Joyce uses have since become standard fare. Ulysses took Joyce over seven years to write, and the story of its publication became an epic in itself. The work was first released in serial from 1918 to 1920 in the magazine The Little Review, and published in Paris in a limited first edition in 1922 by Sylvia Beach, the owner of the Shakespeare and Company bookstore. It was not, however, released in the UK and United States, where the book had quickly been banned. In fact, copies were smuggled into both countries until a landmark obscenity trial cleared the book for American publication in 1934. Joyce claimed that he "put in so many enigmas and puzzles [into Ulysses] that it will keep the professors busy for centuries arguing over what I meant, and that's the only way of insuring one's immortality." Time has certainly proven him correct. "Ulysses is the most important contribution that has been made to fictional literature in the twentieth century. It will immortalize its author with the same certainty that Gargantua and Pantagruel immortalized Rabelais, and "The Brothers Karamazov" Dostoevsky. It is likely that there is no one writing English today that could parallel Joyce's feat?" (Contemporary NY Times Review, 1922)The Limited Editions Club was known for its impeccably illustrated volumes of classic texts. Founder George Macy had used such famous artists as Picasso - to illustrate a 1934 version of Lysistrata - and spared no expense for his 1935 edition of Ulysses. Matisse was paid $5,000 and made 26 illustrations for the work. Rumor has it that Matisse did not even read Ulysses itself, but rather based all of his work on the Odyssey. He did, however, stay in contact with Joyce while he worked on the drawings, done in charcoal and pencil. "?the edition represents a rare example of a text in which both author and illustrator occupy an important position in the canon of their respective arts." (James A Knapp, "Joyce and Matisse Bound: Modernist Aesthetics in the Limited Editions Club Ulysses"). Very Good + in Good dust jacket. Nº de ref. de la librería 1767

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Matisse, Henri. Alcaforado, Marianne

Editorial: Teriade Editeur, Paris (1946)

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

Remitente: Priscilla Juvelis Inc., ABAA (Kennebunkport, ME, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Teriade Editeur, Paris, 1946. One of 80 copies, from a total issue of 250, each of these first 80 with an extra suite of 12 preliminary plates inserted prior to the finished plate in the book, all on Arches (plus 20 hors commerce), signed by the artist on the colophon, Henri Matisse. Page size: 11 x 8.5 inches. Bound: original paper wrappers with litho title and design on front and back, publisher's chemise and etui. Containing 15 full-page lithographs printed in brown and 5 lithograghed illustrated titles and numerous ornaments and initial letters printed in purple, plus the additional suite of full-page lithos printed in brown all pulled by Mourlot Freres. Jourde and Allard printed the text. A fine copy. Artist & Book #199. Duthuit 15. Nº de ref. de la librería 11164

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Matisse, Henri.

Editorial: France. (1927)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Wittenborn Art Books (San Francisco, CA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: France., 1927. Estado de conservación: Good. Lithograph on laid Chine paper; signed in pencil, numbered 3/5. From Dix Danseuses by Edition de la Galerie d'Art Contemporaire, 1927. Includes a Certificate of Authenticity from Original Fine Art Ltd, dated March 1984. Good condition. Light fold mark on right side.Fribourg, 442, Pully, 138; Planche, 96. Nº de ref. de la librería 59-2619

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CARTIER-BRESSON Henri MATISSE Henri

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1952. First Edition. CARTIER-BRESSON, Henri. The Decisive Moment. New York: Simon and Schuster, (1952). Folio, original pictorial boards, original dust jacket. Original laid-in caption booklet. $9200.First edition in English, published simultaneously with the French, wonderfully inscribed on the title page by him, "á Madame Mary Ruth Jones, avec mon respectueuse souvenir, Henry Cartier-Bresson," with 126 photographs by "the Raphael of 20th-century photographers," with laid-in caption book, dust jacket cover design by Matisse."Cartier-Bresson has a special interest in photographing people and in capturing the essence of what has not previously been seen. He is famous for his theory of the 'decisive moment'-that is seizing the split second when the subject stands revealed in its most significant aspect? Today he ranks as one of the most important and influential photographers of this century" (Blodgett, 96)-"the Raphael of 20th-century photographers" (Icons of Photography, 58). Decisive Moment is Cartier-Bresson's most famous work, containing his most comprehensive and important statement on the meaning, technique, and utility of photography. "The simultaneous publication [of this edition with Images à la Sauvette] in New York in July 1952, with a cover by Matisse (who had just had his retrospective at the Museum of Modern Art) was a tremendous success" (Roth, 134). With extremely scarce dust jacket; separate caption pamphlet (rarely found) laid in. Parr & Badger I:208. Open Book, 154-5. Cartier-Bresson's inscription is roughly translated: "To M". with my respectful memory." Small bookplate.Book fine; light edge-wear, faint spine toning, minor tape reinforcement to verso of scarce beautiful dust jacket. A desirable inscribed near-fine copy. Signed. Nº de ref. de la librería 103293

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Poèmes de Charles d’Orléans, Manuscrits et Illustres: D’Orleans, Charles and

D’Orleans, Charles and Henri Matisse

Editorial: Paris: Tériade Éditeur. (1950)

Usado Soft cover Ejemplar firmado

Cantidad: 1

Remitente: Boreas Fine Art, ABAA / ILAB (Evanston, IL, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Tériade Éditeur., 1950. Soft cover. Estado de conservación: Fine. Limited Edition. This is Matisse’s last book and the one over which he had the most control. The idea of illustrating the poems of Charles d’Orléans, a fifteenth century French exile in England, came from Matisse himself in 1943, and it was executed after the war with his long-time collaborator and publisher Tériade. In this work Matisse has made not only the illustrations but has also written out the text by hand and enclosed it in his own cartouches. The subject matter of the poems is courtly love and separation, and it’s not unlikely that the object of d’Orléans’ longing was France herself. D’Orléans was taken prisoner after the French defeat at Agincourt and he was held more or less as a prisoner of war for twenty-five years. His royal connections as the grandson of Charles V and the nephew of Charles VI are shown by Matisse with the many hand-drawn fleurs de lis that appear throughout the book. The poetry of Charles d’Orléans has attracted the attention of other artists and fine press publishers. Raoul Dufy illustrated an edition of Poésies de Charles d’Orléans for Mermod in Lausanne in 1958 and Jean Frélaut illustrated an edition entitled Ballades, Rondeaux et Complaintes by Lacourière of Paris in 1949. This edition by Tériade is limited to 1200 copies plus thirty copies hors commerce. The frontispiece lithograph is signed and numbered by Matisse in the stone, and the edition as a whole is signed by Matisse with pencil on the justification page. It contains approximately one hundred color lithographs including fifty-four original illustrations. Enclosed in the original slipcase which is also in fine condition. Signed by Illustrator(s). Nº de ref. de la librería BFA7

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JOYCE, James

Editorial: Limited Editions Club, New York (1935)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Charles Agvent, est. 1987, ABAA, ILAB (Mertztown, PA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Limited Editions Club, New York, 1935. Hardcover. Henri Matisse Ilustrador. Large square octavo (9" x 11-1/2") in full brown buckram with a gold embossed design on the front cover and repeated on the spine; 420 pages. With an introduction by Stuart Gilbert and illustrations by Henri Matisse including twenty drawings and 6 ORIGINAL ETCHINGS printed by hand, being the earliest and one of the few instances by Matisse to represent physical agony and violence. Copy #509 of 1500 SIGNED in pencil by the artist on the colophon page. Covers bright with no rubbing to the gilt. Fine in a Fine slipcase and quite uncommon in this condition. Nº de ref. de la librería 017568

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DIAL - 1920-1929. Complete set as a: T.S. ELIOT, Marc

T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

Usado Tapa dura

Cantidad: 1

Remitente: Le Grand Verre (Villejuif, Francia)

Valoración librería: Valoración 3 estrellas

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Descripción: 1920. Couverture rigide. Estado de conservación: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Nº de ref. de la librería ABE-16348250302

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Matisse, Henri

Editorial: Matisse, 1909, N.p. (1909)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: TBCL The Book Collector's Library (Montreal, QC, Canada)

Valoración librería: Valoración 5 estrellas

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Descripción: Matisse, 1909, N.p., 1909. Framed & Glazed. 1st Edition. Matisse, Henri. [1869-1954]. 1 page A.L.S. n.p., 11 03 09. 8vo. Elegantly wood Framed & Glazed with carefully coordinated quad matting. A curious relatively early letter about housekeeping at his villa & studio - a private matter - boldly signed. A very handsome presentation. Matisse was a French artist, known for his use of colour & his fluid, brilliant & original draughtsmanship. As a printmaker, & sculptor, but principally as a painter, Matisse is one of the best-known artists of the 20th century. Although he was initially labeled as a Fauve (wild beast), by the 1920s, he was increasingly hailed as an upholder of the classical tradition in French painting.[1] His mastery of the expressive language of colour & drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Signed by Author. Nº de ref. de la librería 29537

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Ulysses: LIMITED EDITIONS CLUB];

LIMITED EDITIONS CLUB]; JOYCE, James; MATISSE, Henri; GILBERT, Stuart

Editorial: New York: The Limited Editions Club, 1935 (1935)

Usado Ejemplar firmado

Cantidad: 1

Remitente: David Brass Rare Books, Inc. (Calabasas, CA, Estados Unidos de America)

Valoración librería: Valoración 3 estrellas

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Descripción: New York: The Limited Editions Club, 1935, 1935. First Openly Published U.S. EditionIllustrated and SignedBy Henri MatisseJOYCE, James. [MATISSE, Henri, illustrator]. Ulysses. With an introduction by Stuart Gilbert and illustrations by Henri Matisse. New York: The Limited Editions Club, 1935. First openly published American edition, limited to 1500 numbered copies signed by the artist, this being copy number 1251. Large quarto (11 3/4 x 9 1/8 inches; 298 x 230 mm.). xv, [3], 363, [1, blank], [1, colophon], [5, blank] pp. Twenty-six plates, consisting of six soft-ground etchings, printed by hand, and twenty lithographic drawings, made as studies for the etchings, printed on thin colored papers.Publisher's brown Bancroft buckram embossed in gold on front cover and spine from a design by LeRoy H. Appleton. Edges sprinkled brown. Pictorial bookplate of W.S. Adams engraved by Alexander Runciman on the front paste-down. The gilt on the spine very slightly dull otherwise a very fine copy in a very good publisher's original slipcase. With The Limited Editions Club Monthly letter Number 77, October 1935, loosely laid-in.When Limited Editions Club founder and publisher George Macy decided to commission Henri Matisse to illustrate his edition of James Joyce's Ulysses, he was boldly moving into difficult territory: the scandalous Ulyssess had been branded obscene and banned in the United States until 1933, just two years prior to this edition. When Macy initially approached Matisse, the artist confessed that he had not read the book; Macy provided him with a French translation. "The very next morning, M. Matisse reported that he had read the book, that he understood its eighteen episodes to be parodies of similar episodes in the Odyssey, that he would like to give point to this fact by making his illustrations actually illustrations of the original episodes in Homer!" (Macy).Macy's original plan was for Joyce to sign each of the 1500 copies along with Matisse. The author only signed 250. The reasons are apocryphal: His poor eyesight was strained by the effort; writer's cramp; or umbrage that Matisse had illustrated Homer's Odyssey rather than his.And who did Leopold Bloom travel with on his odyssey though Dublin (aside from Stephen Dedalus) on June 16th, 1904?"Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and Linbad the Yailer and Xinbad the Phtailer."Whether signed by both or just Matisse, this edition of Joyce's modern classic remains amongst the most desirable and collectible illustrated books of the twentieth century and one of the few livres d'pientres of the pre-WWII era.Duthuit 235. Garvey 197. LEC Bibliography 71. Slocum and Cahoon A22. Nº de ref. de la librería 03384

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Poemes de Charles d'Orleans with 100 original: Charles, D'orleans

Charles, D'orleans

Editorial: Teriade (1950)

Usado Soft cover Ejemplar firmado

Cantidad: 1

Remitente: Treasured Books Ltd (WARRINGTON, Reino Unido)

Valoración librería: Valoración 3 estrellas

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Descripción: Teriade, 1950. Soft cover. Estado de conservación: Good. Henri Matisse Ilustrador. Limited Edition. In folio (410 x 265mm) Illustrated with 100 lithographs in sheets on Arches Vellum, one signed and dated in stone 3/43. This is limited edition number 298 of 1230 copies signed by Henri Matisse in pencil in the proof. There is also the receipt hand signed by Henri Matisse in black ink pen on a typed sheet. The lithographs are all in very good condition. Original card wrappers. Original slip case. The spine of the slip-case is detached but still present. Signed by Illustrator(s). Nº de ref. de la librería 001043

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Poemes de Charles d'Orleans: Matisse, Henri

Matisse, Henri

Editorial: Teriade Editeur Verve (1950)

Usado Soft cover Ejemplar firmado

Cantidad: 1

Remitente: Squid Ink Books (Tucson, AZ, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade Editeur Verve, 1950. Soft cover. Estado de conservación: Near Fine. No Jacket. Limited Edition. One of the original sets of 1200 lithograph copies of Matisse’s original, which was done in color pencil and crayon. The text is a selection of Charles’ poems that Matisse wrote out in hand in French. He then added fleur de lis decorations and hand drawn borders, all in various colors. Slightly more than 100 pages and more than 50 original lithographs, loose in sets of four pages each, housed in illustrated wrappers. A beautiful set with only slight offsetting on some internal pages. The acetate protector on the wrappers is yellowed and has a closed tear bottom left of front cover. Signed by Matisse in pencil on the limitation page. This is copy number 778. The protective cardboard box is in Poor condition, soiled and faded, with splits at the seams and one long, folding flap detached. Even though the number produced was large, intact copies are quite rare – presumably because many copies were broken and sold separately as single Matisse lithographs. This production is widely considered one of the most important illustrated books ever done. Included is a note from M. J. Royer, Antiquarian Bookseller and Gallery of Fine and Applied Arts, Los Angeles, to “Mrs. Tarr” stating that he has located this copy in Europe. The note is dated Dec. 4, 1958; additionally there is an Invoice for the purchase dated 14 Feb. ’59. Special shipping will be required at extra cost. Signed by Author(s). Nº de ref. de la librería ABE-1759964093

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Henri Matisse

Editorial: ESTAMPES PARIS, L'IMAGE LITTÉRAIRE - RAFAEL FINELLI-FEUGÈRE (1950)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: ESTAMPES PARIS, L'IMAGE LITTÉRAIRE - RAFAEL FINELLI-FEUGÈRE, 1950. No Binding. Estado de conservación: Fine. Limited Edition. Nature Morte au Magnolia Wood engraving in color, after. Signed and numbered in pencil by Matisse. Limited edition of 100 copies from Estampes portfolio. Very good condition, more pictures on request. Signed by Illustrator(s). Nº de ref. de la librería ABE-1483639315316

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Les Fleurs du Mal - Illustrated with: Charles BAUDELAIRE

Charles BAUDELAIRE

Editorial: La Bibliotheque Francaise, Paris (1947)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Artfever (Paris, Francia)

Valoración librería: Valoración 5 estrellas

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Descripción: La Bibliotheque Francaise, Paris, 1947. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Henri MATISSE Ilustrador. - PRESENTATION : in-4 in leaves under wrapper and slipcase. - ILLUSTRATION : one original full page etching, 33 original full page photo lithographs and 69 woodcuts (including 10 full page). - PRINTER : Atelier Lacouriere for the etching, Atelier Mourlot for the lithographs and Atelier Schmied for the woodcuts. - SIGNATURE : Handsigned in pencil by Matisse at the justification, with also a two lines dedication with signature to (Yvon) Bizardel, curator of Galiera Museum and President of french Fine Art Society (Academie des Beaux Arts). - LIMITED : 330 copies, here numbered 84. - PAPER : BFK Rives vellum. - SIZE : 30 x 24 cm (12 x10"). - REFERENCES : Duthuit Illustrated books #19. - CONDITION : Excellent, light deffects to the case. ASK FOR EXTRA PICTURES - 1947 - MATISSE, Henri. Les Fleurs Du Mal. By Charles Baudelaire. Illustrated with an original etching on Chine, 33 original photo-lithographs, 69 original woodcuts (including initials, culs-de-lampe, and 10 full-page illustrations), all by Matisse. 4to., 286 x 230 mm, bound in original printed wrappers with 2 original designs by Matisse. [Paris]: La Bibliothéque Française, 1947. First Edition, one of 300 copies on Rives, SIGNED by Henri Matisse on the statement of justification. Planning on this immense work began in 1930, but production was interrupted by WWII. In September, 1944, after months of labor, Matisse finished his famous portraits inspired by three models: Carmen (of Haitian origin), A. Nelck and Lydia Delectorskaya. During this lengthy process, Matisse continued to read, and re-read, Baudelaire's poems in order to preserve a sense of cohesion and unity. After the images were printed, all the lithographic stones and woodblocks were destroyed. In extremely fine state. Duthuit 19. [Attributes: First Edition; Signed Copy; Soft Cover] Title : Les Fleurs du Mal -Portfolio : Exceptionnal with one original etching + 33 full page lithographs + 38 woodcuts (10 full pages) & 33 lettrines -Signature : HANDSIGNED by Matisse & n° 228/300 -Printer : Lacouriere for the etching & Mourlot for the lithographs & Schmied for the woodcuts -Paper : BFK Rives -Sizee : 9" x 11" -History : Matisse has wanted to illustrate "Les Fleurs du Mal" (the masterpiece by Baudelaire) for years and consacrated 8 monthes during 1947 to concretise this portfolio. -Ink : perfect strike, the inking is very strong -Condition: very good - ASK FOR EXTRA PICTURES. Dédicacé par l'illustrateur. Nº de ref. de la librería 001018

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Dessins. Préface de Maurice Malingue. - SIGNED: Literature & Art]

Literature & Art] Matisse, Henri. (1869-1954)

Editorial: Editions des Deux Mondes, Paris (1949)

Usado

Cantidad: 1

Remitente: Schubertiade Music (Newton, MA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Editions des Deux Mondes, Paris, 1949. Estado de conservación: Used; Like New. Estado de la sobrecubierta: Used; Like New. 12mo. 96 pp. Contains black and white drawings with an index and Preface by Maurice Malingue. Bound in cream paper with title and illustration in green on front cover, title on spine. Signed and inscribed in bold black ink on the half title to the French sculptor Claude Mercier (b. 1924). In very fine condition. Nº de ref. de la librería 11808

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Dessins: Themes et Variations: Matisse, Henri

Matisse, Henri

Editorial: Martin Fabiani: Paris (1943)

Usado

Cantidad: 1

Remitente: John K King Used & Rare Books (Detroit, MI, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Martin Fabiani: Paris, 1943. 101 lithographs of 158 after Matisse, each 12.75 x 9.75", some edge wear and toning but still a decent set, with "Matisse-en-France" by Louis Aragon, but without linocut frontis; in red-lettered paper folder and printed cardboard case (very worn and in three parts). LIMITED TO 950 NUMBERED SETS, this one #424 on Velin pur fil. SWAF: Missing 57 plates; here is the count as included in this set: A-6, B-7, C-8, D-10, E-13, F- 10, J-3, K-6, M-7, N-7, O-18, P-6. Nº de ref. de la librería 99-4894

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Matisse, Henri; Reverdy, Pierre

Editorial: La Belle Edition, Paris (1918)

Usado Soft cover Primera edición

Cantidad: 1

Remitente: Manhattan Rare Book Company, ABAA, ILAB (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: La Belle Edition, Paris, 1918. Soft cover. Estado de conservación: Fine. 1st Edition. FIRST EDITION, one of only 300 numbered copies on verge d'Arches (out of a total edition of 343), with five plates by Henri Matisse illustrating three poems by Pierre Reverdy. Often considered Matisse's first illustrated book, Les Jockeys Camoufles actually contains drawings made previously by Matisse between 1903-1917. A beautifully printed book with text in four colors. Les Jockeys Camoufles. Trois Poemes par Monsieur Pierre Reverdy. Agrementes de cinq dessins inedits de Henri Matisse. Paris: La Belle Edition, (1918). Quarto, original wrappers, original glassine. Slight toning to edges of wrappers, small tear to original glassine. In outstanding condition. Rare. Nº de ref. de la librería 311

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Apollinaire: Rouveyre, Andre and

Rouveyre, Andre and Henri Matisse

Editorial: Raisons d'Etre (1952)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Squid Ink Books (Tucson, AZ, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Raisons d'Etre, 1952. Soft cover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First Limited Edition – Text in French - Very Good slipcase and spine of folding cover insert with some wear and soiling and small splits top seams of slipcase. Contents are Near Fine to Fine with some mild edge yellowing due to age. Loose inserts in the folding cover. Printed by Mourlot on “velin d’arches a la forme,” with 11 original prints, 8 lithographs, and 3 small linocuts. This is number 29 of 330 such copies. The first 30 copies were SIGNED in pencil by Rouveyre and Matisse on the limitation page. The suite of 8 original lithographs may have been restricted also to the first 30 signed copies. Signed by Author(s). Nº de ref. de la librería ABE-1471305694848

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Une fete en cimmerie - illustrated with: Georges DUTHUIT

Georges DUTHUIT

Editorial: Teriade, Paris (1963)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Artfever (Paris, Francia)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade, Paris, 1963. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Henri MATISSE Ilustrador. Ed. Numérotée. - PRESENTATION : Exceptional in-4 in leaves under illustrated wrapper and slipacse. - ILLUSTRATION : 31 original lithographs by Matisse (16 lithographs illustrate the text, one is on the wrapper and 14 are at the end in a saparate folder). - PAPER : Rives vellum. - LIMITED : 130 copies, this one on Rives Paper. - REFERENCES : Duthuit #35. - INFORMATIONS : Matisse was inspired by Eskimo maks and "exotic civilizations and people". - CONDITION : Excellent. ASK FOR EXTRA PICTURES. Nº de ref. de la librería 000288

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Duthuit, Claude.

Editorial: Duthuit (1988)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Duthuit, 1988. Hardcover. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. Matisse, Henri Ilustrador. 1st Edition. Henri MATISSE: Catalogue Raisonne des Ouvrages Illustrés. Duthuit, Claude. Paris: Duthuit, 1988. First edition, text in French and English; hundreds of quality illustrations; cloth in dust jacket. Catalogue raisonné of the illustrated books by Henri Matisse. Of the total edition of 2000 copies, this example is from the hors-commerce edition of 125 numbered copies, containing a laid-in loose original etching on Japon Impérial, stamped with artist's monogram. The preparatory drawing for this print was done by Matisse in 1932 for the book by Stéphane Mallarmé "Poésies", but it was not selected for the final version of the book. This etching was for the first time printed by the Matisse Atelier in 1987 to accompany 125 copies of this book distributed among contributors and artist's family. Ref,: Duthuit pp. 33-34 (ill'd as the 7th image of the 8 "Etudes"). Nº de ref. de la librería 31218

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Les Jockeys Camoufles. Trois Poemes par Monsieur: MATISSE, Henri /

MATISSE, Henri / Pierre Reverdy

Editorial: La Belle Édition, Paris 1918 (1918)

Usado Soft Cover Primera edición

Cantidad: 1

Remitente: DR FINE ARTS (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: La Belle Édition, Paris 1918, 1918. Soft Cover. Estado de conservación: Good. First Edition. Illustrated with reproductions of 5 drawings by Henri Matisse (1 is double page); 3 poems by Pierre Reverdy; quote from the book "The Artist and the Book (195 page 135) "Although the illustrations are not originals, but reproductions of drawings, this publication is notable for its imaginative use of color in the typography and for the only appearance of Matisse's early drawing style as book illustration." (the drawings were made between 1903 and 1917); this is one of the 300 numbered copies on uncut verge d'Arches (M.L.C watermark) from the limited edition of 343 in all (this is # 22); "Acheve de composer et d'imprimer dans les ateliers de Francois Bernouard"; 4to. size: 9 x 10in.; 40pp; printed wrappers. no glassine; hand stiched with single string- as issued; text is printed in green, orange and blue ("Two editions of it were printed, both in 1918. This one, the first, has the text beautifully set in three colors, rather like Blaise Cendrars and Fernand Legers Jai tue, also published by François Bernouard in this year. Reverdy, who had not authorized this typographical caprice and was infuriated by it, forced Bernouard to issue a second version of it, in black-and-white"). REFERENCE: Editions Albert Skier, Painters et Sculptures 255; The Artist and the Book 195; Barr, Matisse, p. 560, & Mornand-Thome p. 304; CONDITION of book: all 5 plates in beautiful condition; there is an inscription on first title page in small ink " Churhill and Dorothy Lathrop.Norwich, June, 1940"; wrappers and interior pages are still attached; all the pages have a very small invisible crease at top right edges; some moisture marks at very edges of some of the pages with text but not on any of the illustrated plates; missing about 1/3" at bottom of paper spine; the front & back wrapper have some spots, rubbing, and a few small tears to edges (the back wrapper has about 1/4" missing at bottom edge); considering it is almost 90 years old it is in GOOD COND. Nº de ref. de la librería 5137

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Matisse, Henri) Van Vechten, Carl

Editorial: New York (1933)

Usado

Cantidad: 1

Remitente: James Cummins Bookseller, ABAA (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: New York, 1933. Variant of the portrait published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber. Half portrait with artist facing left, in suit. 1 vols. 35 x 28 cm. (Approximately 14 x 10-7/8 inches). Rare portrait of Matisse. Fine. Atelier stamp on verso, and docketed by Van Vechten in ink, giving the subject of the photograph, the date, and the number of negative and print ("XIII C: 6") Half portrait with artist facing left, in suit. 1 vols. 35 x 28 cm. (Approximately 14 x 10-7/8 inches) Variant of the portrait published in PORTRAITS: the Photographs of Carl Van Vechten, (1978), edited by Saul Mauriber. Nº de ref. de la librería 219101

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Poèmes de Charles d'Orléans manuscrits et illustrés: MATISSE (Henri) -

MATISSE (Henri) - D'ORLEANS (Charles)

Editorial: Paris, Tériade Editeur, 1950. (1950)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Le Cabinet d'Amateur (Neuchâtel, Suiza)

Valoración librería: Valoración 4 estrellas

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Descripción: Paris, Tériade Editeur, 1950., 1950. In-folio (410x265mm), 100p. Edition originale numérotée 300/1200 exemplaires sur vélin d'Arches. Livre manuscrit orné de 54 lithographies originales en couleurs dont la couverture de Henri matisse exécutées par Mourlot. Signé par Matisse à la justification. Manque l'étui, sinon très bel exemplaire. en feuilles sous couverture illustrée rempliée. Nº de ref. de la librería 27698

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Henri - Matisse. [With Four original Pochoir: Matisse, Henri] Jedlicka,

Matisse, Henri] Jedlicka, Gotthard.

Editorial: Paris, Chroniques du Jour, (1930)

Usado

Cantidad: 1

Remitente: The Time Traveller's Bookshop Ltd. (Skibbereen, CORK, Irlanda)

Valoración librería: Valoración 2 estrellas

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Descripción: Paris, Chroniques du Jour, 1930. No.145 of an edition of only 200 numbered copies. 4°. 50 unnumberd pages including 4 tissue-guarded pochoir-lithographs and 40 black-and-white illustrations. / 50 nicht numerierte Seiten mit vier farbigen Pochoir-Lithographien von Matisse und 40 Schwarz-Weiss-Abbildungen. Original Hardcover Slipcase with all three tying ribbons in place. Aufwendige, deutschsprachige Publikation mit den 4 schönen, farbfrischen pochoirkolorierten Blättern die einzeln auf dem internationalen Graphikmarkt für bis zu 1000 Euro pro Blatt gehandelt werden. Innendeckel der Mappe und der Broschur jeweils mit Exlibris "Haus Henkell". Eines von nur 200 Exemplaren. Kein vollständiges Exemplar auf dem internationalen Markt im Angebot. Text auf Deutsch. Nº de ref. de la librería 28116AB

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Rouveyre (André), Matisse (Henri)

Editorial: Raison D'être, 1952 (1952)

Usado Ejemplar firmado

Cantidad: 1

Remitente: L'Oeil de Mercure (Paris, Francia)

Valoración librería: Valoración 1 estrella

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Descripción: Raison D'être, 1952, 1952. Estado de conservación: Très bon. Couverture rigide. In-4 en feuillets sous emboîtage, couverture illustrée. L’ouvrage est illustré de 8 lithographies originales, d’une couverture lithographiée par Henri Matisse, étui polychrome composé par Henri Matisse, tiré par Fernand Mourlot ; textes et lettrines gravées par Henri Matisse et tirées par Coulouma. Edition tirée à 350 exemplaires : 1 des 300 exemplaires sur vélin d’Arches à la forme, numéroté 66. Envoi autographe au crayon signé d’Henri Matisse sur le faux-titre. Signé par l'auteur. Livre ancien. Nº de ref. de la librería 175

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