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MATISSE, Henri (1869-1954) MALLARMÉ, Stéphane (1842-1898)

Editorial: Lausanne, Albert Skira & Cie., 1932 (1932)

Usado Brossura editoriale Primera edición Ejemplar firmado

Cantidad: 1

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Descripción: Lausanne, Albert Skira & Cie., 1932, 1932. Brossura editoriale. Estado de conservación: Ottime. prima edizione. Loose as issued in original printed wrappers with glassine; calf-backed board chemise and calf-edged slipcase. Custom quarter morocco clamshell case. 153 numbered pages, 29 original etchings in black, 23 of which in full page on Arches paper. Book is signed by Henry Matisse, numbered and stunningly enriched by an original black ink drawing by Matisse himself on the half title double sheet, signed and dedicated on lower left corner "à Max Pellequer. 13/342 Henri Matisse" (usually the drawing accompanies only the first 5 numbered specimens in this edition). First artist book by Matisse, this is one of the 90 copies printed on Arches paper on a total circulation of 145, including 20 "Hors-Commerce". "Matisse's etchings for the Mallarme's Poésies (1932) with no doubt are the culprit in the luxurious tradition of illustrated books. Inspired by Mallarmé's idea that the empty page is a primary space, the artist showed exceptional balance and harmony by putting in contrast the levity of the trait and the weight of the printed text" (Andel p. 346). This work is the best possible summary for the interpretative female nude study the artist started in the early years of the 1900. Matisse focused his entire artistic research on the human figure analysis and disrupted the traditional approach in arts. His style evolved towards an emphasis on the contour lines and the shape of feminine bodies alone, marking a crucial turning point in contemporary art. This specimen is further enriched by the original black ink drawing representing a torso of a woman with her head resting on her right forearm. The dedication is to Max Pellenquer, nephew of the businessman André Level and Picasso's backer. The book is in perfect conditions. 0. autografato dall'illustratore. Nº de ref. de la librería 1533

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Poesies de Stéphane Mallarmé: MATISSE, Pierre; MALLARME,

MATISSE, Pierre; MALLARME, Stephane; HENRI MATISSE

Editorial: 1932 (1932)

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

Remitente: William Wyer Rare Books (Jackson, WY, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1932, 1932. MATISSE, Henri. Poésies de Stéphane Mallarmé. [2], 153, [8] pp. Illustrated by Henri Matisse with 29 etchings printed in black. Small folio, 340 x 250 mm, bound in original printed wrappers, and housed in the original calf-backed chemise and slipcase. Lausanne: Albert Skira & Cie., 1932. Henri Matisse's etchings for Stéphane Mallarmé's Poésies are renowned for their delicate and pure design. "At the beginning of the decade, the etchings he made to illustrate an edition of Mallarmé's poems had an almost neoclassical quality to their elegant, filament-like lines -- a quality fully appropriate to the mythological themes of antiquity that they introduced into Matisse's art of this period" (Elderfield, Henri Matisse: A Retrospective, p. 357). "When Skira decided to publish fine books decorated by artists his first choice was Picasso, who seemed to never want to finish his interpretation of Ovid's Metamorphoses. However, Matisse was full of visions of his trip to the South Seas, always able to spin out his seductive linear drawings, and fully prepared to endow Mallarmé's poetry with perfect harmony" (Castleman). The artist worked on drawings for this book for a concentrated period of two years. This is considered "Skira's most beautiful book" (Castleman); it represents one of the snowy peaks of the twentieth-century livre d'artiste. This copy is one of 95 copies on velin paper, signed by Matisse, from a total edition of 145. In perfect condition. Duthuit 5. The Artist and the Book 196. From Manet to Hockney 95. A Century of Artists Books 92. Elderfield, Henri Matisse: A Retrospective 295-300. Nº de ref. de la librería 148235

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Ulysses. With an introduction by Stuart Gilbert.: MATISSE, Henri.) JOYCE,

MATISSE, Henri.) JOYCE, James.

Editorial: New York: The Limited Editions Club, 1935 (1935)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: New York: The Limited Editions Club, 1935, 1935. Folio. Original brown cloth decorated in gilt from a design by Le Roy Anderson in glassine jacket and publisher's tan card slipcase titled on spine. Housed in a terracotta quarter morocco solander box by the Chelsea Bindery. Glassine chipped at edges; case slightly rubbed at joints with some intermittent loss to paper along open edges of case and small abrasion to rear panel, but a fine copy. Illustrated by Henri Matisse. Limited edition signed by both Joyce and Matisse this being number 724 of 1,500 copies, though Joyce only signed 250 of the edition. Includes etchings depicting the Calypso, Aeolus, Cyclops, Nausicaa, Circe and Ithaca episodes. With an introduction by Stuart Gilbert who at Joyce's request edited the Odyssey Press edition of this novel, generally considered the most authoritative text of the book. Nº de ref. de la librería 41415

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Ulysses: Joyce, James; Matisse,

Joyce, James; Matisse, Henri

Editorial: The Limited Editions Club, New York (1935)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Manhattan Rare Book Company, ABAA, ILAB (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: The Limited Editions Club, New York, 1935. Hardcover. Estado de conservación: Fine. 1st Edition. FIRST ILLUSTRATED EDITION OF ULYSSES, ONE OF ONLY 250 COPIES SIGNED BY BOTH JAMES JOYCE AND HENRI MATISSE; one of the most celebrated books of the twentieth century. The Limited Editions Club's Ulysses is the first illustrated Ulysses and "one of the very few American livres de peintres issued before World War II. According to George Macy, who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit, if less spontaneous, compositions" (The Artist and the Book, 197). Illustrated by Matisse with twenty-six plates, consisting of six soft-ground etchings, printed by hand, and twenty lithographic drawings, made as studies for the etchings, printed on thin colored papers. One of only 250 copies signed by both Joyce and Matisse (the remaining 1250 copies of the edition were signed only by Matisse). New York: The Limited Editions Club, 1935. Quarto, original brown buckram embossed in gold on front cover and spine from a design by LeRoy H. Appleton; top edge sprinkled brown, others uncut; original slipcase. Minor wear to slipcase. A FINE COPY. Nº de ref. de la librería 374

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Dessins. Thèmes et Variations. Précédés de "Matisse-en-France": Matisse, Henri

Matisse, Henri

Editorial: M. Fabiani / Paris (1943)

Usado Softcover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Antiquariat Dietrich Schneider-Henn (Seefeld bei München, Alemania)

Valoración librería: Valoración 5 estrellas

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Descripción: M. Fabiani / Paris, 1943. Softcover. Estado de conservación: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Signierter Linolschnitt von H. Matisse als Front., Tit., 2 Bll., 39 S. Mit 3 Orig.-Lithographien im Text und 158 Tafeln. Lose Bogen in Chemise, Ohlwd. -Mappe. Eines von 20 Exemplaren der Luxusausgabe II, auf Vélin d´Arches, num. 11 bis 30 (gesamt 950) mit dem signierten Linolschnitt, 21,3:14,5 cm. Verzeichnet und ausführlich beschrieben in Duthuit/Garnaud, Matisse, ouvrages illustrés , Nr. 9, mit ausführlichem eigenen Text von Matisse zur Enstehung des Werkes, das insges. 17 Zeichnungen in 3 bis 19 Variationen reproduziert. Zitat aus dem Text von Matisse zu dem vorstehenden Werk: ” Seit einem Jahr steigere ich meine Anstrengungen (im Zeichnen), vielleicht die Wichtigsten in meinem Leben. Ich habe meine Art zu Zeichnen vervollkommnet und erstaunlichen Fortschritt gemacht,um Leichtigkeit und Sensibilität auszudrücken, in einer großen Vielfalt und einem Minimum an Mitteln. Das ist wie ein großes Erblühen. Es setzt sich aus Abfolgen von Zeichnungen zusammen, deren erste für jede Folge eine Studie in Kohle ist, die eine Folge von Zeichnungen in Feder oder Bleistift nach sich zieht, wie Parfüm, das aus der ersten Zeichnung emporsteigt.“ Im französischen Originaltext: ” Depuis un an j´ai fait un très important effort, un de plus importants de ma vie. J´ai mis au point mon dessin et j´ai fait un progrès surprenant comme aisance, sensibilité librement exprimée avec une grande variété de sensations et un minimum de moyens. C´est une des choses por lesquelles j´ai voulu continuer la vie. J´ai fait une abondante quantité de dessins tout a fait suprenante.Ils se composent de suites dont le dessin initial pour chaque suite et un dessin d´étude au faisain qui donne une suite de dessins à la plume ou au crayon qui sont comme les parfums qui sortiraient de ce premier dessin matrice.“ Seinen begleitenden ausführlichen Begleittext verfaßte Aragon in Villeneuve, wohin er sich während der deutschen Besatzung zurückgezogen hatte. Mit Rücksicht auf das Erscheinungsjahr 1943 legte der Verleger dem Autor nahe, seinen Text anonym zu veröffentlichen. Aragon lehnte ab: ” Die Arbeit ist mir wichtig, ebenso wie mein Stolz als Schriftsteller.“. Signatur des Illustrators. Nº de ref. de la librería 10223

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MATISSE Henri

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: 1920. First Edition. "MATISSE, Henri. Cinquante Dessins. Paris: Les Soins de l'Artiste, 1920. Quarto, period-style full dark red morocco, elaborately gilt decorated spine and boards, raised bands, marbled endpapers, each leaf mounted onto linen hinge, original printed paper wrappers bound in. $13,500.First edition, number 236 of only 1000 copies with a lovely original etching by Matisse of a woman’s face, entitled "Mlle. M. M," signed by him. Presentation copy from Matisse's youngest son, Pierre, and his first wife Alexina "Teeny" Sattler, inscribed on a front flyleaf, "For Dr. Bartlett from Pierre and Teeny Matisse." Beautifully bound.Matisse himself edited and printed this lovely suite of 50 photo-lithographic reproductions of his drawings of women to accompany a 1920 exhibition of his work. "Daily painting sessions alternated with hours on end devoted to drawing, a corrective Matisse would use from now on whenever he felt his work was in danger of losing its balance between color and feeling on the one hand, and line and form on the other He returned over and over again to a lace collar, drawing it first in minute detail until he had got it by heart and could translated it at will with two swift lines 'into an ornament, an arabesque, without losing the character of lace, and of that particular lace' Matisse was evolving methods he would use for the rest of his life. He published fifty of these drawings in a portfolio called Cinquante Dessins to coincide with his exhibition at Bernheim-Jeune in 1920. A surge of renewed energy pulses between the lines of the letters he wrote home as he drew them" (Spurling, Matisse the Master, 225-26). Matisse's youngest son Pierre, who has inscribed and presented this copy, was born in 1900. He exhibited an early interest in the art market, and as a young man took a job at the Galerie Barbazanges-Hodebert in Paris. In 1924, he came to New York, where he began a distinguished career of 65 years as an art dealer. He married Alexina "Teeny" Sattler in 1929; they separated in 1949. Preface by Charles Vildrac. Text in French. Duthuit 68. Ink gift inscription.A fine signed copy, scarce and desirable.". Signed. Nº de ref. de la librería 105403

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CARTIER-BRESSON Henri MATISSE Henri

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: 1952. First Edition. (BALENCIAGA, Cristobal) CARTIER-BRESSON, Henri. Images à la Sauvette. Paris: Éditions Verve, (1952). Folio, original pictorial boards. Housed in a custom clamshell box. $12,500.First edition in French of "one of the greatest of all photobooks" (Parr & Badger), a rare presentation/association copy that unites two giants of 20th-century photography and fashion, inscribed in French by Cartier-Bresson on the half title: "à Balanciaga [sic], bien cordialement avec toute notre admiration [signed] Eli Cartier-Bresson [signed] Henri Cartier-Bresson" (very cordially with all our admiration), featuring 126 photogravures (many double-page) that define the idea of ‘the decisive moment,’ with cover designs by Matisse, housed in a custom clamshell box.This first edition of Cartier-Bresson’s magnum opus, Images à la Sauvette (The Decisive Moment), is an exceptional presentation/association copy that unites two giants of 20th-century art, photography and fashion. Cartier-Bresson, "the Raphael of 20th-century photographers" (Icons of Photography, 58), inscribed this copy to legendary fashion designer, Cristobal Balenciaga, who brilliantly created clothes that "had their counterparts in the art of Picasso and Duchamp." Hailed as "our master" by Christian Dior, the Basque-born Balenciaga—"the most influential fashion designer of the post-WWII years"—was famous for rarely allowing "a photographer to take his picture." Cartier-Bresson was one of the very few granted that privilege when, in 1968, he photographed the designer as he prepared his final collection in Paris.Just as Balenciaga brought a unique vision to fashion, with "clothes that have been described as having a timeless quality, a universality" (New York Times), Cartier-Bresson revolutionized photography. His "Images à la Sauvette is one of the greatest of all photobooks." Containing 126 finely screened photogravures, it brings together many of his finest images and also possesses distinctive "unifying factors that elevate it into a great photobook. The first is the concept of the ‘decisive moment’ itself, which defines the elegance of Cartier-Bresson’s imagery No one achieved it more often or better, but allied with it was Cartier-Bresson’s thoroughly clear-eyed view of the world— astute, non-sentimental, beautiful, profound" (Parr & Badger I:208). "One of the most important and influential photographers of this century" (Blodgett, 96), his vision "of ‘the decisive moment’ is one of the most enduring in photographic literature, and no one has articulated it better than its coiner, Henri Cartier-Bresson" (Roth, 134). Near the time Cartier-Bresson photographed Balenciaga in 1968, the photographer had recently divorced from Ratna Mohini (known as Eli), and, like Belenciaga, was beginning to withdraw from the profession that so powerfully expressed his genius. Cartier-Bresson’s inscription is signed by him, with that of Eli Cartier-Bresson in a different pen possibly signed at a different time. Cartier-Bresson had photographed artist Henri Matisse, who contributed the cover designs for this book, in his studio in 1944. Published simultaneously with the first English edition. Text in French. Issued without dust jacket and without separate caption pamphlet (prepared for the English edition only). With later wrappers. See Open Book, 154. Text and images fresh and crisp, signatures loosening but sound, slight bit of edge-wear and dampstaining some toning to spine of extremely good book. Signed. Nº de ref. de la librería 89732

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Matisse, Henri, French artist (1869-1954).

Editorial: N. p., 4. XII. 1940. (1940)

Usado

Cantidad: 1

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Descripción: N. p., 4. XII. 1940., 1940. 4to. 2 pages. To his friend, the French writer Henry de Montherlant. Matisse regrets not being able to receive him in the evening, as he has had a "spasm crisis which tired me much": "[.] mes journées sont souvent longues et le soir je dois renoncer à des visites qui prépareraient une nuit d'insomnie, d'autant plus certaine que visiteur serait plus intéressant. Aujourd'hui j'ai supporté un examen radiographique qui m'a brisé. En somme, je me trouve surtout en lutte avec les médecins [.] Ma fille que j'ai fait appeler m'aide heureusement dans cette lutte difficile et délicate. Au fond je me sens très bien, et aucune urgence ne me paraît indiquée. Comme je ne prends que des bouillies pour désenflammer l'intestin et des oranges (vitamines), j'ai forcé un peu trop sur les oranges, qui par leur aciditée m'ont dérangé l'intestin qui allait au mieux. Au lieu de reconnaître la cause vraie de ce petit accroc, les médecins y voient un motif de hâter l'intervention. Je ne les crois pas malhonnêtes mais simplement un peu trop excités à l'action. Le chirurgien est un père coupe toujours. Le médecin traitant est fils d'italiens et menacé par le nouveau régime a l'air de ne pas vouloir contrarier ce chirurgien établi solidement à Nice. Le 2e médecin est juif tremble dans ses culottes et se range de l'avis du plus fort. - Il a dit à ma fille, moi j'ouvrirais pour voir ce qu'il y a dedans. Au fond tout ça est rigolo. Il suffit de savoir se défendre - et pour ça je suis assez fort quand je ne fais pas de tableau - ce qui est le cas [.]". Nº de ref. de la librería 46613

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Matisse, Henri.

Editorial: France. (1927)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Wittenborn Art Books (San Francisco, CA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: France., 1927. Estado de conservación: Good. Lithograph on laid Chine paper; signed in pencil, numbered 3/5. From Dix Danseuses by Edition de la Galerie d'Art Contemporaire, 1927. Includes a Certificate of Authenticity from Original Fine Art Ltd, dated March 1984. Good condition. Light fold mark on right side.Fribourg, 442, Pully, 138; Planche, 96. Nº de ref. de la librería 59-2619

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Cinquante Dessins par Henri Matisse: MATISSE, HENRI; WEBER,

MATISSE, HENRI; WEBER, MAX

Editorial: The Author Matisse, Paris (1920)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Manhattan Rare Book Company, ABAA, ILAB (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: The Author Matisse, Paris, 1920. Estado de conservación: Very Good. First. FIRST EDITION, WITH SIGNED MATISSE ETCHING. MAX WEBER'S COPY. AN OUTSTANDING ASSOCIATION COPY: Max Weber's copy, with his ownership signature on the front free endpaper. Max Weber, the great Russian-American Cubist painter, studied under Matisse in Paris. Matisse "interested him especially. So much so that? he helped to form with the Bavarian Hans Purrmann a small class to study under Matisse." Matisse's teaching and work would heavily influence the young Weber: "No American prior to 1913 had so effectively absorbed the insights of Picasso and Matisse." (Max Weber, Retrospective Exhibition; Scott and Rutkoff, New York Modern.) Additionally signed on the limitation page by Matisse's son, the art dealer Pierre Matisse. With 50 full-page plates of Matisse's drawings of women, in addition to the frontispiece etching of Matisse's daughter ("Mlle. M.M") on chine collé and signed in ink by Matisse below the image. Produced to coincide with Matisse's exhibition of the drawings at Bernheim-Jeune in 1920. One of 1000 copies issued, although in most extant copies the frontispiece has now been removed. With preface by Charles Vildrac. Paris: (The Author), 1920. Quarto, original wrappers; custom box. Spine perished and reinforced at an early time. General wear to wrappers. Text block split and loose. Plates exceptionally clean. Note: Without the rare dust jacket issued in some copies in Pierre Matisse's possession. Housed in stunning custom box by celebrated book artist Sjoerd Hofstra. A beautiful book with an important association. Nº de ref. de la librería 1877

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Matisse, Henri. Alcaforado, Marianne

Editorial: Teriade Editeur, Paris (1946)

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

Remitente: Priscilla Juvelis Inc., ABAA (Kennebunkport, ME, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade Editeur, Paris, 1946. One of 80 copies, from a total issue of 250, each of these first 80 with an extra suite of 12 preliminary plates inserted prior to the finished plate in the book, all on Arches (plus 20 hors commerce), signed by the artist on the colophon, Henri Matisse. Page size: 11 x 8.5 inches. Bound: original paper wrappers with litho title and design on front and back, publisher's chemise and etui. Containing 15 full-page lithographs printed in brown and 5 lithograghed illustrated titles and numerous ornaments and initial letters printed in purple, plus the additional suite of full-page lithos printed in brown all pulled by Mourlot Freres. Jourde and Allard printed the text. A fine copy. Artist & Book #199. Duthuit 15. Nº de ref. de la librería 11164

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CARTIER-BRESSON Henri MATISSE Henri

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Bauman Rare Books (Philadelphia, PA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: 1952. First Edition. CARTIER-BRESSON, Henri. The Decisive Moment. New York: Simon and Schuster, (1952). Folio, original pictorial boards, original dust jacket. Original laid-in caption booklet. $9200.First edition in English, published simultaneously with the French, wonderfully inscribed on the title page by him, "á Madame Mary Ruth Jones, avec mon respectueuse souvenir, Henry Cartier-Bresson," with 126 photographs by "the Raphael of 20th-century photographers," with laid-in caption book, dust jacket cover design by Matisse."Cartier-Bresson has a special interest in photographing people and in capturing the essence of what has not previously been seen. He is famous for his theory of the 'decisive moment'-that is seizing the split second when the subject stands revealed in its most significant aspect? Today he ranks as one of the most important and influential photographers of this century" (Blodgett, 96)-"the Raphael of 20th-century photographers" (Icons of Photography, 58). Decisive Moment is Cartier-Bresson's most famous work, containing his most comprehensive and important statement on the meaning, technique, and utility of photography. "The simultaneous publication [of this edition with Images à la Sauvette] in New York in July 1952, with a cover by Matisse (who had just had his retrospective at the Museum of Modern Art) was a tremendous success" (Roth, 134). With extremely scarce dust jacket; separate caption pamphlet (rarely found) laid in. Parr & Badger I:208. Open Book, 154-5. Cartier-Bresson's inscription is roughly translated: "To M". with my respectful memory." Small bookplate.Book fine; light edge-wear, faint spine toning, minor tape reinforcement to verso of scarce beautiful dust jacket. A desirable inscribed near-fine copy. Signed. Nº de ref. de la librería 103293

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Poèmes de Charles d’Orléans, Manuscrits et Illustres: D’Orleans, Charles and

D’Orleans, Charles and Henri Matisse

Editorial: Paris: Tériade Éditeur. (1950)

Usado Soft cover Ejemplar firmado

Cantidad: 1

Remitente: Boreas Fine Art, ABAA / ILAB (Evanston, IL, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Paris: Tériade Éditeur., 1950. Soft cover. Estado de conservación: Fine. Limited Edition. This is Matisse’s last book and the one over which he had the most control. The idea of illustrating the poems of Charles d’Orléans, a fifteenth century French exile in England, came from Matisse himself in 1943, and it was executed after the war with his long-time collaborator and publisher Tériade. In this work Matisse has made not only the illustrations but has also written out the text by hand and enclosed it in his own cartouches. The subject matter of the poems is courtly love and separation, and it’s not unlikely that the object of d’Orléans’ longing was France herself. D’Orléans was taken prisoner after the French defeat at Agincourt and he was held more or less as a prisoner of war for twenty-five years. His royal connections as the grandson of Charles V and the nephew of Charles VI are shown by Matisse with the many hand-drawn fleurs de lis that appear throughout the book. The poetry of Charles d’Orléans has attracted the attention of other artists and fine press publishers. Raoul Dufy illustrated an edition of Poésies de Charles d’Orléans for Mermod in Lausanne in 1958 and Jean Frélaut illustrated an edition entitled Ballades, Rondeaux et Complaintes by Lacourière of Paris in 1949. This edition by Tériade is limited to 1200 copies plus thirty copies hors commerce. The frontispiece lithograph is signed and numbered by Matisse in the stone, and the edition as a whole is signed by Matisse with pencil on the justification page. It contains approximately one hundred color lithographs including fifty-four original illustrations. Enclosed in the original slipcase which is also in fine condition. Signed by Illustrator(s). Nº de ref. de la librería BFA7

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DIAL - 1920-1929. Complete set as a: T.S. ELIOT, Marc

T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

Usado Tapa dura

Cantidad: 1

Remitente: Le Grand Verre (Villejuif, Francia)

Valoración librería: Valoración 5 estrellas

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Descripción: 1920. Couverture rigide. Estado de conservación: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Nº de ref. de la librería ABE-16348250302

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JOYCE, James

Editorial: Limited Editions Club, New York (1935)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Charles Agvent, est. 1987, ABAA, ILAB (Mertztown, PA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Limited Editions Club, New York, 1935. Hardcover. Henri Matisse Ilustrador. Large square octavo (9" x 11-1/2") in full brown buckram with a gold embossed design on the front cover and repeated on the spine; 420 pages. With an introduction by Stuart Gilbert and illustrations by Henri Matisse including twenty drawings and 6 ORIGINAL ETCHINGS printed by hand, being the earliest and one of the few instances by Matisse to represent physical agony and violence. Copy #509 of 1500 SIGNED in pencil by the artist on the colophon page. Covers bright with no rubbing to the gilt. Fine in a Fine slipcase and quite uncommon in this condition. Nº de ref. de la librería 017568

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Tableaux de Paris.: Paul Valéry, Roger

Paul Valéry, Roger Allard, Francis Carco, Colette, Jean Cocteau, Tristan Derème, Raymond Escholier, Georges Duhamel, Jean Giraudoux, Max Jacob, Edmond Jaloux, Jacques de Lacretelle, Valéry Larbaud, Paul Morand, Pierre Mac Orlan, André Salmon, Charles Vildrac, Jean-Louis Vaudoyer, André Warnod, André Suarès Pierre Bonnard, Edmond Céria, Daragnès, Hermine David, André Dunoyer de Segonzac, Pierre Falké, Tsuguharu Foujita, Maris Laurencin, Marquet, Charles Martin, Henri Matisse, Luc-Albert Moreau, Jean Oberlé, Pascin, Rouault, Maurice Utrillo, Van Dongen, Vlaminck, de Waroquier

Editorial: Emile-Paul Frères

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Librairie Lis Tes Ratures (Nantes, Francia)

Valoración librería: Valoración 4 estrellas

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Descripción: Emile-Paul Frères. Paris, 1927, petit in-folio plein maroquin bleu nuit à décor de filets à froid, jeu de cercles et étoiles dorés, mosaïques de maroquin rouge, courts filets dorés et intégration du titre sur le premier plat. Le décor, géométrique et abstrait court sur le dos et les bords des contreplats. Gardes de soie. Couvertures conservées. Etui assorti au décor. Reliure signée Jacques ANTHOINE-LEGRAIN. 259pp.-3ff. Textes inédits de Paul Valéry, Roger Allard, Francis Carco, Colette, Jean Cocteau, Tristan Derème, Raymond Escholier, Georges Duhamel, Jean Giraudoux, Max Jacob, Edmond Jaloux, Jacques de Lacretelle, Valéry Larbaud, Paul Morand, Pierre Mac Orlan, André Salmon, Charles Vildrac, Jean-Louis Vaudoyer, André Warnod, André Suarès. Edition illustrée de 5 lithographies et 15 eaux-fortes originales de Pierre Bonnard, Edmond Céria, Daragnès, Hermine David, André Dunoyer de Segonzac, Pierre Falké, Tsuguharu Foujita, Marie Laurencin, Marquet, Charles Martin, Henri Matisse, Luc-Albert Moreau, Jean Oberlé, Pascin, Rouault, Maurice Utrillo, Van Dongen, Vlaminck, de Waroquier. Edition originale imprimée en deux couleurs. Tirage unique à 225 exemplaires. Notre exemplaire est un des 200 vélins, hors commerce, imprimé pour le peintre Charles Martin, l'un des collaborateurs de cet ouvrage. Mahé III-488 / Carteret IV-374 "[Edition] très estimée pour la variété des littérateurs et des artistes qui ont collaboré." Jacques Anthoine-Legrain (1907-1970), gendre de Pierre Legrain dont il reprend l'atelier en 1929, propose ici une réalisation dans le pur style Art Déco. Le décor, courant sur les deux plats et le dos, intégrant le titre dans le décor du plat, est caractéristique de l'oeuvre novatrice de ce très grand relieur, l'un des fondateurs de la Société de la Reliure Originale. Quelques très pales et rares rousseurs, principalement sur les tranches. Un ouvrage réunissant les plus belles plumes de la première moitié du XXème siècle aux artistes majeurs de l'époque dont plusieurs membres de l'Ecole de Paris. Nº de ref. de la librería 14147

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Matisse, Henri

Editorial: Matisse, 1909, N.p. (1909)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: TBCL The Book Collector's Library (Montreal, QC, Canada)

Valoración librería: Valoración 4 estrellas

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Descripción: Matisse, 1909, N.p., 1909. Framed & Glazed. 1st Edition. Matisse, Henri. [1869-1954]. 1 page A.L.S. n.p., 11 03 09. 8vo. Elegantly wood Framed & Glazed with carefully coordinated quad matting. A curious relatively early letter about housekeeping at his villa & studio - a private matter - boldly signed. A very handsome presentation. Matisse was a French artist, known for his use of colour & his fluid, brilliant & original draughtsmanship. As a printmaker, & sculptor, but principally as a painter, Matisse is one of the best-known artists of the 20th century. Although he was initially labeled as a Fauve (wild beast), by the 1920s, he was increasingly hailed as an upholder of the classical tradition in French painting.[1] His mastery of the expressive language of colour & drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Signed by Author. Nº de ref. de la librería 29537

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Poemes de Charles d'Orleans: D'Orleans, Charles

D'Orleans, Charles

Editorial: Teriade, Paris (1950)

Usado In folio Ejemplar firmado

Cantidad: 1

Remitente: Treasured Books Ltd (WARRINGTON, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade, Paris, 1950. In folio. Estado de conservación: Good. Henri Matisse Ilustrador. Limited Edition. In folio (410 x 265mm) Illustrated with 100 lithographs in sheets on Arches Vellum, one signed and dated in stone 3/43. This is limited edition number 298 of 1230 copies signed by Henri Matisse in pencil in the proof. There is also the receipt hand signed by Henri Matisse in black ink pen on a typed sheet. The lithographs are all in very good condition. Original card wrappers. Original slip case. The spine of the slip-case is detached but still present. Signed by Illustrator(s). Nº de ref. de la librería 001043

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Ulysses: Joyce, James; Matisse,

Joyce, James; Matisse, Henri

Editorial: The Limited Editions Club, New York (1935)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Dale Steffey Books (Bloomington, IN, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: The Limited Editions Club, New York, 1935. Cloth. Estado de conservación: Fine. Estado de la sobrecubierta: Very Good Plus. Henri Matisse Ilustrador. #1459 of 1500 copies printed by The Limited Editions Club in 1935, SIGNED BY ILLUSTRATOR Henri Matisse at the Limitation Page. Complete with all 26 plates by Henri Matisse consisting of 6 etchings and 20 lithographic drawings. Fine in Very Good Plus lightly soiled slipcase with faint sticker shadow and small tear bottom edge at open corner. With SCARCE publisher's Newsletter and card laid in. Size: 4to - over 9¾" - 12" tall Limited and Numbered, Signed 1st Edition. SIGNED BY ILLUSTRATOR. Limited Edition. Nº de ref. de la librería 006192

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Ulysses: LIMITED EDITIONS CLUB];

LIMITED EDITIONS CLUB]; JOYCE, James; MATISSE, Henri; GILBERT, Stuart

Editorial: New York: The Limited Editions Club, 1935 (1935)

Usado Ejemplar firmado

Cantidad: 1

Remitente: David Brass Rare Books, Inc. (Calabasas, CA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: New York: The Limited Editions Club, 1935, 1935. First Openly Published U.S. EditionIllustrated and SignedBy Henri MatisseJOYCE, James. [MATISSE, Henri, illustrator]. Ulysses. With an introduction by Stuart Gilbert and illustrations by Henri Matisse. New York: The Limited Editions Club, 1935. First openly published American edition, limited to 1500 numbered copies signed by the artist, this being copy number 1251. Large quarto (11 3/4 x 9 1/8 inches; 298 x 230 mm.). xv, [3], 363, [1, blank], [1, colophon], [5, blank] pp. Twenty-six plates, consisting of six soft-ground etchings, printed by hand, and twenty lithographic drawings, made as studies for the etchings, printed on thin colored papers.Publisher's brown Bancroft buckram embossed in gold on front cover and spine from a design by LeRoy H. Appleton. Edges sprinkled brown. Pictorial bookplate of W.S. Adams engraved by Alexander Runciman on the front paste-down. The gilt on the spine very slightly dull otherwise a very fine copy in a very good publisher's original slipcase. With The Limited Editions Club Monthly letter Number 77, October 1935, loosely laid-in.When Limited Editions Club founder and publisher George Macy decided to commission Henri Matisse to illustrate his edition of James Joyce's Ulysses, he was boldly moving into difficult territory: the scandalous Ulyssess had been branded obscene and banned in the United States until 1933, just two years prior to this edition. When Macy initially approached Matisse, the artist confessed that he had not read the book; Macy provided him with a French translation. "The very next morning, M. Matisse reported that he had read the book, that he understood its eighteen episodes to be parodies of similar episodes in the Odyssey, that he would like to give point to this fact by making his illustrations actually illustrations of the original episodes in Homer!" (Macy).Macy's original plan was for Joyce to sign each of the 1500 copies along with Matisse. The author only signed 250. The reasons are apocryphal: His poor eyesight was strained by the effort; writer's cramp; or umbrage that Matisse had illustrated Homer's Odyssey rather than his.And who did Leopold Bloom travel with on his odyssey though Dublin (aside from Stephen Dedalus) on June 16th, 1904?"Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and Linbad the Yailer and Xinbad the Phtailer."Whether signed by both or just Matisse, this edition of Joyce's modern classic remains amongst the most desirable and collectible illustrated books of the twentieth century and one of the few livres d'pientres of the pre-WWII era.Duthuit 235. Garvey 197. LEC Bibliography 71. Slocum and Cahoon A22. Nº de ref. de la librería 03384

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Dessins. - SIGNED TO CLAUDE MERCIER: Matisse, Henri. (1869-1954)

Matisse, Henri. (1869-1954)

Editorial: Editions des Deux Mondes, Paris (1949)

Usado

Cantidad: 1

Remitente: Schubertiade Music (Newton, MA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Editions des Deux Mondes, Paris, 1949. Estado de conservación: Used; Like New. Estado de la sobrecubierta: Used; Like New. 12mo. 96 pp. A small booklet-album of ninety-six plates of Matisse's drawings from 1939 - 1948, some fairly rare, chosen by the artist.  Checklist of plates gives date, medium, and size and the book includes a Preface by Maurice Malingue. Bound in cream paper with title and illustration in green on front cover, title on spine. Signed and inscribed in bold black ink on the half title to the French sculptor Claude Mercier (b. 1924). In very fine condition. Nº de ref. de la librería 11808

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Dessins: Themes et Variations: Matisse, Henri

Matisse, Henri

Editorial: Martin Fabiani: Paris (1943)

Usado

Cantidad: 1

Remitente: John K King Used & Rare Books (Detroit, MI, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Martin Fabiani: Paris, 1943. 101 lithographs of 158 after Matisse, each 12.75 x 9.75", some edge wear and toning but still a decent set, with "Matisse-en-France" by Louis Aragon, but without linocut frontis; in red-lettered paper folder and printed cardboard case (very worn and in three parts). LIMITED TO 950 NUMBERED SETS, this one #424 on Velin pur fil. SWAF: Missing 57 plates; here is the count as included in this set: A-6, B-7, C-8, D-10, E-13, F- 10, J-3, K-6, M-7, N-7, O-18, P-6. Nº de ref. de la librería 99-4894

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Apollinaire (Signed by Matisse): Rouveyre, Andre and

Rouveyre, Andre and Henri Matisse

Editorial: Raisons d'Etre (1952)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Squid Ink Books (Tucson, AZ, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Raisons d'Etre, 1952. Soft cover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition, Limited Edition. First Limited Edition – Text in French - SIGNED BY MATISSE and ROUVEYRE - Very Good slipcase and spine of folding cover insert with some wear and soiling and small splits top seams of slipcase. Contents are Near Fine to Fine with some mild edge yellowing due to age. Loose inserts in the folding cover. Printed by Mourlot on “velin d’arches a la forme,” with 11 original prints, 8 lithographs, and 3 small linocuts. This is number 29 of 330 such copies and has been SIGNED by Matisse. The first 30 copies were SIGNED in pencil by Rouveyre and Matisse on the limitation page. The suite of 8 original lithographs may have been restricted also to the first 30 signed copies. Signed by Author(s). Nº de ref. de la librería ABE-1471305694848

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MATISSE, Henri (1869-1954), illustrator - Charles, Duke of Orléans (1394-1465)

Editorial: Tèriade, Paris (1950)

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

Remitente: Riverrun Books & Manuscripts (Hastings on Hudson, NY, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Tèriade, Paris, 1950. Folio (425 x 275 mm). 100 color lithographs. Loose as issued in original pictorial wrappers; card slipcase lacking top edge. A few sheets with pale offsetting, wrapper lightly toned, otherwise in very good condition. LIMITED EDITION, number 954 of 1,200 copies signed in pencil by Matisse. The frontispiece lithograph is signed and dated in the plate. 500 years after these poems were composed at court, "HenriMatissepaid Charles d'Orléansa most elaborate homage: he selected and with his own hand copied out a century or so of Charles' poems and then adorned the manuscript with colored crayon decorations and portraits . In no other ofMatisse's books does one feel the same sense of the artist's pleasure in his work as he plays here his subtle games with children's crayons" (Barr,Matisse, pp 272-273, 560). Artist & the Book 202; Chapon, pp 297-298; Duthuit 28; Garvey 35; Rauch 174. From the Collection of Arthur & Charlotte Vershbow. Nº de ref. de la librería 401725

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Matisse, Henri; Reverdy, Pierre

Editorial: La Belle Edition, Paris (1918)

Usado Soft cover Primera edición

Cantidad: 1

Remitente: Manhattan Rare Book Company, ABAA, ILAB (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: La Belle Edition, Paris, 1918. Soft cover. Estado de conservación: Fine. 1st Edition. FIRST EDITION, one of only 300 numbered copies on verge d'Arches (out of a total edition of 343), with five plates by Henri Matisse illustrating three poems by Pierre Reverdy. Often considered Matisse's first illustrated book, Les Jockeys Camoufles actually contains drawings made previously by Matisse between 1903-1917. A beautifully printed book with text in four colors. Les Jockeys Camoufles. Trois Poemes par Monsieur Pierre Reverdy. Agrementes de cinq dessins inedits de Henri Matisse. Paris: La Belle Edition, (1918). Quarto, original wrappers, original glassine. Slight toning to edges of wrappers, small tear to original glassine. In outstanding condition. Rare. Nº de ref. de la librería 311

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Jazz.: Henri MATISSE.

Henri MATISSE.

Editorial: Teriade Editeur. (1947)

Usado Soft cover

Cantidad: 1

Remitente: Tim Byers Art Books (New York, NY, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade Editeur., 1947. Soft cover. Estado de conservación: Very Good. Original publisher's prospectus promoting Teriade's 1947 publication of Jazz. The 8-page prospectus consists of a title page, four pages of Matisse quotations, one-page essay by Kurt Martin, one-page extract of text from Jazz, and a one-page list of plates contained in the original book. Complete with 2 pochoirs in colours, reduced in size directly from the original cut out illustrations by Matisse, with the usual central vertical fold. The two prints are "Le Lanceur de Couteaux" (24 x 37.5 cm), and "L'Enterrement de Pierrot" (24 x 37.5 cm). (24.5 x 19 cm). pp. (8). Loose as issued in original printed wrappers. Nº de ref. de la librería 411

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Une fete en cimmerie - illustrated with: Georges DUTHUIT

Georges DUTHUIT

Editorial: Teriade, Paris (1963)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Artfever (Paris, Francia)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade, Paris, 1963. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Henri MATISSE Ilustrador. Ed. Numérotée. - PRESENTATION : Exceptional in-4 in leaves under illustrated wrapper and slipacse. - ILLUSTRATION : 31 original lithographs by Matisse (16 lithographs illustrate the text, one is on the wrapper and 14 are at the end in a saparate folder). - PAPER : Rives vellum. - LIMITED : 130 copies, this one on Rives Paper. - REFERENCES : Duthuit #35. - INFORMATIONS : Matisse was inspired by Eskimo maks and "exotic civilizations and people". - CONDITION : Excellent. ASK FOR EXTRA PICTURES. Nº de ref. de la librería 000288

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Poemes de Charles d'Orleans (Signed by Matisse): Matisse, Henri

Matisse, Henri

Editorial: Teriade Editeur Verve (1950)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Squid Ink Books (Tucson, AZ, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Teriade Editeur Verve, 1950. Soft cover. Estado de conservación: Near Fine. No Jacket. 1st Edition, Limited Edition. One of the original sets of 1200 lithograph copies of Matisse’s original, which was done in color pencil and crayon. The text is a selection of Charles’ poems that Matisse wrote out in hand in French. He then added fleur de lis decorations and hand drawn borders, all in various colors. Slightly more than 100 pages and more than 50 original lithographs, loose in sets of four pages each, housed in illustrated wrappers. A beautiful set with only slight offsetting on some internal pages. The acetate protector on the wrappers is yellowed and has a closed tear bottom left of front cover. Signed by Matisse in pencil on the limitation page. This is copy number 778. The protective cardboard box is in Poor condition, soiled and faded, with splits at the seams and one long, folding flap detached. Even though the number produced was large, intact copies are quite rare – presumably because many copies were broken and sold separately as single Matisse lithographs. This production is widely considered one of the most important illustrated books ever done. Included is a note from M. J. Royer, Antiquarian Bookseller and Gallery of Fine and Applied Arts, Los Angeles, to “Mrs. Tarr” stating that he has located this copy in Europe. The note is dated Dec. 4, 1958; additionally there is an Invoice for the purchase dated 14 Feb. ’59. Special shipping will be required at extra cost. Signed by Author(s). Nº de ref. de la librería ABE-1759964093

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Poèmes de Charles d'Orléans. Manuscrits et illustré: Henri MATISSE -

Henri MATISSE - Charles d'ORLEANS

Usado Tapa blanda Ejemplar firmado

Cantidad: 1

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Descripción: Paris, Tériade éditeur, 1950. In-Folio en feuillet sous couverture rempliée lithographiée en couleurs et étui d'origine. 100 pages ornées de 54 lithographies originales en couleurs dont la couverture. Ce livre manuscrit a été entièrement composé par Henri Matisse. L'artiste a écrit à la main et enluminé les "Poèmes de Charles d'Orléans". Les lithographies ont été éxécutées sous la direction de Henri Matisse par les ateliers Mourlot frères qui ont achevé d'imprimer l'ouvrage le 24 février 1950, pour les éditions de la revue Verve, 4, rue Férou, Paris. Il a été tiré sur vélin spécialement fabriqué par les paèteries d'Arches 1200 exemplaires numérotés et 30 exemplaires hors commerce. Les exemplaires sont signés par l'artiste. Celui-ci porte le n° 78, il est bien signé par Henri Matisse. Peu courant. La librairie offre aux clients d'AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 3800 EUR. Nº de ref. de la librería 131519

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Duthuit, Claude.

Editorial: Duthuit (1988)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Duthuit, 1988. Hardcover. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. Matisse, Henri Ilustrador. 1st Edition. Henri MATISSE: Catalogue Raisonne des Ouvrages Illustrés. Duthuit, Claude. Paris: Duthuit, 1988. First edition, text in French and English; hundreds of quality illustrations; cloth in dust jacket. Catalogue raisonné of the illustrated books by Henri Matisse. Of the total edition of 2000 copies, this example is from the hors-commerce edition of 125 numbered copies, containing a laid-in loose original etching on Japon Impérial, stamped with artist's monogram. The preparatory drawing for this print was done by Matisse in 1932 for the book by Stéphane Mallarmé "Poésies", but it was not selected for the final version of the book. This etching was for the first time printed by the Matisse Atelier in 1987 to accompany 125 copies of this book distributed among contributors and artist's family. Ref,: Duthuit pp. 33-34 (ill'd as the 7th image of the 8 "Etudes"). Nº de ref. de la librería 31218

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