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Publicado por Kunsthaus Zürich, 2014., 2014
ISBN 10: 3858814423ISBN 13: 9783858814425
Librería: Antiquariat Hans Hammerstein OHG, München, Alemania
Libro
Origi.Broschur, 2 Teilig, je ca. 15 Blatt mit Abbildungen. Guter Zustand.
Librería: Michael Lehr Antiquariat für Literatur, Berlin, Alemania
Reprint. - Werkverzeichnis der Druckgraphik.
Publicado por London Henry Colburn and Richard Bentley, 1831
Librería: Antiquariat Artus - Inh. Artus Grenacher, Balterswil, TG, Suiza
3 volumes - 8°, XVI+439 / 391 / 408 p., halfleather of the time. Vol. I with engraved portrait frontispiece. - binding damaged: back of vol. I with fissures, mounted leather titles on the bach of vol. I and III partially removed, corners and edges of binding touched, binding rubed, frontispiece and title page foxed but not affected to the frontispiece itself, lateral border of some pages (75-106) of vol. III are damaged (1 to 5 mm), otherwise in good cond. /Vol. I: Biography. Vol. II: Lectures. Vol. III: Lectures / Aphorisms / A History of Art in the Schools of Italy. - The table of contents of Vol. II and III are exchanged at binding, this is marked by hand script on both tables of content. HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Verzollungsgebühren für den Empfänger! Sprache: Englisch.
Librería: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, Estados Unidos de America
[London: c. 1795]. 11 5/8 x 6 in. (29.5 x 17.2 cm.). A contemplative woman seated, head resting on her right arm with inscription 'Fuseli' (lower right) and extensive numbers and sums (verso). Pencil and grey wash. Very good. § A lovely drawing very much in the style of Fuseli and surely by a talented artist in the immediate circle of Fuseli and Blake.
Librería: Christian White Rare Books Ltd, Ilkley, YORKS, Reino Unido
Libro
Early nineteenth century oil-painted copy of Fuseli's lost 1789 painting which depicts the ghost of Hamlet's father beckoning awayhis son to hear the terrible story of his death. Oil on wooden panel, 44.5x57.5cm, label to verso from its appearance at the 1969 Zurich Fuseli exhibition, wood repair to verso reinforcing a vertical split in the wood which rises 12cm from the base of the image, just visible in the painting itself. The panel is mounted in a heavy period frame with modern retainers holding the work in place.