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Publicado por Suna and Inan Kiraç Foundation, Istanbul, 2005
ISBN 10: 9759123029ISBN 13: 9789759123024
Librería: Khalkedon Rare Books, IOBA, Istanbul, Turquia
Libro
Soft cover. Condición: New. Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
Publicado por Pera Müzesi Yayinlari, Istanbul, 2012
ISBN 10: 9759123975ISBN 13: 9789759123970
Librería: Khalkedon Rare Books, IOBA, Istanbul, Turquia
Libro Original o primera edición
Soft cover. Condición: New. 1st Edition. Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2010., Istanbul:, 2010
ISBN 10: 9759123517ISBN 13: 9789759123512
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. KIBRIS, R. BARIS (Edited by) Duslerin kenti: Istanbul. Suna ve Inan Kirac Vakfi koleksiyonu'ndan secilmis yapitlarla 17. yuzyildan 20. yuzyil baslarina Osmanli'da gundelik yasam ve Istanbul manzaralari. [Exhibition catalogue]. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2010. 4to., 129 p., color ills., 4 folding plates. Paperback. New ISBN: 9789759123512 CATALOG: Istanbul / Constantinople KEYWORDS: Istanbul - Constantinople History of art Ottoman culture Painting Orientalism Travel memories Gorkemli imparatorluklarin baskenti Istanbul antik caglardan bu yana daima ilgi odagi olmustur. Ronesans'la birlikte Dogu'yu betimlemek isteyen sanatcilar cesitli nedenlerle bu kente gelmis, topografyasini belgelemis, eserlerinde kentin insanini betilemislerdir. Cografi konumu ve Bati'yla olan siyasal, ticari ve kulturel iliskileri, Osmanli payitahti Istanbul'u Avrupali sanatcilarin en cok resimledigi "Dogu" kenti haline getirmistir. Istanbul, Batililar icin bir anlamda"Dogu' nun baskenti" sayilmistir. 18. yuzyil Avrupasi'nda egzotizm tutkusundan beslenen "Turk Modasi"yla birlikte Istanbul ve insani, resimleri, oykuleri, tiyatro ve operalari, kiyafetleri susleyen unsurlarin basinda gelmistir. Bu kent 19. yuzyilda batili gezgin ve sanatcilarin ciktigi romantik dogu yolculugunun en onemli duraklarindan biri olmus, onu betimleyen resimler Avrupa'da en cok aranan sanat yapitlari arasina katilmistir. Duslerin Kenti: Istanbul sergi katalogunda Suna ve Inan Kirac Vakfi Oryantalist Resim Koleksiyonu'ndan secilmis yapitlar, 17. yuzyildan 20. yuzyil baslarina uzanan bir zaman dilimi icinde, cogunlukla batili sanatcilarin Osmanli dunyasina bakisini, gozler onune seren onemli gorsel belgelerdir. Uc ana bolum olarak kurgulanan katalog, ev ve ozel mekanlardaki yasantidan, kentsel alana ve oradan da Istanbul'un genel gorunumlerine uzaniyor. Boylelikle Avrupali ressamlarin tuvallerine yansiyan Istanbul, topografyasi, mimarisi, insanlari, gelenekleri ve yasam bicimleriyle bir butun olarak yeniden canlanirken bu gezginlerin "Dogu yolculugu"na biz de katiliyor, essiz guzellikler barindiran Osmanli dunyasini ve Istanbul'u onlarin gozunden, onlarla birlikte yeniden kesfediyoruz.
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2005., Istanbul:, 2005
ISBN 10: 9752707890ISBN 13: 9789752707894
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. RIFAT, SAMIH - BARIS KIBRIS - BEGUM AKKOYUNLU (Edited by) Imparatorluktan portreler: Suna ve Inan Kirac Vakfi koleksiyonu'ndan secilmis yapitlarla 18. yuzyildan 20. yuzyila Osmanli dunyasi ve Osmanlilar. [Exhibition catalogue]. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2005. 4to., 154 p., color ills. Paperback. New ISBN: 9789752707894 CATALOG: Painting & Sculpture KEYWORDS: Painting History of art Ottoman culture Orientalism Imparatorluktan Portreler sergisi iste bu zengin dunyanin ozel bir kanadina isik tutuyor. Suna ve Inan Kirac Vakfi koleksiyonu?nu olusturan Suna ve Inan Kirac / Sevgi ve Erdogan Gonul koleksiyonlarindan secilmis altmisa yakin bir yapit, bu sergide bizi Osmanli dunyasinin insanlariyla, onlarin portre ve boy resimleriyle, kimi zaman cok tanidik, kimi zaman cok tanidik, kimi zaman cok uzak, neredeyse yabanci ?fizyonomileriyle? yuz yuze getiriyor. Cogunlukla fotograf makinesi objektifinin henuz gozun yerine gecmedigi, ressamlarin dunyaya bakma , onu okuma, yorumlama ve aktarma onceligini henuz ellerinde tutuklari bir zamanda yapilmis bu resimler, uzaklarda kalan bir cagin yokolmus yuzlerini, sasirtici bir gerceklik ve canlilikla gunumuze tasiyor.
Publicado por Pera Müzesi, Istanbul, 2010
ISBN 10: 9759123223ISBN 13: 9789759123222
Librería: Khalkedon Rare Books, IOBA, Istanbul, Turquia
Libro
Soft cover. Condición: New. 5th or later Edition. Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [xx], [1], 145 p., b/w photos. Fifth Edition. From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue]. The exhibition showcased works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and Inan Kiraç Foundation Photograph Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Istanbul past. Istanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2014., Istanbul:, 2014
ISBN 10: 6054642405ISBN 13: 9786054642403
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. KIBRIS, R. BARIS (Edited by) Kesisen dunyalar: Elciler ve ressamlar. Suna ve Inan Kirac Vakfi Koleksiyonu'ndan secilmis yapitlarla 17. yuzyildan 19. yuzyila elci portreleri ve elcilerin sanat koruyuculugu. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2014. 4to., 181 p., color and b/w ills. Paperback. New ISBN: 9786054642403 CATALOG: Painting & Sculpture KEYWORDS: History of art Istanbul - Constantinople Orientalism Travel memories Painting international relations Diplomacy Ottoman Empire Suna ve Inan Kirac Vakfi Oryantalist Resim Koleksiyonu'ndan yapilan bu secki bizleri sanatin rehberliginde diplomasi tarihinin dolambacli yollarinda gezdirirken ilgi cekici kisiliklerle tanistiriyor. Elciler ve ressamlar, resimlerin sessiz ama bir o kadar da zengin ve renkli diliyle bizlerle konusmaya; raporlarini, mektuplarini sunmaya, kendi caglarini, dunya goruslerini, gezip gorduklerini, katildiklari torenleri anlatmaya devam ediyorlar. Onlarin bu olaganustu oykulerini dinlerken kaybolmus bir cagin guzellikleri kadar gorkemine de kapilmamak elde degil.
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2014., Istanbul:, 2014
ISBN 10: 6054642391ISBN 13: 9786054642397
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. KIBRIS, R. BARIS (Edited by) Intersecting worlds: Ambassadors and painters. Ambassador portraits and art patronage of ambassadors from the 17th to the 19th century with works from Suna and Inan Kirac Foundation Orientalist Paintings Colection. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2014. 4to., 183 p., color and b/w ills. Paperback. New ISBN: 9786054642397 CATALOG: Painting & Sculpture KEYWORDS: History of art Istanbul - Constantinople Orientalism Travel memories Painting international relations Diplomacy Ottoman Empire Art patronage and ambassadors' portraits from the 17th to the 19th centuries, with works selected from the Suna and Inan Kirac Foundation Orientalist Painting Collection. Since its earlier periods, The Ottoman Empire has established intense relations with European states. Urged by curiosity and a certain degree of fear at times, the West's efforts, on the other hand, to be acquainted with and understand this government of immense military power and source of political authority, emerged as a political exigency. Undoubtedly, the encounter of markedly different cultures bore the most enduring fruit within the realm of arts.
Publicado por Pera Museum, Istanbul, 2014
ISBN 10: 6054642391ISBN 13: 9786054642397
Librería: Khalkedon Rare Books, IOBA, Istanbul, Turquia
Libro
Soft cover. Condición: New. Paperback. Pbo. 4to. (28 x 24 cm). In English. 181 p., color and b/w ills. Since its earlier periods, The Ottoman Empire has established intense relations with European states. Urged by curiosity and a certain degree of fear at times, the West's efforts, on the other hand, to be acquainted with and understand this government of immense military power and source of political authority, emerged as a political exigency. Undoubtedly, the encounter of markedly different cultures bore the most enduring fruit within the realm of arts. Wars, the increase of trade as a means for mutual prosperity, and conflicts of status were the most significant factors behind the intense traffic of diplomacy. Sprawled across a vast geography, the Ottoman Empire welcomed more ambassadors than it sent to other countries, and particularly until the 19th century; these ambassadors were embraced, per Ottoman tradition. In turn, western ambassadors were prompted by the need to document the cities, particularly Istanbul, social structure, customs, administrative and military organization of the Ottoman Empire; apart from the reports they drafted upon their return, they also took advantage of the gifts and paintings they carried along. Often presumed to be true-to-life visual documents, such paintings thus became the most evident expressions of respectability and social status, and attained a special place and meaning, partly due to their potential to address the masses. The works that ambassadors commissioned to artists they added to their retinue en route to the East or to their local counterparts they encountered during service, evolved into books with engravings or collections decorating the walls of European chateaus, and served as source material for works by other artists, thus generating a large visual repertoire on the Ottoman world. Ottoman ambassadors sent to European countries were subjects of monumental portraits painted by leading European artists of the period, immortalizing these historic visits. This selection from the Suna and Inan Kiraç Foundation Orientalist Painting Collection, not only allows us to travel across the meandering paths of diplomatic history under the guidance of art, but it also introduces us to intriguing personalities. Ambassadors and painters continue to communicate with us through a silent yet equally rich and colourful language of expression, presented in their reports and letters, and share with us their respective periods, worldviews, travels and experiences, as well as the ceremonies they joined. Listening to their extraordinary tales, it is impossible not to be enraptured by the splendor and elegance of a lost age. Often used as one of the clearest indications of status and identity in western art since Antiquity, portraits also served a similar purpose for ambassadors. Furthermore, documenting the physiognomy of ambassadors through portraiture was also regarded as a precautionary measure against espionage. Portraits were painted of European ambassadors sent to the Ottoman Empire as high-level officials that have attained great respectability; artists to which these portraits were commissioned strived to reflect not only the physiognomy of the ambassadors, but the power and authority of the state and the ruler they represented. The Ottoman State's political, military, commercial, and cultural relations with European states gained momentum from the 18th century onwards. In turn, the visits Ottoman ambassadors paid to western countries accelerated the spread of the Turquerie fashion of the period. While portraits of Ottoman ambassadors painted by renowned artists of the countries to which they were assigned served to honor the Ottoman Sultan and his representative, they also nurtured the West's penchant for exoticism. There is no doubt that the ever-changing trends, fashions, as well as the purpose of diplomatic visits and political relations were reflected in the portraits. For example, while Kozbekçi M.
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2008., Istanbul:, 2008
ISBN 10: 9759123541ISBN 13: 9789759123543
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. KIBRIS, R. BARIS (Edited by) Istanbul: The city of dreams. Views of Istanbul and daily life in the Ottoman world from the 17th to 20th century with selected works from the Suna and Inan Kirac Foundation Collection. [Exhibition catalogue]. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2008. 4to., 129 p., color ills., 4 folding plates. Paperback. New ISBN: 9789759123543 CATALOG: Istanbul / Constantinople KEYWORDS: Istanbul - Constantinople History of art Ottoman culture Painting Orientalism Travel memories Contents - Foreword - Zeynep Inankur; "In Search of Lost Time" - Gunsel Renda; Istanbul: The Travelers' Passion - Catalogue - Daily Life of the Interior - Life and the City - Views of Istanbul - Artists' Biographies - Selected Bibliography.
Publicado por Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2005., 2005
ISBN 10: 9759123029ISBN 13: 9789759123024
Librería: BOSPHORUS BOOKS, Istanbul, Turquia
Libro
Soft cover. Condición: New. RIFAT, SAMIH - BARIS KIBRIS - BEGUM AKKOYUNLU (Edited by) Portraits from the Empire. The Ottoman world and the Ottomans from the 18th to 20th century with selected works of art from the Suna and Inan kirac foundatiom collection. [Exhibition catalogue]. Istanbul: Suna ve Inan Kirac Vakfi Pera Muzesi, 2005. 4to., 154 p., color ills. Paperback. New ISBN: 9789759123024 CATALOG: Painting & Sculpture KEYWORDS: Painting History of art Ottoman culture Orientalism The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Sixty paintings selected from the Suna and Inan Kirac and Sevgi and Erdogan Gonul collections brings us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign in their phisiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.