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Publicado por Getty Publications 2021-10-15, Los Angeles, California, 2021
ISBN 10: 1606066706ISBN 13: 9781606066706
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Language: ENG.
Publicado por Brepols Publishers 2023-12-28, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Language: LAT.
Publicado por Harvey Miller Pub, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: New.
Publicado por Harvey Miller Pub, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: As New. Unread book in perfect condition.
Publicado por Harvey Miller Pub, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Libro
Condición: New.
Publicado por Harvey Miller Pub, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Libro
Condición: As New. Unread book in perfect condition.
Publicado por Harvey Miller, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 1st edition. 448 pages. Latin language. In Stock.
Publicado por Brepols Turnhout -Belgio 2023, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: EDITORIALE UMBRA SAS, Foligno, PG, Italia
Libro
Condición: Nuovo. Ril. in tela con sovr.a col., cm 22 x 28,5, pp 439, 268 ill. a col. e 6o in b/n. Testo: inglese italiano - latino. - ISBN: 9781912554577.
Librería: Libreria Studio Bosazzi, Firenze, FI, Italia
Libro
Rilegato. Condición: nuovo. Brepols, 2023. Nuovo. Ril. in tela con sovr.a col., cm 22 x 28,5, pp 439, 268 ill. a col. e 6o in b/n. Testo: inglese italiano - latino. - ISBN: 9781912554577. --- SUMMARY This volume comprises 207 drawings, about half of which are in the Royal Library at Windsor Castle and the rest in the Department of Greece and Rome in the British Museum and numerous public or private collections in the UK and abroad. They depict a wide variety of ancient statues of gods and humans, standing, seated or supine, large and small, whole and fragmentary, mainly of marble but also of bronze, as well as statuettes in marble and alabaster, figurines in bronze and terracotta, both Roman and Etruscan, military trophy groups and phallic sculptures. Also represented are herms, a sizeable series of portrait busts and heads, miniature busts in semi-precious stones and figurative appliqués. Some are wellknown pieces, from the Barberini, Giustiniani, Medici and Pamphilj collections in Rome, but many are unusual and otherwise unrecorded. The drawings were largely commissioned in the 1630s and 1640s from artists such as Pietro Testa and Vincenzo Leonardi, with smaller groups thereafter, the last in the mid-1680s. The assemblage was probably initially intended by Cassiano for publication as a series of prints for the benefit of antiquarian scholars and artists, complementing the larger quantity of drawings of bas-reliefs which Cassiano had begun to assemble from the early 1620s onwards (published in Part A.III) and constituting the core of the Paper Museum in Cassiano s narrower definition of it in 1654 as everything good in marbles and bronze which can provide some information about antiquity .
Publicado por Brepols - Harvey Miller 2023, 2023
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgica
Miembro de asociación: ILAB
Hardback, 448 pages, Size:220 x 285 mm, Illustrations:60 b/w, 268 col., Language(s):English, Italian, Latin. ISBN 9781912554577. Summary This volume comprises 207 drawings, about half of which are in the Royal Library at Windsor Castle and the rest in the Department of Greece and Rome in the British Museum and numerous public or private collections in the UK and abroad. They depict a wide variety of ancient statues of gods and humans, standing, seated or supine, large and small, whole and fragmentary, mainly of marble but also of bronze, as well as statuettes in marble and alabaster, figurines in bronze and terracotta, both Roman and Etruscan, military trophy groups and phallic sculptures. Also represented are herms, a sizeable series of portrait busts and heads, miniature busts in semi-precious stones and figurative appliqués. Some are wellknown pieces, from the Barberini, Giustiniani, Medici and Pamphilj collections in Rome, but many are unusual and otherwise unrecorded. The drawings were largely commissioned in the 1630s and 1640s from artists such as Pietro Testa and Vincenzo Leonardi, with smaller groups thereafter, the last in the mid-1680s. The assemblage was probably initially intended by Cassiano for publication as a series of prints for the benefit of antiquarian scholars and artists, complementing the larger quantity of drawings of bas-reliefs which Cassiano had begun to assemble from the early 1620s onwards (published in Part A.III) and constituting the core of the Paper Museum in Cassiano's narrower definition of it in 1654 as 'everything good in marbles and bronze which can provide some information about antiquity'. 0 g.
Publicado por Harvey Miller, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condición: New. 2023. Multilingual. hardcover. . . . . .
Publicado por Brill Academic Pub, 2019
ISBN 10: 9004362851ISBN 13: 9789004362857
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 01 edition. 630 pages. 9.75x6.75x1.75 inches. In Stock.
Publicado por Harvey Miller, 2023
ISBN 10: 1912554577ISBN 13: 9781912554577
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Libro
Condición: New. 2023. Multilingual. hardcover. . . . . . Books ship from the US and Ireland.
Rilegato. Condición: nuovo. 4 vols, viii + 1794 p. Illustrations:190 b/w, 1170 col. Language(s):English, Italian, Latin. Brepols, Publication Year:2022. Hardback - SUMMARY The 1,055 drawings catalogued in these four volumes are mainly divided between the Royal Library at Windsor Castle and the Department of Greece and Rome of the British Museum, but are also scattered in other public and private collections across the world. They correspond most closely to Cassiano s definition of the Paper Museum as his attempt to have skilled young draughtsmen draw everything good in marbles and bronze which can provide some information about antiquity . He focused in the first instance on the ancient figurative reliefs which are especially abundant in the city of Rome, carved on marble sarcophagi, tombstones, altars, bases and a wide range of other monuments. The drawings depict both the public reliefs of the city such as those on the Arch of Constantine or the Column of Marcus Aurelius and those from the major Roman private collections of the period, including the Aldobrandini, Borghese, Medici, Farnese, Barberini and Giustiniani collections. Cassiano started the project in the 1620s with the intention of publishing the drawings as a series of prints. No printed edition ever came to pass, but the drawings collection expanded with still greater energy in the 1630s, when Pietro Testa and other young artists from the circle of Pietro da Cortona were employed. After Cassiano s death in 1657 the enterprise was carried forward by his younger brother Carlo Antonio, who continued to collect drawings of sarcophagi and reliefs well into the 1680s. Sixteenthcentury purchases were also made for the collection, including works by Battista Franco and Pirro Ligorio. Four introductory essays explore the context in which the project evolved and discuss the collecting history of the Paper Museum as attested by the mounts and numbering found on many of the drawings. The range of different hands at work are identified, and a detailed survey is provided of the existing albums or the past configurations of others now dismembered.
Publicado por Brepols Pub, 2022
ISBN 10: 1912554569ISBN 13: 9781912554560
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
Publicado por Harvey MIller Publishers, London, 2022
ISBN 10: 1912554569ISBN 13: 9781912554560
Librería: Luigi De Bei, PREGANZIOL, TV, Italia
Libro Original o primera edición
Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Sarcophagi and Other Reliefs 4 volumes Amanda Claridge, Eloisa Dodero Pages:4 vols, viii + 1794 p. Size:220 x 285 mm Illustrations:190 b/w, 1170 col. Language(s):English, Italian, Latin Publication Year:2022 Buy print version ? 350,00 RETAIL PRICE ISBN: 978-1-912554-56-0 Hardback Available BIO Amanda Claridge was Emeritus Professor of Roman archaeology at Royal Holloway, University of London, specialising in Roman art, topography and architecture, and with a particular interest in antiquarian studies of the early modern period. She also taught at the universities of Princeton and Oxford and was Assistant Director of the British School at Rome from 1980 to 1994. She was a Fellow of the Society of Antiquaries of London, a Corresponding Member of the Accademia Pontificia Romana di Archeologia and of the Archaeological Institute of America, and Commendatore of the Italian Order of Merit. Until her death in 2022 she was academic editor of Series A volumes of the catalogue raisonné in addition to contributing as author to Parts II (1996,1998), V (2016), VI (2012) and IV (forthcoming). Eloisa Dodero is archaeological curator at the Capitoline Museums in Rome. She completed her studies in archaeology at the University of Naples Federico II with a doctorate on collections of antiquities in eighteenth-century Naples and an earlier master?s thesis on the antiquities of the Museo Kircheriano in Rome (1651?1733). She was employed by the Royal Collection as research assistant to the Dal Pozzo Catalogue Project and has published extensively on the history of antiquarian collections and the reception of the antique in the early modern period. She is also co-author of Part IV (Statues and Busts, forthcoming) and is currently working with Adriano Aymonino on a new edition of Haskell and Penny?s Taste and the Antique. SUMMARY The 1,055 drawings catalogued in these four volumes are mainly divided between the Royal Library at Windsor Castle and the Department of Greece and Rome of the British Museum, but are also scattered in other public and private collections across the world. They correspond most closely to Cassiano?s definition of the Paper Museum as his attempt to have ?skilled young draughtsmen? draw ?everything good in marbles and bronze which can provide some information about antiquity?. He focused in the first instance on the ancient figurative reliefs which are especially abundant in the city of Rome, carved on marble sarcophagi, tombstones, altars, bases and a wide range of other monuments. The drawings depict both the public reliefs of the city ? such as those on the Arch of Constantine or the Column of Marcus Aurelius ? and those from the major Roman private collections of the period, including the Aldobrandini, Borghese, Medici, Farnese, Barberini and Giustiniani collections. Cassiano started the project in the 1620s with the intention of publishing the drawings as a series of prints. No printed edition ever came to pass, but the drawings collection expanded with still greater energy in the 1630s, when Pietro Testa and other young artists from the circle of Pietro da Cortona were employed. After Cassiano?s death in 1657 the enterprise was carried forward by his younger brother Carlo Antonio, who continued to collect drawings of sarcophagi and reliefs well into the 1680s. Sixteenth century purchases were also made for the collection, including works by Battista Franco and Pirro Ligorio. Four introductory essays explore the context in which the project evolved and discuss the collecting history of the Paper Museum as attested by the mounts and numbering found on many of the drawings. The range of different hands at work are identified, and a detailed survey is provided of the existing albums or the past - Language : english,latin and italian text.-.