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Publicado por The Metropolitan Museum of Art, New York, 1970
Librería: Foggy Mountain Books, Oakdale, TN, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. No Jacket. Spiral bound. Light wear. Unmarked pages. Very Good condition.
Publicado por Metropolitan Museum of Art/ The Cloisters, New York, 1970
Librería: Gil's Book Loft, Binghamton, NY, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. No Jacket. 1st Edition. From a heavy smoker's home. Smoky odor. Oblong. Gold-stamped white spine w/ photo bds. 7.5" x 9." "Engagement Calendar for the year 1970/ The 100th Anniversary of the Metropolitan l Museum of Art." Neatly penned entries on a few pgs. Printed in Switzerland. 26031 shelf. Book.
Publicado por Achim Moeller Fine Art, New York, NY, 1985
Librería: Lucky Panther Books, Leonia, NJ, Estados Unidos de America
Libro
Soft cover. Condición: Near Fine. No Jacket. Exhibition winter, 1985-1986. About 30 works are included in the catalogue, most in color. 8 1/2" x 8 1/2".
Publicado por Achim Moeller, London, 1975
Librería: Colin Martin Books, Near Hull, EY, Reino Unido
Paperback. Condición: Very Good. Qto., unpaginated, approx 50 pages, illustrated in both colour and b/w. A Very Good clean copy. Book.
Publicado por Moeller Gallery, 1992
Librería: Schoen Books, South Deerfield, MA, Estados Unidos de America
Miembro de asociación: SNEAB
Condición: Very Good. Location:424a 132 pp. 424a.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1970 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 265.
Publicado por Metropolitan Museum of Art/ The Cloisters
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.01.
Publicado por The Metropolitan Museum of Art, New York, 1971
ISBN 10: 0870991108ISBN 13: 9780870991103
Librería: West Side Book Shop, ABAA, Ann Arbor, MI, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: No Jacket as issued. 1st Edition. 4to. Volume I. Unpaginated (88 pp.), The Color Plates. Volume II. 104 pp. First Edition, 1971. Light edge wear, mostly to corners, else, Pristine, no wear. No markings, binding tight, clean, white and bright. 9.25" x 12.25". Tan cloth with gilt volume numbers on front board, and gilt lettering to spine. In illustrated slipcase. Foreword by Thomas Hoving, Introduction by Florens Deuchler and Jeffrey M. Hoffeld ( including Commentaries on pages of the Facsimile), and an essay on The Heraldry in the Manuscript by Helmut Nickel. Size: Quarto. Book.
Publicado por Galerie Jan Krugier, Genève, 1974
Librería: LLIBRERIA KEPOS-CANUDA, Barcelona, España
Libro
Encuadernación tela. Condición: Perfecto estado. 94 pp. aprox. 32 x 24cm.
Publicado por Collection Prisme, 1977
Librería: Michael Patrick McCarty, Bookseller, New Castle, CO, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hard cover. Condición: Very Good. First edition. Good+ to Very Good. Some light fraying and wear to edges and corner tips. Inscribed "bien ami? a Percy Oscar 10.4.78". Includes b/w photos of his sculptures throughout. Text in French, German, and English. A scarce title, it appears to be from a small edition. Signed copies rarely offered. Oscar Wiggli (9 March 1927 ? 26 January 2016) was a Swiss composer and sculptor. "Oscar Wiggli has dedicated all his life to Eros, vital force. This has structured his plastic work into three objectives through stages that are formally different. He achieved his objectives step by step in the time frame, but changes happened and still do, providing new solutions. The sensual and obsessional experience of the female body drives his interpretation of his sensations by mimetic representations of the body. The formal problem caused by the use of larger and larger iron plates led to the workings of axiomatic geometrics on basic forms. This suggests the physical reality of a female body by cryptic evocations. The ability of using large sledgehammers allowed him to create a series of grand archaic idols which are not strictly feminine, but simply portray human existence. Signed by Author.
Publicado por Collection Prisme, 1977
Librería: Michael Patrick McCarty, Bookseller, New Castle, CO, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hard cover. Condición: Very Good. First edition. In Good+ to Very Good condition. Some light bumping and fraying to corners. Text in French, German, and English. With hand written letter (in English) (signed) by Oscar Wiggli to gallery owner introducing this new book, laid in. Oscar Wiggli (9 March 1927 ? 26 January 2016) was a Swiss composer and sculptor. "Oscar Wiggli has dedicated all his life to Eros, vital force. This has structured his plastic work into three objectives through stages that are formally different. He achieved his objectives step by step in the time frame, but changes happened and still do, providing new solutions. The sensual and obsessional experience of the female body drives his interpretation of his sensations by mimetic representations of the body. The formal problem caused by the use of larger and larger iron plates led to the workings of axiomatic geometrics on basic forms. This suggests the physical reality of a female body by cryptic evocations. The ability of using large sledgehammers allowed him to create a series of grand archaic idols which are not strictly feminine, but simply portray human existence. Signed by Author.