Publicado por Yale University Press, 1996
ISBN 10: 0300068832 ISBN 13: 9780300068832
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.
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Nuevo desde EUR 72,11
Usado desde EUR 24,50
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Yale, 1994
ISBN 10: 0300068832 ISBN 13: 9780300068832
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Original o primera edición
Softcover. Condición: Fine. No jacket. 2nd printing.
Publicado por Yale University Press, 1994
ISBN 10: 0300057393 ISBN 13: 9780300057393
Librería: HPB-Red, Dallas, TX, Estados Unidos de America
hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Nuevo desde EUR 133,89
Usado desde EUR 44,77
Encuentre también Tapa dura Original o primera edición
Publicado por Yale University Press, 1994
Librería: Midway Book Store (ABAA), St. Paul, MN, Estados Unidos de America
Original o primera edición
softcover. Condición: near fine. First edition. Quarto. 28cm x 23cm. 433pp.
Publicado por Yale University Press, New Haven, 1994
ISBN 10: 0300057393 ISBN 13: 9780300057393
Librería: Object Relations, IOBA PBFA, London, Reino Unido
Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st printing (1994). 433pp. VG/VG copy, jacket lightly edge worn with a couple of small closed tears, now preserved in archival jacket protector.
Publicado por Yale University Press, 1994
ISBN 10: 0300068832 ISBN 13: 9780300068832
Librería: Sleuth Books, FABA, Palm Coast, FL, Estados Unidos de America
Miembro de asociación: FABA
Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. Large soft cover in beautiful condition. 433 pages. Light surface wear. Selling quality books for 35 years.
Publicado por New Haven, Yale University Press,, 1994
ISBN 10: 0300068832 ISBN 13: 9780300068832
Librería: Matthaeus Truppe Antiquariat, Graz, Austria
Original o primera edición
XII, 433 S. mit zahlr. teils ganszeit. teils farb. Textabb. Erste Ausgabe dieser umfassenden, reich illustrierten Monographie über die Druckgrafik der Renaissance. - Englischer Text. - Leicht gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Englisch Gewicht in Gramm: 2100 Kl.-4°. OKart. (kl. Gebrssprn.).
Publicado por New Haven/London (Yale University Press), 1994
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
xii, 433pp. 383 illus. 4to. Wraps.
Publicado por Yale University Press, New Haven, 1994
Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de America
Original o primera edición
hardcover. Condición: fine. Estado de la sobrecubierta: fine. First. Profusely illustrated throughout in black & white and color. 433 pages. Thick square 4to, black cloth, d.w. New Haven: Yale University Press, 1994. First edition. A fine copy in a fine dust wrapper.
Publicado por Yale University Press, 1994
Librería: Codex Books, York, Reino Unido
Hardcover. Condición: Good. The Renaissance Print, 1470-1550 by David Landau and Peter Parshall, 1994, Published by Yale University Press, Printed by C.S.Graphics, Hardback,has fading to spine and some to covers, All pages appear present, Pages are starting to yellow,
Publicado por Yale University Press 1994, 1994
Librería: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nueva Zelanda
Miembro de asociación: IOBA
Large quarto, black cloth boards with gilt lettering to spine, xii + 433pp, illus, nr fine, in d/w, VG+ (light creasing to edges).
Publicado por Yale University Press, New Haven, CT, 1994
ISBN 10: 0300057393 ISBN 13: 9780300057393
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Black cloth with gilt lettering, black glossy, color-illustrated dustjacket. xii, 433 pp., 383 illustrations, including about 40 in color. Never before has the Renaissance fine print received the type of multifaceted scrutiny elaborated in this superb synthesis. While focusing on the great prints and printmakers of Italy and Germany, the authors have articulated a consideration that rigorously evokes the various graphic techniques, their stylistic qualities and visual ramifications, and the aesthetic and theoretical context in which the prints were produced. Not only is the proximate setting of the prints' production convincingly educed, but the societal milieu of their dissemination, acquisition, and appreciation are also cogently reconstructed. All this is set within an overview that encompasses the rise, efflorescence, and decline of this new artistic medium. This is a work so rich in information, observation, and insight that no collection seriously concerned with the history of the graphic arts of Renaissance culture may dispense with it. -- Library Journal. Robert Cahn, Fashion Inst. of Technology, New York. Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public. Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking. -- Publisher's website. Contents include: Framing the Renaissance print -- Craft guilds, workshops, and supplies -- How prints became works of art: the first generation -- From collaboration to reproduction in Italy -- The cultivation of the woodcut in the North -- Artistic experiment and the collector's print -- Epilogue. Good+/Good+ (ex-library with labels and stamps on dj spine, block, inside front and rear covers and title page verso. Bottom right of pages are bent, curled. Pages are otherwise clean.).