Publicado por Matthew Marks Gallery, New York, 2017
ISBN 10: 1944929037 ISBN 13: 9781944929039
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Original o primera edición
First edition and first printing. Hardcover. The first monograph on Peter Cain. Features texts by Beau Rutland, Collier Schorr, and Richard Meyer. Includes 133 color images, list of previous exhibitions, a selected bibliography. A clean and tight near fine copy in cloth boards with some slight bumping to the bottom front corner and in a very near fine dust jacket with the same bumping.
Publicado por Matthew Marks Gallery, 2017
ISBN 10: 1944929037 ISBN 13: 9781944929039
Librería: Matthew Marks Gallery, New York, NY, Estados Unidos de America
Original o primera edición
Hardcover. Condición: New. 1st Edition. This is the first comprehensive monograph on Peter Cain, who first achieved fame in the early-1990s for his paintings of distorted automobiles. Rendered with precision, their gleaming surfaces intensified the seductiveness of the advertisements on which they were based, leading one critic at the time to call them "literal and figurative icons of autoeroticism." In 1995, in a departure from the car paintings, Cain began a new series of paintings. Each composition part figure study, part landscape depicts his boyfriend Sean's reclining head and shoulders on a beach. These new works signaled, in the words of critic Peter Schjeldahl, "the creation of a new high style able intelligently to capture intimate nuances of contemporary Eros on a public scale." The following year Cain took up another new subject: gas stations and strip malls around Los Angeles. In January 1997, less than a month before their first exhibition, he died tragically from a cerebral hemorrhage. He was thirty-seven years old. Illustrated with more than eighty full-color plates, this book features paintings, drawings, and photographs made between 1987 and 1997. Beau Rutland's essay provides a comprehensive overview of Cain's work and its unique place in the New York art world of the 1980s and 1990s, while Collier Schorr offers a meditation on desire and power inspired by Cain's car paintings. Richard Meyer's essay examines the Sean paintings, which suspend their subject "between intimacy and abstraction." Accompanying these essays are source images, preparatory collages, and historical photos of the artist and his studio, all published here for the first time. Clothbound with jacket. 164 pages, 133 images. 11½ × 10 inches; 29 × 25 cm.
Publicado por Matthew Marks Gallery, New York, 2017
ISBN 10: 1944929037 ISBN 13: 9781944929039
Librería: Capitol Hill Books, ABAA, Washington, DC, Estados Unidos de America
Original o primera edición
Condición: Near Fine. Estado de la sobrecubierta: Near Fine. New York: Matthew Marks Gallery, 2017. First Edition. Quarto (30x26x2cm); 162pp, including list of exhibitions and bibliography. Color images of Cain's work throughout, with additional background, personal, and studio photographs. Photographic dustjacket. Black boards with blacker lettering on spine and front panel. Both jacket and volume pristine. This is the first major monograph on the paintings of dysmorphic, impossible, but still appealingly sexy cars by Peter Cain (1959-1997)-who knew how to compress sizzling cars and sizzling boyfriends into tightly delimited spaces.
Publicado por Matthew Marks Gallery, 2017
ISBN 10: 1944929037 ISBN 13: 9781944929039
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New.
Publicado por Matthew Marks Gallery, 2017
ISBN 10: 1944929037 ISBN 13: 9781944929039
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition.