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Publicado por The Baltimore Museum of Art, 1999
ISBN 10: 0912298715ISBN 13: 9780912298719
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
Publicado por The Baltimore Museum of Art, 1999
ISBN 10: 0912298715ISBN 13: 9780912298719
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por Rizzoli International Publications, Incorporated, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Publicado por Rizzoli International Publications, Incorporated, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por Rizzoli International Publications, Incorporated, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Publicado por Rizzoli International Publications, Incorporated, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
Publicado por Baltimore Museum of Art; Rizzoli, Baltimore and New York, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fine. 1st. Cloth, 167 pages, colour illustrations; 31 cm. Catalogue of an exhibition held at the Baltimore Museum of Art and 2 other venues, 1999-2000. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! No priority/air, except by special arrangement. "This book accompanies the first major exhibition to focus exclusively on the portraits made by the Impressionist masters and their immediate predecessors. Breaking free from portraiture's conventions, the Impressionists expanded the notion of a portrait to reflect not only an individual's appearance but also his or her everyday surroundings. From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves. Reproduced are key works by fourteen pivotal figures including Gustave Caillebotte, Mary Cassatt, Paul Cezanne, Edgar Degas, Paul Gauguin, douard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, which reveal the astonishing originality and beauty of the Impressionists' portraits. In an introductory essay, John House examines how the Impressionists' revolutionary approach to painting changed portraiture and discusses the meanings and implications of the various types of portraits they made. House explains how these portraits were used to establish public and private identities and what makes them such insightful expressions of modern life and identity. An extended catalogue entry by curator Sona Johnston, assisted by Susan Bollendorf, accompanies each plate, discussing the identities of the paintings' subjects, the relationships between artists and sitters, and the place of each painting within the artist's oeuvre. The stories behind the canvases are revealed as Johnston highlights the social context of this influential circle of artists. An essential volume for lovers of Impressionism, this beautiful book paints a revealingly intimate picture of the Impressionists' world. / Sona Johnston is Curator of Painting and Sculpture Before 1900 at The Baltimore Museum of Art. She has organized exhibitions on the art of Antoine-Louis Barye, Honor Daumier, Winslow Homer, Louis Comfort Tiffany, and others. Her writings include numerous exhibition and collection catalogues. At present she is preparing a catalogue raisonn of the work of the American Impressionist Theodore Robinson. John House is Professor of the History of Art and Deputy Director of the Courtauld Institute of Art, University of London. An expert on nineteenth-century French art, he has written requisite monographs on Monet and Renoir and has made major contributions to many notable books on Impressionist art. Susan Bollendorf is Research Assistant in the Department of Painting and Sculpture Before 1900 at The Baltimore Museum of Art." - Publisher. Also includes an essay by Paul Valery, "On Portraits." Size: 4to. Collectible.
Publicado por Baltimore Museum of Art, 1999, 1999
Librería: Peter Moore Bookseller, (Est. 1970) (PBFA, BCSA), Cambridge, Reino Unido
Miembro de asociación: PBFA
167pp. 31cm. Colourt and black and white illustrations throughout, the colour mostly full page. Bibliography. Index. hard cover in dust jacket. A very good clean copy Weigghs c.1.25kg so additional postage will be required if shipped outside the UK; please enquire.
Publicado por New York : Baltimore Museum of Art in association with Rizzoli, 1999
ISBN 10: 0847822109ISBN 13: 9780847822102
Librería: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Alemania
Libro
Condición: Sehr gut. 167 S. Umschlag leicht berieben, sonst gutes Exemplar. - Impressionism and the Modern Portrait. John House -- On Portraits. Paul Valéry. ISBN 9780847822102 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband mit Schutzumschlag.