Publicado por Weidenfeld Nicolson Illustrated 20/03/1995, 1995
ISBN 10: 0297835165 ISBN 13: 9780297835165
Librería: Bahamut Media, Reading, Reino Unido
Hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Publicado por Guggenheim Hermitage Museum, New York and Las Vegas, 2001
ISBN 10: 0892072490 ISBN 13: 9780892072491
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st. Cloth, 211 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Age toning. Dust jacket, with moderate edgewear/nicked with a small open tear on the back cover, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Preface, by Mikhail Piotrovsky; Breaking new ground, by Thomas Krens; Moscow's two great collectors : Shchukin and Morozov, by Albert Kostenevich; The collective collections of the Guggenheim Museums, by Lisa Dennison; Plates; Artist biographies and catalogue entries. Size: 4to.
Publicado por Guggenheim Museum Publications, New York, New York, 2001
ISBN 10: 0892072504 ISBN 13: 9780892072507
Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de America
Softcover. 211 pp. Catalogue of the exhibition at the Guggenheim Museum in New York City, 16 September 2001 to 17 March 2002. Softcover. Very good condition; on covers: touches of wear on edges, with previous owner's name and slight bowing on front.
Publicado por Art Gallery of Ontario, Toronto, 2002
ISBN 10: 1894243234 ISBN 13: 9781894243230
Librería: Capricorn Books, Oakville, ON, Canada
Soft Cover with Self Flaps. Condición: Very Good+. 224 pp, 4to (11" H). Profusely illustrated in colour and b&w. The catalogue of the exhibition. "This book demonstrates how two strains of influence - the resurgence of Classicsim and the impact of 'primitivism' on Western culture - provide links between Symbolism, Post-Impressionism, Fauvism and the birth of Modernism. Certain polarities generated by these two different strains - tradition versus innovation, Western versus non-Western culture, the timelessness of myth versus the experience of modern life - were driven by ideas that developed formalist parallels. This can be seen in the struggle between the figurative and abstract in art, and in the contrast between the pastoral idyll and the contemporary landscape." Contents: Prefaces; 'Invitation to the Voyage', poem by Charles Baudelaire; New Spirits and Sacred Springs: Modern Art in France at the Turn of the Century; The Myth of the Midi: Landscape as Earthly Paradise; Fin de Siecle Nostalgia and Primitivism: Ancient Brother or New Man?; Sergei Shchukin and Ivan Morozov: Two Legendary Collectors; Maurice Denis and Pierre Bonnard: The Morozov Decorative Paintings in the Hermitage Collection; Catalogue; Selective Bibliography; Index of Artists; List of Illustrations; Picture Credits. Tiny tear/crease archivally taped at top edge of leaf 117/118, minor soiling on bottom of textblock.