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Publicado por Grove Press
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5.
Publicado por Grove Press, 1962
Librería: Visible Voice Books, Cleveland, OH, Estados Unidos de America
paperback. Condición: Acceptable. Grove Press January 1962 Softcover. Ex-Library copy with library stamp on inside front cover and title page. Library card on back inside cover. Creasing, slight chipping on front and back cover.
Publicado por grove press, 1962
Librería: Hollywood Canteen Inc., Toronto, ON, Canada
Soft Cover. Condición: Good. 23 janl/c62-13052surface wear to cover.
Publicado por MINUIT, 1968
ISBN 10: 2707303119ISBN 13: 9782707303110
Librería: Librisline, Valentano, VT, Italia
Libro
Paperback. Condición: Used: Very Good. Libro usato, proveniente da una collezione privata. La copertina riporta gli usuali segni del tempo. Le pagine possono risultare ingiallite. Consegna in 24/48 h. 61 f8.
Publicado por Carnegie Hall Cinema [19613?], [New York], 1961
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Original o primera edición
Unbound. Condición: Very Good. Movie program. One small quarto sheet folded to make four pages. Measuring approximately 5" x 8½" closed. Outer pages heavily toned, hold horizontal crease, about very good with a couple of brief notes penciled in French on the final page. The first page introduces you to this film of "rare visual beauty" with statements like "The film you are about to see will, in all probability, upset every normal viewing habit you have formed" and "Allow it to guide you without fear of losing yourself"; the interior prints the movie's plot (so to speak); and the final page prints the film's credits. An interesting document regarding a polarizing New Wave film.
Publicado por Cocinor, Paris, 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por Astor Pictures, N.p., 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Collection of five vintage studio still photographs from the US release of the 1961 French film. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. A divisive film, viewed by critics as either an ambiguous, surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 10 x 8 inches. Four Near Fine, one Very Good plus overall, with slight adhesive residue to the bottom left corner. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por N.p., N.p., 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. A divisive film, viewed by critics as either an ambiguous, surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por N.p., N.p., 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with manuscript ink and pencil annotations. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por F.O.G., Paris, 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Collection of six vintage reference photographs from the 1961 film, two borderless, two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Viewed as either ambiguous, surreal masterpiece or an incomprehensible indulgence, with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus, with light edgewear, one with creasing at left corners. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por N.p., N.p., 1961
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with two "Photofest" stamps. alexander An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.
Publicado por N.p., Bloomington, 1974
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Manuscrito Original o primera edición Ejemplar firmado
First Edition. Archive of research materials used by William F. Van Wert in preparing his dissertation "The Theory and Practice of the Cine-Roman" (Arno Press, 1978). Included are responses to a questionnaire and an album of film stills. Focusing on the filmmakers of the Rive Gauche movement, which slightly preceded the French New Wave and ran parallel through the 1960s, Van Wert wanted to explore the literary influence on the works of the movement's principle filmmakers, an aspect he felt separated them from their "Cahiers" counterparts. He sent the directors a twenty-question survey, to which he received amicable responses from Alain Robbe-Grillet, Henri Colpi, and Jean Cayrol. Alain Robbe-Grillet provides a generous response directly on the questionnaire, with his comments in blue and red manuscript ink throughout. He describes his reactions to contemporary filmmakers, how Godard's works were influential but the work of Truffaut and Chabrol were absolutely not, and numerically ranking the importance of each aspect of filmmaking, such as the editing, soundtrack, and directing actors, and signs his form, "bien cordialement / Robbe-Grillet" at the top right corner of the first leaf. Jean Cayrol responds with a two-leaf typed letter signed. Cayrol, who collaborated with Alain Rensais on "Night and Fog" (1955) and "Muriel" (1963), invites Van Wert to tape a conversation in Paris because of an expressed difficulty in easily articulating his ideas in writing. Henri Colpi responds with a four leaf, six page autograph letter signed on his printed stationery (some leaves recto and verso, some recto only). Colpi was the director of the 1961 Palme d'Or winning "Une aussi longue absence," and writes the most thorough response, addressing each of Van Wert's questions in detail. Included are 142 original 4 x 6 inch vernacular photographs taken during screenings held by Van Wert using prints obtained from Grove, New Yorker Films, and others. The photos were ostensibly used as visual references by Van Wert while researching the films referenced in his book. Included are photographs from three films: "L'Immortelle" (Robbe-Grillet, 1963), "L'Opera mouffe" (Agnes Varda, 1958), and "Night and Fog" (Resnais, 1955). Photographs Fine, housed in the photo binder used by Van Wert, binder Very Good plus with minor chipping and light soiling. Letters 8.5 x 11 inches to 8.5 x 11.5 inches. Very Good overall, housed in a supplied binder. Also included as reference are Van Wert's books "The Theory and Practice of the Cine-Roman," First Edition, Near Fine with minor rubbing, and a later printing of "The Film Career of Alain Robbe-Grillet," Very Good in wrappers. Criterion Collection 238. Vogel US.
Publicado por Paris, Editions de Minuit, 1961, 1961
Original o primera edición Ejemplar firmado
Couverture souple. Condición: Très bon. 1ère édition. 19,2 x 14,3 cm, broché, couverture blanche imprimée en bleu et noir, 172 pp., 2 ff. n. ch., 48 photos extraites du film réalisé par Alain Resnais sur 24 planches hors-texte de papier couché. Edition originale du scénario original incluant le découpage et les dialogues, précédé d'une introduction de l'auteur. Un des 90 ex. imprimés sur pur fil (seul grand papier), celui-ci l'un des 10 hors commerce portant le numéro HC 1. Envoi autographe signé de l'auteur à Claude de Capdenac : "Pour Claude, qui aime / tant mes petits travaux, / moi qui apprécie tant les / siens, lui présente ici un / des nôtres : / [L'Année dernière à Marienbad] / avec amitié / Alain". "Il s'agit de la version qu'Alain Robbe-Grillet remit à Alain Resnais avant le tournage de L'Année dernière à Marienbad et qui présente de très légères variantes avec ce film culte. Le sous-titre "ciné-roman", inventé pour cette publication, sera désormais accolé aux autres livres d'Alain Robbe-Grillet tirés de ses films, comme un label du nouveau Roman." Claude de Capdenac fut en charge de la fabrication aux éditions de Minuit à partir du milieu des années 50. Réf. bibliographiques : Henri Vignes, Bibliographie des Éditions de Minuit, 395. Signé par l'auteur. Livre épuisé.