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Publicado por Steuben Verlag Paul G. Esser, Berlin, 1947
Librería: Hylaila - Online-Antiquariat, Wiesbaden, Alemania
Libro
Heft. Condición: Gut/Befriedigend. Estado de la sobrecubierta: Kein Schutzumschlag. Gruselige Abenteuergeschichte.20 S., Papier nachkriegsbedingt von minderer Qualität und gebräunt, Altersspuren am Einband, J-3.
Publicado por El Desvelo, 2016
ISBN 10: 8494510207ISBN 13: 9788494510205
Librería: AG Library, Malaga, España
Libro
Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Publicado por Kickshaws, Paris, 1980
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Original o primera edición
Softcover. Condición: Fine. First edition. Translated by John Crombie. Illustrated by Sheila Bourne. Slim 12mo. 38pp. Trifle worn else fine in French-folded wrappers. One of 490 numbered copies.
Librería: Librería Anticuaria Antonio Mateos, Malaga, España
Buenos Aires, Emecé Editores, 1943, 16 x 12 cm., cartulina editorial rasgada por la unión con el lomo, retrato + 232 págs. + 1 hoja. CUENTOS.
Publicado por München/Leipzig, Georg Müller ,, 1912
Librería: Antiquariat Robert von Hirschheydt, Wedemark, Alemania
Miembro de asociación: BOEV
2. Aufl., (2)/342 S., Ln. mit einer geprägten Einbandvignette und Rundumfarbschnitt, Einband etwas berieben, guter Zustand! (Der gesammelten Werke vierter Band) - Enthält neben "Isis" auch noch "Morgane", Drama in fünf Akten, in Prosa.
Publicado por München/Leipzig, Georg Müller ,, 1910
Librería: Antiquariat Robert von Hirschheydt, Wedemark, Alemania
Miembro de asociación: BOEV
(2)/266 S., Priv.Hln., Papier etwas gebräunt, guter Zustand! (Der gesammelten Werke dritter Band).
Publicado por 2 Aufl München/Leipzig Georg Müller, 1912
Librería: Das Buchregal GmbH, Ginsheim-Gustavsburg, HE, Alemania
Libro
Condición: Gut. 342 Seiten Versicherter Versand mit DHL als versichertes Paket, Buch mit altersbedingten Gebrauchsspuren, innen ordentlich, Seiten leicht nachgedunkelt, ____Zustand siehe Bilder; weitere Bilder/Infos gern auf Anfrage____Die von uns Angebotenen Bücher kommen aus Nichtraucherhashalten und sind, wenn nicht anders beschrieben, mit normalen Gebrauchsspuren____ Versicherter Versand mit Sendungsnummer Ihr Buchregal Sprache: Deutsch Gewicht in Gramm: 400.
Publicado por München/Leipzig, Georg Müller ,, 1914
Librería: Antiquariat Robert von Hirschheydt, Wedemark, Alemania
Miembro de asociación: BOEV
(2)/288 S., Ppbd. mit einer geprägten Einbandvignette und Rundumfarbschnitt, Einband etwas ausgeblichen, innen gering stockfleckig, kleiner Aufkleber auf vorderem Vorsatz, sonst guter Zustand! (Der gesammelten Werke sechster Band) - Der Band gliedert sich in vier Teile: 1. Die religiöse Welt. 2. Dietragische Welt. 3. Die okkulte Welt. 4. Die Welt der Leidenschaften.
Publicado por MAR EDITOR, 2020
ISBN 10: 8417433244ISBN 13: 9788417433246
Librería: Librerias Prometeo y Proteo, Malaga, España
Libro
Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Edison, como solución al desengaño amoroso de un amigo, crea a una androide que llegará a ser la mujer ideal, tanto en lo físico como en su capacidad intelectual y sentimental. El joven Lord Ewald se enamora de una mujer hermosa pero coqueta, sin cultura ni alma, vacía. Para reemplazarla, Edison br / br crea una Androide igual físicamente al modelo ideal femenino de Lord Ewald, pero que a diferencia de aquella mujer de carne y hueso es espiritualmente superior y tiene en sí todo el conocimiento humano br / br gracias a la inteligencia artificial. Es la primera mujer tecnológica de la literatura moderna. LIBRO.
Publicado por Paris: M. de Brunhoff, Éditeur, 1886, 1886
Librería: Peter Harrington. ABA/ ILAB., London, Reino Unido
Original o primera edición
First edition of Villiers' scarce science fiction novel, finely bound in "japonais" style by the Parisian bookbinder Léon Lemardeley (d.1903), known in the late 19th century for "cartonnages of notable quality" (Comparato, p. 36). The binding is a superb example of 19th-century "Japonisme", a vogue for Japanese art in France following the reopening of trade between the two countries after the Meiji Restoration in 1868. The increasing numbers of prints and ceramics imported from Japan into France had an important influence on French art, particularly on the Impressionists and Post-Impressionists. Monet, Degas, and Van Gogh each owned large collections of ukiyo-e prints; one of those in Van Gogh's possession is visible in the background of his Self-Portrait with Bandaged Ear (1889). L'Ève future, which popularized the word and concept of the "android", is the first of two influential works by Villiers de L'Isle-Adam, a proudly penurious French aristocrat, the other being his Romantic play Axël (1890). Situated somewhere between the classical myth of Pygmalion, Mary Shelley's Frankenstein, and Fritz Lang's Metropolis, L'Ève future centres on a caricature of the futurist inventor, Thomas Edison, who creates an ideal mechanical woman. A key text of the decadent movement, the work is still influential, and the 2004 Studio Ghibli sequel to Ghost in the Shell opens by quoting a line from the novel: "If our gods and hopes are nothing but scientific phenomena, then it must be said that our love is scientific as well". Frank L. Comparato, Books for the Millions: A History of the Men Whose Methods and Machines Packaged the Printed Word, 1971. Octavo (185 x 115 mm). Attractively bound by Lemardeley (his ink stamp to front pastedown) in contemporary three-quarter calf, twin red-brown morocco labels, spine and covers ruled in gilt, sides with embossed Japanese fan design in brown, red, and gilt, silk bookmarker, original illustrated wrappers bound in. Wrappers illustrated by François Gorguet. Spine slightly darkened, corners lightly rubbed, binding and contents well-preserved: a near-fine copy.
Publicado por Paris: M. de Brunhoff, Éditeur, 1886, 1886
Librería: Peter Harrington. ABA/ ILAB., London, Reino Unido
Original o primera edición Ejemplar firmado
First edition, presentation copy, inscribed by the author on the half-title, "À Edmond de Goncourt. Hommage de son admirateur, Villiers de l'Isle Adam [to Edmond de Goncourt, a tribute from his admirer, Villiers de l'Isle Adam]", and bound by Pierson, Goncourt's relieur de choix, on receipt. This is a superb presentation copy of Villiers' scarce science fiction novel, which popularized the word and concept of the "android": the recipient was the man of letters and French Symbolist, Edmond Huot de Goncourt (1822-1896). Goncourt founded the Académie Goncourt which still awards one of the most prestigious French literary prizes, the Prix Goncourt. Goncourt described his first encounter with Villiers in a September 1864 entry in his journal, which he compiled with his brother Jules: "He was a typical literary bohemian or unknown poet. His hair, which was parted in the middle, kept falling in stringy locks over his eyes, and he would push back with the gestures of a maniac or an illuminati. He had the feverish eyes of a victim of hallucinations, the face of an opium eater or a masturbator, and a crazy, mechanical laugh which came and went in his throat. Altogether, something unhealthy and spectral". As well as one of the most prominent intellectuals of his time, Goncourt was also a distinguished book collector. After visiting Goncourt in the 1890s, Arthur Symons remembered that "when we came to the study, the room in which he worked, he showed me all of his own first editions, carefully bound" (Symons, p. 121). For Paul Valéry, Goncourt exemplified "the absurd lengths to which the most distinguished collector may go. After having the first editions of his friends' works bound in parchment, Edmond de Goncourt had their portraits painted on the covers by the artists he considered most appropriate to the sitters: for Daudet, Carrière; for Zola, Raffaelli. Since the books could not bear the slightest handling without damage, they were condemned to sit eternally in a glass case" (Valéry, p. 219). These parchment bindings, like the present Bradel-style cloth example, were executed by Pierson, Goncourt's "usual binder" (Galantaris, p. 166), whom he called "ce roi des cartonneurs [the king of cartoners]" and "le rare ouvrier qui a la passion de son art [the rare worker who has a passion for his art]" (quoted in Tourneux, p. 14). L'Ève future is the first of two influential works by Villiers, a proudly penurious French aristocrat, the other being his Romantic play Axël (1890). Situated somewhere between the classical myth of Pygmalion, Mary Shelley's Frankenstein, and Fritz Lang's Metropolis, L'Ève future figures a caricature of the futurist inventor, Thomas Edison, who creates an ideal mechanical woman. A key text of the decadent movement, the work is still influential - the 2004 Studio Ghibli sequel to Ghost in the Shell opens by quoting a line from the novel: "If our gods and hopes are nothing but scientific phenomena, then it must be said that our love is scientific as well". This copy later passed into the library of Pierre Bergé (1930-2017), book collector and co-founder of Yves Saint Laurent, with his bookplate on the front pastedown. Christian Galantaris, "Le goût des Goncourt à l'honneur" in Cahiers Edmond et Jules Goncourt, 2005; Arthur Symons, The Symbolist Movement in French Literature, 1919; Maurice Tourneux, La Bibliothèque des Goncourt, 1897; Paul Valéry, Aesthetics, 1964. Octavo (185 x 115 mm). Bound for the recipient in contemporary red percaline by E. T. Pierson (his stamp on the front pastedown), brown sheep spine label, original illustrated wrappers bound-in. Wrappers illustrated by François Gorguet. Hint of sunning to spine, label lightly scuffed, extremities a little rubbed, binding otherwise bright; a couple of marks to front pastedown, discreet repair to half-title at gutter, faint toning to contents, else clean and fresh within. A very good copy.