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Publicado por C. E. Fritze Ltd. Booksellers to the Court, 1929
Librería: Taos Books, Santa Fe, NM, Estados Unidos de America
Original o primera edición
Softcover. Condición: Good. First Edition. Good Plus condition, this text has a brown paper cover with a price of 2 pounds on spine, this cover has come unglued partially maybe a 1/4, text intact with sewn binding, age toning is pretty light and fairly uniform, text is unmarked, one image on p. 128 has been cut out, 190 pages in English, approx 9 x 12" tall, may cost extra to ship abroad.
Librería: Antiquaria Bok & Bildantikvariat AB, Göteborg, Suecia
En studie. Aktiebolaget C. E. Fritzes Kungl. Hovbokhandel 1929. 4:o. Rikt illustrerad varav 24 illustrationer i färg. 188,(1) s. Något nött grönt halvskinnband med övre guldsnitt, blekt rygg med rik gulddekor, några små fläckar på ryggen. Främre omslag medbundet. (G. Hedberg Stockholm). 31,5 x 23,5 cm.[#\91897].
Publicado por Stockholm, Kgl. Hofbuchhandlung, 1929., 1929
Librería: Antiquariat An der Rott Oswald Eigl, Neumarkt-St.Veit, Alemania
191 S., 1 Bl. Mit vorgebundenem Titel der kartonierten Ausgabe und 125 Illustrationen (davon 24 farbige Illustrationen auf Tafeln). Leinenband mit geprägtem Namenszug des Künstlers auf Vorderdeckel, goldgeprägtem Rückenschild und goldgeprägter Exemplar- Nr. auf Rücken. Kopffarbschnitt. 4°. Ebd. leicht angestaubt. Papier mit schwacher Randbräunung, sonst in sehr guter Erhaltung. Nr. 498 von 1.000 in der Presse numerierten Exemplaren. 1410 Gramm.
Publicado por Stockholm, C.E. Fritzes Hofbuchhandlung A.-G., 1929
Librería: Augusta-Antiquariat GbR, Diedorf OT Biburg, Alemania
Auflage 1000 in der Presse numerierte Exemplare. Dieses Buch: Nr. 461 30x22,5 cm. 191 S., Leinwandeinband m. Namenszug u. Rückenschild m. Titeldruck. SU etwas gebraucht. Sehr guter, sehr sauberer Zustand. Mit zahlreichen Abb., Farbigen und nichtfarbigen Illustrationen, Gemäldeabbildungen.
Publicado por C. E. Fritze, Stockholm, 1929
Librería: Arader Galleries of Philadelphia, PA, Philadelphia, PA, Estados Unidos de America
Condición: Very Good. book in vg condition full leather limited edition 42/1000 pages all fine wonderful plates throughout some wear at edges of lether boards book very tight and clean.
Publicado por Stockholm, 1929
Librería: Peter Blest Booksellers, Maidstone, KENT, Reino Unido
Condición: Fine. Numerous coloured and b.w. plates and illustrations, pp.190, Limited edition of 1000 copies. Finely bound in contemp. 1/2 morocco, original wrappers bound in. English text. 4to Size: 4to.
Publicado por C.E. Fritze. Stockholm. 1929., 1929
Librería: Coch-y-Bonddu Books Ltd, MACHYNLLETH, Reino Unido
Miembro de asociación: PBFA
Original o primera edición
(Hardcover, 1929 ). 1929 1st edition. Folio. Ppiv,191. B/w photographs, colour & b/w paintings. Publisher's stone cloth. Edition limited to 1000 numbered copies Slight spotting to end-papers but a very good copy. Fascinating account of the work of the Swedish sporting artist Bruno Liljefors (1860-1939). Some sketches and sculpture but mainly paintings of wildfowling, rough shooting and sporting quarry in their natural setting: foxes, capercailzie, hares, geese, ducks and birds of prey. Text translated into English by Lt.-Col. A. Poignant, O.B.E. (mil), M.C. Ian Alcock gave a copy of this book to the young Rodger McPhail, as encouragement. "I gave Rodger a copy of Dr. K.E. Russow's book on Bruno Liljefors, the great Swedish wildlife artist who died in 1939, regarded by many throughout the world as 'The Master' amongst wildlife artists." [From, Rodger McPhail: Artist, Naturalist, Sportsman, p7.] .
Año de publicación: 1929
Librería: Henry Sotheran Ltd, London, Reino Unido
Stockholm: C.E. Fritze Ltd. 1929. 4to. Original beige cloth, lettered to upper board, gilt lettering to spine; pp. 190, illustrated throughout in colour and b&w; boards a little sunned, minimal faint spotting mainly to endpapers, very good. No. 263 of limited edition of 1000. A celebration of the work of Liljefors (1860-1939), the hugely influential Swedish wildlife painter who introduced techniques taken from Impressionism and Art Nouveau into the depiction of birds and animals.