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Publicado por New Orleans Museum of Art in association with University of Washington Press, New Orleans and Seatlle, 2003
ISBN 10: 0894940872ISBN 13: 9780894940873
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fine. 1st. Cloth, 320 pages, illustrations (chiefly colour); 31 cm. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "An Enduring Vision: 17th to 20th-Century Japanese Painting from the Gitter-Yelen Collection presents 138 exceptional art works by the great masters of the Edo period as well as the paintings of their students, friends, and associates, whose relationships the authors explore and discuss. In addition to those artists mentioned above, the selection includes paintings by Ike Taiga, Sengai, and Tawaraya Sotatsu, among others. The catalogue offers a rare opportunity to appreciate in depth the ways in which these gifted individuals developed as artists." - Publisher. CONTENTS: Foreword, by E. John Bullard; Acknowledgments, by Lisa Rotondo-McCord; Notes on Collecting, by Kurt Gitter; For the People's Pleasure: Paintings in the Gitter-Yelen Collection, by Tadashi Kobayashi; The Flourishing of Nanga, by Stephen Addiss; The Legacy of Yosa Buson: Exploring the Impact of His Painting Tradition in Omi, Owari, and Osaka, by Patricia Fister; The Later Flourishing of Literati Painting in Edo-period Japan, by Patricia J. Graham; The Maruyama-Shijo School, by Johei Sasaki; Three Eccentrics: Ito Jakuchu, Soga Shohaku, and Nagasawa Rosetsu, by James T. Ulak; Hakuin and Zenga Painting, by Masatomo Kawai; Rinpa School Works in the Gitter-Yelen Collection, by Motoaki Kono; The Fictive Realms of Ukiyo-c Painting, by John T. Carpenter; The Transformation of Traditional Painting Practices in Nineteenth- and Twentieth-century Japan, by Paul Berry; Nanga and Zenga in America, 1956 to 1976, by Christine M. E. Guth; Epilogue: Edo-period Painting and the Gitter-Yelen Collection, by Stephen Addiss; Catalogue: Works in the Exhibition, by Lisa Rotondo-McCord; Seals, by Junko Kamata. Size: 4to. Collectible.
Publicado por New Orleans Museum of Art in association with University of Washington Press, New Orleans and Seatlle, 2003
ISBN 10: 0894940872ISBN 13: 9780894940873
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. 1st. Cloth, 320 pages, illustrations (chiefly colour); 31 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "An Enduring Vision: 17th to 20th-Century Japanese Painting from the Gitter-Yelen Collection presents 138 exceptional art works by the great masters of the Edo period as well as the paintings of their students, friends, and associates, whose relationships the authors explore and discuss. In addition to those artists mentioned above, the selection includes paintings by Ike Taiga, Sengai, and Tawaraya Sotatsu, among others. The catalogue offers a rare opportunity to appreciate in depth the ways in which these gifted individuals developed as artists." - Publisher. CONTENTS: Foreword, by E. John Bullard; Acknowledgments, by Lisa Rotondo-McCord; Notes on Collecting, by Kurt Gitter; For the People's Pleasure: Paintings in the Gitter-Yelen Collection, by Tadashi Kobayashi; The Flourishing of Nanga, by Stephen Addiss; The Legacy of Yosa Buson: Exploring the Impact of His Painting Tradition in Omi, Owari, and Osaka, by Patricia Fister; The Later Flourishing of Literati Painting in Edo-period Japan, by Patricia J. Graham; The Maruyama-Shijo School, by Johei Sasaki; Three Eccentrics: Ito Jakuchu, Soga Shohaku, and Nagasawa Rosetsu, by James T. Ulak; Hakuin and Zenga Painting, by Masatomo Kawai; Rinpa School Works in the Gitter-Yelen Collection, by Motoaki Kono; The Fictive Realms of Ukiyo-c Painting, by John T. Carpenter; The Transformation of Traditional Painting Practices in Nineteenth- and Twentieth-century Japan, by Paul Berry; Nanga and Zenga in America, 1956 to 1976, by Christine M. E. Guth; Epilogue: Edo-period Painting and the Gitter-Yelen Collection, by Stephen Addiss; Catalogue: Works in the Exhibition, by Lisa Rotondo-McCord; Seals, by Junko Kamata. Size: 4to. Collectible.
Publicado por Davidson Art Center, 1984
Librería: Aviary Books, New Bedford, MA, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. Very Good. Clean and crisp throughout. Staple bound. Sharp edges and corners. Small dents and signs of handling on covers. Some rubbing on rear cover.
Publicado por University of Washington Press, 2002
ISBN 10: 0894940872ISBN 13: 9780894940873
Librería: Michael Patrick McCarty, Bookseller, New Castle, CO, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Brief gift inscription by previous owner. An Enduring Vision: 17th to 20th-Century Japanese Painting from the Gitter-Yelen Collection presents 138 exceptional art works by the great masters of the Edo period as well as the paintings of their students, friends, and associates, whose relationships the authors explore and discuss. In addition to those artists mentioned above, the selection includes paintings by Ike Taiga, Sengai, and Tawaraya Sotatsu, among others. The catalogue offers a rare opportunity to appreciate in depth the ways in which these gifted individuals developed as artists.
Publicado por Davidson Art Center, Middletown, CT, 1984, 1984
Librería: Sutton Books, Norwich, VT, Estados Unidos de America
Miembro de asociación: IOBA
Condición: Near Fine. Pbk 4to, 38pp, profusely illustr throughout b+w woodcuts, catalogue of the exhibition held at the Davidson Art Center, January 26 to March 9, 1984, and the Picker Art Gallery, September to November, 1984, slight discoloration to rear cover lower corner, otherwise appears unread and an excellent clean tight and unmarked copy.
Publicado por Davidson Art Center, Middletown, CT, 1984
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
Paperback. Condición: Fine. 1st. 30 pages, illustrations; 26 cm. Exhibition held at the Davidson Art Center, January 26 to March 9, 1984, and the Picker Art Gallery, September to November, 1984. Firm binding, clean inside copy. Size: 4to.