PIERRE, JOSE; LEGRAND, GERARD; SCHUSTER, JEAN EDS (7 resultados)

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Charles Fourier, Benjamin Peret, William Shakespeare, Josef Stalin, Eva Beuys, Joseph Beuys, Lilo Klapheck, Konrad Klapheck, a month-by-month horoscopic calendar for 1970, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Sharon Tate and Bernadette Devlin, Georges Pompidou, Carlos Franqui, the photography of Nicole Pierre and Man Ray, poetry, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Tel Quel, the Kings of Bretagne, Alain Legrand, Yves Ellequet, Henri-Francois Rey, E. Kienholz, M. Fontenet, the Ministre de Travail, Georges Bataille, Jindrich Styrsky and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of the revolutionary manifesto of Tull, Benjamin Mendoza, Jacques Bazin, Jacques Vache, Jean-Claude Silbermann, Robert Benayoun, Hassan Fathy, Maurice Blanchard, Pierre Boujut, Earl Spartre, Stephen Schwartz, Christian Rochefort, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Walter Benjamin, the Student Revolution of 1968, Jean-Paul Sartre, Herve Telamaque, Regis Debray and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Joseph Smrkowski, John Heartfield, Madame Aussoir, Jean-Claude Silbermann, Gustave Moreau, Andre Breton, Jean-Francois Bury, Jacques Derain, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover, the first 6 issues of this oversize publication, each issue is 8 unbound pages folded in half horizontally at center; in French; very good condition; light wear to covers at fold; no internal marks. The.