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Publicado por Pegasus Books, New York, 2019
ISBN 10: 164313082XISBN 13: 9781643130828
Librería: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, Canada
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition first printing of the third collection of short stories by various authors in which paintings were used to inspire the stories. In fine / fine condition.
Publicado por Ziff Davis Publishing, New York, 1952
Librería: W. Fraser Sandercombe, Burlington, ON, Canada
Original o primera edición
Soft cover. Condición: Very Good. Leo Ramon Summers; George Shemo; William Slade; Ed Emsh; Nobu Shimotsuka; Tom Beecham; Ilustrador. First Edition. 162 pp. Pulp format. Light but general wear. Cover art by Leo Ramon Summers; interiors by George Shemo; William Slade; Ed Emsh; Nobu Shimotsuka; and Tom Beecham. This issue contains: Too Many Worlds - a novella by Gerald Vance (house name used by Roger P. Graham, Randall Garrett and Robert Silverberg, among others); First Run - a novelette by Mallory Storm (pen name used by Paul W. Fairman); Moon of Twelve Gods - a novelette by Rog Phillips writing as Robert Arnette; Stumble Bum - a short story by Berkeley Livingston writing as Lester Barclay; The Martian Cross - a novelette by DAvid Wright O'Brien writing as Clee Garson; and Visitor from Darkness - a novella by Rog Phillips along with all the usual features, including Men Behind Amazing Stories: Virgil Finlay, an essay by Virgil Finlay. Size: 8vo. Book.
Publicado por Ziff Davis Publishing, New York, 1952
Librería: W. Fraser Sandercombe, Burlington, ON, Canada
Original o primera edición
Soft cover. Condición: Very Good. Leo Ramon Summers; George Shemo; William Slade; Ed Emsh; Nobu Shimotsuka; Tom Beecham; Ilustrador. First Edition. 130 pp. Volume 14, number 4. General wear. Cover art by Leo Ramon Summers. This issue contains: The Jack of Planets - a novel by Paul W. Fairman; The Unfinished Equation - a novelette by Robert Arnette; The Chase - a short story by E. K. Jarvis; The Green Cat - a short story by Frances M. Deegan; and A More Potent Weapon - a novelette by Rog Phillips; along with the usual features. Size: 8vo. Book.
Publicado por Prestel, 1999
ISBN 10: 3791320041ISBN 13: 9783791320045
Librería: Shaker Mill Books, W. Stockbridge, MA, Estados Unidos de America
Libro
Soft cover. Condición: Good. Tight binding, bright, crisp pictorial wraps, bump to rear foot of spine, clean, unmarked pages throughout.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 24,00
Publicado por Matin Gropius Baus and Prestel, 1996
ISBN 10: 3791316923ISBN 13: 9783791316925
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover, 624 pages, good condition, creases to spine; ex-museum library copy with call number taped around spine; stamps to first few pages; card pocket at rear. Foreign shipping may be extra.
Publicado por Prestel Pub, 1995
ISBN 10: 3791316036ISBN 13: 9783791316031
Librería: Chapter Two (Chesham), Chesham, Reino Unido
Libro
Soft cover. Condición: Good. Slight fading to the back cover. Edited by Tom Phillips. First published on the occasion of the exhibition Africa. The Art of a Continent, Royal Academy of Arts, London, 4 October 1995 - 21 January 1996. With 854 illustrations (801 in colour). please note this book will require added postage due to the weight of the book.
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Usado desde EUR 20,05
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Penguin Random House Group 2020-12-24, Milwaukie, OR, 2020
ISBN 10: 1506716865ISBN 13: 9781506716862
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Jones, Joille Ilustrador. Language: ENG.
Publicado por Cardiff, Wales: Peter Finch, 1974
Librería: Philip Smith, Bookseller, Berkeley, CA, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Very Good. 1st edition. VG. 8vo, 148pp, printed wrappers. Impressive issue of this important little magazine from Wales, includes work from an impressive range of contributors. Unmarked copy, a bit of reading wear to spine. Not Signed.
Publicado por Cardiff, Wales: Peter Finch, 1971
Librería: Philip Smith, Bookseller, Berkeley, CA, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Very Good. 1st edition. Near VG. 8vo, 132pp, printed wrappers. From the collection of contributor Opal Louis Nations. Uncommon 1971 little magazine, also includes work by Bukowski, Iain Sinclair, et al. Plus an interview with Allen Ginsberg and a letter from Philip Whalen. Includes some concrete and visual work (including the cover by Jochen Gerz and examples of Yugoslav Signalism). Ink marks to mag list pages at back and some notes written on back cover (main text unmarked); general reading wear and soil. Not Signed.
Publicado por Prestel, Munich; New York, 1995
Librería: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Estados Unidos de America
Original o primera edición
Softcover. Condición: g. First edition. Large quarto. 613, [5]pp. Original photo-illustrated wrappers. Color frontispiece. This monumental catalogue accompanies the exhibition of the same name which was held at the Royal Academy of Arts, London, from October 1995 to January 1996. It is exquisitely illustrated throughout with hundreds of color photographic reproductions. Moderate shelf-wear. Previous owner's blind stamp on half-title (Norman Hurst). Wrappers in overall good to good+, interior in good+ to very good condition.
Publicado por Munich, 1996., 1996
Librería: Ethnographic Art Books/De Verre Volken, Leiden, ZH, Holanda
616 pp.; 854 illus., 801 in colour, maps, glossary, biblio. Text: German. Important exh. cat. Martin Gropius-Bau, Berlin. Munich, 1996. Cloth. KEYWORDS: 004 Africa: General Art & Reference books.
Publicado por Royal Academy of Arts, London, 1996
Librería: THOMAS RARE BOOKS, Yaxley, SUFFOLK, Reino Unido
Original o primera edición
paperback. Condición: Fine. 1st paperback edition. 854 illus., 801 in colour, biblography, maps, glossary. Small blemish to the rear upper corner. A very heavy volume. Postage may be extra. Size: Large folio.
Publicado por München, Prestel ca. 1996., 1996
Librería: Antiquariat Bookfarm, Löbnitz, Alemania
Libro
Hardcover. 613 p. Guter Zustand. Einband mit minimalen Gebrauchsspuren, Seiten und Text sauber und gut erhalten. Ohne Anstreichungen. Good condition. Dust-cover with very slight traces of use, pages and text clean and well kept. Without notes. Hardcover. Sprache: Englisch Gewicht in Gramm: 3300.
Publicado por Bantam, New York, 1986
ISBN 10: 0553051806ISBN 13: 9780553051803
Librería: Tony Power, Books, North Vancouver, BC, Canada
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition (INSCRIBED). Fine in near fine dustjacket (mylar-protected); title page INSCRIBED by the editor ('For [-] / with best wishes / for your work / Tom Jenks / Squaw Valley / Aug. 1988') 'Contemporary Short Stories by Today's Finest Writers', including Ward Just, Mark Helprin, Tobias Wolff, Kathryn Kramer, Richard Ford, Andre Dubus, James Salter, Breece D'J Pancake, John Sayles, Jayne Anne Phillips, Larry Heinemann, John Mort, Tim O'Brien, Bobbie Ann Mason, Robert Stone, Don Delillo, Bob Shacochis, Stephanie Vaughn. The hardcover issue, first printing. Inscribed & Signed by Editor.
Publicado por Prestel, 1995
ISBN 10: 0131918311ISBN 13: 9780131918313
Librería: Browse Awhile Books, Tipp City, OH, Estados Unidos de America
Libro
Soft Cover. Condición: Near Fine. Size: Thick Large Quarto.
Publicado por Bruce-Royal Publishing, USA, 1963
Librería: RareNonFiction, IOBA, Ladysmith, BC, Canada
Miembro de asociación: IOBA
Revista / Publicación Original o primera edición
Single Issue Magazine. Condición: Good. Alexander, Ed.; Bez, Frank; Kelly, Richard; Lavender, John; Nessim, Barbara; Feelings, Tom Ilustrador. First Edition. An early men's publication in the model of Playboy. 64 pages with color and black and white photos. Features: Gorgeous cover photo of Sophie Dorn; Artsy black and white photo of Laura Cummings inside front cover; Coney Island - a winter portrait by Robert Burg; More photos of Laura Cummings (in color and black and white); The Hungry One - a true friendship is worth fifty women, by Herbert Andrews; Battle of the Bosoms - the continuing controversy in girlie-show business in Las Vegas; Vandenberg Air Base - photo essay on this key defense base; The Two Minds of Frederick Garst, by Tom Phillips; Girls of Tahiti - Lovely color and black and white photos; Fistful of Life - A Little Lesson in a Singapore Bar, by Richard B. Johnston; More black and white photos and color centerfold of Laura Cummings, a student at Colorado State University; The 36th floor - story by Stephen R. Allen; Flip! - a series of 18 color photos of a cute dancing girl which may be clipped, then flipped to watch her move; An Introduction to Jazz; New Zealand's Finest - photo feature of Bernadette Kell; Ski Sailing - photo-article on a new winter sport; Ad for the Tisch-Bumbass one-man jazz band; and more. Unmarked with moderate wear. A sound vintage copy. Size: 4to - over 9¾" - 12" tall.
Año de publicación: 1970
Librería: William Allen Word & Image, London, Reino Unido
Condición: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg s inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh s parameters and paramitas with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg s article Towards the death of concrete poetry and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.
Publicado por Gainsborough Ralston Publishers, London, 1976
Librería: Johnnycake Books ABAA, ILAB, Salisbury, CT, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Near Fine. First Edition. Issue dated 12 Nov 1976 the major feature of which is about English artist Tom Phillips and his art. Bound into the spine of this magazine is an original print from the first edition of The Humament, his famous work, this page 85 from it, this copy numbered 99/3000 (or 5000?) by him lower left and initialed by him lower right. Stapled to verso of front cover was double-sided order sheet for Philip's limited edition poster of Yehudi Menuhin for the school which Menuhin founded in Surrey.
Publicado por 0, London
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.