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Publicado por Sierra Club Books, 1992
ISBN 10: 0871565579ISBN 13: 9780871565570
Librería: Goodwill Books, Hillsboro, OR, Estados Unidos de America
Libro
Condición: VeryGood. Minimal signs of wear.
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Nuevo desde EUR 61,44
Usado desde EUR 2,88
Encuentre también Tapa dura Original o primera edición
Publicado por 5 Associates, 1954
Librería: HPB-Emerald, Dallas, TX, Estados Unidos de America
paperback. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por Sierra Club, 1960
ISBN 10: 1199540730ISBN 13: 9781199540737
Librería: Rye Berry Books, Diamond Springs, CA, Estados Unidos de America
Libro
paperback. Condición: Good. Moderate wear. The pages are free of markings.
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Usado desde EUR 9,11
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por 5 Associates
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Condición: Good. Good condition. (Tetons, Yellowstone National Park, Ansel Adams).
Publicado por Ballantine Books, 1968
Librería: Thomas F. Pesce', Anaheim, CA, Estados Unidos de America
Libro
Soft cover. Condición: Very Good to Near Fine.
Publicado por A Sierra Club-Ballantine Book, 1968
Librería: Top Notch Books, Tolar, TX, Estados Unidos de America
Soft Cover. Condición: Good. Wraps are rubbed and tanning. The pages are clean and tight. Size: 4to - over 9¾" - 12" tall.
Publicado por Little Brown & Co (Pap), 1970
Librería: HPB-Emerald, Dallas, TX, Estados Unidos de America
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por 5 Associates, Chatham, NY
Librería: The Unskoolbookshop, Brattleboro, VT, Estados Unidos de America
Large Soft Cover. Condición: Very Good Minus. B001M5N0UO Cover edges are moderately worn. Spine is tight; pgs are unmarked. Book.
Publicado por Sierra Club, 1968
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Paperback. Condición: Good.
Publicado por The George Eastman House (1966), Rochester, NY, 1966
Librería: Ray Boas, Bookseller - Established 1980, Walpole, NH, Estados Unidos de America
PB. Condición: good, wraps (softcover). 40 sepia toned illustrations Ilustrador. Published in conjunction with The Amon Carter Museum of Western Art.
Publicado por Little Brown & Co (Pap), 1970
ISBN 10: 0913832065ISBN 13: 9780913832066
Librería: R. Rivers Books, Running Springs, CA, Estados Unidos de America
Libro
Paperback. Condición: Good. 1970. Moderate rubbing and creases to the cover along the tips and edges. Crease and small tears to the last page on the fore-edge. The text is clean and tight.
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Nuevo desde EUR 62,81
Usado desde EUR 9,13
Encuentre también Tapa blanda
Publicado por 5 Associates, Redwood City, California, 1970
Librería: David H. Gerber Books (gerberbooks), Austin, TX, Estados Unidos de America
Soft Cover. Condición: Very Good. B&w photographs Ilustrador. [96]pp [edge and corner wear] Size: 4to - over 9¾" - 12" tall.
Publicado por Aperture, 1980
ISBN 10: 0893810665ISBN 13: 9780893810665
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good.
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Usado desde EUR 14,18
Encuentre también Original o primera edición Ejemplar firmado
Publicado por Sierra Club, San Francisco, 1968
Librería: Artis Books & Antiques, Calumet, MI, Estados Unidos de America
Libro
Soft cover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. 111pp. Many lovely black & white photos. Near vg. Size: 4to - over 9¾ - 12" Tall.
Publicado por 5 Associates, Redwood City, CA.
Librería: The Book Bin, Salem, OR, Estados Unidos de America
Libro
Paperback. Condición: Good. Ilus. 95 pp. Light bumping/rubbing/creasing to corners and edges. Shelf wear. Interior clean. > Language: English | > Size: 4to - over 9 3/4 in - 12 in tall | > Media/Binding: Pictorial Wraps |.
Publicado por 5 Associates: Redwood City, CA. (), 1970
Librería: John K King Used & Rare Books, Detroit, MI, Estados Unidos de America
Black and white photos, 12x9", pict. Wraps, 95 double-col. Pages, minor cover creases and wear.
Publicado por 5 Associates, 1967
Librería: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, Estados Unidos de America
Large Softcover. Condición: Good. Wrappers creased and rubbed. 1967 Large Softcover. Unpaginated. When photographer Ansel Adams looked through his camera lens, he saw more than Yosemite's rocks, trees, and rivers. He saw art. Hues of wildness surfaced in this great American photographer's stunning black-and-white prints. And for most of his life, Yosemite National Park was Adams' chief source of inspiration. Born in San Francisco in 1902, Adams was the grandson of a wealthy timber baron. Unfortunately, most of the family fortune was lost in the 1906 earthquake and the national banking panic the following year. An only child, Adams was raised by his older parents and live-in aunt. He lived a fairly normal childhood until the eighth grade when his father recognized that Ansel was having difficulty fitting in at school. A shy introvert with big ears and a deformed nose, young Ansel may have also suffered from a hyperactive disorder or dyslexia. Whatever the cause, the elder Adams determined that it would be more productive if his socially awkward son was tutored at home. He initiated a classical education plan for Ansel that included piano lessons and studying Greek. While sick in bed with a cold one day at age 14, Ansel read a book that would eventually change his life. James Mason Hutchings' 496-page In the Heart of the Sierras caught Adams' imagination, and he soon managed to convince his parents to vacation in Yosemite National Park. By this time, he already had developed a love of nature, walking amid sand dunes outside his home near the picturesque Golden Gate. Equipped with a simple Kodak Brownie camera his parents gave him in 1916, the young Yosemite visitor tramped through the park's mountains, snapping the first images of what would become a lifetime of incredible artistic productivity. Nature, and Yosemite in particular, served as a place of healing for Adams who survived the deadly Spanish influenza in 1919. That same year, he joined the Sierra Club and then spent six summers accompanying High Sierra tour groups as trip photographer. He'd place the Half Dome cable system up each season, beginning with the cables' first appearance in 1919, so hikers could ascend the straight-up granite slope. For several years, Adams was caretaker of the Sierra Club's LeConte Memorial Lodge (now known as the Yosemite Conservation Heritage Center) in Yosemite Valley. He was deeply influenced by the organization's environmental credo, and his first published photographs appeared in the Club's 1922 Bulletin. In 1927, Adams received critical acclaim for his startling image of a Yosemite landmark. Shot in fading light with a red filter, "Monolith, the Face of Half Dome" yielded an image that was almost surreal. Before he tripped the shutter, Adams had visualized already what the developed image would look like: "a brooding form, with deep shadows and a distant sharp white peak against a dark sky." For the rest of his career, Adams would be associated with this masterpiece and the techniques he used to produce it. Despite this success as a photographer, Adams lived in two professional worlds, functioning for years as both a photographer and a classical pianist, which he had been schooled to become from a young age. Adams married Virginia Best in 1928 after a long courtship. At the time, Virginia was an aspiring singer, and Ansel, the concert pianist shared her love of music. She also happened to be the daughter of landscape painter Harry Cassie Best. Best's Studio in Yosemite Valley was a convenient place for Adams to display his photography, and seven years after their marriage, Virginia inherited the business. The couple had two children, Michael and Anne, who grew up in the Valley. The children eventually also became involved in the family business, renamed it The Ansel Adams Gallery and passed it onto their children. Adams worked throughout his life as a commercial photographer, taking assignments from the National Park Service and companies such as Kodak, Zeiss, IBM, AT&T, and Life and Fortune magazines. During the 1930s, the park's concessionaire, Yosemite Park and Curry Company, hired Adams to photograph skiing, ice skating and sledding events for publication in its winter tourism promotions. And, before the U.S. Navy temporarily converted The Ahwahnee hotel into a hospital in 1943, the YP&C Co. paid Adams to complete an extensive photographic inventory of the structure. With other nationally known photographers like Edward Weston in an exclusive Group f/64 club, Adams defined photography as a pure art form rather than a derivative of other art forms. The great American artist's darkroom techniques-through dodging and burning-allowed him to see the image in his mind's eye as a final print. "That's the drama, the expertise of what he could accomplish that no one else was able to do," said Michael Adams, Ansel's son who is a retired physician of Carmel, California. His father, he added, would have embraced today's easily manipulated photo techniques: "I think that he would have loved digital." As Adams matured, his black-and-white images became associated with polarized political issues. With the Sierra Club, he advocated in 1936 for the establishment of Kings Canyon as a national park. His images of the Kings and Kern rivers were used effectively in Washington D.C. during Congressional discussions that ultimately yeilded the 1940 legislation founding Kings Canyon National Park. In 1943, Adams boldly photo-documented Manzanar, a Japanese-American internment camp at his own expense, refusing government funding. Adams died in 1984 in Monterey, California. Shortly after his death, the Minarets Wilderness south of Yosemite National Park was renamed the Ansel Adams Wilderness in his honor. The following year an 11,760-foot peak on the edge of Yosemite was named Mount Ansel Adams. Perhaps the most fitting honor was given by his friend, President Jimmy Carter, in 1980 when Adams received the Presidential Medal of Freedom: "Drawn to the b.
Publicado por Sierra Club, San Francisco, 1963
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover missing dustjacket, 176 pages; good condition, foxing to first and last white page; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por George Eastman House, Rochester, New York, 1966
Librería: KULTURAs books, Los Angeles, CA, Estados Unidos de America
Paperback. Condición: Fine. Softcover in stapled wraps with die cut square on front wrap. Square 8vo. Fine condition. Published for members of the George Eastman House in collaboration with the Amon Carter Museum of Western Art. 40 plates plus a chronology of O'Sullivan's life.
Publicado por San Francisco Sierra Club, 1963
Librería: Jeff Jeremias Fine Arts, RMABA, Aurora, CO, Estados Unidos de America
Miembro de asociación: RMABA
Libro Original o primera edición
Hardcover. Condición: Fine. No Jacket. 1st Edition. First edition. 175 pages. Profusely illustrated with black and white photos. Fine condition. (I1).
Publicado por 5 Associates, 1959
Librería: Structure, Verses, Agency Books, Spray, OR, Estados Unidos de America
Original o primera edición
Softcover. Condición: Good. First Edition. Still good-looking, structurally sound copy in First Edition of a photographic celebration of the Yosemite Valley in the vibrant black-and-whites of the master photographer Ansel Adams. Moderately crimped at upper spine, else clean and unmarked of interior. Unpaginated, but roughly 64 pp. of text and 45 photographs. Foreword by Nancy Newhall, list of all 45 plates. Housed in a stiff plastic sleeve.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Publicado por 5 Associates, 1970
Librería: janet smith, Wheeling, WV, Estados Unidos de America
Cloth. Condición: Good. Estado de la sobrecubierta: Fair. Ansel Adams Ilustrador. Fourth Edition. Cover shows light soiling to edges. No markings. Dust jacket torn at edges. Ansel Adams, Photographs; Ruth Kirk, guide. Map end papers. Size: Folio - over 12" - 15" tall.
Publicado por 5 Associates, Redwood City, CA, 1970
Librería: Burke's Books, Eugene, OR, Estados Unidos de America
Soft cover. Condición: Very Good. Light edge wear. Prev. owner's name inside. Book.
Publicado por 5 Associates, 1970
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Soft Cover. Condición: Good. No jacket. Cover is lightly scuffed and edges are rubbed. Corners of front cover are creased. Inside is clean and unmarked.
Publicado por 5 Associates, Redwood City, CA, 1970
Librería: Falls Bookstore, Readsboro, VT, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Photo - Illustrated Ilustrador. Reprint. Bright blue cloth binding with gold copored print on front cover and spine. Map endpapers. Small library stamp at top edge of front flyleaf. "Withdrawn" written on title page.Rear endpapers have scar from removal of circulation register and scars where rear DJ flap was attached. Otherwise sound and unmarked. 95 pages. Dust jacket has small library label on spine, In mylar and no pricing present.
Hardcover. Condición: Good. Oversized hardcover. Gray cloth boards, no jacket. Illustrated with b/w photographs throughout. Light scuffing and tanning to cover edges, gilt titles on spine a bit faded but visible. Spine cracked, all pages intact. Text and photos clean, no marking. Good copy.
Publicado por 5 Associates, Redwood City, Cali, 1967
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Softcover. Condición: Very Good. 3rd paperback. Very good in wrappers. / few minor crease marks, writing inside, and a small tear on spine. The top of the spine is bumped. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Publicado por Sierra Club Bks, San Francisco,Calif, 1960
Librería: WONDERFUL BOOKS BY MAIL, Durham-CA, CA, Estados Unidos de America
Original o primera edición
HARDCOVER. Condición: Very Good. Estado de la sobrecubierta: Good. Illustrated by B&W Glossy Photos Ilustrador. First Edition?. VERY GOOD CONDITION IN GOOD DUST JACKET-UNCLIPT(S12.50).CLEAN, SOLID, BRIGHT.DJ HAS 4" tear & lite waterstain along spine fold.) book is very nice.; Copyright, 1960.no other printings given.suggest 1st printing in this rather large format .esp with dj showing the 12.50 pr ice ; PLATES (58); 93+pg pages; Nature & Humanity.THIS VOLUME WAS PUBLISHED BEFORE ISBN CODES.
Publicado por Sierra Club / Ballantine Books, 1968
Librería: Arundel Books, Seattle, WA, Estados Unidos de America
Miembro de asociación: CBA
Original o primera edición
Trade Paperback. Condición: Very Good. No Jacket. First Edition. 4to - over 9¾" - 12" tall. Slight rubbing and browning, minor nicks to wrappers; slight internal browning to edges. 111 pages. Smaller format reissue of the 1960 work; notable for the lower wrapper blurb (more of an essay) by William O. Douglas. Foreword by David Brower; photographic material chiefly by Adams; includes list of photographers.Adams, Ansel (photographer); Over 80 b/w Photographs.
Publicado por Sierra Club & Ballantine, San Francisco & NY, 1968
Librería: Ed Buryn Books, Nevada City, CA, Estados Unidos de America
Original o primera edición
1st edition thus. A celebration of America*s natural beauty, a great statement of conservation. Nice bright crisp copy. 8-1/2 x 11, 111 pp, b/w photos. Near Fine unmarked except for owner inscription inside. Trade paperback in b/w photo wraps.